Black Liquor

By Dennis E. Bolen

Black Liquor
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Dennis E. Bolen’s Black Liquor continues his exploration of modern disconnection and the disparate paths taken by those railing against the austere landscape of their lives.

Imbued with lyrical evocations of lost childhood, mature love and deep friendship contrasted against ... Read more


Overview

Dennis E. Bolen’s Black Liquor continues his exploration of modern disconnection and the disparate paths taken by those railing against the austere landscape of their lives.

Imbued with lyrical evocations of lost childhood, mature love and deep friendship contrasted against brutal depictions of grueling labour, industrial mishap, historical misfortune and often hilarious disappointment, Black Liquor progresses to an appreciation of being alive, against the odds. Bolen writes in the pacey cadences of contemporary speech, tough and tender. His quirky use of metaphorical story charged with biting imagery makes these deeply autobiographical poems an exhilaration.

As in his previous writings, five novels and two collections of short fiction—among them Stupid Crimes (originally published by Anvil Press), Stand in Hell (Random House), Kaspoit! (Anvil Press), and Anticipated Results (Arsenal Pulp Press)—this new book explores the varieties of disaffection, this time in poetry and this time as remembrance of things past.

Dennis E. Bolen

Since his first highly-acclaimed 1991 novel, 'Stupid Crimes' (Anvil Press), Dennis E. Bolen has written three other novels: 'Stand In Hell', 'Krekshuns', and 'Toy Gun' (Anvil Press). He is also the author of the short story collection 'Gas Tank & Other Stories' (Anvil Press). He has worked as a parole officer in Vancouver and has taught creative writing at the University of British Columbia. For many years Mr. Bolen held the post of fiction editor for the literary journal 'subTerrain', contributing editor to the 'Vancouver Review', and has acted as a columnist and part-time editorial board member at the 'Vancouver Sun'.

Reviews

From rough justice on the Island to the piss-stained ugliness of dissolute Lower Mainland life, Black Liquor nicely skewers the gentle hypocrisies of postwar, Pacific Northwest optimism. Bolen’s verse sucks the marrow of postmodern disillusionment with tenderness and irony–but without nostalgia

Daniel Gawthrop, The Georgia Straight

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