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Canticles II continues George Elliott Clarke's epic exploration of the Black/African intellectual presence in the Occident. In Canticles I (MMXVI) and (MMXVII), Clarke presents dramatic monologues in which historical personages and invented characters address 2000 years of imperialism ... Read more
Canticles II continues George Elliott Clarke's epic exploration of the Black/African intellectual presence in the Occident. In Canticles I (MMXVI) and (MMXVII), Clarke presents dramatic monologues in which historical personages and invented characters address 2000 years of imperialism and 500 years of slavery, some in support and others in opposition. In Canticles II, Clarke revises influential scriptures, principally Judeo-Christian, to offer alternative takes and tangents on their narratives and aphorisms, their histories and prophecies, reflecting an Afrocentric accent. Canticles II (MMXIX) shadows selected, Hebraic texts to draft a God who is particularly headstrong and peoples who tend to be wrong-headed. Any suspected blasphemy herein is, however, merely Poetry in disguise.
Born in Windsor, Nova Scotia, at the beginning of the 1960s, George Elliott Clarke is a seventh-generation Africadian. He has published more than a dozen volumes of poetry and prose, including Whylah Falls and Execution Poems, an acclaimed novel George & Rue, and the celebrated opera, Beatrice Chancy. His many awards include the Governor General's Award for poetry and the Martin Luther King Jr. Achievement Award.
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Throughout 2020, All Lit Up-er Tan Light is participating in BookRiot's Read Harder Challenge—a reading task designed to expand readerly boundaries—and doing so with an indie twist. Each entry in this series will highlight one or two completed challenges along with ... Read more
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