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May is Asian Heritage Month, and the perfect chance to check out new and new-to-you books by Asian-Canadian writers.
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The KANAVUCCHIRAI quintet develop the context of Sri Lanka’s tragic civil war. As the youth in the island village of Nainativu realize that their education and prospects are being curtailed by an increasingly Sinhala majoritarian nationalist government, they begin to rise up in opposition. Volumes 1 and 2, through its main characters, the young woman Rajalakshmi and her betrothed, Suthan, described the growth of the armed struggle from the 1980s onwards as the young people sail to Tamil Nadu in India to join the resistance.
Volumes 3 and 4 return to the micro-environment of Nainativu and the main island of Sri Lanka and the Tamil struggle as it takes shape there. Volume 5 returns to the surviving characters from the first two volumes, and serves more as an afterward that places their story in a global context, as international actors enter the scene. These novels also bring in other characters that speak to the different political and ideological movements at the time: both militant and pacifist, leftist and nationalist. Devakanthan shows how different political movements drew inspiration from each other, and how divisions appeared and grew within what was first seen as an unshakeable organization.
Devakanthan’s characters are richly detailed, both male and female protagonists endowed with internal lives. The quintet thoughtfully and sensitively narrates the story of simple men and women trapped within a national struggle. As a whole it describes how a movement united by lofty goals begins to fall apart, as disagreements appear and former allies go their separate ways.
The quintet won the Government of Tamil Nadu Novel of the Year Award (1998) for THIRUPPADAIYAATCHI (His Sacred Army), and the Tamil Literary Garden’s Best Novel Award (Canada, 2014).
Liz, born in China and raised in Montreal, is about to land in Germany for a summer physics internship at the end of her freshman year. Eager for a new beginning, she is hoping to break free of her unrealized childhood dream of becoming a pianist, a dead-end romantic relationship, and the tug of war between her Chinese and Canadian identities.
In Germany, she meets fellow intern Haider, an Indian Muslim from Toronto, and they fall in love against expectations. But summer doesn’t last forever. Once they return to Canada, culture clashes and family disapproval threaten to pull them apart. As her sense of self is pushed dangerously close to a tipping point, Liz must summon the courage to survive the chaos that her life has become.
Shortlisted Gerald Lampert Memorial Award
An elegant debut collection that illuminates the contours of un/belonging.
Dayo: a Tagalog word referring to someone who exists in a place not their own. A wanderer, migrant worker, exile or simply a stranger. At its core, the poems in Dayo interrogate whether belonging can exist in a society suffused with violence. Here, the poet, as a stranger, confronts the politics of recognition by offering his vision. Reflexive and lyrical, this collection embodies the true curiosity and tenacious spirit of a dayo seeking a place to replant, tend, and grow delicate roots.
“Great poetry re-creates the world, and Perez’s world is here, built from the fleeting moments you don’t always notice, built beautifully, built to last.”
– Wayde Compton, author of The Outer Harbour and The Blue Road: A Fable of Migration
“By the end of all the belovedness catalogued in this book, you too will be heavier with the weight of all that is most gorgeous about this world.”
– Ed Bok Lee, author of Mithocondrial Night and Whorled
“One of the things that most impresses me about this lush, lyrical and soulful collection is its ability to hold hope alongside melancholy and despair…With incredible empathy and insight, he writes for “the fragments of ourselves, pieced together by grief.”
– Jen Currin, author of Trinity Street
At once cinematic and elegiac, this book is an unforgettable contribution and a remarkable achievement.”
– Adrian De Leon, author of barangay: an offshore poem
Longlisted Pat Lowther Award
A revolutionary call to arms wherein the arms are love, art, self-definition, and community care as an alternative to so-called care under carceral capitalism.
Borrowing and disrupting the forms of patient records, psychiatric assessments, and court documents, Jody Chan’s impact statement traces a history of psychiatric institutions within a settler colonial state. These poems bring the reader into the present moment of the Diagnostic and Statistical Manual, capitalism and “money models of madness,” and “wellness” checks. Forming a ghost chorus, they sing an impact statement on migration and intergenerational trauma, gentrification, and police neglect of racialized violence against queer communities in Toronto–and how the “wrong” kinds of desire, be it across class, race, or gender lines, or towards other worlds, are often punished or disappeared. And yet, these poems also make space for what can take root, despite the impacts–care teams, collective grief rituals, dinners around a table with too many friends to fit. impact statement imagines, and re-imagines, and re-imagines again, a queer, disabled, abolitionist revolution towards our communal flourishing.
Triangulated against the backdrop of a deteriorating world, In the Key of Decay pushes past borders both real and imagined to attend to those failed by history. Attuned to scientific racism, systemic medical failures, and climate change, Em Dial’s poems incisively carve out space for interrogation. Their place-finding and place-making is often surprising, centring care and desire, where Dial’s speaker “calls for someone to call me what I am and for that someone to be a lover, bare on silk sheets, inside walls of confidential lilac.” In the Key of Decay doesn’t just hum along, it sings.
Nisha, “Azar’s beautiful wife,” lives a life surrounded by all the modern luxuries of a wealthy suburban home in Toronto. Her father is a taxi driver, her mother a conservative religious housewife jealously craving a better material life. Tormented by her childhood memories of serial sexual abuse by a family friend, contemptuous of the lies lived by her circle of fake friends, Nisha is unwilling to have a child by her dominant, patronizing husband. She finds escape in mindless shopping sprees and secretly spirals into an addiction to a drug called the “red powder.” In this state one day she meets the mysterious Red One, an archetypal strong man to whom she’s instantly and dangerously attracted, who promises her release from her pain. But is he real or a figment of her fervid imagination? In a thrilling denouement to the novel she finds the answer.
Opening with an exit, the poems in Precedented Parroting accept no assumptions. With the determination and curiosity of a problem-solving crow, this expansive debut plumbs personal archives and traverses the natural world, endeavouring to shake the tight cage of stereotypes, Asian and avian. Praised as “lively and intelligent” and “lyrically delicious,” Barbara Tran’s poetry offers us both the keen eye and grace of a hawk, “red-tailed gliding / on time.”
In Baraffo, a town gripped by revolutionary fervour, a boy named Mazzu grapples to understand the motivations of Babello, a man imprisoned for an act of arson. When Babello begins a hunger strike and another building is set ablaze, tensions mount among the citizens and Mazzu considers a risky solution.
Within an extraordinary world, this sweeping and mythical story asks prescient questions about the nature of social change: is it better accelerated by those who seek total transformation or attained by those trying to work within the system?
In sparkling, clear prose, understated yet unflinching, Open Season probes deep into the fissures of caste, class, religion, and gender in our world. Located mostly in India and Canada, the stories describe a world of global flows where a woman returns to India after her two daughters are killed in a school shooting in the US; in the title story a Muslim young man is lynched in an Indian town on the false charges that his fridge contains beef; “Light as a Butterfly” draws our attention to the ongoing degradation of the environment; in “All Cut Up,” set in a suburb of Toronto, seven-year-old Zoya is heroically protected by her mother Zarina from her community’s demand that she be circumcised. The stories speak of a world familiar and yet all too elusive, of a gentler, mellower, more hopeful time; they explore the charms and constraints of life in a small town and question assumptions and beliefs and dreams.
Beginning in Saigon during the Vietnam War and ending in present day New York, Catinat Boulevard tells the story of two friends Mai and Mai Ly. While Mai flirts with American GIs in rowdy bars along Catinat Boulevard, Mai Ly joins the communist resistance in the jungle. The story also follows Nat, Mai’s half Vietnamese-half African-American son abandoned in a Saigon orphanage.
2023 Governor General’s Award for Poetry Finalist* Longlisted 2024 Gerald Lampert Award* Longlist 2025 Fred Cogswell Award for Excellence in Poetry*
“God is personal,” the astrologer said. Terrifying and also personal, like a baby.
Direct and humorous, Baby Book stacks story upon story to explore how beliefs are first formed. From a family vacation on a discount bus tour to a cosmogony based on cheese, these poems accumulate around principles of contingency and revelation. Amy Ching-Yan Lam describes the vivid tactility of growth and death — how everything is constantly, painfully remade — offering a vision against the stuck narratives of property and inheritance. Power is located in the senses, in wind: multiple and restless.