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Honourable Mention in Quill & Quire’s “Best Books of 1996” This unconventional biography of the woman who wrote Jalna and other chronicles of the Whiteoak family, approaches her life from multiple angles, including an interview with an old neighbour of the subject; critical commentary on her texts; photographs; conversations with the last living relatives of Mazo and her cousin, Caroline Clement; and a chronology and bibliography. This book draws on the research of earlier biographers, but Daniel Bratton broadens the scope of the discussion to include new areas of investigation. Besides archival research, he has reinterviewed subjects interviewed by previous biographers, and tracked down previously withheld information. He has also explored, as no one else has done, the geographical settings of Mazo’s life and fictions, looking at them from a new perspective. The real strength of this book, however, which gives it an importance beyond de la Roche studies and Canadian literature, is its innovative format. Bratton’s approach will recommend the book to those interested in the theory and practice of biography. It can be read as a book about life-writing, as well as a writing of the life of Mazo de la Roche.
If small-town reporter Polly Stern has to cover one more manure runoff story, she’s going to lose her already unmindful mind. Polly thought she’d end up as a serious photojournalist, traveling the world, meeting important people, and documenting significant environmental and social events. Life didn’t turn out as expected. With her career at a standstill, her marriage over, her nest empty, her spiritual foundation precarious, and her family keeping a vital secret from her, Polly is desperate for answers. And change. She sets out on an unintended journey, stumbling upon story after story that for some reason—coincidence, fate?—all occurred in 1937. Polly’s path leads her to: a troubled teen on a stone bridge high in the Green Mountains of Vermont, a political refugee on a kosher farm carved out of the Dominican Republic jungle, a tribal chief near a remote hut in uncharted Papua New Guinea, a volunteer soldier in a foggy olive grove in Spain, an artistic Italian savant in a tenement on the Lower East Side of Manhattan, and to a Tibetan boy and his snow-white mastiff as they begin their trek across the Himalayas. As the lines blur between reality and fantasy, between truth and fiction, between present and past, Polly writes about these inspiring characters, and others, in nine short stories—all set in 1937—embedded throughout the novel. Her compelling international literary voyage reveals clues that allow Polly to uncover the truth about her own history, opening a new path for understanding, forgiveness, and love.
The Dokic family, like any other, has its problems. Brothers Clint and Darryl are constantly at odds and just similar enough not to cut each other any slack or let past feuds slide. Darryl sees real-estate salesman Clint as a slick boor, overly fond of himself and his achievements. Clint sees Darryl as an over-educated under-achiever, who flaunts his smarts to belittle others. Their mother, Meg, referees their sniping with more knowledge than either of them imagines.
400 Kilometres is the third play in Drew Hayden Taylor’s hilarious and heart-wrenching identity-politics trilogy. Janice Wirth, a thirty-something urban professional, having discovered her roots as the Ojibway orphan Grace Wabung in Someday, and having visited her birth family on the Otter Lake Reserve in Only Drunks and Children Tell the Truth, is pregnant, and must now come to grips with the question of her “true identity.” Her adoptive parents have just retired, and are about to sell their house to embark on a quest for their own identity by “returning” to England. Meanwhile, the Native father of her child-to-be is attempting to convince Janice/Grace that their new generation’s future lies with their “own people” at Otter Lake.
Which path for the future is Janice/Grace to choose, for herself, her families and her child, having spent a lifetime caught between the questions of “what I am” and “who I am”?
Cast of 3 women and 2 men.
50 Greatest Red Wings
How to implement proven techniques to take advantage of business opportunities. Here is a master plan for leaders who want to know the dynamic, proven techniques any business leader — from the fruit stand owner to the Fortune 500 chairman — must use to build a successful entrepreneurial enterprise. At the heart of this program is a fundamental belief in the continuous work necessary to improve all activities — a constant quest to improve the conduct of business, from mission statements to the simplest of action plans. Each principle, or “bite,” is a business fundamental that every business leader needs to understand. They are simple, proven leadership principles of successful people. Each bite moves the reader one step ahead, and each bite combines with others that work together to create a building block toward total leadership. Each bite represents a stepping stone towards sound business practice that, if applied with patience, discipline, consistency, and ethics, will result in success.
In 59 Glass Bridges, an unnamed narrator travels through a maze that is at once mutable and immutable: walls fall to vine-filled forests, hallways to rivers, bridges to lamp-lit boats. What remains is the desire to escape. He is led along his harrowing path by Willow, a mysterious figure who cajoles him and responds to questions in a winking sphinx-like manner, with answers that are often more baffling than clear. Interspersed are the memories of the narrator, of his childhood and adolescence, and of his grandmother, a wise artist who at once pushes his creativity, while leaving him the freedom to craft his own journey.
Playing with the imagery and landscapes reminiscent of Dante Alighieri’s Divine Comedy, Steven Peters’ debut reveals how pivotal moments in our lives give substance and shape to the labyrinths in our minds.
6 Essential Questions tells the story of Renata as she travels to Brazil to reunite with the mother who abandoned her when she was just five years old. In Rio, Renata discovers more than she bargained for in her quest to uncover the truth of who abandoned whom. She is continually tossed about by her undead grandmother and a semi-invisible uncle as they choreograph the ultimate dance of mother and daughter, both of whom must confront their dreams before they can ever attempt to confront each other. Imaginations run wild in this strangely beautiful and funny story loosely based on Uppal’s critically acclaimed memoir, Projection: Encounters with My Runaway Mother, a finalist for both the Hilary Weston Writers’ Trust Prize for Nonfiction and the Governor General’s Literary Award for Non-Fiction.
In this fast-paced, sophisticated and hilarious play, a man contemplating suicide on a seventh-storey building ledge confronts the stories of the people who live inside the building. These “seven stories” lead to a charming and surprising ending.
Cast of 2 women and 3 men.
9 Freight
Elizabeth Smart, author of By Grand Central Station I Sat Down and Wept (1945), has been heralded as a complicated and passion fuelled artist who dared to live in disregard of the burdensome expectations for women in the first half of the last century. 97 Positions of the Heart is a lyrical travelogue through the courageous life of this Canadian writer. Poet Jaik Josephson mines both her biography and literary catalogue to escort the reader into her remarkable world. Each poem charts SmartÕs persistent quest to resist the forces that sought to claim and silence her. Text is paired with illustrations by Erin Josephson-Laidlaw to reveal a vast emotional range that meditates upon ElizabethÕs bewildering childhood, a tumultuous romantic pairing with English writer, George Barker, the experience of motherhood and her pursuit of a prosaic language that speaks a truth about life in the social margins.
I am ready for a teetering walk in the dark
on those highest of heels.
I am ready for that merciful car.
Ready to ride to where suckling jazz wails feral,
to where my people smoke and laugh absurd in their feathers and uncaring.
A is a work of fiction in which André Alexis presents the compelling narrative of Alexander Baddeley, a Toronto book reviewer obsessed with the work of the elusive and mythical poet Avery Andrews. Baddeley is in awe of Andrews’s ability as a poet—more than anything he wants to understand the inspiration behind his work—so much so that, following in the footsteps of countless pilgrims throughout literary history, Baddeley tracks Andrews down thinking that meeting his literary hero will provide some answers. Their meeting results in a meditation and a revelation about the creative act itself that generates more and more questions about what it means to be “inspired”
These poems speak with a fierce tenderness of many aspects of the poet?s life: a childhood spent on the banks of the Churchill River, the death of a beloved one, the struggle to try to find forgiveness for wrongs done to her people and the weariness of trying to redress those wrongs. a beautiful rebellion reaches one hand back to Louis Riel and one hand ahead to future Métis generations.
There is a quiet power?riverine, deep, unstoppable?that flows through these words