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Poetry
All Books in this Collection
Showing 33–48 of 52 results
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page as bone – ink as blood
$16.95Death, desire, and divination are the threads running through Jónína Kirton’s debut collection of poems and lyric prose. Delicate and dark, the pieces are like whispers in the night – a haunted, quiet telling of truths the mind has locked away but the body remembers. Loosely autobiographical, these are the weavings of a wagon-goddess who ventures into the double-world existence as a mixed-race woman. In her struggle for footing in this in-between space, she moves from the disco days of trance dance to contemplations in her dream kitchen as a mother and wife.
With this collection, Kirton adds her voice to the call for the kind of fierce honesty referred to by Muriel Rukeyser when she asked, What would happen if one woman told the truth about her life? The world would split open. Kirton tells her truth with gentleness and patience, splitting the world open one line at a time.
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Pale as Real Ladies
$14.00In powerful language that reflects the conflicts between the primitive and the sophisticated, Joan Crate redreams the passions which animated and tormented her famous predecessor. Part white, part Mohawk princess, Pauline Johnson /Tekahionwake would perform her poems first in buckskin, then, after the intermission, in silk.
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pihta ēkwa wihta (Cree Edition)
$16.95The poems in “pihta ēkwa wihta”reveal strong links to land, to family, and to the wisdom of elders. The author exposes the struggles that many Aboriginal people encounter while getting an education, dealing with family issues and abuse, learning to respect themselves and demanding respect from others, finding their place in the world, and recovering their rich history and culture. This book illustrates the resilience and strength of the Aboriginal people and the determination that they bring to their local communities across Canada.
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Poems For a New World
$13.95Connie Fife is one of Canada’s warrior poets. Poems for a New World, her third book of poems, refuses to take prisoners. She writes of Oka and Gustafson Lake, of the police shooting of a Native mother and child, as well as the NATO genocide in Yugoslavia. Reflecting on her own life, she carves out a space for new forms of loving that will act as a transforming force for people of all colours so that they may breathe the air of freedom, the air of a world rich in biodiversity.
Revolutionary as they may be, these poems also care about language, about how language can become the food and joy of life. As she says, “I have prepared a bowl of ripened poems / with which to ease our hunger,” placed an “empty gourd” beside the bed of love which waits “to be filled by our stories carried / across the heartlands of distance we will have travelled.” These are poems of revolution, of love, of inspiration.
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Rising with a Distant Dawn
$14.95Rising with a Distant Dawn is a powerful and moving poetry collection, which stretches across the boundaries of skin colour, language, and religion to give voice to the lives and experiences of ordinary Aboriginal Canadians. The book captures timely personal and cultural challenges, and ultimately shares subtle insight and compassion. The poems embrace anguish, pride, and hope. They come from the woodlands and the plains, they speak of love, of war, and of the known and the mysterious, they strike with wisdom, joy, and sadness, bringing us closer than ever before to the heart of urban Aboriginal life. David Groulx proves, once again, that distinctive voice of Aboriginal Canadians must be heard.
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Running on the March Wind
$18.00This is the long-awaited debut collection by a widely-anthologized master poet. While it is intended foremost for an Aboriginal audience, the poetry’s scope and quality create an extraordinary opportunity for all readers to see through Aboriginal eyes. There are exquisite lyrical portrayals of the Saugeen region and other parts of Southern Ontario; biting commentary on the historic injustices to First Nations people; engaging magical realism and native mythology, featuring wily tricksters and giving form to dreams; touching treatments of the bonds between Elders and children; visions of suffering and violence laced with consoling beauty; celebration of the solace of trees and water and even the company of bears; lamentation, elegy, indignation, and affection and deep love for a region and those living there.
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Spawn
$18.00Spawn is a braided collection of brief, untitled poems, a coming-of-age lyric set in the Mashteuiatsh Reserve on the shores of Lake Piekuakami (Saint-Jean) in Quebec. Undeniably political, Gill’s poems ask: How can one reclaim a narrative that has been confiscated and distorted by colonizers?
The poet’s young avatar reaches new levels on Nintendo, stays up too late online, wakes to her period on class photo day, and carves her lovers’ names into every surface imaginable. Encompassing twenty-first-century imperialism, coercive assimilation, and 90s-kid culture, the collection is threaded with the speaker’s desires, her searching: for fresh water to “take the edge off,” for a “habitable word,” for sex. For her “true north”—her voice and her identity.
Like the life cycle of the ouananiche that frames this collection, the speaker’s journey is cyclical; immersed in teenage moments of confusion and life on the reserve, she retraces her scars to let in what light she can, and perhaps in the end discover what to “make of herself”.
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Stations of the Crossed
$18.95When Carol Rose GoldenEagle was a child, attending Easter church services, she recalls the annual ritual of the priest presenting plaques depicting the stages of Christ’s persecution to his resurrection, referred to as the “stations of the cross”. Using these early teachings as a springboard for critical reflections, poems look back, but more importantly, look forward to reclaiming the gifts given by Creator within Indigenous culture. GoldenEagle’s searing new poetry collection examines the dark legacy of the residential school system, church and government doctrine, and the ongoing impacts on Indigenous peoples’ lives across Turtle Island.
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Still No Word
$16.95EGALE Canada Human Rights Trust OUT IN PRINT Literary Award Winner! Shannon Webb-Campbell’s Still No Word seeks the appearance of the self in others and the recognition of others within the self. Patient, searching, questioning, and at times heartbreaking—these poems reveal the deep past within the present tense and the interrelations that make our lives somehow both whole and unfinished. And though Webb-Campbell is political at times, this is not politics for the sake of politics: here, it’s a matter of the human heart. Ranging from reflective to angry, from sensual to humourous, her poetry inhabits that mercurial space between the public and the private, making Still No Word a remarkably accomplished debut collection.
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Talking to the Diaspora
$19.00In a career that has spanned more than a quarter century, Lee Maracle has earned the reputation as one of Canada’s most ardent and celebrated writers. Talking to the Diaspora, Maracle’s second book of poetry, is at once personal and profound. From the revolutionary “Where Is that Odd Dandelion-Looking-Flower” to the tender poem “Salmon Dance,” from the biting “Language” to the elegiac “Boy in the Archives,” these poems embody the fearless passion and spirited wit for which Lee Maracle is beloved and revered.
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The Pemmican Eaters
$18.95A picture of the Riel Resistance from one of Canada’s preeminent Métis poets
With a title derived from John A. Macdonald’s moniker for the Métis, The Pemmican Eaters explores Marilyn Dumont’s sense of history as the dynamic present. Combining free verse and metered poems, her latest collection aims to recreate a palpable sense of the Riel Resistance period and evoke the geographical, linguistic/cultural, and political situation of Batoche during this time through the eyes of those who experienced the battles, as well as through the eyes of Gabriel and Madeleine Dumont and Louis Riel.
Included in this collection are poems about the bison, seed beadwork, and the Red River Cart, and some poems employ elements of the Michif language, which, along with French and Cree, was spoken by Dumont’s ancestors. In Dumont’s The Pemmican Eaters, a multiplicity of identities is a strengthening rather than a weakening or diluting force in culture.
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The Place of Scraps
$24.95George Ryga Award for Social Award: Jordan Abel, The Place of Scraps (Finalist)
BC Book Prize, Poetry: Jordan Abel, The Place of Scraps (Winner)The Place of Scraps revolves around Marius Barbeau, an early-twentieth-century ethnographer, who studied many of the First Nations cultures in the Pacific Northwest, including Jordan Abel’s ancestral Nisga’a Nation. Barbeau, in keeping with the popular thinking of the time, believed First Nations cultures were about to disappear completely, and that it was up to him to preserve what was left of these dying cultures while he could. Unfortunately, his methods of preserving First Nations cultures included purchasing totem poles and potlatch items from struggling communities in order to sell them to museums. While Barbeau strove to protect First Nations cultures from vanishing, he ended up playing an active role in dismantling the very same cultures he tried to save.
Drawing inspiration from Barbeau’s canonical book Totem Poles, Jordan Abel explores the complicated relationship between First Nations cultures and ethnography. His poems simultaneously illuminate Barbeau’s intentions and navigate the repercussions of the anthropologist’s actions.
Through the use of erasure techniques, Abel carves out new understandings of Barbeau’s writing – each layer reveals a fresh perspective, each word takes on a different connotation, each letter plays a different role, and each punctuation mark rises to the surface in an unexpected way. As Abel writes his way ever deeper into Barbeau’s words, he begins to understand that he is much more connected to Barbeau than he originally suspected.
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The Red Files
$18.95This debut poetry collection from Lisa Bird-Wilson reflects on the legacy of the residential school system: the fragmentation of families and histories, with blows that resonate through the generations.Inspired by family and archival sources, Bird-Wilson assembles scraps of a history torn apart by colonial violence. The collection takes its name from the federal government’s complex organizational structure of residential schools archives, which are divided into “black files” and “red files.” In vignettes as clear as glass beads, her poems offer affection to generations of children whose presence within the historic record is ghostlike, anonymous and ephemeral.The collection also explores the larger political context driving the mechanisms that tore apart families and cultures, including the Sixties Scoop. It depicts moments of resistance, both personal and political, as well as official attempts at reconciliation: “I can hold in the palm of my right hand / all that I have left: one story-gift from an uncle, / a father’s surname, treaty card, Cree accent echo, metal bits, grit– / and I will still have room to cock a fist.”The Red Files concludes with a fierce hopefulness, embracing the various types of love that can begin to heal the traumas inflicted by a legacy of violence.
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The Windigo Chronicles
$16.95In this poetry book, David Groulx seamlessly weaves the spiritual with the ordinary and the present with the powerful voices of the past. He speaks for the spirit, determination, and courage of Aboriginal people, compelling readers to confront cruel reality with his sincere and inspiring vision. Author’s poetic power renders an honest and painful perception of Aboriginal life with strong voice against prejudice and injustice.
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Thoughts And Other Human Tendencies
$16.95“Thoughts and Other Human Tendencies” is a poetry collection where stories of Aboriginal experiences are distilled into feelings and thoughts that are universal. Reneltta Arluk weaves the traditional and the contemporary together through the eyes of a young Aboriginal woman. She draws from the Aboriginal tradition of praising the land and the spirit, the realities of Aboriginal culture, and the concept of feminine individuality. Her poems, both sacred and secular, are written with the passions of anger, grief, and love, at once tender and furious. She celebrates the everyday acts, rituals, and stories that draw people together across the years and across the distances of cultural dispersion. Here are tales of love, betrayal, courage, defeat, acceptance, loss, grief, passion, delight, courting, coming of age, birth and death, youth and old age, hunting and surviving. The poems are united by the history of her ancestors and the ongoing struggle to define what it means to be a tribal member, an Aboriginal, and a woman in the twenty first century.
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Totem Poles and Railroads
$18.95Totem Poles and Railroads succinctly defines the 500-year-old relationship between Indigenous nations and the corporation of Canada. In this, her fifth poetry collection, Janet Rogers’ expands on that definition with a playful, culturally powerful and, at times, experimental voice. She pays honour to her poetic characters–real and imagined, historical and present day–from Sacajawea to Nina Simone. Placing poetry at the centre of our current post-residential school/present-day reconciliation reality, Rogers’ poems are expansive and intimate, challenging, thought-provoking and always personal.