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A best-of collection from one of Canada’s most ambitious poets
Problematica — a scientific term used to describe species that defy classification. See unidentifiable.
George Murray is a strange beast. Lauded as one of Canada’s leading poets, his work has been published around the world, but here at home, he has never really “fit in” with his contemporaries. By turns archly formal and thoughtful, insouciant and hilarious, each of his six books seems intent on staking out its own identity, standing alone in stark contrast to all others.
Yet, in this judicious selection of new and selected poems spanning Murray’s 25-year career, we see threads and patterns emerge like fractals. From early narrative poems to lyrical explorations of the metaphysical to investigations of the colloquial and contemporary, Murray’s work roams a landscape that includes everything from happiness to regret, love to loss, doubt to faith, anxiety to acceptance.
This collection not only represents the best of Murray’s earlier poems, but also surprises readers with a section of never-before-seen new work, revealing a life spent wrestling with what it means to arrive, live, and leave. Problematica is a considerable body of poetry from a mind that obsessively wanders the edges of thought and language, working to identify what boundaries may or may not exist.
A significant moment in Canadian history is portrayed in this documentary musical about race relations between Indigenous and non-Indigenous people. Weaving hundreds of real interviews conducted with Saskatchewan residents and the court transcripts surrounding the killing of Colten Boushie and trial of Gerald Stanley, a kaleidoscopic picture is formed of the views of the incident, the province, and relationships between all people in Canada.
A verbatim play with music created by Joel Bernbaum, Lancelot Knight, and Yvette Nolan, Reasonable Doubt provides a space to honestly talk to each other about what has happened on this land and how we can live together.
Resilience is the third colouring book made up of works by Anishnaabe artist Jackie Traverse. As with her previous highly successful colouring books,
Sacred Feminine
and
IKWE
, this new book contains both drawings and paintings by Jackie. Resilience honours the Indigenous Peoples who were colonized by and endured the violence of Canada’s child stealing systems — residential schools, the Sixties Scoop and child “welfare.” Some Indigenous people survived those systems; tragically, some did not. Jackie and her art pay tribute to and celebrate the resilience of Indigenous Peoples as they rebuild their communities and lives. Grassroots grandmother Geraldine (Gramma) Shingoose provides a foreword.
Safety Razor combines personal lyrics with translations from Old Norse, its taut poems running like high-wires between the poles of terror and joy, danger and safety, erudition and naivety. Mingling subjects as diverse as dinosaur bones and diacritical markers, Vikings and mothering, Safety Razor pits cultural and historical flotsam against the intimate and the academic. Be prepared for a voice that is both vulnerable and scientific as it explores the exploitation of Jumbo the Elephant, how a baby experiences a tornado, or a Viking demonstration of poetic prowess through vomit and blood. Every line in Osborne’s sharp verse is like a “pin dipped in tobacco spit,” something inked with precision and grit.
Sangeet loves music, and she’s good at composing it, too. Her favourite instrument is the tabla. One day, Sangeet hears all kinds of noises everywhere and together, they have the most incredible beat. But when she tries to play it on her tabla–something is missing! Will Sangeet be able to find her Missing Beat? Teacher resources available on publisher website: rebelmountainpress.com/sangeet-and-the-missing-beat-teacher-resources
Louis Riel arrives at Batoche in 1884 to help the Métis fight for their lands and discovers that the rebellious outsider Josette Lavoie is a granddaughter of the famous chief Big Bear, whom he needs as an ally. But Josette learns of Riel’s hidden agenda – to establish a separate state with his new church at its head – and refuses to help him. Only when the great Gabriel Dumont promises her that he will not let Riel fail does she agree to join the cause. In this raw wilderness on the brink of change, the lives of seven unforgettable characters converge, each one with secrets: Louis Riel and his tortured wife Marguerite; a duplicitous Catholic priest; Gabriel Dumont and his dying wife Madeleine; a Hudson’s Bay Company spy; and the enigmatic Josette Lavoie. As the Dominion Army marches on Batoche, Josette and Gabriel must manage Riel’s escalating religious fanaticism and a growing attraction to each other. Song of Batoche is a timeless story that traces the borderlines of faith and reason, obsession and madness, betrayal and love.
“This passionate retelling uses women’s eyes to reveal the hidden history behind Riel and Gabriel Dumont. Deeply researched, and rooted in the soil of Batoche.” – Marina Endicott, author of the Giller-nominated Close to Hugh
“Combining fine research and engaging storytelling, Song of Batoche is a stirring fictionalized account of events in and around the 1885 North-West Resistance. Josette Lavoie is an intriguing and memorable heroine.” – Katherena Vermette, author of the The Break and winner of the Governor General’s Award
Stages is packed with drama exercises and ideas that work, tested on the harshest of criticsÑhigh school students. Laid out in a clear, concise manner, they are categorized according to their purpose.
When Carol Rose GoldenEagle was a child, attending Easter church services, she recalls the annual ritual of the priest presenting plaques depicting the stages of Christ’s persecution to his resurrection, referred to as the “stations of the cross”. Using these early teachings as a springboard for critical reflections, poems look back, but more importantly, look forward to reclaiming the gifts given by Creator within Indigenous culture. GoldenEagle’s searing new poetry collection examines the dark legacy of the residential school system, church and government doctrine, and the ongoing impacts on Indigenous peoples’ lives across Turtle Island.
Stephen Kakfwi was born in a bush camp on the edge of the Arctic Circle in 1950. In a family torn apart by tuberculosis, alcohol and the traumas endured by generations in residential school, he emerged as a respected Dene elder and eventually the Premier of the Northwest Territories.
Stephen belongs to a cohort of young northerners who survived the childhood abuses of residential school only to find themselves as teenagers in another residential school where one Oblate father saw them as the next generation of leaders, and gave them the skills they would need to succeed. Kakfwi, schooled on civil rights and 1960s protest songs, dedicated himself to supporting chiefs in their claim to land that had been taken away from them and in their determination to seize control of the colonial political system.
Kakfwi’s life has been a series of diverse endeavours, blending traditional Dene practices with the daily demands of political office—hunting moose one day and negotiating with European diamond merchants the next. Throughout his career, Kakfwi understood that he held the power to make change—sometimes he succeeded, sometimes he did not. But he also embraced the power of story-telling, and has helped change the story of the North.
Kakfwi combines his remarkable memory for detail with his compelling raconteur’s skill in taking us through the incredible story of his life and one of the most transformative times in Canadian history. In his candid description of the loneliness of leadership and his embrace of Dene spirituality, Kakfwi’s Stoneface transforms politics into philosophy and an intensely personal guide to reconciliation.
A handbook for script work and directing in the theatre, Text and Context: The Operative Word is essential reading for post-secondary students and young directors in the theatre, as well as an effective resource for other disciplines, including actors, designers, and production personnel. Part 1: Text describes the method of text investigation that Greenblatt has developed and employed over his four-and-a- half decade career, including a variety of exercises. It is a highly pragmatic and non-academic approach to discovering the essence of a script in order to reveal its potential for interesting and unique interpretations. Part 2: Context explores the various ideas, philosophies and precepts Greenblatt uses when directing for the stage, following the order and rhythm of most rehearsal processes. It challenges misconceptions about the position of the director, and debunks traditional assumptions that are harmful to a truly creative and inclusive process. Part 3: New Text examines three genres of theatrical works: Theatre for Young Audiences, New Play Development, and Devised Work, which utilize the principles of text analysis and directing found in the first two parts.
Sprinkled with personal anecdotes, Text and Context: The Operative Word offers theatre practitioners techniques for communication and artistic collaboration, reimagines traditional hierarchical structures, and provides tools to create healthy, truly creative, highly productive, and more equitable processes of theatrical practice.
AURORA AWARD WINNER“This packs a punch.” — Publishers Weekly“One of the most unique and engaging voices in genre fiction.” — Booklist“In this rich and nuanced universe, Mohamed offers an emotionally fierce and human story that takes the time and space to personalize apocalypse.” — STARRED review, Quill & QuireA novella set in post–climate disaster Alberta; a woman infected with a mysterious parasite must choose whether to pursue a rare opportunity far from home or stay and help rebuild her communityThe world is nothing like it once was: climate disasters have wracked the continent, causing food shortages, ending industry, and leaving little behind. Then came Cad, mysterious mind-altering fungi that invade the bodies of the now scattered citizenry. Reid, a young woman who carries this parasite, has been given a chance to get away — to move to one of the last remnants of pre-disaster society — but she can’t bring herself to abandon her mother and the community that relies on her. When she’s offered a coveted place on a dangerous and profitable mission, she jumps at the opportunity to set her family up for life, but how can Reid ask people to put their trust in her when she can’t even trust her own mind?With keen insight and biting prose, Premee Mohamed delivers a deeply personal tale in this post-apocalyptic hopepunk novella that reflects on the meaning of community and asks what we owe to those who have lifted us up.
Lise, Appoline and Anne are related, though they live on opposite coasts at different moments of time, with the vast geography of Canada and decades of change in between. The three women are linked by generations of hardship, displacement, and an eighteenth-century French musket that has been passed down through the LeBlanc family since the time of the Acadian expulsion. In contemporary Victoria, BC, Lise’s estranged son, Daniel, reappears in Nova Scotia just when she’s making significant changes in her life, including a nasty divorce from Daniel’s father. Upon learning that her son is living with a distant relative Lise barely knows and causing enough trouble to draw the attention of the authorities, Lise goes to him and begins to unravel a family history that brings about unintended consequences. In 1832, on Isle Madame, Nova Scotia, eighteen-year-old Appoline is left by her older brother to overwinter in an isolated cove, where she’s in charge of five members of her family ranging in age from ten to ninety-nine. Grand-mère, the family matriarch, refuses to leave despite the wishes of her family. Tension grows between Appoline and her younger sister, coming to a head when the sister brings home a young ‘Jersey man.’ Finally, Grand-mère tells her own story of the Acadian expulsion of 1755. Her memories follow a group of Acadian fugitives on their flight into what is now northern New Brunswick, seeking refuge at the infamous Camp D’Espérance. In each successive generation, the imprint of the expulsion perpetuates further suffering, severs a connection to the past and contributes to the gradual erosion of cultural identity. Nevertheless, these three women are resilient in the face of great obstacles. The Broken Heart of Winter speaks to the capacity of the human spirit to love, to adapt, and to carry on.