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Wilhelm is a hedgehog who lives in a park in the city. Unlike most hedgehogs who sleep in the day and eat and explore in the evening, Wilhelm is curious and wants to know a bit more about the daytime world — especially about Light and the sun. His friends try to dissuade him, but eventually realize that Wilhelm won’t be convinced to behave like a “normal” hedgehog. So instead they work together to help him achieve his dream.
A charming tale about being yourself, following your dreams, and about the friends who help you, Wilhelm the Hedgehog was originally published in Ukraine in 2017. It celebrates creativity, inspiration, and community.
The title of William Shakespeare’s As You Like It holds a double meaning that teasingly suggests the play can please all tastes. But is that possible? With his subversive updating of the Bard’s classic, Indigenous creator and cultural provocateur Cliff Cardinal seeks to find out. The show exults in bawdy humour, difficult subject matter, and raw emotion; Cardinal is not one to hold back when it comes to challenging delicate sensibilities.
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From the author of Maidenhead, a reverse cautionary tale about a young woman exploring the boundaries of sex and belonging in the early 2000s
Distraught that her teenage daughter is in love with a woman a decade older, Yara’s mother sends her away from their home in Brazil to Israel, on a Birthright trip for Jewish youth. Freed from her increasingly controlling and jealous girlfriend, Yara is determined to forge her own path and follow her desires.
But Birthright takes a debaucherous turn, and Yara flees Israel for Toronto and then California. As she wanders, Yara is forced to reframe her relationship and her ideas around consent. Set in the sex-tape-panicked early 2000s, Yara is a reverse cautionary tale about what the body can teach us.
“Tamara Faith Berger is one of our best writers of the body, capturing in sharp, red-hot prose its raw animal urges, its often confused and contradictory desires, and the way our search for pleasure can be both liberatory and self-annihilating. Like Israel, bodies are contested territories, and in Berger’s revelatory new novel, Yara seeks to wrest control and meaning from the forces that seek to instrumentalize hers: nationalism, capitalism, pornography, and lovers.” – Jordan Tannahill, author of The Listeners
“Yara is a complicated novel about the confusions of consent and kinship, the way love makes victims of us all, told with cool, epigrammatic verve. As raw, destabilizing and searching as its titular protagonist, it’s Berger’s best book yet.” – Jason McBride, author of Eat Your Mind
“Canada’s finest and boldest writer. Tamara Faith Berger is my favourite ball buster.” – Anakana Schofield, author of Bina: A Novel in Warnings
Eating too much, eating not enough, having sex, not having sex, aging parents, grief, drugs, childhood trauma, and the last call of ovaries – a woman’s body at mid-life can get messy.
Debbie Bateman’s stories take a clear-eyed look at the largely unexplored private world of a pivotal stage in virtually every woman’s life. These stories are linked not only by the characters, but also by the visceral themes of food, sex, exercise, beauty, and aging. The secret clenching of a fist, the unwinding of a silk scarf, the proud refusal to have breast reconstruction, the women in these stories want full authority over their bodies and their lives.
“The recipes in Zaatari are glorious. Passed down the generations from mother to daughter, cooking keeps the people of Zaatari camp connected to the towns and villages of the Syria they fled.” — Claudia Roden
On the Jordanian-Syrian border lies Zaatari Camp, the largest Syrian refugee camp in the world. Opened in 2012 to provide new arrivals with emergency relief, the camp quickly became a locus of Syrian culture and tradition. In this thriving community of over 80,000 people, the residents of Zaatari combine ingenuity and imagination to ensure that the glorious culinary traditions at the heart of Syrian culture continue to be observed and celebrated.
In this immersive culinary tour, Karen E. Fisher guides us through life at Zaatari, sharing its stories, its art, and its food. Authentically styled and stunningly photographed dishes accompany a vast array of recipes prepared by the camp’s residents for family dinners and community celebrations — and now for others to enjoy at home.
Both an introduction to Zaatari Camp and a robust cookbook, Zaatari: Culinary Traditions of the World’s Largest Syrian Refugee Camp offers an intimate encounter with Syrian food practices and traditions as they have been handed down through generations.