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A collection of 50 landmark books to celebrate the Literary Press Group of Canada’s 50th Anniversary in 2025.
Showing 1–20 of 50 results
Finalist for the 2022 Governor General’s Literary Award for Fiction
Longlisted for the 2022 Scotiabank Giller Prize
Winner of the 2022 Indigenous Voices Awards’ Published Prose in English Prize
Shortlisted for the 2022 Amazon Canada First Novel Award
Longlisted for CBC Canada Reads 2022
Longlisted for First Nations Community Reads 2022
An Indigo Top 100 Book of 2021
An Indigo Top 10 Best Canadian Fiction Book of 2021
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“What a welcome debut. Young Eddie Toma’s passage through the truly ugly parts of this world is met, like an antidote, or perhaps a compensation, by his remarkable awareness of its beauty. This is a writer who understands youth, and how to tell a story.” —Gil Adamson, winner of the Writers’ Trust Fiction Prize for Ridgerunner
Brian Isaac’s powerful debut novel All the Quiet Places is the coming-of-age story of Eddie Toma, an Indigenous (Syilx) boy, told through the young narrator’s wide-eyed observations of the world around him.
It’s 1956, and six-year-old Eddie Toma lives with his mother, Grace, and his little brother, Lewis, near the Salmon River on the far edge of the Okanagan Indian Reserve in the British Columbia Southern Interior. Grace, her friend Isabel, Isabel’s husband Ray, and his nephew Gregory cross the border to work as summer farm labourers in Washington state. There Eddie is free to spend long days with Gregory exploring the farm: climbing a hill to watch the sunset and listening to the wind in the grass. The boys learn from Ray’s funny and dark stories. But when tragedy strikes, Eddie returns home grief-stricken, confused, and lonely.
Eddie’s life is governed by the decisions of the adults around him. Grace is determined to have him learn the ways of the white world by sending him to school in the small community of Falkland. On Eddie”s first day of school, as he crosses the reserve boundary at the Salmon River bridge, he leaves behind his world. Grace challenges the Indian Agent and writes futile letters to Ottawa to protest the sparse resources in their community. His father returns to the family after years away only to bring chaos and instability. Isabel and Ray join them in an overcrowded house. Only in his grandmother’s company does he find solace and true companionship.
In his teens, Eddie’s future seems more secure—he finds a job, and his long-time crush on his white neighbour Eva is finally reciprocated. But every time things look up, circumstances beyond his control crash down around him. The cumulative effects of guilt, grief, and despair threaten everything Eddie has ever known or loved.
All the Quiet Places is the story of what can happen when every adult in a person’s life has been affected by colonialism; it tells of the acute separation from culture that can occur even at home in a loved familiar landscape. Its narrative power relies on the unguarded, unsentimental witness provided by Eddie.
This award-winning novel by playwright Wadji Mouawad is a thriller and a road novel – written in the North African storytelling tradition in which events unfold from an animal point of view.
The novel opens with a brutal murder: the protagonist arrives home to find his wife lying in a pool of blood. Driven by grief and the need to find whoever did this – “I want to see his face, I want to know who he is” – the protagonist sets out on desperate journey from Montreal to Indian reserves along the Canada–U.S. border, south through Civil War sites in the Midwest, to Animas, New Mexico. The furious odyssey awakens long-buried memories that make present circumstances even more painful.
This masterful novel is told in a bestiary of voices, more than fifty animals, birds, and insects, each with their own characterization and style of speaking, reveal the unflattering contrast between the human and the natural. Violent and dark, the novel nevertheless moves beyond the thriller genre to become a book of multiple levels, rich in symbolism and open to complex interpretation. While set in North America, Mouawad’s Lebanese roots suffuse the text, which becomes an examination of cultural influences and at the same time an excavation of childhood trauma and the legacy of war.
Anima has resonated with readers worldwide. It’s been translated into German, Italian, Spanish, and Catalan. It won the Thyde Monnier Grand Prize from the Société des Gens de Lettres, the Mediterranean Prize, the Literary Prize for a Second Novel in Laval, the Golden Alga Award, the Phoenix Award (as part of the Beirut Spring Festival), and the Catalan Llibreter Prize for Foreign Novel, all in 2012 and 2013. In 2015, Anima won the Lire en Poche, a prize awarded annually in France in celebration of the paperback book. An elegant translation by Linda Gaboriau brings this celebrated novel to English readers.
Raw and honest, Bearskin Diary gives voice to a generation of First Nations women who have always been silenced, at a time when movements like Idle No More call for a national inquiry into the missing and murdered Aboriginal women. Carol Daniels adds an important perspective to the Canadian literary landscape.
Taken from the arms of her mother as soon as she was born, Sandy was only one of over twenty thousand Aboriginal children scooped up by the federal government between the 1960s and 1980s. Sandy was adopted by a Ukrainian family and grew up as the only First Nations child in a town of white people. Ostracized by everyone around her and tired of being different, at the early age of five she tried to scrub the brown off her skin. But she was never sent back into the foster system, and for that she considers herself lucky.
From this tragic period in her personal life and in Canadian history, Sandy does not emerge unscathed, but she emerges strong–finding her way by embracing the First Nations culture that the Sixties Scoop had tried to deny. Those very roots allow Sandy to overcome the discriminations that she suffers every day from her co-workers, from strangers and sometimes even from herself.
Blackbodying recounts the first-hand exile stories of two Lebanese citizens and their routes to Canada. Both have been forced to leave their homeland as a result of civil war, but only the first is afforded the opportunities the second so badly wants. His exile, at a very young age, has afforded him an international childhood, an American education, cultural affluence, and the ability to assimilate into almost any society he enters. The second, a destitute, beyond-his-prime optimist named Sameer Gerdak, is afforded nothing of the kind. To think that an Arab foreigner without North American credentials can penetrate this prosperous Canadian reality is a well-worn fiction. So Sameer Gerdak believes. The two protagonists’ paths intersect only slightly, but the result of their meeting is at once profound and chilling. Blackbodying speaks to the most personal ramifications of civil war, telling the stories of those who can’t shake the idea that something better must exist. Surrounded by bed-wetters, child actors, bisexual dads, dead horses, independent film-makers, prostitutes, taxi drivers, and one of the most indelible and lecherous villains in recent memory, John Spier, a low-level pimp with no hands, Sameer Gerdak and his youthful, anonymous counterpart weave a portrait of humanity that simultaneously attests to our best and worst intentions.
The voices of Blue Marrow sing out from the past and the present. They are the voices of the Grandmothers, both personal and legendary. They share their wisdom, their lives, their dreams. They proclaim the injustice of colonialism, the violence of proselytism, and the horrors of the residential school system with an honesty that cuts to the marrow. Speaking in both English and Cree, these are voices of hopefulness, strength, and survivance. Blue Marrow is a tribute to the indomitable power of Indigenous women of the past and of the present day.
More than twenty years since its first publication, this critically acclaimed collection is available in a redesigned edition, including an all-new interview with its celebrated author, Louise B. Halfe – Sky Dancer.
First published in 1980 to high acclaim, Burning Water won a Governor General’s Award for fiction that year. A rollicking chronicle of Captain Vancouver’s search for the Northwest Passage, the book has over its career been mentioned in recommended lists of postmodern fiction, BC historical fiction, gay fiction, and humour. This gives you some idea of the scope of what has been called Bowering’s best novel. “I have sometimes said, kidding but not really kidding,” writes its author, “that I attended to the spirit of the west coast, and told the story about the rivals for our land as an instance in which the commanders decided to make love, not war.” As an accurate account of Vancouver’s exploration of our coastline, Burning Water conveys the exact length-99 feet-of the explorer’s ship, and contains citations from his journals. As a work of fanciful fiction, things usually thought to be impossible transpire, without compromising the realism of the text. Bowering recalls that his free hand with history particularly incensed the founder of the National Archives, who had written a biography of George Vancouver and complained in print that Burning Water differed too much from other, similar books in its field.
Canada Lives Here tells the tumultuous story of public broadcasting in Canada, from its inception in 1933 to the CBC’s current, controversial attempts to adapt to collapsing revenues and new technologies. It explores in detail the struggle to preserve public space and foster community in an environment devoted to profit-making, arguing that the ideals of public service broadcasting are more relevant now than ever. Rowland, author of the influential Saving the CBC: Balancing Profit and Public Service (2013), identifies the issues crucial to the CBC’s survival and proposes carefully considered policy options. This is a book for everyone who wants to understand what’s really at stake with the threatened eclipse of the nation’s most important cultural institution.
And there he was – Charlie Muskrat, out of moose meat for the winter and committed to getting some, who finds himself in Prince Albert with a 30/30 Winchester under the seat of his truck, Thunder, half a tank of gas, half a thermos of coffee, lots of Cheezies and a desire to drive south. What follows is that trip. Accompanied off and on by the phantom hitchhikers from history – the mythical ones like the Trickster, Wesakicak, Greek gods, writers, philosophers and politicians, Charlie motors along to the backdrop of Johnny Cash gospel songs and his own foggy memories of his purpose. Through Saskatoon, Winnipeg, Trenton, Sudbury, Ottawa and Toronto and all along the way are those sendup moments of laughter that Johnson does so well – the US border guards who must turn Charlie away on gun issues, the Indian Affairs people with their bags of money, the bar conversations on literature in Toronto. But as we laugh, we do so cautiously, for Johnson reminds us that we are in touch with Charlie’s FAS mind, his Cree culture, and the vision he has as a First Nations man living in Canada. Oh, and there are the magic diamonds in the leather pouch that have to find their way home as well.
Charlie Muskrat is socially insightful, politically incorrect, funny, and dangerous in his own naivety, and his road trip unfolds as an unforgettable journey in Canadian culture.
Since its publication in 1994, Hiromi Goto’s Chorus of Mushrooms has been recognized as a true classic of Canadian literature. One of the initial entries in NeWest Press’ long-running Nunatak First Fiction Series, Hiromi Goto’s inaugural outing was recognized at the Commonwealth Writers’ Prizes as the Best First Book in the Caribbean and Canadian regions that year, as well as becoming co-winner of the Canada-Japan book award. Goto’s acclaimed feminist novel is an examination of the Japanese Canadian immigrant experience, focusing on the lives of three generations of women in modern day Alberta to better understand themes of privilege and cultural identity. This reprinting of the landmark text includes an extensive afterword by Larissa Lai and an interview with the author, talking about the impact the book has had on the Canadian literary landscape.
Winner of the 2022 A.M. Klein Prize for Poetry * 2022 Griffin Poetry Prize Finalist * 2022 Governor General’s Literary Award Shortlist * 2022 Gerald Lampert Memorial Award Shortlist * 2022 Grand Prix du Livre de Montréal Jury Selection * 2022 Concordia University First Book Prize Shortlist
An expansive, hybrid, debut collection of prose poems, self-erasures, verse, and family photo cut-ups about growing up in a racially trinary, diversely troubled family.
Dream of No One but Myself is an interdisciplinary, lyrical unravelling of the trauma-memoir-as-proof-it’s-now-handled motif, illuminating what an auto-archival alternative to it might look like in motion. Through a complex juxtaposition of lyric verse and self-erasure, family keepsake and transformed photo, D.M. Bradford engages the gap between the drive toward self-understanding and the excavated, tangled narratives autobiography can’t quite reconcile. The translation of early memory into language is a set of decisions, and in Dream of No One but Myself, Bradford decides and then decides again, composing a deliberately unstable, frayed account of family inheritance, intergenerational traumas, and domestic tenderness.
More essayistic lyric than lyrical essay, this is a satisfyingly unsettling and off-kilter debut that charts, shapes, fragments, and embraces the unresolvable. These gorgeous, halting poems ultimately take the urge to make linear sense of one’s own history and diffract it into innumerable beams of light.
Winner of 2023 IPPY Award, and CWC Best Crime Novel 2023 -International chef Jake Hardy has it all. Celebrity, thriving career, plenty of friends, a happy family and faithful dog. Until one day when a tragic accident tears it all apart. Struggling to recover, Hardy finds himself in a strange new world-a snow-swept prairie town that time forgot-a place where nothing makes sense. Cold is beautiful. Simple is complex. And doubts begin to surface about whether Jake’s tragedy was truly an accident after all. As the sun sets in the Land of Living Skies, Hardy and his glamourous, seventy-eight-year-old transgender neighbour find themselves ensnared in multiple murders separated by decades. In Bidulka’s “love letter to life on the prairies” he delivers a story of grief and loss that manages to burst with joy, tenderness and hope. Redolent of his earlier works, Going to Beautiful brings us unexpected, under-represented characters in settings that immediately feel familiar and beloved. Beautiful-a place where what you need may not be what you were looking for.
Marlen and Hilda Jorgensen’s family has received two significant pieces of news: one, Marlen has been diagnosed with a terminal illness. Two, a cosmic blast is set to render humanity extinct within a matter of months. It seems the coming Christmas on their Saskatchewan farm will be their last.
Preparing for the inevitable, they navigate the time they have left together. Marlen and Hilda have channeled their energy into improbably prophetic works of art. Hilda’s elderly father receives a longed-for visitor from his past, her sister refuses to believe the world is ending, and her teenaged nephew is missing. All the while, her daughter struggles to find her way home from Berlin with the help of an oddly familiar stranger. For everyone, there’s an unsettling feeling that this unprecedented reality is something they remember.
Iskotew Iskwew/Fire Woman is a poetry collection written during a period of trauma while the author was working as a Counsel to the National Inquiry into Missing and Murdered Indigenous Women and Girls in 2017. This book is about memories and experience growing up on the Pelican Narrows Reserve in northern Saskatchewan in the 1980s: summers spent on the land and the pain of residential school. With this collection, the author wants to teach and inform Canadians of her experiences growing up as an Indigenous woman in Saskatchewan. She believes it is important to share her stories for others to read.