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Lana the llama lives in the farmyard with all of her sheep friends. She loves being part of their flock, but she knows that she doesn?t fit in?her legs and neck are much too long, and her ?baa? is very baaad. Lana does her best to look like the other sheep, until one day a bully arrives, and Lana has to stand up for herself and her friends.
One year after the suicide of their teenage son Joel, Debora and Michael Shaun-Hastings sit down to dinner with their son’s bully and his parents. Closure is on the menu, but accusations are the main course as everyone takes a turn in the hot seat for their real or imagined part in the tragedy. Blame shifts over the course of the evening from one person to the next, raising questions no one is prepared to answer.
Late September is an intimate queer coming-of-age tale exploring the nuances of love, trauma and mental health. A compelling literary fiction pick for readers of Heather O’Neill and Zoe Whittall.In the summer of 2000, Ines, a grief-stricken skateboarder beginning to explore her sexuality, leaves behind her sheltered hometown on a Greyhound bus bound for Montreal. In awe of the city’s vibrancy, and armed with a journal and a Discman, Ines sets out to find a new way, befriending April, a latex-loving goth who gets her a job as a cam-girl. In the midst of a bar fight Ines meets Max, a magnetic skateboarder, whom she quickly falls for.As summer fades to fall Ines tries to uphold the bliss of their intoxicating summer, realizing that while she has escaped the confines of her small-town life, she cannot escape her past. The city changes and their romance darkens as Ines learns that Max is experiencing mental health challenges, all while a regular at the cam studio gets threateningly close. Ines learns that loving herself first requires trial and error—and that love is not always an innocent word.
Delia Buckley hasn’t seen Daniel Wolfe in twenty-two years, ever since he’d abandoned her and their unborn child. But now here he is, knowing all about Delia’s family troubles and wanting to employ her to nurse him in his terminal illness. Desperate for money to keep both the family farm, and her sister Maggie in the home for the mentally ill she’s lived in for years, Delia is in no position to turn down Daniel’s very handsome offer. She is determined keep her distance and the truth about the past from him. But the past rises up around Delia from all sides. Daniel wants to be forgiven. His daughter, Jude, arrives from Vancouver and wants to talk about her sister, who disappeared six months after the death of their mother, and to cap it all off, a young woman called Iris shows up on the doorstep asking questions about relatives her mother on her deathbed had told her to seek out. The secrets of the past refuse to remain buried. Set in contemporary Ireland, this family drama explores how our choices ?and our mistakes ? echo through generations.
Incorporating elements of creative nonfiction and oral history, Let It All Fall: Underground Music and the Culture of Rebellion in Newfoundland, 1977–95 is a collection of interview-based first-person monologues that describe the experiences of a generation of independent musicians, artists, and activists.
Beginning in the late 1970s, a new raw sound began to emerge from the basements and garages of St. John’s which, by the mid-’90s, had grown into a vibrant community. With few resources, dozens of bands produced a staggering amount of music.
Let It All Fall traces how underground youth culture challenged social and economic inequity, as well as cultural norms, during one of the most turbulent times in Newfoundland history.
In Life Without Death, the latest short story collection from Peter Unwin, ordinary men and women search for meaning in lives subject to change, chance, coincidence, and catastrophe.
A man recalls a lifetime of love and loss while copying contacts out of his old little black book. A woman is left her dying father’s secret stash of pornography, and is entrusted with the unenviable task of disposing of it. A new father unexpectedly discovers a way of connecting to his autistic son. For one day, guests to a wedding set aside their various past misdeeds in order to celebrate a young couple’s union. A teenager newly introduced to a life of petty crime suddenly finds himself in way over his head. A man’s former acquaintance resurfaces decades later as the subject of a haunting art film.
Unwin’s characters live full, complex lives within each story. Though they may not find the simple answers they seek, if such answers even exist, they-and readers-gain something farmore valuable on their journeys: perspective.
Seventeen years ago, Isobel was murdered at the tender age of nine. Now she finds herself back in her previous life as a ghost searching for the person responsible for her untimely death. But this time she’s powerful, having the ability to watch over the living, observe them, and sometimes interact with them. Isobel has been paying attention to her former neighbours, and it’s not long before she begins to suffer along with them during their dark and horrific private experiences. Will she finally get the peace she’s been yearning for? One of Judith Thompson’s most enduring plays, Lion in the Streets looks at the inner emotional turmoil in ordinary people and the ways in which they cope.
A little girl with a beard must find herself a home in this contemporary fairy tale.
It’s 1944, and a little village in rural Quebec sits quietly beside an aging mountain and an angry river. The air tastes of kelp, and the wind keeps knocking over the cross. Beside that river an eleven-year-old girl lives with her parents. Her mother is very sad, and her father has vanished because he can’t bear to look at his own daughter. You see, this little girl has suddenly sprouted a full beard.
And so her mother has shut the curtains and locked the girl inside to keep her safe from the townspeople, the Boots, who think there’s something wrong with a bearded little girl. And when they come for her, she escapes into the wintry night
Translated from the French, Little Beast turns the modern fairy tale on its bearded head.
Two novels, two young women at the frontiers of sex.
Like a series of Penthouse letters penned by Kathy Acker, Lie With Me recounts a woman’s sexual escapades, picking up random men in bars for a series of increasingly extreme encounters, hoping to understand love from the far side of sluttiness.
In The Way of the Whore, Mira, an introverted Jewish girl obsessed with JeanGenet, allows herself to be seduced by the sex industry, determined to find meaning in her tormented relationships with cruel men.
Tamara Faith Berger’s first two novels have been languishing out of print. They were scandalous when they were first published; substantially revised and returned to print, they’re just as titillating and troubling now.
Arthur Beauchamp takes a break from the courtroom to write a memoir so he can set the record straight about a headline murder case he fought as a young lawyer in 1966. The trial would either mark him as a pathetic loser or thrust him into the top ranks of criminal counsel.The background: in 1966, a young housemaid was raped by her employer, a callous and vindictive millionaire. She shot him point blank, so it seemed an open-and-shut case of first-degree murder. Enter Arthur Beauchamp, a young lawyer haunted by having bungled his only previous murder case. He is now called upon to defend a case that he is almost certain can’t be won. But as the trial speeds through twists and turns, his slashing cross-examinations bring hope that the jury might entertain a reasonable doubt.In the present time, Arthur learns that writing about his social gaffes, booze, and sex is not easy, especially as his efforts are regularly interrupted by the quirky characters who inhabit his supposedly idyllic Garibaldi Island.
Finalist for the 2019 Foreword Indie Award for General Fiction.
Upon the death of their art-loving parents, thirteen and fourteen year old Jewish sisters are kidnapped by a family friend and taken to a brothel. There they are held captive by their shared shame and by the younger sister’s forced addiction to morphine. Love and psychodrama gives them the courage to finally escape Vienna. Once in England, however, Hedy discovers her younger sister Susannah longs to be independent– and in Italy. But in 1938, despite the safety they each have found among the privileged, they return to Vienna just before Hitler arrives, putting their own lives and those of two children in danger. With the background of anti-Semitism and exploitation, of sex and love and art and dramatic ruses, all during the terrifying rise of fascism in Austria and Italy, Look After Her reveals this truth: no matter how close we are to another human being, even a beloved sister, that’s what we are: close– we all have our own secrets to keep.