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In 1973, fifteen-year old Qʷóqʷésk?i?, or “Squito” Bob, is a mixed-blood N?e?kepmx boy trying to find his place in a small, mostly Native town. His closest friends are three n?e?kepmx boys and a white kid, an obnoxious runt who thinks himself superior to his friends. Accepted as neither Native nor white, Squito often feels like the stray dog of the group and envisions a short, disastrous life for himself. Home Waltz follows the boys over thirty-six hours on what should be one of the best weekends of their lives. With a senior girls volleyball tournament in town, Squito’s favourite band performing, and enough alcohol for ten people, the boys dream of girls, dancing and possibly romance. A story of love, heartbreak and tragedy, Home Waltz delves into suicide, alcohol abuse, body image insecurities, and systemic racism. A coming of age story like no other, Home Waltz speaks to the indigenous experience of growing up in a world that doesn’t want or trust you.
A citizen’s guide to making the big city a place where we can afford to live.
Housing is increasingly unattainable in successful global cities, and Toronto is no exception – in part because of zoning that protects “stable” residential neighborhoods with high property values. House Divided is a citizen’s guide for changing the way housing can work in big cities. Using Toronto as a case study, this anthology unpacks the affordability crisis and offers innovative ideas for creating housing for all ages and demographic groups. With charts, maps, data, and policy prescriptions, House Divided poses tough questions about the issue that will make or break the global city of the future.
In huff, brothers Wind, Huff, and Charles are trying to cope with their father’s abusive whims and their mother’s recent suicide. In a brutal reality of death and addiction, they huff gas and pull destructive pranks. Preyed upon by Trickster and his own fragile psyche, Wind looks for a way out, one that might lead him into his mother’s shadow.
In Stitch, Kylie Grandview is a single mom struggling to make a living as a porn star while dreaming of being on the big screen. She’s painfully aware that she is among the many nameless faces on the Internet, the ones that blip across cyberspace, as her yeast infection, Itchia, reminds her at every turn. But when Kylie is offered the chance at a big break, a series of twisted events lead her down a destructive path, revealing a face no one will forget.
Whether investigating a gruesome triple-murder, a fairy tale marriage gone horribly wrong, or a brilliant con artist, Michael Lista has proven himself one of the most gifted storytellers of his generation. In his belief that crime reporting thrives the closer it moves to “the human scale”—where every uncovered secret reveals the truth of our obligations to each other—Lista builds his compulsively readable narratives from details (fake flowers, a little girl’s necklace) others might pass over, details that provide a doorway into the extreme situations he is drawn to. The Human Scale not only includes Lista’s most celebrated magazine stories to date, but comes with postscripts that describe his process in writing each piece, and the fallout from publication. Here is long-form journalism in its most hallowed form: brilliant and bingeable.
A compelling, haunting novel about a man experiencing gaps in time, and the pain of living inside an anxious mind.
Felix wakes up one day to find he has a girlfriend he doesn’t recognize. He finds a novel, with his name on the cover, that he doesn’t remember writing. He’s been losing time since university. Sometimes these gaps are minutes, sometimes months. But now he begins experiencing flashbacks and moments where he gets a glimpse of an unsettling future. He will do anything necessary to keep the people he loves safe . . .
Hummingbird is a haunting, powerful novel, told in unadorned language that expresses with clarity the pain of living inside a disturbed mind. Like Anakana Schofield’s ground-breaking Martin John, Hummingbird is at times uncomfortable, but written with deep compassion and a sense of urgency.
A journey in search of love through the contemporary homoerotic male body.
Improvising on a variety of poetic forms and traversing disparate landscapes — from Belfast to the clear-cuts of Vancouver Island, from the subterranean heat of Jules Verne’s Iceland to the ventriloquism of the Alberta Rockies’ echoing eastern slopes — John Barton documents the path of the male body in the search for love in an increasingly unstable, supposedly tolerant contemporary world. Hymn, stokes the fires of homoerotic romantic love with its polar extremes of intimacy and solitude.
… though he files all forethought of the unknown life now going
on without him, a life he confuses with his own, his life promiscuous
however rearranged his surfaces or clean his drawers, the unclarifying
distractions of the body portentous in his downfall, the downfall
of his own body a matter of time, but thinking of the man who left
the accidental man come between them, the man he may yet become
it is impossible for him not to sing them unwashed hymns of praise.
— from “Hymn”
Eager for some peace and quiet, the main character of this tale in verse moves to the woods and builds a little cabin getaway. She?s found the perfect retreat?or so she thinks until she meets her neighbours: an array of loud and lively creatures who crunch and crack and hoot their way into her life. Young listeners will delight in the animals? playful antics and learn a bit about life in the wild.
Fifty poems to dance (awkwardly) between queer and anxious spaces.
Social anxiety runs through I Hate Parties like a current. Recorded on deliberately shaky media, this collection offers the B-side of growing up queer, autistic and nonbinary. From Scruff dates to mix tapes, Jes Battis cruises (and crashes) through wild feelings and minor catastrophes. Dipping readers into a world of missed connections, social disasters and life as a queer party that constantly surprises, Battis uses a light touch and neurodiverse prosody as they chronicle middle-grade queerness and a kind of meandering surreality. From difficult desires, panic attacks and environmental sensitivities, Battis weaves nineties metaphors with current discussions of neurodiversity and trans rights in Canada as they ruminate between past and present like a cat refusing to settle. I Hate Parties guides us through all the best and worst parties of our lives—to the secret room beyond, where being awkward is the one and only dress code.
What do we stand to lose in a world without ice?
A decade ago, novelist and short story writer Jean McNeil spent a year as writer-in-residence with the British Antarctic Survey, and four months on the world’s most enigmatic continent — Antarctica. Access to the Antarctic remains largely reserved for scientists, and it is the only piece of earth that is nobody’s country. Ice Diaries is the story of McNeil’s years spent in ice, not only in the Antarctic but her subsequent travels to Greenland, Iceland, and Svalbard, culminating in a strange event in Cape Town, South Africa, where she journeyed to make what was to be her final trip to the southernmost continent.
In the spirit of the diaries of Antarctic explorers Robert Falcon Scott and Ernest Shackleton, McNeil mixes travelogue, popular science, and memoir to examine the history of our fascination with ice. In entering this world, McNeil unexpectedly finds herself confronting her own upbringing in the Maritimes, the lifelong effects of growing up in a cold place, and how the climates of childhood frame our emotional thermodynamics for life. Ice Diaries is a haunting story of the relationship between beauty and terror, loss and abandonment, transformation and triumph.
In If Clara, nobody stands on firm ground. Daisy, a writer confined to her home, her leg in a cast from hip to ankle, receives a parcel containing the manuscript of a novel about a Syrian refugee and is asked to pose as its writer. Julia, the curator at the Kleinzahler Gallery, has no idea that her sister, Clara, has written a novel. However, she does know that Clara suffers from a debilitating mental illness, is unpredictable, and lapses easily into hostility. Maurice’s life is changed by an art installation involving a pair of binoculars welded to the wall through which visitors are invited to observe passersby outside. An ultralight aircraft’s collision with a quiet lawn brings them all together. If Clara explores the emotional weight of friendship, the complexity of family, and people inextricably entwined.
If We Caught Fire brings two families together for a wedding in St. John’s, an event that sets off a summer of fireworks in the lives of the people around them.
Edie’s calm and contained life is knocked awry when her mother decides to marry a man she met online after just a few months of dating. The groom’s son, Harlow, is a joyful adventurer who shows up for the wedding and quickly recruits Edie as his sidekick.
Harlow runs toward risk and adventure with arms wide open, unconcerned about what other people expect from him. Edie plans every step carefully and keeps her dreams small and attainable, even when others encourage her to want more. Over a few months, they develop a connection that defies definition, a situation that leaves Edie queasy with fear and tingly with possibility.
Edie and Harlow (and the rest of their new unwieldy family) do an elaborate dance, trying to discover just what they are to one another. When Edie thinks she’s figured him out, Harlow reveals a depth and darkness she didn’t see coming. By Labour Day, they’ve created connections, tested boundaries, and found they’ve come together and apart in unexpected ways.
If We Were Birds is a shocking, uncompromising examination of the horrors of war, giving voice to a woman long ago forced into silence, and placing a spotlight on millions of female victims who have been silenced through violence. A deeply affecting and thought-provoking re-imagining of Ovid’s masterpiece “Tereus, Procne, and Philomela,” Erin Shields’s award-winning play is an unflinching commentary on contemporary war and its aftermath delivered through the lens of Greek tragedy.