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Showing 81–96 of 9306 results
400 Kilometres is the third play in Drew Hayden Taylor’s hilarious and heart-wrenching identity-politics trilogy. Janice Wirth, a thirty-something urban professional, having discovered her roots as the Ojibway orphan Grace Wabung in Someday, and having visited her birth family on the Otter Lake Reserve in Only Drunks and Children Tell the Truth, is pregnant, and must now come to grips with the question of her “true identity.” Her adoptive parents have just retired, and are about to sell their house to embark on a quest for their own identity by “returning” to England. Meanwhile, the Native father of her child-to-be is attempting to convince Janice/Grace that their new generation’s future lies with their “own people” at Otter Lake.
Which path for the future is Janice/Grace to choose, for herself, her families and her child, having spent a lifetime caught between the questions of “what I am” and “who I am”?
Cast of 3 women and 2 men.
50 Greatest Red Wings
How to implement proven techniques to take advantage of business opportunities. Here is a master plan for leaders who want to know the dynamic, proven techniques any business leader — from the fruit stand owner to the Fortune 500 chairman — must use to build a successful entrepreneurial enterprise. At the heart of this program is a fundamental belief in the continuous work necessary to improve all activities — a constant quest to improve the conduct of business, from mission statements to the simplest of action plans. Each principle, or “bite,” is a business fundamental that every business leader needs to understand. They are simple, proven leadership principles of successful people. Each bite moves the reader one step ahead, and each bite combines with others that work together to create a building block toward total leadership. Each bite represents a stepping stone towards sound business practice that, if applied with patience, discipline, consistency, and ethics, will result in success.
A wide-ranging mix of activities sure to keep visitors, newcomers to the city and even long-time residents heading out to explore all through the year.
Hamilton, Ontario, is a city with a lot of history, a hopping arts scene, a surprising amount of natural beauty and an amazing amount of things to do. In this short, entertaining book, Jason Allen, host of the Environmental Urbanist podcast, shares some his favourite Hamilton places and activities, highlighting something to do every week of the year. Whether it’s enjoying one of the city’s many festivals, finding the perfect hike in the fall, attending a game from one of Hamilton’s great sports teams or figuring out what do on a crisp winter’s day, the Hammer has something to offer everyone.
In 59 Glass Bridges, an unnamed narrator travels through a maze that is at once mutable and immutable: walls fall to vine-filled forests, hallways to rivers, bridges to lamp-lit boats. What remains is the desire to escape. He is led along his harrowing path by Willow, a mysterious figure who cajoles him and responds to questions in a winking sphinx-like manner, with answers that are often more baffling than clear. Interspersed are the memories of the narrator, of his childhood and adolescence, and of his grandmother, a wise artist who at once pushes his creativity, while leaving him the freedom to craft his own journey.
Playing with the imagery and landscapes reminiscent of Dante Alighieri’s Divine Comedy, Steven Peters’ debut reveals how pivotal moments in our lives give substance and shape to the labyrinths in our minds.
In this fast-paced, sophisticated and hilarious play, a man contemplating suicide on a seventh-storey building ledge confronts the stories of the people who live inside the building. These “seven stories” lead to a charming and surprising ending.
Cast of 2 women and 3 men.
9 Freight
Elizabeth Smart, author of By Grand Central Station I Sat Down and Wept (1945), has been heralded as a complicated and passion fuelled artist who dared to live in disregard of the burdensome expectations for women in the first half of the last century. 97 Positions of the Heart is a lyrical travelogue through the courageous life of this Canadian writer. Poet Jaik Josephson mines both her biography and literary catalogue to escort the reader into her remarkable world. Each poem charts SmartÕs persistent quest to resist the forces that sought to claim and silence her. Text is paired with illustrations by Erin Josephson-Laidlaw to reveal a vast emotional range that meditates upon ElizabethÕs bewildering childhood, a tumultuous romantic pairing with English writer, George Barker, the experience of motherhood and her pursuit of a prosaic language that speaks a truth about life in the social margins.
I am ready for a teetering walk in the dark
on those highest of heels.
I am ready for that merciful car.
Ready to ride to where suckling jazz wails feral,
to where my people smoke and laugh absurd in their feathers and uncaring.
A is a work of fiction in which André Alexis presents the compelling narrative of Alexander Baddeley, a Toronto book reviewer obsessed with the work of the elusive and mythical poet Avery Andrews. Baddeley is in awe of Andrews’s ability as a poet—more than anything he wants to understand the inspiration behind his work—so much so that, following in the footsteps of countless pilgrims throughout literary history, Baddeley tracks Andrews down thinking that meeting his literary hero will provide some answers. Their meeting results in a meditation and a revelation about the creative act itself that generates more and more questions about what it means to be “inspired”
These poems speak with a fierce tenderness of many aspects of the poet?s life: a childhood spent on the banks of the Churchill River, the death of a beloved one, the struggle to try to find forgiveness for wrongs done to her people and the weariness of trying to redress those wrongs. a beautiful rebellion reaches one hand back to Louis Riel and one hand ahead to future Métis generations.
There is a quiet power?riverine, deep, unstoppable?that flows through these words
At the heart of this luminous collection, Pilling’s fifth, is a searing sequence of poems tracing a family’s grief at the suicide of a girl on the threshhold of womanhood: daughter, sister, niece, about-to-be-aunt. Yet in these, as in all of the poems, what comes through is a passionate affirmation of life, of beauty in the world, of human dignity and human compassion. Pilling’s voice is warm, forgiving, and inclusive; her world becomes, briefly, ours.
In the poems of A Beggar’s Loom, Matt Santateresa reaches deeply into place and time to bring us stories from the past: General Wolfe scaling the ramparts of Quebec City gives way to Baudelaire writing to his mulatto lover, Jeanne Duvall. One hundred years later, Shoemaker and Levy, both astronomers, remark upon the sky with telescopes, as lovers look into the heavens imagining a string of comets heading toward Jupiter. The past becomes present in these poems, and the present is enlivened with the knowledge of eternal verities. In his second book of poetry, Matt Santateresa has artfully woven the disparate elements of A Beggar’s Loom into a work of astonishing richness and depth.
A Globe and Mail Top 100 Book for 2020
Carmen is vigorously polishing one of our three telephones. I am just twenty-five, Canadian, new to Britain and in awe of this formidable woman but as there are only two of us in the office I feel emboldened to ask: “Why did you start Virago?” She looks up and without missing a beat, replies “To change the world, darling. That’s why.”
I know I am in the right place.
Following the chronology of the press where she has worked nearly since its founding, Lennie Goodings tells the story of the group of visionary publishers and writers who have made Virago one of the most important and influential publishers in the English-speaking world. Like the books she has edited and published—by writers ranging from Maya Angelou and Margaret Atwood to Sarah Waters and Naomi Wolf—Goodings’s contribution to the genre breaks new ground as well, telling a story of women in the world of work, offering much needed balance to the male-dominated genre of publishing memoirs, and chronicling a critical aspect of the history of feminism: how women began to assume control over the production of their own books.
Part memoir, part literary history, and part reflection on more than forty years of feminist publishing, A Bite of the Apple is a story of idealism and pragmatism, solidarity and individual ambition, of challenges met and the battles not yet won—and, above all, a steadfast celebration of the making and reading of books.