A note to US-based customers: All Lit Up is pausing print orders to the USA until further notice. Read more
Browse featured titles from the ebooks for Everyone collection of accessible epubs.
Showing 141–160 of 867 results
Circle Tour, Eva Tihanyi?s ninth poetry collection, seeks and celebrates beauty in the face of despondency. Its three sectionsOuter Circle, Inner Circle, Centredraw us in as we move from the “outside” world of politics, culture, and art to the “inside” world of relationships with family, friends, and lovers, to the “core” world of the self.
The book begins with a stark announcement of hope: “If you?re reading this, / you?re still here.” It then moves to engagement with (among other things) the pandemic, feminism, and artists such as Marina Abramovic while reinforcing the healing power of Nature throughout our experiences with external, beyond-our-control circumstances. In the more personal second section, Tihanyi writes about loss through death; the continuing influence of her grandmother; the end of one love moving into a new, more profound love; the importance of friends, reminding us that “each day we must be / lucid with mutiny against despair.” The final section focuses on the selfnot just the poet’s own but the universal human Self. It confronts the process of aging and its attendant contemplations, and once again reminds us of how Nature and art can help us in our “continuous becoming.”
The poems in Circle Tour invite a sequential reading as the book gathers force as it spirals upward. It takes us on a powerful journey that ends with the ultimate affirmation that leads us full circle to our present moment: “Enough on this day / to be enormously alive.”
The first book in the Shanghai Quartet – City Rising – starts on the Hua Shan (the Holy Mountain) 250 years before Christ where the FIRST EMPEROR the most powerful man the world to that time had ever known bequeaths a talisman to his three trusted followers: the BodyGuard, his favorite Courtesan and his Head Confucian – a narwhal tusk with carvings depicting the growth for the next 2500 years of a city at the Bend in the River – Shanghai. The warning from the First Emperor before he commits suicide is to watch for the White Ships on Water – and so the progeny of the three who are entrusted with the Tusk do – and then – in 1841 – they arrive. British Men of War ships – and Opium.
City Rising tells the story of two destitute Baghdadi boys who become opium lords – and the battles against the powerful British Opium companies – and the boys’ eventual love of the City at the Bend in the River – Shanghai.
Shortlisted for the 2023 Howard Engel Award for Best Crime Novel Set in Canada
November’s rain in Toronto 1936 has turned into December’s cold snap. Charlotte Frayne escapes being hit by a mud-splattered car racing round the corner at Queen and Spadina. The stranger who saves her turns out to be the man her boss, Mr. Gilmore, has helped to escape Germany and is now a refugee in need of shelter.
In a world still recovering from the War to End All Wars and the Spanish Influenza pandemic that killed fifty million people worldwide, and still in the throes of the Great Depression, Stephen Lucas is not just any refugee from the Nazi regime; he is in possession of information that could alter the course of history — but only if seen by persons in power and if acted upon. In a surprising twist of fate, Charlotte’s estranged mother reappears, wanting assistance in locating the son she gave up at birth twenty years before. Despite her turbulent feelings about her mother, Charlotte agrees to investigate, having no idea that the two cases will connect in surprising ways.
Back at the Paradise Café, Christmas draws near and Charlotte’s beau, Hilliard Taylor, and his partners are in disagreement about the holiday concert. With her beloved grandfather in the mix, there’s no telling whether the show will end in good tidings or anarchy.
Alden Nowlan (1933-1983) once wrote of a desire to leave behind “one poem, one story / that will tell what it was like / to be alive.” In an abundance of memorable poems, he fulfilled this desire with candour and subtlety, emotion, and humour, sympathy and truth-telling. For many years, Nowlan has been one of Canada’s most-read and -beloved poets, but only now is the true range of his poetic achievement finally available between two covers, with the publication of Collected Poems of Alden Nowlan.
Nowlan takes us from nightmarish precincts of fear and solitude to the embrace of friendship and family. Delving into experiences of violence and gentleness, of alienation and love, his poetry reveals our shared humanity as well as our perplexing and sometimes entertaining differences. Nowlan’s childhood and adult years are colourfully reflected in his poetry. These autobiographical threads are interwoven with fantasies, an astute historical consciousness, and a keen awareness of the shiftings and transformations of selfhood.
Nowlan wrote with formal variety, visually shaping his poems with a dexterity that complicates impressions that he was primarily a “plainspoken” poet. His varied uses of the poetic line — his handling of line-lengths and -breaks, stanzas, and pauses — show him to be a writer who skilfully uses the page to suggest and embody the rhythms of speech. This long-awaited volume enables readers to experience his poetic genius in its fullness and uniqueness.
You will never know what really happened to Lech or any of us. We mean nothing by it, darling. It is a silent agreement we all have with ourselves, that nothing will ever make us prisoners again, not even memory.?
Set primarily in the neighbourhood of fictional Copernicus Avenue, Andrew Borkowski’s debut collection of short stories is a daring, modern take on life in Toronto’s Polish community in the years following World War II. Featuring a cast of young and old, artists and soldiers, visionaries and madmen, the forgotten and the unforgettable, Copernicus Avenue captures, with bold and striking prose, the spirit of a people who have travelled to a new land, not to escape old grudges and atrocities, but to conquer them.
Even if people sometimes argue over the pettiest things, we all have our curiosity in common. The universe is a stupendous place that has no obligation to make sense to us. Just think about it: we’re living on a tiny planet that’s hurtling around a star which is whirling through a galaxy that’s careening through the cosmos at absurd speeds. We humans only appeared 100,000 years ago in our universe’s 13.8-billion-year-long backstory. In the big picture, we’re newcomers to the cosmos—and our entire planet is nothing more than a microscopic speck. Disclaimer warning for an existential crisis!
From science writer Nathan Hellner-Mestelman comes Cosmic Wonder, a humorous and detailed guide to our universe as you’ve never seen it before.
While our cosmos sounds like a remote and abstract place, we’re connected to it in every way. Our atoms were smashed together in the cores of exploding stars. The universe dooms us to a riveting cascade of destruction, humbling us to look at one another with more compassion. Life sprouted on this planet thanks to a series of fantastic cosmic collisions—and we might not be alone in this universe after all.
Come along on a funny, deep, and insightful journey to the edge of the universe and back. From the tiny particles that make up life to the galaxies on the other end of the cosmos, and from the explosion of the Big Bang to the chilling death of the universe itself, Cosmic Wonder is sure to be a rollercoaster ride for your brain.
Translated from French by Phyllis Aronoff and Howard Scott.
In an African town somewhere between the Sahel and the Atlantic coast, cotton planter Toby Kunta takes a Berlin journalist hostage in a museum showroom. Kunta asks for monetary compensation for himself and a group of peasants ruined by the production of genetically modified cotton. As the tension rises inside the museum and a standoff begins with the chief of police, Kunta begins to burn the exhibited works one by one and threatens to do the same with his prisoner.
With this standoff behind closed doors, where words and gestures get exchanged with anger and hope, Edem Awumey takes us on a contemporary journey on the cotton road, from the African Savannah to the American South, from the luxurious salons of Berlin to the fields of Indian Rajasthan sprayed with glyphosate, from the valleys of Uzbekistan covered with white fibre to the spinning mills of Dhaka in Bangladesh. Cotton Blues is a novel of the crossing of worlds in a struggle against the global domination of the multinationals. It is the great lamentation of the African people enslaved by the Western world’s thirst for wealth. It is a cry for freedom too long held back that finally bursts out with thunderous violence.
“Cover Art by Vanessa Westermann has all the hallmarks of a great summer read.” — I’ve Read This
Charley Scott is thrilled to be running a summer pop-up gallery in cottage country. Returning to the lakeside village, not on vacation but as an artist, she’s determined to turn her hobby into a career. Joined by two other artists, including her childhood friend Kayla, the Cover Art Exhibit is a dream come true.
But, beneath the surface of this peaceful town, darkness lurks. There’s a history.
Local chocolatier, Matt Thorn, is struggling to come to terms with his father’s recent death and his legacy of deception. As Matt plans to expose his father’s secrets, Kayla’s husband is found dead, the result of eating Matt’s boutique chocolates.
The homicide investigation threatens to make Charley’s pop-up gallery a failure before it even begins. Luckily, art is all about perspective and she’s always had a keen eye. Can she see past the obvious and find the killer?
A pitch-perfect debut and a call to act in the service of Earth through radiant attention.
Humankind, at present, has breached floodgates that have only been breached before in ancient stories of angry gods, or so far back on geologic and biological timelines as to seem more past than past. Against this catastrophic backdrop (at the end of consolations, at the high-water mark), and equipped with a periscopic eye and a sublime metaphorical reach, poet Dan MacIsaac has crowded his debut vessel with sloths and gipsy-birds, mummified remains and bumbling explorers, German expressionists and Neolithic cave-painters.
MacIsaac knows that in order to render a thing in language, description itself must be open to metamorphosis and transformation; each thing must be seen alongside, overtop of, and underneath everything else that has been seen. With the predominant “I” of so many poetic debuts almost entirely absent, Cries from the Ark is catalogue and cartography of our common mortal–and moral–lot.
“These poems are fecund as black dirt, as carnal and joyous. Each piece is an owl pellet, a concentrate of bone and tuft, of bison, auk and Beothuk. Not since Eric Ormsby’s Araby have I read a book so empathic and so glossarily rich. Fair warning, MacIsaac: I’ll be stealing words from you for years.” –Sharon McCartney
“MacIsaac sings a raven’s work, sings the guts from our myths, sings our world with the breath that ‘for a century/ of centuries / only the wild grass / remembered.’ Present but acquainted with antiquity, MacIsaac’s instrument is our own breathing as we say these poems of reverence to ourselves.” –Matt Rader
No two curries are the same. This Curry asks why the dish is supposed to represent everything brown people eat, read, and do.
Curry is a dish that doesn’t quite exist, but, as this wildly funny and sharp essay points out, a dish that doesn’t properly exist can have infinite, equally authentic variations. By grappling with novels, recipes, travelogues, pop culture, and his own upbringing, Naben Ruthnum depicts how the distinctive taste of curry has often become maladroit shorthand for brown identity. With the sardonic wit of Gita Mehta’s Karma Cola and the refined, obsessive palette of Bill Buford’s Heat, Ruthnum sinks his teeth into the story of how the beloved flavor calcified into an aesthetic genre that limits the imaginations of writers, readers, and eaters. Following in the footsteps of Salman Rushdie’s Imaginary Homelands, Curry cracks open anew the staid narrative of an authentically Indian diasporic experience.
Alex is a playwright suffering from writer’s block and harsh reviews. His best friend, Roy, is a theatre director with lung cancer and six months left to live. In pursuit of fresh air and great wine, they go on a road trip to the Okanagan Valley, where Roy rediscovers his passion for theatre. But when he decides to stage a production of A Midsummer Night’s Dream at a winery, disaster ensues: the woman cast in the lead is the winery owner’s wife and has no talent; wildfires encroach upon the surrounding forest; and Roy slips closer to death, one cigarette at a time.
Curtains for Roy is a hilarious peek into the world of theatre, where the greatest drama is offstage and the best performances take place behind the curtain.
Winner of the 2025 Trillium Book Award for Poetry
If you reloop trauma enough, does it make a danceable rhythm? If you get lost in physical sensation enough, does that make you free?
DADDY is a powerful look at patriarchy, intergenerational trauma, and queer desire that seeks an unravelling of systems of control to reclaim vulnerability. At once confessional, playful, and sonically meticulous, Byrne’s poems seek conversation with a voice in the mind that won’t quiet. Cruel father figures dissolve into leather-clad muscle daddies on popper-scented dancefloors; the pain of the past sows the seeds of a joyful exploration of queer desire.
When her house in the Jamaican countryside is damaged by a hurricane, Gertrude Samphire is sent by her estranged daughter Celia to Ellesmere Lodge, an assisted living centre. Gertrude is unimpressed with her new wealthy neighbours, and spends most of her time alone. It is only through writing that she finds her voice, and she begins to record her life in a notebook: memories of her gothic childhood, impetuous marriage, and struggles with raising a family. Gertrude slowly comes out of her shell, establishing and mending the relationships she has been missing for so long – and comes to realize that she may not be alone as she once felt.
Winner, 2021 IPPY Bronze Medal for Canada-East Best Regional Fiction.
Precocious ten-year-old Vanessa Dudley-Morris knows lots of secrets. In 1949 when she and her family are forced to move into two rooms on the second floor of 519 Jarvis Street in Toronto, a genteel but somewhat rundown rooming house owned by a reclusive pianist, she learns a lot more.
Despite the family’s drastically reduced circumstances, her parents struggle to keep up their old standards. Threatened by blindness due to an eye condition, Vanessa is kept at home, tutored by an erratic succession of eccentrics, some with questionable credentials. Consequently, she spends a lot of time alone, wandering the dim corridors of the old house, silently listening at doors and watching the odd characters who live there. She becomes fascinated by a mother and son who move into a room on the third floor. Eventually she agrees to take secret notes from the son to his mysterious friend at her church, unwittingly unleashing a chain of events that leads to tragedy.
When he finds a photograph of his grandfather as a young man, Liam is full of questions. But that’s just fine, because Grampy has a story to spin with every answer.
On a fall day in 1962, he tells Liam, he had a run in with a nasty girl in search of a dance partner: Daisy was her name. What follows is a tall tale about Grampy’s tango with a hurricane, and all those signs of aging?the wrinkles, the stooped back, the croaky voice, the false teeth?can be chalked up to Daisy’s persistence and Grampy’s refusal to dance. Of course, it takes a talking to from Nana to get that Daisy to blow off elsewhere.Acclaimed author Jan L. Coates and award-winning illustrator Jos?e Bisaillon join forces in this charming picture book to craft a tale both touching and amusing about aging and the bond between a grandfather and his grandson. Bisaillon’s gorgeous, playful illustrations bring the dance to life, evoking that windy girl and her insistent ways, as well as the warm affection between Grampy and Liam.