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Trying to beat the mid-winter blahs by snowshoeing and cross country skiing when she?s not teaching art history at a local college (or being driven crazy by her numerous cats, cooped up in her rambling old country home), Gerry Coneybear thinks she has her busy life under control. That is, until she rescues her neighbour?s injured cat. Then a body pops up where she?d least expect it. And she even knows the victim ? slightly. From gossiping with friends to discussing events while baking at home with her housekeeper Prudence, Gerry manages to pick up a few clues, although Prudence tries to discourage her from getting involved. And at first Gerry tries to stay clear of the murder ? for murder it is. She gets to know Jean-Louis, a handsome ski instructor, and his adorable blond husky Harriet. Her friendship with the other man in her life, Doug, seems to be floundering. And Jean-Louis lives just down the road?The discovery of a mysterious package tucked up in a tree brings the police to Gerry?s home again. But that?s not all she finds in the woods.
It’s Christmas time but many of Gerry Coneybear’s friends are away for the holidays and she has no family to celebrate with at the Maples, the old house bequeathed to her by her aunt. Just the 23 cats her aunt left her with. When Gerry first finds a bone in her bedroom, naturally she assumes it’s a chicken bone one of the cats has dragged in from the garbage. But it turns out to be from a skeleton buried under the floorboards in the shed where her firewood is stored. On the up side, the skeleton is over 100 years old. But then, more disturbingly, Gerry finds another body, the local innkeeper’s wife, who has been murdered in the basement of her friend Cathy’s house, which Gerry has been checking on while Cathy is out of town for the Christmas holidays
Book 2 in Leslie Gadallah’s trilogy of interstellar intrigue, The Empire of Kaz
The world of Orian has been overrun by the Kaz, who are bent on exterminating the Oriani. Only a few Oriani have escaped and struggle to eke out an existence on alien planets.
One of them, Ayyah, thinks she has found the key to defeating the Kaz and returning her people to their homeworld, the only place they can thrive. Through sheer stubborness and determination, she manages to overcome all the daunting obstacles in her path, even recruiting a couple of human pirates and a few Lleveci warriors to aid her in the task.
But no one involved suspects just how much her scheme will cost them all . . .
Catalina has an almost purrrfect life, although sometimes she is sad and sometimes she is a little bit lonely. Then one day her owners come home with not one, not two, but three puppies. Now she isn?t lonely?she?s cranky! What?s a cat to do? It takes a while, but Catalina comes to see that perhaps puppies aren?t so bad after all.
In this charming picture book, Lori Doody explores the importance of accepting change, adapting to an expanding family situation and making friends. With its playful language and retro-style illustrations, this delightful story will appeal to cat-lovers of every age.
In the early days of British Columbia, pack trains of horses or mules were a lifeline for the early pioneer population. Explorers, trappers, traders, miners, merchants, workers and settlers and relied on them for the materials needed to live and work. Packers were also vital to the building of railways, roads, and telegraph lines. Pack mule train drivers followed trails created over the years by the First Nations people and later by the fur trading companies, to travel between settlements in the rugged backcountry. The most famous of all the men who ran the pack trains was Jean Caux, who would enter British Columbia’s history as the legendary packer “Cataline”.
Cataline came to North America from Southern France with his brother, eventually landing in British Columbia in 1858. Having learned the trade from Mexican packers in California and Washington, Cataline established a pack train operation that grew to be one of the most well-known and reliable in the province, including securing contracts with the government and Hudson’s Bay Company.
Cataline witnessed many of the pioneering events that shaped the province, including the Fraser River Gold Rush of 1858, the Cariboo Gold Rush of 1862, the coming of the railway to Ashcroft in 1886, and the Grand Trunk Pacific to Hazelton in 1912. Cataline also crossed paths with significant historical figures such as Judge Matthew Begbie, famed anthropologist James Teit, and Amelia York (née Paul, daughter of Chief Kowpelst (Telxkn) of the Nlaka’pamux people of Spuzzum), a world-famous First Nations basketmaker, with whom Cataline had two children.
In Cataline, the legend and life of the man has been remembered in the words of his friends, his family, and those who chronicled the times and development of the province.
Catalogue d’oiseaux recounts a year in the life of a couple separated by distance, carefully documenting time spent together and apart. When reunited, they embark on travels across the globe—from Toronto to Berlin, Porto to the Yukon. This expansive poem moves sensually through small, intimate spaces and the larger world alike. Traced through art, architecture, and the cultural life of various cities, this stunning celebration of love lives between geographies and chronologies as a kaleidoscopic gathering of the many fractals that make up a couple’s life.
Catalogue Raisonne
With her characteristic fearlessness Catherine Owen examines what drives her to write and the influences that shape her writing. From her childhood memories in suburban Vancouver to her willingness to risk all for a glimpse of her muse, the essays in Catalysts allow readers unparalleled insight into Owen’s creative life. A brilliantly honest collection, these essays should be read by every aspiring author.
The poems in Catastrophe Theories reflect an increasingly unstable, surreal, and catastrophic world. Written over the past decade, the poems in Mari-Lou Rowley’s oracular work capture the zeitgeist of the moment. A world where human folly and frailty compete with corpocracy and technological determinism against the stubborn magnificence of the natural world.
Yet, these poems are neither prescriptive nor hopeless. Exploring the lives and concepts of mathematicians such as Euclid, Hypatia, Alan Turing, and René Thom, along with dream imagery and her love of science and nature, Rowley toys with perception, fractures reality into kaleidoscopic visions, then brings the reader back to small, everyday moments of truth or joy. As her speaker says, “Rejoice or regret. You decide.”
About coming out and coming of age.
In Catch and Release, twenty-one-year-old Lucca looks back on her childhood and adolescence as she comes to terms with both her sexual orientation and her mental illness. When she falls in love with the brilliant and beautiful Adèle, Lucca is forced to acknowledge not only that she is not and never has been straight, but also that her relationship with a teacher in high school was not as harmless as she might have thought.
Anecdote, fragment, diary and sound poetry come together to create the story of Jay, an orphan whose parents are killed in a house fire. Catch as Catch is the scrapbook that documents his solitary passage through life.
Welcome to Poplar Grove, a farming community with three generations of Dutch-Canadians. Life in the New World has not become less complicated as the decades have passed, and now, a set of dying customs is about to collide with the ways of a new generation.
The balance is shifting between people comfortable holding hymnals and cleaning cows’ teats and those who are uneasy with traditional expectations. A young woman grapples with contradiction between the pious appearance of her best friend’s family and the bits of reality she hears in her friend’s confidences; a woman mourns the loss of her disabled son, but also wishes to end the ritual state of mourning; a girl finds herself stranded on the battlefield between her new-age brother and her Old World parents. These people are bound by time-worn expectations and the demands of an agricultural life. With humour and insight, author Patricia Westerhof examines a place where opposing ideologies mingle, and a community struggles to redefine who and what they are.
An Atlantic Books Today Editor’s Pick
Lorna always wanted to stand out, but her career as a competitive swimmer was cut short by a knee injury. Cara, her daughter, tries hard to blend in, but when she has to fill in for her brother at a school pageant, she is overwhelmed by terror. Lorna is vain about her ability to shut out distractions. Cara can’t control her scary thoughts. And while Lorna tries her best to move past life’s early disappointments, Cara picks at the cracks in her family’s story. Spanning two decades, Catch My Drift follows mother and daughter through life changes big and small, and reveals that despite our shared experiences, we each live a private story.
“With this book, Lee Kvern gives us a thrilling ride, a delicious noir, both lush and intense. Each chapter is vividly wrought with a tension so palpable, the pages turn themselves. Spanning decades and continents, and with an epic scope and ensemble of characters, every reader is in for a vibrant experience!” — Bradley Somer, award-winning author of Fishbowl and Extinction
In 1983, Elle is a blackjack dealer at an Alberta casino. At the same time, Amado is a baggage handler in Manila. When Amado witnesses the assassination of a prominent political figure in Manila, he flees to Canada and ends up in the same casino as Elle; a disgruntled Hollander, Erik; and a card counter and stalker, Regrettable Russell.
Over the next thirty years, the characters remain intimately connected as their stories and histories intersect. Told from alternating points of view, this puzzle-in-progress brings each character’s pieces together that make up a whole picture that examines how everything from political espionage to intimate partner violence affects not only its direct participants but also its bystanders and witnesses.
Like a geographic catchment area, this debut collection by Jena Schmitt draws together influences from poetry, prose, biography, art, architecture and history into a perceptive study of the forces that shape our physical and emotional landscapes. In a voice that is subtle yet distinctly confident, Schmitt describes how at times these forces are quiet as “sleet that turns to rain/ that turns to snow,” and at times unyielding as a child who throws himself down in a tantrum.
Catchment Area captures glimmers of that instance when, just as we are about to define the emergent terrain, just when variables such as an earring or glove could solve “any number of unknowns,” the earth shifts—whether due to memory, relationships, natural disasters or war—leaving an absence that cannot be mapped.
These poems call on the reader’s own sense of this absence and how it impels us to search for meaning in a world of constant change, where each time we turn on the news we are witness to earthquakes and floods, or suburban homes turned into methamphetamine factories and bronze statues stolen from parks. And so we are brought to a place of possibility, a place to “revel in/ the parts that are/ missing: heart and mind/ like phantom limbs.” Schmitt reveals the watershed point at which each of us stands, where we can go this way or that, where the struggle for articulation and understanding forms our own personal topographies.