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Women Poets
All Books in this Collection
Showing 97–112 of 125 results
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Still Point
$16.95Still Point examines North America as unified whole and disrupted centre
The poems in Still Point contrast the calm and tumult of Hurricane Katrina, the deconstruction of Detroit, the financial crisis of 2008, and the BP Gulf oil spill, weaving lyrical sequences and individual pieces into a coherent whole focused on humanity’s relationship to itself and to nature. Still Point tells a story of beauty and horror, and how normalcy stubbornly persists amid history’s arc.
“E Martin Nolan’s Still Point is [a] debut of remarkable talent.”—Canadian Literature
“When a book is this good, what to say? Without rhetoric, in intimate detail, Nolan nails it.”—Rosemary Sullivan, Stalin’s Daughter
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Stranger
$17.95In Stranger, Nyla Matuk’s provocative, unabashedly sensual voice leads us to revelations about how our lives are increasingly disembodied by social media’s flattened, outward identity markers. In place of this contested sense of self, Stranger reckons with a range of possible states of unknowing. Have we over-determined our identities, and thus diminished our appetites? “I fell asleep between two cold rivers,” Matuk reports, “while the blue shadows of uncomplicated / conifers leaned into their own.” Bold and spontaneous, piling images and ideas on top of each other to create opulent sound patterns, these poems reawaken the reader’s sense of wonder.
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Table Manners
$17.95Carnal, flamboyant, visceral and bold, Table Manners is a rich meal. Catriona Wright’s debut introduces us to the image of the poet as “gastronaut,” a figure who seems to live entirely between table and a stove and who steeps her surroundings and relationships in complex emotional flavours. “My life,” she writes, “is now tuned to bone marrow donuts and chef gossip. I’m useless at any other frequency.” Wright’s wild narratives are sometimes funny, sometimes frightening and always ravishingly observed. Table Manners is what might have emerged had Julia Child written like Sharon Olds, or if Anthony Bourdain knew his way around a line-break.
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That Light Feeling Under Your Feet
$19.95Finalist for The Fiddlehead Poetry Book Prize at the New Brunswick Book Awards!
Shortlisted for the Robert Kroetsch Award for Poetry at the 2019 Alberta Book Publishing Awards!That Light Feeling Under Your Feet plunges headfirst into the surreal and slogging world of cruise ship workers. These masterfully crafted poems challenge perpetuating colonial and class relations, as well as the hedonistic lifestyle attributed to the employees of these floating resorts. Kayla Geitzler’s debut collection interprets isolation, alienation, racism and assimilation into the margins as inevitable consequences for the seafaring workforce of the most profitable sector of the tourism industry.
Exploring the liminal space between labour and leisure, the poems in That Light Feeling Under Your Feet are at once buoyant and weighty, with language that cuts like a keel through the sea.
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The Cyborg Anthology
$20.00Poems written by Cyborgs in the future – this collection melds sci-fi and poetry, human and machine.
The Cyborg Anthology takes place in a future where there was a thriving world of Robots and Cyborgs living peacefully beside Humans, but a disaster destroyed all Robot and most Cyborg life.
The book is organized like a typical anthology of literature, split into sections that include a biography of each poet and a sample of their poetry. It covers early Cyborg poetry, political, celebrity, and pop culture poets, and ends with the next generation of Cyborg poets.
The narrative takes place in the time after a cataclysmic event, and the collection wrestles with this loss. Through the lives of the poets, the book chronicles the history of personhood for technological beings, their struggle for liberation, and demonstrates different ways a person can be Cyborg. The poems and biographies together tell the story of a complex and enthralling world-to-come, exploring topics that are important in the future, and also urgent right now.
“With mordant wit and a playful satiric touch, these Cyborg poems showcase a dazzling range of poetic forms and ideas: imaginative and charmingly subversive. Move over Norton Anthology of Poetry, there’s a new force in town, and they are a delight.” –Renée Sarojini Saklikar, author of Listening to the Bees and Children of Air India
“The premise of this collection alone is fabulous. The poems are potent and powerful. With echoes of Le Guin, Brunner and Monáe, Lindsay B-e’s debut is layered and smart, provocative, and deeply satisfying. I was moved and fascinated. Speculative poetry at its best.” –Hiromi Goto, author of Chorus of Mushrooms and Darkest Light
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The Darkhouse
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The Girls with Stone Faces
$20.00A long poem memorializing the art and lives of sculptors Frances Loring and Florence Wyle.
Arleen Paré, in her first book-length poem after her Governor General Literary Award-winning Lake of Two Mountains, turns her cool, benevolent eye to the shared lives of Florence Wyle and Frances Loring, two of Canada’s greatest artists, whose sculptures she comes face to face with at the National Gallery of Canada. In the guise of a curator, Paré takes us on a moving, carefully structured tour through the rooms where their work is displayed, the Gallery’s walls falling away to travel in time to Chicago (where they met at art school and fell in love in the 1910s), New York, and Toronto (where they lived and worked for the next six decades). Along the way, Paré looks at fashions in art, the politics of gender, and the love that longtime proximity calls forth in us. The Girls with Stone Faces is one of the finest collections of poetry about the lives of artists–and most importantly their work–to appear in Canada in many years.
Although Wyle and Loring were well known during their lifetimes, they have dropped out of common memory. Paré’s collection is art loving art, women loving women, words loving shape, poetry loving stone, the curve of jaw, the trajectory of days.
“… Like the sculpted female figures she describes as ‘tacking their bodies against the history of storm,’ Paré has positioned her own graceful, finely chiselled lines to recast the history of women in art, in society, in love.” –Anita Lahey
“… A distinctive and memorable book, sympathetic and gloriously questioning.” –Stephanie Bolster
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The Knowing Animals
$20.00Poems that sing, in various notes of female voice, the human being as an embodied, contemplative, feeling animal.
In Skov-Nielsen’s thrumming debut, The Knowing Animals, our consciousness is interconnected with the surrounding trees, bugs, rivers, atmospheres, and cosmos. Here, flowers escape Victorian domestication and ally with girls’ green powers of attraction. Here, the social politeness of motherly domesticity and the raw dangers of adolescent sexual awakening are shot through with blood pulsing under the skin, with oxygen exchanged in gasps of breath. Here, everything tender and petalling is also raw and mothervisceral.
This is a book of entanglements: the poems twist and turn through a plurality of metaphorical associations involving botany, zoology, astronomy, biology, psychology, and mythology to complicate and expand human conceptions of nature. At the same time, they explore themes such as motherhood, pregnancy and birth, sexuality, adolescence, and the rise of technology, all the while shifting through a variety of tones: romantic, mythological, religious, scientific, wistful, and playful.
“These poems prod and sing, distilling language with technical precision and the intimacy of a perceptive mind at work. Skov-Nielsen speaks to the urgency of the world we inhabit, particularly attuned to how the personal is entangled with the ecological. The Knowing Animals is incisive and insightful, a debut that rouses us into a realm ‘suspended between the gutter / and the incandescent bulb of sky.’” –Cassidy McFadzean, author of Hacker Packer and Drolleries
“Saturated and prowling with a mesmerizing, tear-away cast of nocturnal animals, satellites, fireflies, toadstools, and Instagram characters playing their hands fast and loose–they may lay claim to this lush book, but don’t be lulled or gulled. These daring, over-the-top, five-sided, lyrical poems will keep you awake, basking in fever-bright light, rewilding and transforming your life, if you let them through the door.” –Jan Conn, author of Tomorrow’s Bright White Light
“The Knowing Animals drops an omniscient wild into multi-generational domesticity. Skov-Nielsen’s poems burst cellular, a corporeal blossoming that mistakes technology for bird call, often blurring the line between human-animal identities. Like a live rabbit freed from the fox’s mouth, these poems twitch to run.” –Emily Nilsen, author of Otolith
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The Pemmican Eaters
$18.95A picture of the Riel Resistance from one of Canada’s preeminent Métis poets
With a title derived from John A. Macdonald’s moniker for the Métis, The Pemmican Eaters explores Marilyn Dumont’s sense of history as the dynamic present. Combining free verse and metered poems, her latest collection aims to recreate a palpable sense of the Riel Resistance period and evoke the geographical, linguistic/cultural, and political situation of Batoche during this time through the eyes of those who experienced the battles, as well as through the eyes of Gabriel and Madeleine Dumont and Louis Riel.
Included in this collection are poems about the bison, seed beadwork, and the Red River Cart, and some poems employ elements of the Michif language, which, along with French and Cree, was spoken by Dumont’s ancestors. In Dumont’s The Pemmican Eaters, a multiplicity of identities is a strengthening rather than a weakening or diluting force in culture.
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The Red Files
$18.95This debut poetry collection from Lisa Bird-Wilson reflects on the legacy of the residential school system: the fragmentation of families and histories, with blows that resonate through the generations.Inspired by family and archival sources, Bird-Wilson assembles scraps of a history torn apart by colonial violence. The collection takes its name from the federal government’s complex organizational structure of residential schools archives, which are divided into “black files” and “red files.” In vignettes as clear as glass beads, her poems offer affection to generations of children whose presence within the historic record is ghostlike, anonymous and ephemeral.The collection also explores the larger political context driving the mechanisms that tore apart families and cultures, including the Sixties Scoop. It depicts moments of resistance, both personal and political, as well as official attempts at reconciliation: “I can hold in the palm of my right hand / all that I have left: one story-gift from an uncle, / a father’s surname, treaty card, Cree accent echo, metal bits, grit– / and I will still have room to cock a fist.”The Red Files concludes with a fierce hopefulness, embracing the various types of love that can begin to heal the traumas inflicted by a legacy of violence.
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The Seeker Ascends
$18.95The poems in this book trace the emotional and spiritual journey of a woman whose beloved son dies after an arduous battle with cancer. Nudelman explores the nexus between art, healing, and truth. As the woman gradually climbs out of grief’s darkness she reclaims her own life’s purpose. Confronting her losses, she heals. This collection is about strength, survival, love, and the healing that comes from self-empowerment through speaking one’s own truth and releasing the past. Inspired by art and nature, the poet/mother reconnects with her own fortitude and the possibilities that still exist.
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The Size of a Bird
$18.95The Size of a Bird is an invocation of desire in times of violence and trauma. Refusing to shy away from difficult topics the poet tackles addiction, abuse, suicide, and sexual violence while infusing each word with a relentless drive for life. Seeking pleasure, these poems navigate dangerous terrain, staying with ambivalence and probing its depths. Queer femininity seeks heterosexual masculinity with varying results. First dates and one-night-stands, alleyways and coffee shops, forest floors and skateparks, these poems reveal a world pulsating with want and rife with pain. Holding both the reality of violence and the persistence of desire, these poems shine light on the pleasures and terrors of navigating sexuality from a space of femininity.
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The Truth Is Told Better This Way
$18.00Shortlisted for the 2018 ReLit Award for Poetry
Pulling from raw themes of grief and death, regret and discomfort, sadness and failure, Worth wears these poems down to their bones. Straddling dreamy, ethereal images and brutal honesty, The Truth is Told Better This Way unravels its secrets one line at a time. The result is oracular and surreal, as each piece could be read as a magic spell that mesmerizes as much as a poem that tantalizes the senses.
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The Unmooring
$17.00In ways both forthright and nuanced, and with a nod to her African heritage, The Unmooring is a voyage into race and metaphysics, love and loss. Troubling the edges of identity and otherness, The Unmooring is a book that opens the floodgates of the self, revealing the various watershed moments that concurrently force us to enter what we are estranged from, and renounce the anchors we no longer need.
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The Year of My Disappearance
$18.00Carole David’s The Year of My Disappearance is a searing, surreal, darkly comic descent into a woman’s psyche: as pitiless an assault on her own torments and pretences as it is on those figures lodged in her memory: lovers, strangers, her own mother, Bosch-like apparitions out of her dreams and imaginings. Through it all, a fierce combat is being waged between immolation and survival, wherein, as she has written, “I gave free range to the lives that dwelt within me.” Nothing and no one is spared in this book, and yet it is wonderfully invigorating.
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Thin Air of the Knowable
$20.00An elegiac and incisive debut that blends poems of social justice with poems of ordinary life.
In her first collection, Thin Air of the Knowable, the physical landscapes of Wendy Donawa’s life–West Coast, Caribbean, prairies–ground many of her poems and often reflect the inner geography of her preoccupations. A road-trip poem moves from prairie winter, “an icy scatter of gravel / the moving centre of this unpeopled world,” past a cattle liner on its way to the slaughter house, but it also passes beneath the sky’s “blazing scroll of light,” and magpies “flashing black and teal in the sun.” Landscape also functions metaphorically to suggest how historical settings play out in the exigencies of individual lives.
Other preoccupations include poems that reflect on poesis itself–the strange poem-making compulsion to capture that which is largely inexpressible (hence “the thin air of the knowable”), and the role of dreams, memory, and intuition in shaping a poem’s knowledge.
Donawa is, in many ways, a political poet, yet manages to put flesh and blood into everything she writes. In the end,
Perhaps there is only the demonic journey.
Small beauties by the roadside, and
such love as we can muster.
(from “Pu Ru Paints Zhong Kui the Demon Queller on a Mule”)Praise for Thin Air of the Knowable:
“Wendy Donawa’s poetry rests at the very edge of beauty where a wild delicacy resides.” –Patrick Lane
“Like the watchmakers of old, Wendy Donawa puts a spyglass to her eye and fixes her vision to the minute, to all that carries on beneath our imperfect sight–worlds upon worlds brought into the sharpest focus.” –Pamela Porter