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We’re kicking off a week of spooky reads with these hair-raising picks; all to get you in a scary mood come All Hallows’ Eve.
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The fiction and poetry of Queer Little Nightmares reimagines monsters old and new through a queer lens, subverting the horror gaze to celebrate ideas and identities canonically feared in monster lit. Throughout history, monsters have appeared in popular culture as stand-ins for the non-conforming, the marginalized of society. Pushed into the shadows as objects of fear, revulsion, and hostility, these characters have long conjured fascination and self-identification in the LGBTQ+ community, and over time, monsters have become queer icons.
In Queer Little Nightmares, creatures of myth and folklore seek belonging and intimate connection, cryptids challenge their outcast status, and classic movie monsters explore the experience of coming into queerness. The characters in these stories and poems – the Minotaur camouflaged in a crowd of cosplayers, a pubescent werewolf, a Hindu revenant waiting to reunite with her lover, a tender-hearted kaiju, a lagoon creature aching for the swimmers above him, a ghost of Pride past – relish their new sparkle in the spotlight. Pushing against tropes that have historically been used to demonize, the queer creators of this collection instead ask: What does it mean to be (and to love) a monster?
Contributors include Amber Dawn, David Demchuk, Hiromi Goto, jaye simpson, Eddy Boudel Tan, Matthew J. Trafford, and Kai Cheng Thom.
In this genre-bending debut YA novel combining elements of horror, magic realism, and realistic fiction, Rebecca Waldmann’s sheltered life as an Orthodox Jewish teen in Toronto is shattered when her father moves them to Edmonton, where she is plunged into the worldly life of a public high school.
Ordinary teenage angst is complicated by Rebecca’s lack of experience with a culture of wearing cool clothes, swearing, talking back to teachers, and other aspects of secular teen life. Things take a darker turn when Rebecca encounters antisemitism and discovers a secret about the long-ago death of her mother that her father has been hiding from her.
Rebecca doesn’t just defy the strictures of her ultraorthodox religion by wearing tight jeans and flirting with a non-Jewish boy. She discovers to her horror that she has undergone a change that makes puberty look easy—she’s been transformed into a golem! When this mythical clay creature from Jewish folklore takes her over, body and soul, she’s helpless to resist—or almost. Is it because she’s so furious with her father, is that why she is sometimes a girl with a cute boyfriend, and sometimes a very earthy, ugly monster?
In this new and very disturbing back-and-forth existence, Rebecca fights off the attention of a predatory schoolmate and her father’s determination to force her into an arranged marriage. She struggles to name her own desires and speak her own truths, and still be true to her own beliefs. But it’s hard to know your own beliefs when you are in a battle for your existence as a human…
To make her films, Eva must take out her eyes and use them as batteries. To make her art, Finn must cut open her chest and remove her lungs and heart. To write her novels, Grace must use her blood to power the word processor.
Suture shares three interweaving stories of artists tearing themselves open to make art. Each artist baffles their family, or harms their loved ones, with their necessary sacrifices. Eva’s wife worries about her mental health; Finn’s teenager follows in her footsteps, using forearm bones for drumsticks; Grace’s network constantly worries about the prolific writer’s penchant for self-harm, and the over-use of her vitals for art.
The result is a hyper-real exploration of the cruelties we commit and forgive in ourselves and others. Brewer brings a unique perspective to mental illness while exploring how support systems in relationships—spousal, parental, familial—can be both helpful and damaging.
This exciting debut novel is a highly original meditation on the fractures within us, and the importance of empathy as medicine and glue.
WINNER OF THE 2023 KOBO EMERGING WRITER PRIZE
A GLOBE AND MAIL BEST BOOK OF 2022
49TH SHELF EDITOR’S PICK FOR SEPTEMBER 2022
A reclamation of female rage and a horrifyingly deformed Bildungsroman.
Frances is quiet and reclusive, so much so that her upstairs roommates sometimes forget she exists. Isolated in the basement, and on the brink of graduating from university, Frances herself starts to question the realities of her own existence. She can’t remember there being a lock on the door at the top of the basement stairs—and yet, when she turns the knob, the door won’t open. She can’t tell the difference between her childhood memories, which bloom like flowers in the dark basement, and her dreams. Worse still, she can’t ignore the very real tapping sound now coming—insistently, violently—threatening to break through her bedroom wall.
With the thematic considerations of Mary Shelley and Shirley Jackson’s work, and in the style of Herta Muller and Daisy Johnson, Tear is both a horrifyingly deformed Bildungsroman and a bristling reclamation of female rage. Blurring the real and the imagined, this lyric debut novel unflinchingly engages with contemporary feminist issues and explores the detrimental effects of false narratives, gaslighting, and manipulation on young women.
M_____ is dying of cancer. Only thirty-two, an extra with a meagre list of credits to their name and afraid of being forgotten, M_____ starts recounting the strange, fantastic and ultimately tragic path of their love affair with the world’s greatest living “redshirt” – a man who has died or appeared dead in nearly eight hundred film and television roles.
In a compelling narrative of blog entries interspersed with film script excerpts, The Death Scene Artist immerses readers in a three-act surrealist exploration of the obsessive fault-finding of body dysmorphia and the dangerous desires of a man who has lived several hundred half-minute lives without having ever experienced his own.
***49TH SHELF UTTERLY FANTASTIC BOOK FOR FALL***
***NEXT GENERATION INDIE BOOK AWARDS WINNER, SUSPENSE***
***NEXT GENERATION INDIE BOOK AWARDS FINALIST, PARANORMAL***
Sissy and Ava Hush are estranged, middle-aged sisters with little in common beyond their upbringing in a peculiar manor in downtown St. John’s. With both parents now dead, the siblings must decide what to do with the old house they’ve inherited. Despite their individual loneliness, neither is willing to change or cede to the other’s intentions. As the sisters discover the house’s dark secrets, the spirits of the past awaken, and strange events envelop them. The Hush sisters must either face these sinister forces together or be forever ripped apart.
In The Hush Sisters, Gerard Collins weaves psychological suspense with elements of the fantastic to craft a contemporary urban gothic that will keep readers spellbound until the novel whispers its startling secrets.
Winnie-the-Pooh meets The Blair Witch Project in this very grown-up tale of a camping trip gone horribly awry.
Twelve six-year-olds and their three adult chaperones head into the woods on a camping trip. None of them make it out alive. The Laws of the Skies tells the harrowing story of those days in the woods, of illness and accidents, and a murderous child.
Part fairy tale, part horror film, this macabre fable takes us through the minds of all the members of this doomed party, murderers and murdered alike.
From old school dispensation to Zombie apocalypse: on change, loss and rapid transformations.
The Narrow Cabinet is a book about change, loss and the struggle to understand what the hell is going on in a world experiencing such rapid transformations. The movement is from (a) an old dispensation of tough minded, rugged living and surviving troubled times through (b) a narcissistic sinkhole of complacency leading ultimately to (c) a zombie apocalypse. That is the general trajectory, but the work itself complicates the tropes. The old dispensation is by no means a paradise, nor is it dealt with nostalgically. The seeds of all the trouble are there from the start. But there is something admirable in the strength and fearless grit we find during that phase. In the sinkhole phase, the voice flits between depressive angst and lunatic outrage as oppressive forces exert ever more stubborn pressure. Here the speaker begins seeking the cause of the trouble that worsens until ultimately manifesting as zombie culture. With the outbreak of the zombie apocalypse, the terms of the illness become apparent.
Spilt blood whets the appetite of a ravine at the heart of Haddington Springs, a bedroom community with a closet full of bones.
It’s 1997, and Robin and his two best friends, Steph and Dylan, are ready to dive into their first summer as teenagers. But when Catherine, a classmate’s younger sister, disappears, Robin finds his carefree life of mall arcades, soccer, and slasher movies swapped out for one of paranoia, guilt, and confusion. While parents form search parties and police chase vaporous leads, Robin becomes convinced that there is a darker element at play, one that he might have accidentally set loose. All the while, he is trying to figure out his changing relationships, growing closer to Steph as his friendship with Dylan is increasingly marred by mercurial moods and secrets. Delving into the most awkward and bewildering time of adolescence, Niall Howell’s There Are Wolves Here Too blends coming of age with noir and horror elements as we move with Robin through the difficulties of learning who to trust and when to trust yourself.