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Reads for Asian Heritage Month
May is Asian Heritage Month, and the perfect chance to check out new and new-to-you books by Asian-Canadian writers.
All Books in this Collection
Showing 97–112 of 128 resultsSorted by latest
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You Are Eating an Orange. You Are Naked.
$20.00Finalist for the 2021 Governor General’s Literary Award for Fiction
Finalist for the 2021 Amazon Canada First Novel Award
Longlisted for CBC Canada Reads 2021
A Globe and Mail Best Book Debut of 2020A young translator living in Toronto frequently travels abroad—to Hong Kong, Macau, Prague, Tokyo—often with his unnamed lover. In restaurants and hotel rooms, the couple begin telling folk tales to each other, perhaps as a way to fill the undefined space between them. Theirs is a comic and enigmatic relationship in which emotions are often muted and sometimes masked by verbal play and philosophical questions, and further complicated by the woman’s frequent unexplained disappearances.
You Are Eating an Orange. You Are Naked. is an intimate novel of memory and longing that challenges Western tropes and Orientalism. Embracing the playful surrealism of Haruki Murakami and the atmospheric narratives of filmmaker Wong Kar-wai, Sheung-King’s debut is at once lyrical and punctuated, and wholly unique, and marks the arrival of a bold new voice in Canadian literature.
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Music at the Heart of Thinking
$24.95The music of thinking. The thinking of music. Music at the Heart of Thinking is a poetry that works through language as the true practice of thought and improvisation as the tool that listens to and notates thinking. From jazz, the unpredictable ad lib driving itself from itself. From a drunken Shaolin monk, the poem as imbalanced tai chi. From Keats’s negative capability, the half-closed eye, the estrangement of language. All intended to bump beyond the end of the word into focus. As a response to readings in contemporary texts, art, and ideas. Music at the Heart of Thinking relocates critical language and thinking to the poetic bavardage at the heart of such endeavours. The poetics that generates these texts arises out of a lifelong poem project that has its roots in the long poem genre of the ’80s and its interest in the resistance to closure and the containment of meaning characteristic of the lyric. This book continues the work of two previous out-of-print publications, Music at the Heart of Thinking (1987) and Alley, Alley Home Free (1990). The poems are generated as textual responses in the reading, looking, and listening of the poet’s attention to his cultural milieu. Thus the writing addresses contemporary texts and art over the past forty years. Within this poetry of estrangement lie possible coherences for some sense of writing as a notation for thinking as feeling. The difficulty of this writing is literal and intentional, wary of any attempt to make thinking simple, easy, or predictable.
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Ghost Face
$19.95‘Greg is clearly a poet of great vision and clarity. His voice is extremely confident and strong, with each poem well-crafted and lean… If you enjoy the work of Sarah Howe or Ocean Vuong, I would recommend this book with no hesitation.’ Stuart Buck, author of Become Something Frail
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Keepers of the Faith
$24.95Keepers of the Faith is set within a small Muslim sect of India, ruled by an avaricious priesthood that demands absolute submission while enforcing archaic social customs. When a section of the community rebels, it is summarily excommunicated, shunned by friends and family and denied religious rites. The peaceful community is split into two.
The novel follows the fates of two blissful young lovers, Akbar and Rukhsana, in the historic city of Udaipur. When the communal split occurs, their families are on opposite sides; the lovers’ dream of a happy life together is shattered, and they are forced into separate destinies. Akbar, from the rebel group, goes on to become a writer and family man in Mumbai, while Rukhsana gets married to an immigrant engineer from the United States fanatically devoted to the priesthood.
Years later, Akbar’s and Rukhsana’s paths cross again. Much has changed and much has not, and they are presented with soul-destroying choices about the rest of their lives.
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Home Sickness
$21.95The characters in these ten stories are longing for escape and attempt to leave home, but inevitably and perhaps ironically find themselves homesick. Chih-Ying Lay, a Montreal-based expatriate from Taiwan familiar with both homesickness and home sickness, probes our desperate need for home, often matched with an equally desperate need to get away from it. Lay’s characters are outsiders, whether queer, indigenous, unloved or lost, and each discovers that home is not the sanctuary it was meant to be. Sometimes, they find a place to call their very own, as if to tell the reader: You can, too.
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Where Things Touch
$20.00Finalist for the 2021 Gerald Lampert Memorial Award
To devote oneself to the study of beauty is to offer footnotes to the universe for all the places and all the moments that one observes beauty. I can no longer grab beauty by her wrists and demand articulation or meaning. I can only take account of where things touch.
Part lyric essay, part prose poetry, Where Things Touch grapples with the manifold meanings and possibilities of beauty.
Drawing on her experiences as a physician-in-training, Orang considers clinical encounters and how they relate to the concept and very idea of beauty. Such considerations lead her to questions about intimacy, queerness, home, memory, love, and other aspects of human existence. Throughout, beauty is ultimately imagined as something inextricably tied to care: the care of lovers, of patients, of art and literature, and the various non-human worlds that surround us.
Eloquent and meditative in its approach, beauty, here, beyond base expectations of frivolity and superficiality, is conceived of as a thing to recover.Where Things Touch is an exploration of an essential human pleasure, a necessary freedom by which to challenge what we know of ourselves and the world we inhabit.
2021 Gerald Lampert Memorial Award Jury Citation:
“Tapestry-like in form, Orang’s lyrical poetic essay stitches together an exploration of beauty and aesthetics that is woven with humility and relationality to other. Her immense sense of craft and confidence make for breath stopping moments, over and over, while at the same time filling the senses with powerful and piercing revelation. ‘Reading,’ she writes, ‘is a kind of ecological activity’– and it is a privilege to situate yourself within Orang’s topographies of love.”
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Mythical Man
$18.95In Mythical Man, David Ly builds, and then tears down, an army of men in a quest to explore personhood in the 21st century. Tenderness, toxic masculinity, nuances of queer love, and questions of race and identity mix in Ly?s poetry, casting a spell that enters like “a warm tongue on a first date.” Mythical Man is an authentic and accomplished debut.
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The Subtweet
$21.952021 Dublin Literary Award Finalist
2021 Lambda Literary Awards Finalist for Transgender Fiction
2020 Toronto Book Awards Finalist“The Subtweet is affecting, unnerving, empowering, and often truly LOL.” — Foreword Reviews, starred review
“A beautifully crafted novel about race, music, and social media.” — Booklist
Includes an exclusive free soundtrack
Celebrated multidisciplinary artist Vivek Shraya’s second novel is a no-holds-barred examination of the music industry, social media, and making art in the modern era, shining a light on the promise and peril of being seen.
Indie musician Neela Devaki has built a career writing the songs she wants to hear but nobody else is singing. When one of Neela’s songs is covered by internet artist RUK-MINI and becomes a viral sensation, the two musicians meet and a transformative friendship begins. But before long, the systemic pressures that pit women against one another begin to bear down on Neela and RUK-MINI, stirring up self-doubt and jealousy. With a single tweet, their friendship implodes, a career is destroyed, and the two women find themselves at the centre of an internet firestorm.
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Salt in My Life
$20.95In her latest collection of poetry, Lien Chao covers a wider terrain of forms and styles to include symphonic lyrics, reflective travelogues, and multimedia-poetic stage performance. Sound and vision blend across the collection with a sense of textual fluidity, connecting her physical and emotional journeys as she strives for inner peace. Salt in My Life is a spiritual quest carried out through the creation of poetry.
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Spinster Kang
$22.95Thirty-two-year-old Kang is a new immigrant in Toronto. Having an older sister who was raped and suffers from the ensuing stigma in China, Kang is determined to remain a spinster, which has its own stigma in China, and she struggles with her fear and distrust of men. But Kang’s story is not a hard luck story. She is an intelligent woman and a successful immigrant. Kang deals with the perplexities of a different culture by maintaining a sense of curiosity, an enjoyment of learning about the new culture, and by finding humour rather than the humiliation that so often characterizes descriptions of immigrant experience. Kang rooms with Tania, a Russian immigrant, and learns that many years earlier, Tanya was in love with a Chinese medical student at Moscow University who was abruptly returned to China for having had a relationship with her. Kang’s own father once studied at that university but has never talked about it since he was forced to leave Moscow and then was labelled as a rightist during the Chinese Anti-Rightist Campaign. Since then her father has been dispatched to work and live in Kunming, a city far away from Beijing. Could the paths of her father and Tania have ever crossed? Curious about her father’s past, Kang decides to pay a visit to Moscow, accompanied by Brian, Tania’s nephew, a charming engineer who wants to explore his Russian Jewish roots. Spending time with Brian helps Kang to see how much her sister’s tragedy has shadowed her life. When Brian suddenly shows symptoms of schizophrenia, Kang must decide whether to throw her spinster’s hat away or end her relationship with Brian.
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The Forbidden Purple City
$22.95Finalist, City of Vancouver Book Award 2019
A man returns to Hoi An in his retirement to compose a poem honouring his parents. Two teenagers, ostracized in a private school, forge an unlikely bond. A son discovers the truth about his father’s business ventures and his dreams of success. A young bride, isolated on a remote island with her new husband, finds community in a group of abalone divers.
Taking the title for his debut collection of short fiction from the walled palace of Vietnam’s Nguyen dynasty, Philip Huynh dives headfirst into the Vietnamese diaspora. In these beautifully crafted stories, crystalline in their clarity and immersive in their intensity, he creates a universe inhabited by the deprivations of war, the reinvention of self in a new and unfamiliar settings, and the tensions between old-world parents and new-world children. Rooted in history and tradition yet startlingly contemporary in their approach, Huynh’s stories are sensuously evocative, plunging us into worlds so all-encompassing that we can smell the scent of orange blossoms and hear the rumble of bass lines from suburban car stereos.
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The Walking Boy
$19.95The Walking Boy is a quest novel set in early eighth-century Tang Dynasty China, in the final days of the rule of the first Female Emperor Wu Zhao. The ailing hermit monk Harelip sends his disciple Baoshi on a pilgrimage from Mount Hua to Chang’an, the Western capital; Baoshi is the “walking boy” charged with locating Harelip’s missing former lover Ardhanari. Baoshi lives with a secret only his Master knows, and he is filled with fears of being discovered. On his journey, Baoshi crosses paths with both commoners and imperial officials, as well as others who take delight in their queer identities; in doing so, he is released powerfully from his past shame.
The Walking Boy, set in the years following Kwa’s recent novel Oracle Bone, is a book of quiet subversion, upending classical Chinese tropes with contemporary ideas around gender and feminism. Filled with psychological complexities, magic and poetic allusions to classical Chinese literature, The Walking Boy explores the intrigue of inner alchemy while exorcising the ghosts of history.
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Tonguebreaker
$18.95Finalist, Audre Lorde Award for Lesbian Poetry
In their fourth collection of poetry, Lambda Literary Award-winning poet and writer Leah Lakshmi Piepzna-Samarasinha continues her excavation of working-class queer brown femme survivorhood and desire.
Tonguebreaker is about surviving the unsurvivable: living through hate crimes, the suicides of queer kin, and the rise of fascism while falling in love and walking through your beloved’s neighbourhood in Queens. Building on her groundbreaking work in Bodymap, Tonguebreaker is an unmitigated force of disabled queer-of-colour nature, narrating disabled femme-of-colour moments on the pulloff of the 80 in West Oakland, the street, and the bed. Tonguebreaker dreams unafraid femme futures where we live — a ritual for our collective continued survival.
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Fierce Femmes and Notorious Liars
$18.95At once a love letter and challenge to the traditional transgender memoir, Fierce Femmes and Notorious Liars is a playful, surrealist dance through queer coming of age.
A haunted young girl (who happens to be a kung-fu expert and pathological liar) runs
away from an oppressive city, where the sky is always grey, in search of love and sisterhood-and finds herself in a magical place known only as the Street of Miracles.
There, she is quickly adopted into a vigilante gang of glamorous warrior femmes called the Lipstick Lacerators, whose mission is to scour the Street of violent men and avenge murdered trans women everywhere. But when disaster strikes, can our intrepid heroine find the truth within herself in order to protect her new family and heal her broken heart?
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Phantompains
$20.00Therese Estacion survived a rare infection that nearly killed her, but not without losing both her legs below the knees, several fingers, and reproductive organs. Phantompains is a visceral, imaginative collection exploring disability, grief and life by interweaving stark memories with dreamlike surrealism.
Taking inspiration from Filipino horror and folk tales, Estacion incorporates some Visayan language into her work, telling stories of mermen, gnomes, and ogres that haunt childhood stories of the Philippines and, then, imaginings in her hospital room, where she spent months recovering after her operations.
Estacion says she wrote these poems out of necessity: an essential task to deal with the trauma of hospitalization and what followed. Now, they are demonstrations of the power of our imaginations to provide catharsis, preserve memory, rebel and even to find self-love.
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The Woo-Woo
$21.952019 CANADA READS FINALIST
Shortlisted for the Hilary Weston Writers’ Trust of Canada Prize for Nonfiction; Winner, Hubert Evans Nonfiction Prize; Longlisted for the Stephen Leacock Medal for Humour
In this jaw-dropping, darkly comedic memoir, a young woman comes of age in a dysfunctional Asian family who blame their woes on ghosts and demons when they should really be on anti-psychotic meds.
Lindsay Wong grew up with a paranoid schizophrenic grandmother and a mother who was deeply afraid of the “woo-woo” — Chinese ghosts who come to visit in times of personal turmoil. From a young age, she witnessed the woo-woo’s sinister effects; when she was six, Lindsay and her mother avoided the dead people haunting their house by hiding out in a mall food court, and on a camping trip, in an effort to rid her daughter of demons, her mother tried to light Lindsay’s foot on fire.
The eccentricities take a dark turn, however, and when Lindsay starts to experience symptoms of the woo-woo herself, she wonders whether she will suffer the same fate as her family.
At once a witty and touching memoir about the Asian immigrant experience and a harrowing and honest depiction of the vagaries of mental illness, The Woo-Woo is a gut-wrenching and beguiling manual for surviving family, and oneself.