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“I wish we had this book forty years ago!” — Ben Cohen, co-founder, Ben & Jerry’s
An action-oriented approach for businesses to solve the world’s most urgent social problems — and benefit from doing so.
More than a year into a global pandemic, profit and shareholder value are no longer the primary metric of business success. Customers, shareholders, and communities are demanding that companies do good, do more, and do better. In Change for Good, Paul Klein shows how companies must move beyond what he calls “corporate social responsibility light” and demonstrate how they can help solve social problems that have been defined as UN Sustainable Development Goals.
Change for Good is a new system for making social change through business that reflects Paul’s experience over the last 35 years. One of the core principles of Change for Good is including people with lived experience of social problems in identifying promising solutions and collaborating to bring these solutions to life. This methodology can create impactful and sustainable social change in society in ways that aren’t possible when executives make decisions in their boardrooms that are intended to impact the lives of vulnerable people.
Through personal experiences, case studies, and practical tools, Change for Good will inspire readers and their organizations to make the shift from a passive social responsibility to taking action to help solve the world’s most pressing social problems.
Change in a Razor-backed Season is Michael deBeyer’s second collection of poetry. Throughout this collection, deBeyer charts an extended exposure to seasons and weather, focusing on the pervasive quality of the outdoors, its uncanny disregard for walls or roofs or notions of inside.
“I write outdoors, en plein air,” says deBeyer. “I walk around, writing into my notebook or directly into memory in cooler weather. Why write outdoors: walking helps establish rhythm, extra oxygen enhances creativity, and I think the lack of boundaries frees up imagination. While subconsciously these may be my reasons, I consciously write outside for those chance encounters with strange subject matter.”
“In Change in a Razor-backed Season, I’m engaged with perception and trust. It’s the difference between the first moment when one trusts one’s senses completely and the second moment when one questions the grounds of that trust that I’m most involved with. Between these two moments, there’s no interlocutor, no angel or devil on one’s shoulder undermining sensory perception; it’s self-imposed, but there’s of course no way to prove that. The book is open to doubt, and I felt that if I could write through doubt there would be poetic possibilities beyond. So this became a book of scepticism, but a positive scepticism: like a scientist who doubts for the sake of discovery.”
The collection begins on water, with whales, overcast skies and the politics of oceanfront property. deBeyer demonstrates a cinematic eye for the colour and thickness of light, and an ear for the precise dialect of hours and seasons. The second group of poems brings the outdoors inside, via cathedral doors, ghost towns and the last standing wall of a fallen house. Here the poet captures the simultaneous experience of alienation and continuation that characterizes such landscapes. These poems epitomize autumn, that season when civilization and its fall seem closer together than at any other time of year.
The final groups of poems deliver the collection’s climax and denouement. In the third, de Beyer wades deepest into sensory processes, pinpointing moments of understanding, rolling backwards and forwards in time, reinventing the arrival of information and offering instruction to readers who seek to conduct mental experiments of this type. From there we are invited to downshift into a bemused and occasionally whimsical sequence. Maintaining a close eye on his subjects, deBeyer makes room for wild pronouncements, declarations of love and dreamlike capers, before a final return to seasonal considerations that brings the collection full circle.
Change in a Razor-backed Season combines poetic engagement with scientific investigation and an inspiring sense of adventure. deBeyer’s verses delve beneath the skin, travelling optic nerve and cochlea, before resurfacing to venture up river and into the woods. His range and curiosity introduce binoculars and magnifying glass to the poetic tradition.
This book is a smyth-sewn paperback bound in card stock with a letterpress-printed jacket. The text was typeset in Requiem by Andrew Steeves and printed offset on laid paper.
The multifaceted pun in the title of Mark Cochrane’s latest book of poems (a room is a stanza, is a space, is an enclosure; in which a change, a transaction, a metamorphosis takes place) is a barbed hook of seduction for the reader in love with the body of language. And it is ever so clearly the body as a willful and skillful construct of the contrary obsessions of an anorexic bodybuilder persona that’s the subject of this book. The constructed self, each part bulked, ripped and cut from the pages of an anatomy text, preened in the mirror of Narcissus, everywhere stands in for the shape of a perfected language. The homoeroticism of the gymnasium, with its complex rituals of the averted gaze, permit the author a level of textual objectification no longer accessible in the presence of the other, the feminine, where the schoolmates of princess Diana make a subtextual, exegetic mockery of correct sexual politics, complete with time-shared automobiles and offspring.
In Change Room, Cochrane brings back to the lyric and the ode the vast range of subject and object so carefully excised from the conventional language of poetics over the past two hundred years. The body, its parts, functions and secretions are here fetishized by the creative power of desire to the point where the love of its perfection crosses the boundaries of gender and polity. In its explicit bisexuality, Change Room exposes one of the great codes of the lyric convention-the elaborately constructed ambiguity of ““other”“ sexualities, and dissects and examines them with the dispassionate skill and curiosity of a medical professional.
Nothing in Cochrane’s text is left to chance, least of all the metaphor of the body of language. This is a poet who has taped his eyes wide open, who finds a language to address
A Canadian underground classic, an unredeemedly raw tale of sex, drugs and booze in the life of a Vancouver jazz musician in the early 1960s.
A g call to action and accountability. – Shelagh Rogers
Needless to say, moments like now, when the hurdles to becoming a respected author are at their lowest. When the only hurdles to being published are the quality of your writing and your patience to deal with certain less and less important gatekeepers. Moments in history like this, must be acknowledged and celebrated. That’s what this anthology is: It’s a celebration. A moment to cry out, “Look how many of us have a voice! There are stories, and poetry in this country that are about people like me! I am not alone!”
Changing the Game: A History of NHL Expansion celebrates an often-overlooked aspect of hockey history. The book provides comprehensive coverage of the NHL’s spread across the North American market in the 1920s along with the memorable expansions that began in 1967.
Relive some great and painful moments from the debut seasons of forgotten teams such as the Montreal Maroons and California Seals along with fan favorites like the Boston Bruins and New York Rangers. Every first-year NHL roster is covered and nearly 100 players share their memories of playing for hard-luck clubs.
A slick and sleazy chat show host gets more than he bargained for when he channels an ancient source of evil, unleashing terror and carnage upon the world. The story follows Jez Manson, a local TV chat show host ready to exploit everyone in a bid to make the big time. After watching a successful medium channel a benign spirit, Jez invites her on his show, ready to ridicule her for cheep laughs an a few headlines. But Jez is persuaded to try channelling himself. Full of scorn Jez agrees, planning to fake it, but it turns out that Jez is a natural and finds himself channelling Baal, an ancient source of evil. Trying to laugh the whole thing off, Jez is unaware that he has opened a door for Baal to exploit and return chaos and destruction to the world. Jez finds his dreams full of twisted nightmares that share too many details with the next days news reports. But the channelling show has made the national news and Jez could be on to the big time. Persuaded to channel him again on live TV, Jez knows deep down he’s on the edge of the abyss but the lure of fame and fortune is too strong. What will he unleash this time?
Character is something intrinsic to us all; it forms and reveals who we are. Unbeknownst to many, character is foundational to our judgment, behavior, and leadership. As we tackle the grand challenges of our time, strength of character guides us to make better decisions, creates greater well-being, and contributes to human flourishing. For those who lead — whether in the public, private, not for profit, or education sectors — a greater understanding of character will challenge your thinking, inspire new ideas, and elevate your personal and professional performance.Character: What Contemporary Leaders Can Teach Us about Building a More Just, Prosperous, and Sustainable Future provides an exceptional opportunity to become a better leader by applying the extraordinary yet down-to-earth insights from the authors’ accessible scholarship and interviews with truly distinguished leaders whose lessons on building stronger societies through character-based leadership are moving, powerful, and evergreen.
The first full-length collection from well-known Nova Scotian poet Leigh Faulkner.
A moving new collection from award-winning poet, novelist, critic, and creative-writing instructor Margaret Christakos, charger considers the plugged-in self fuelled by the technologies that deliver us to each other. A deeply humane poetic cycle in twelve sections, charger grapples with the complicated currents that course between private and social, between mortal and virtual, and between estrangement and belonging to the natural world amid our fallacies of unlimited sustainability. With notes of memory and mourning for those we love and lose, this poetry contemplates how we resuscitate each other amid the speeding electronic webscapes now so common to our social conduct.
This volume explores the life and works of Charles G.D. Roberts. These studies of Canadian authors fulfill a real need in the study of Canadian literature. Each monograph is a separately bound study that contains a biography of the author, a description of the tradition and milieu that influenced the author, a survey of the criticism on the author, a comprehensive essay on all the author’s key works, and a detailed bibliography of primary and secondary works.
Charles Olson was quite possibly the greatest, and without question the most influential, of the “New American Poets” published by Grove Press in the mid-twentieth century.
Synthesizing the experimental avant-garde of Black Mountain College with the uncompromising existentialism of the Beat generation, the new structuralism of the San Francisco Renaissance and heralding the postmodern deconstructionism of the L=A=N=G=U=A=G=E poets, his spirit, mind and intellect are ubiquitous in late-twentieth-century poetry around the world. His archaeology of language unearthed classical sources and aboriginal, principally Mayan, cultures within the history of European colonialism and resulted in an absolute insistence that the public value of the human imagination is inseparable from the particulars of both the time and place of its origins and composition.
His reputation tarnished and his poetry misread 20 years after his death in Tom Clark’s carelessly biased 1991 biography, Charles Olson: The Allegory of a Poet’s Life, Olson and his work have been diminished in the study of poetics since Clark’s creation of his grotesque caricature of this great American poet as a young hustler who he irresponsibly and falsely claims became a defeated and pathetic old man in his later years.
With Charles Olson at the Harbor, Dr. Ralph Maud, a longtime Olson scholar, friend and correspondent, finally sets the record straight, insisting that Olson was as careful with his genius as any young man could be; that he achieved critical success as a Melville scholar; that his “projective verse” established an undeniable and lasting sea change in poetic thought around the world; and that he eschewed success of the ordinary kind to create a new restorative stance in the polis that can take us into a different future—all reflected in a large body of poetry that the world can no longer ignore.
Charles Sangster is a pre-confederation poet who is considered to be one of the first to use Canadian subjects in his poetical works. This analysis of his poetry, written by W. D. Hamilton, explores his sense of nationalism and failed attempt to break free of colonial attitudes.
This volume explores the life and works of Charles W. Gordon (“Ralph Connor”). These studies of Canadian authors fulfill a real need in the study of Canadian literature. Each monograph is a separately bound study that contains a biography of the author, a description of the tradition and milieu that influenced the author, a survey of the criticism on the author, a comprehensive essay on all the author’s key works, and a detailed bibliography of primary and secondary works.