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Happy Pride, June and all year long! Discover these amazing titles by LGBTQ2SIA+ writers from across Canada.
Showing 97–112 of 167 results
A visually stunning graphic non-fiction book on queer and trans resistance.
Over the past ten years, we have witnessed the rise of queer and trans communities that have defied and challenged those who have historically opposed them. Through bold, symbolic imagery and surrealist, overlapping landscapes, queer illustrator and curator Syan Rose shines a light on the faces and voices of these diverse, amorphous, messy, real, and imagined queer and trans communities.
In their own words, queer and trans organizers, artists, healers, comrades, and leaders speak honestly and authentically about their own experiences with power, love, pain, and magic to create a textured and nuanced portrait of queer and trans realities in America. The many themes include Black femme mental health, Pacific Islander authorship, fat queer performance art, disability and health care practice, sex worker activism, and much more. Accompanying the narratives are Rose’s startling and sinuous images that brings these leaders’ words to visual life.
Our Work Is Everywhere is a graphic non-fiction book that underscores the brilliance and passion of queer and trans resistance.
Includes a foreword by Lambda Literary Award-winning author and activist Leah Lakshmi Piepzna-Samarasinha, author of Care Work: Dreaming Disability Justice.
Full-colour throughout.
A grieving young woman learns something new about love from a dominatrix in this haunting and erotic debut.
Echo is a failing actress who prefers to lose herself in the lives of others rather than examine her own. When her father disappears in a seaside misstep, she and her mother are left grief-stricken, unsure of how to piece back together their family that, it turns out, had never been whole. But then Orly — a dominatrix — moves in across the street. And through her, Echo begins to find the pieces that will allow her to carry on. Set among the bright colours and harshly glittering lights of Los Angeles, this is a love story about people addled with dreams and expectations who turn to the erotic for answers.
Nadia Eid doesn’t know it yet, but she’s about to change her life. It’s the end of the ’80s and she hasn’t seen her Palestinian father since he left Montreal years ago to take a job in Egypt, promising to bring her with him. But now she’s twenty-five and he’s missing in action, so she takes matters into her own hands. Booking a short vacation from her boring job and Québecois boyfriend, she calls her father from the Nile Hilton in downtown Cairo. But nothing goes as planned and, stumbling around, Nadia wanders into an art gallery where she meets Manal, a young Egyptian artist who becomes first her guide and then her lover. Through this unexpected relationship, Nadia rediscovers her roots, her language, and her ambitions, as her father demonstrates the unavoidable destiny of becoming a Philistine – the Arabic word for Palestinian. With Manal’s career poised to take off and her father’s secret life revealed, the First Intifada erupts across the border. Nadia needs to decide what all this has to do with her.
A non-binary faun wishes their body had a variety of sex organs, interchangeable daily. A prison abolitionist scrutinizes Rothko paintings on the carceral state’s boardroom walls. The insurrectionary tactics of mass social movements spread, like a secret handshake, from Chile to Hong Kong to Toronto.
Shaped by Daniel Sarah Karasik’s experience of grassroots social and political advocacy, these poems are an offering to those engaged in struggles for a better world—and an acknowledgement of the sometimes contradictory meanings of those struggles. How do individual erotic desires relate to collective desires for deliverance from alienation and exploitation? How might we dream of a more humane future, and work towards building it, without minimizing the challenges that stand in our way?
Plenitude cartwheels towards a world that might be: a world without cops or bosses, without prisons, without oppressive regulation of gender and desire. It is a song for the excluded and forgotten and those who struggle alongside them.
Poor Super Man is "one of the top ten plays of the year," according to Time magazine. "An unflaggingly witty and often moving slice of life . . . Poor Super Man explodes on to the stage like a bold comic strip, complete with snappy captions and hard, bright, witty dialogue," writes the Edmonton Journal.
Detective Lane has a knack for discovering the whereabouts of missing persons. But the city’s latest case has disappeared without a trace. After a brutal attack on his young nephew, ex-mayor Bob Swatsky has gone missing with 13 million dollars of tax-payers’ money. Is he on the run with the cash, or is it something more sinister? A zany cast of characters, including a love doll, and a chain-smoking grandma with an oxygen tank, lead Detective Lane on a thrilling romp through the streets of Calgary.
Roewan Crowe’s compelling and haunting literary debut, Quivering Land, is a rather queer Western, engaging with poetics and politics to reckon with the legacies of violence and colonization in the West.
Written in a sparse style, this lonely, sometimes brutal book invites the reader on a powerful journey with Clem, Violet, and a dead girl in a red dress. Clem, a lone cowboy, caught in the inevitable violence of the Western, compulsively rides through ghost towns and Monument Valley. Violet is an artist who pulls dead bodies, guns, and memory into her studio, immersing herself in a creative process, seeking to understand the relationships among aggression, vulnerability and the imagination. Disrupting the story are the ghostly visitations of a dead child who travels the western landscape unsettling romanticized, filmic images of Monument Valley.
Interspersed in the text are fragile, beautiful images painstakingly cut from paper, created by artist Paul Robles. This experimental long poem, a gritty feminist meditation on trauma, violence and the possibilities of art, is as powerful as a Smith and Wesson Schofield rifle.
When at age 51, Joshua Éclair–victim of a pygmalianism gone awry–emerges from amnesia in a hospital in Montreal, he must explore what makes him want to erase his identity, and must undertake the process of exorcising what has brought him to this pass. This is the gripping story of a man’s search for sanity set in the fictional Caribbean Isabella Island and the various places Joshua has fled to: Montreal, New York, Tallahassee, London, Paris and Madrid.
This is a finely accomplished novel about a very modern predicament: the malformed dysfunctional identity in the global village.
To a conservative church in a south-western Ontario town comes Jonah Ariasa troubled, left-leaning, pill-popping United Church minister. Reverend Jonah is young and idealistic, with courage enough to challenge the power-brokers in his small community. When he starts an inappropriate relationship with a young woman in the congregation, and then decides to repatriate a former member of the church expelled for being in a lesbian relationship, the ensuing battle threatens to derail Jonah’s career and fracture the church. The play, like Reverend Jonah himself, is unafraid to ask the tough questions: Do we have the right to judge one another? What constitutes integrity? What is courage? Are we prepared to embrace rather than censure our fellow human beings? Thoughtful and powerful, Reverend Jonah challenges us to explore the meanings of community in the very broadest sense.