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Like most Canadian playwrights of his generation, John Lazarus figured out the craft on his own. In doing that, he discovered a technique involving a dual approach: constructing plot on the one hand and improvising dialogue on the other. He’s been using that technique since 1977 and teaching it to others since 1990, and it works–for himself and for generations of Canada’s most successful theatre creators. In this book, John explains each of these “Two Ways” in detail, explaining why your characters won’t invent your story for you, how to construct a plot using cause-and-effect, and how to refine your dialogue for the actors by chewing on it yourself first. He also guides the reader through other aspects of the profession–from current issues around creativity, originality and cultural appropriation, to nuts-and-bolts concerns like script submissions, workshops, readings, rehearsals and opening nights. Informed by over 50 years of professional experience as an award-winning Canadian playwright, teacher and critic, and delivered with John’s breezy, informal style and sense of humour, Two Ways About It will give the beginner a dependable way into the profession and offer the more experienced playwright new and refreshing approaches to the art form.
Shortlisted for the 2022 Amazon Canada First Novel Award
Longlisted for the 2021 Scotiabank Giller Prize
Shortlisted for the 2021 BMO Winterset Award
Shortlisted for the 2021 Paragraphe Hugh MacLennan Prize for Fiction
Shortlisted for the 2021 Concordia University First Book Prize
Shortlisted for the 2022 ReLit Award for Fiction
A remarkable debut about intergenerational female relationships and resistance found in the unlikeliest of places, We, Jane explores the precarity of rural existence and the essential nature of abortion.
Searching for meaning in her Montreal life, Marthe begins an intense friendship with an older woman, also from Newfoundland, who tells her a story about purpose, about a duty to fulfill. It’s back home, and it goes by the name of Jane.
Marthe travels back to a small community on the island with the older woman to continue the work of an underground movement in 60s Chicago: abortion services performed by women, always referred to as Jane. She commits to learning how to continue this legacy and protect such essential knowledge. But the nobility of her task and the reality of small-town life compete, and personal fractures within their group begin to grow.
We, Jane probes the importance of care work by women for women, underscores the complexity of relationships in close circles, and beautifully captures the inevitable heartache of understanding home.
For readers of Anthony Doerr’s All the Light We Cannot See and Tim O’Brien’s The Things They Carried, a transportive historical novel about finding morality in the throes of war and colonizationReleased from Nazi forced labor as World War II ends, 20-year-old Sam is quickly drafted and sent to the island of Java to help regain control of the colony. But the Indonesian independence movement is far ahead of the Dutch, and Sam is thrown into a guerilla war, his loyalties challenged when his squad commits atrocities reminiscent of those he suffered at the hands of the Nazis. Sam falls in love with both Sari and the beautiful island she calls home, but as he loses friends to sniper fire and jungle malady, he also loses sight of what he wants most — to be a good man.
WINNER OF THE 2020/2021 ALCUIN SOCIETY BOOK DESIGN AWARD FOR POETRY
WINNER OF THE ROBERT KROETSCH CITY OF EDMONTON BOOK PRIZE
WINNER OF THE 2023 STEPHAN G. STEPHANSSON AWARD FOR POETRY
WINNER OF THE GERALD LAMPERT MEMORIAL AWARD
WINNER OF THE INDIGENOUS VOICES AWARD FOR PUBLISHED POETRY IN ENGLISH
SHORTLISTED FOR THE DAYNE OGILVIE PRIZE FOR LGBTQ2S+ EMERGING WRITERS
LONGLISTED FOR THE RAYMOND SOUSTER AWARD
An Indigenous resistance historiography, poetry that interrogates the colonial violence of the archive
Whitemud Walking is about the land Matthew Weigel was born on and the institutions that occupy that land. It is about the interrelatedness of his own story with that of the colonial history of Canada, which considers the numbered treaties of the North-West to be historical and completed events. But they are eternal agreements that entail complex reciprocity and obligations. The state and archival institutions work together to sequester documents and knowledge in ways that resonate violently in people’s lives, including the dispossession and extinguishment of Indigenous title to land.
Using photos, documents, and recordings that are about or involve his ancestors, but are kept in archives, Weigel examines the consequences of this erasure and sequestration. Memories cling to documents and sometimes this palimpsest can be read, other times the margins must be centered to gain a fuller picture. Whitemud Walking is a genre-bending work of visual and lyric poetry, non-fiction prose, photography, and digital art and design.
The title of William Shakespeare’s As You Like It holds a double meaning that teasingly suggests the play can please all tastes. But is that possible? With his subversive updating of the Bard’s classic, Indigenous creator and cultural provocateur Cliff Cardinal seeks to find out. The show exults in bawdy humour, difficult subject matter, and raw emotion; Cardinal is not one to hold back when it comes to challenging delicate sensibilities.
WINNER, Thomas Raddall Atlantic Fiction Award
Wonder World is a look at a part of the country not often written about (Casey Plett’s work and Miriam Toews’ come to mind – these places do exist in literature, just not widely) and a wonderful contribution to the queer literary landscape. I’ll be on the lookout for what Byggdin writes next.” – Tara-Michelle Ziniuk, ROOM MagazineTwenty-seven-year-old Isaac Funk is broke, drifting, and questioning his lonely existence on the East Coast. Having left his conservative hometown of Newfield, Manitoba full of piss and vinegar, Isaac’s dreams of studying music and embracing queer culture in Halifax have gradually fizzled out. When his grandfather dies and leaves him a substantial inheritance, Isaac is pulled back to the Prairies for the first time in ten years.
Finding his father Abe just as enigmatic and unreachable as always and his extended family more fragmented than ever, Isaac begins to wonder if there will ever be a place for him in Newfield.
Is the prodigal son home for good, or is it time to cut and run once more?
Eating too much, eating not enough, having sex, not having sex, aging parents, grief, drugs, childhood trauma, and the last call of ovaries – a woman’s body at mid-life can get messy.
Debbie Bateman’s stories take a clear-eyed look at the largely unexplored private world of a pivotal stage in virtually every woman’s life. These stories are linked not only by the characters, but also by the visceral themes of food, sex, exercise, beauty, and aging. The secret clenching of a fist, the unwinding of a silk scarf, the proud refusal to have breast reconstruction, the women in these stories want full authority over their bodies and their lives.