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Jim Wong-Chu is a legend in the Asian Canadian writing community. As founder of the Asian Canadian Writers’ Workshop (and its magazine Ricepaper), he constantly encouraged and inspired writers across the country to get their work published and acknowledged, from Paul Yee and Evelyn Lau to Madeleine Thien and Catherine Hernandez. When Jim passed away in 2017, at the age of sixty-eight, he left not only a void in the Asian Canadian writing and publishing community but also a legacy of his own work that was never fully recognized.
When it first appeared in 1986, Chinatown Ghosts was the first Chinese Canadian poetry book ever published; the poems spoke eloquently to the Chinese Canadian experience, both historical and present day. Out of print for some twenty-five years, this new edition includes Jim’s striking and evocative photographs of Vancouver’s Chinatown, revealing the soul of a place and a community that is threatened by gentrification and displacement.
The book also contains numerous tributes to Jim from some of Canada’s finest Asian-Canadian writers and editors, including Allan Cho, Glenn Deer, Catherine Hernandez, SKY Lee, Fred Wah, Terry Watada, Rita Wong, and Paul Yee.
Chinatown Ghosts is a moving and stirring tribute to a poet, a photographer, and a community.
“I see the poems of Chinatown Ghosts not just as snapshots of a time and place gone by but as a necessary and panoramic part of Jim’s struggle to envision a world that acknowledges difference.” –Fred Wah, from his essay in the book
Drawing on more than two thousand years of ancient Chinese tradition that present diverse philosophical modes of being, whether it be the spiritual teachings of Kong Zi or Lao Tzu, the military dicta of Sun Tzu or the complex sensibilities expressed by poets such as Ssu-ma Hsiang-ju, Li Bai, Du Fu and Wang Wei in the wake of a tumultuous imperial government, Weyman Chan restates these concerns of the past while addressing other “first world problems” in our own contemporary era.
In Chinese Blue, the poet “character” sifts through the earth’s long history of geological layering and forgetting, grappling with the perpetual fragmentation of identity. The poet struggles with the prospect of any inky blots that suggest the finished work of a creator, subject to expediencies—ambition, romance, betrayal—that leave us flawed and human, taking the reader on a spiritual quest burdened by an endless sea of flotsam.
In a stoic attempt to reconcile biological drives with a stance of non-presence and to find a place beyond “perpetual worry” where he can accept ancestral mistakes while tentatively channelling the voices of advertising that condition our vernacular and massage our minds—offering a cliché happy ending to what remains of our physical existence—the poet finds himself wading through jazzily visionary delineations of the modern city, numbed and soundly crushed between “the word and the thing.”
Here is Weyman Chan at his most fiercely ironic, tracing a lineage he interprets subconsciously and through the intricacies of its raw genetic material, with keenly biting language that echoes the rhythms of Qu Yuan in contemplation of his own mortality beside the flowing waters of impermanence:
I would prefer to jump into the river and be entombed in the stomachs of fishes than to bow while purity is defiled by vulgar pestilence.
In the autumn of 1998, nine months before the Tiananmen Uprising, Sandra Hutchison traveled to Anhui Province, China, to teach English literature. Her students shared with her their dreams, their hopes, and their lives, and she, in turn, embraced their culture as fully as any outsider could. Chinese Brushstrokes tells of Hutchison’s pilgrimage to the top of a holy Buddhist mountain, a sojourn in a village deep in the Chinese countryside, encounters with local peasants and famous artists, and the rise of the Democracy Movement in Beijing, Shanghai and Heifei.
In this new collection, award-winning author Lien Chao weaves together these emotionally charged short stories focusing on Chinese immigrants in Toronto’s multiracial neighbourhoods. In Chinatown and mixed neighbourhoods, in condos and tenements, in public parks and in college, the protagonists of these stories find love, face loneliness, confront generational crises, and overcome racial stereotypes as they evolve and grow in this exciting, ever-changing multicultural society.
At eight years old, Grace Eiko Nishikihama was forcibly removed from her Vancouver home and interned with her parents and siblings in the BC Interior. Chiru Sakura—Falling Cherry Blossoms is a moving and politically outspoken memoir written by Grace, now a grandmother, with passages from a journal kept by her late mother, Sawae Nishikihama. An educated woman, Sawae married a naturalized Canadian man and immigrated to Canada in 1930. They came with great hopes and dreams of what Canada could offer them. However, within just a little more than a decade after settling happily in Paueru Gai (Powell Street) area, her dreams, and those of her husband’s, were completely shattered.
It was 1942 and more than 22,000 Japanese Canadians on the West Coast were interned and had their belongings, property and homes confiscated, and then sold off by the Government of Canada. After the war ended, restrictions on Japanese Canadians’ movement continued for another four years and the Government ordered anyone of Japanese ancestry to move “east of the Rockies,” or be deported to Japan. There was nothing on the West Coast to return to, so the Nishikihama family moved first to rural Manitoba and, when government restrictions were lifted, later to Winnipeg.
At eighty-four years of age, Sawae began writing her memories for her children, ensuring they would know their family’s story. While translating her mother’s journal, Grace began to add her own experiences alongside her mother’s, exploring how generational trauma can endure, and how differently she and her mother interpreted those years of struggle.
Despite her years spent studying art and working as a gallery director and curator, translating her mother’s writings, and her country’s perceived efforts to simply move on from a dark period in Canada’s history, Grace continues to seek an understanding of her past, while facing both sexism and racism. As an advocate for reconciliation, she openly shares her story with the next generations; throughout, Grace returns to her mother’s teachings of hope and resilience symbolized in the cherry blossoms around what was once their home.
Young, free-spirited Maya Mubeen leaves behind the pressures of family, marriage and tradition for a life of experience and adventure — proving to herself, and her mother, that she is anything but a typical Indian girl. After diving with sharks in the Philippines and a sordid breakup amidst the bustling nightlife of Tokyo, Maya’s sense of who she is — and where home is — starts to falter.
An ancient chai-making ritual holds the key to Maya’s past and present, unlocking the secret lives of her mother, Nina, who lived through Idi Amin’s rule in Uganda, her grandmother, Nargis, forced into marriage at thirteen, her great-grandmother, Sukaina, an underground radical socialist who fled an abusive husband, and lastly, her great-great grandmother, Zainab, who left behind a luxurious life in India.
Traversing the globe and historical eras, Taslim Burkowicz’s debut Chocolate Cherry Chai binds together themes of familial pressures, the immigrant experience, motherhood, love and loss into a poetic narrative.
After a seven-year absence, the prodigal son Jeremy Little comes home to the small Alberta town of Seymour, where a teenage trauma has shaped his outlook on life.
Choosing Eleonore tells the story of a one-way friendship, of tragic loneliness. In it, award-winning Quebec author Andrée A. Gratton explores the syndrome of the delusion of being loved. Centred on two young women: Eleonore and Marianne, this is Marianne’s story. From the first sentence, we feel that something is wrong in her perception of reality. “Long before we met, Eleonore had been dreaming of me,” she says. But who is this Eleonore, whom Marianne had never spoken to? What is so fascinating about her? Neither humiliation and rebuffs nor rejection will disabuse Marianne of her certainty of being loved by Eleonore.
Choosing Hope: One Woman. Three Cancers. is the story of how Munira Premji battled three advanced cancers: Stage 4 non-Hodgkin lymphoma, Stage 3 multiple myeloma, and Stage 3 breast cancer, within a period of five years. Written as a series of anecdotes based on entries from a blog the author started shortly after her first diagnosis–when her focus was simply on surviving–it tells an inspirational story about resilience, courage, and hope in the face of overwhelming odds. It explores and shares the author’s experiences at home, in the community, and in hospitals, revealing with utter honesty and catching humour her moments of utter darkness and light, of intense pain and blissful but precarious relief.
Choosing Hope captures the psychological, physical, and emotional trauma of a cancer diagnosis and treatment. It is easy to read and anecdotal in style and will have special appeal to recently diagnosed cancer patients, survivors and their families, to caregivers, and to many others facing health challenges.
Since its publication in 1994, Hiromi Goto’s Chorus of Mushrooms has been recognized as a true classic of Canadian literature. One of the initial entries in NeWest Press’ long-running Nunatak First Fiction Series, Hiromi Goto’s inaugural outing was recognized at the Commonwealth Writers’ Prizes as the Best First Book in the Caribbean and Canadian regions that year, as well as becoming co-winner of the Canada-Japan book award. Goto’s acclaimed feminist novel is an examination of the Japanese Canadian immigrant experience, focusing on the lives of three generations of women in modern day Alberta to better understand themes of privilege and cultural identity. This reprinting of the landmark text includes an extensive afterword by Larissa Lai and an interview with the author, talking about the impact the book has had on the Canadian literary landscape.
With an eye for style and appreciation for seasonal ingredients, the proprietors of Chowgirls Killer Catering, one of the Midwest’s leading catering companies, share their inspired
ideas for delicious appetizers, small plates, and cocktails that are perfect for home entertaining. Amy and Heidi were early adopters of the local, organic, sustainable, and seasonal approach to cooking; their ethos is clearly reflected in this
cookbook, which offers fun, elegant, and yet easy-to-prepare recipes arranged by season that will be the hit of your next social gathering.
For your party to welcome spring, impress your guests with the Spring Pea Toasts with Gouda, Mint-Crusted Lamb Chops, and Wasabi Crab Cakes. For that backyard summer fest, try
Flank Steak Skewers with Chimichurri, Sweet Corn Risotto with Shrimp, and Gazpacho Jars. On that chilly fall gathering, offer the Grilled Sirloin with Farro Tomato Salad, Bacon-Pecan Tartlets, and Roasted Fall Vegetables with Saffron Aioli. And for that festive winter blow-out, make the Italian Beef Sliders, Crab & Green Chile Gratin, and Artichoke Tapenade. Then to wash it all down, make sure there’s plenty of Mint Julep Sweet Tea, White Sangria, and Strawberry-Basil Daiquiris!
Amy and Heidi’s shared passion for cooking and entertaining shines throughout this beautiful and inspiring cookbook. Their “righteous bites” will impress your guests with dazzling, organic,
locally sourced recipes that show you care. Party on!
The Benoit murder-suicide in 2007 was one of the most shocking stories of the year, and a seminal event in the history of wrestling. It laid bare the devastating prevalence of steroids and its effects on users.
In order to tackle the whole story, dig up the facts, and connect the dots, Irvin Muchnick gives the most sensational scandal in pro wrestling history the full true-crime treatment in Chris & Nancy.
Muchnick — the author of Wrestling Babylon and a co-author of Benoit: Wrestling with the Horror That Destroyed a Family and Crippled a Sport — has parsed public records and interviewed dozens of witnesses, inside and outside wrestling, to put together the first thorough and authoritative events of the gruesome June 2007 weekend in Fayette County, Georgia, during which World Wrestling Entertainment superstar Chris Benoit murdered his wife Nancy and their seven-year-old son Daniel, before proceeding to kill himself.
But this book goes beyond the crime itself to answer some of the most important questions behind it. The biography of Benoit, a wrestler’s wrestler, makes it clear that his tragedy was a microcosm of the culture of drugs and death behind the scenes of one of North America’s most popular brand of sports entertainment. The author probes the story of the massive supplies of steroids and human growth hormone found in his home — all prescribed by a “doctor to the stars” who got indicted by the U.S. Drug Enforcement Administration, and all dismissed by a WWE “wellness policy” that promoted everything except its talent’s wellness. The Benoit case led to unprecedented scrutiny of wrestling’s overall health and safety standards, by Congressional investigators and others, and this book is the primary source of what they found and what they should continue to look for.
Chris Eaton, a Biography is a novel that arises from the idea that we have all been driven, at some point, to Google ourselves. And if you did, what did you find? That there are people out there who seem to have something in common with you? Dates, places, interests? How coincidental are these connections? And what are the factors that define a human life? We are the sum of our stories: Anecdotal constructs. We remember moments in our pasts the way we remember television episodes. In pieces. And we realize that our own memories are no more valid in the construction of our identities than stories we’ve heard from others. Chris Eaton, a Biography constructs a life by using, as building blocks, the lives of dozens of other people who share nothing more than a name, identities that blur into each other with the idea that, in the end, we all live the same life, deal with the same hopes and fears, experience the same joys and tragedies. Only the specifics are different. From birth to death and everything in between, the narratives we share bring us closer to a truth about what it means to be alive. To be you..
This anthology contains “a judicious sampling of the works” of Canadian poets, from the “established” to the “new” to the “neglected.”
”It is representative, as any valuable anthology must be, of the diversity of form and wide spectrum of taste, both theological and aesthetic, to be found in Canadian ‘religious’ verse.” (Toronto Star)
Michel Marc Bouchard’s latest play tells the story of Queen Christina of Sweden, who wreaked havoc throughout northern Europe in the middle of the seventeenth century. An enigmatic monarch, a flamboyant and unpredictable intellectual, a woman eager for knowledge, and a feminist before her time, Christina reigned over an empire she hoped to make the most sophisticated in all of Europe.
In 1649, Christina summoned René Descartes to her court in Uppsala to share with her the radical new ideas emerging from science and philosophy at the time – ideas that contradicted long-held, faith-based views about the world. Astronomer Johannes Kepler had recently proposed the elliptical trajectory of planets – including Earth – around the sun, and Descartes himself contended, despite condemnation from the Church, that individuals, not God, determined their own destiny.
Descartes’s ideas about free will and reason appealed to Christina, who was struggling to reconcile tensions between her rational, thinking self and emotions she dared not name – including her love for a woman. Rather than bow to pressure to conform to the expectations of a nation that demanded she give it an heir, the twenty-six-year-old queen abdicated her throne to convert to Catholicism – rendering her ineligible to rule, according to Swedish law. Was this an act of madness? Or a bold gesture of autonomy by a modern woman born out of her time – one whom the seventeenth century simply could not contain?
Christina, The Girl King premiered at the 2014 Stratford Festival.
Cast of 4 women and 6 men.