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Zoe and her father are delighted to come across a fawn in the forest. But the fawn is alone?where is its mother? Join Zoe on her quest for the deer, as she encounters animals and learns their Okanagan (syilx) names along the way.
Zong!
The Wind has mysteriously caused the death of all people on earth?except for Zoo. As the last remaining person on earth, he must deal with this extraordinary situation, and the result is a series of dreams, shocks, hallucinations, events, explorations and the final outcome in the light of his changing understanding.
Arsenault’s Rabelaisian fantasy is a gothic tale of the macabre and the bizarre, of black magicians and alchemists, and of the life and times of Zora Marjanna Lavanko, the daughter of a brutish tripe-dresser who dies for love. This surreal novel is set in the murky fictional domain of the Fredavian Forest, in the very real province of Karelia, then a part of the Grand Duchy of Finland, in the closing years of the nineteenth century.
Many years of work brought forth this finely rendered fantasy. While some readers might be put off by the cruelty, violence, and mayhem of text, those who persist will be rewarded with black humour and the fine display of a full range of human emotion. Rabelaisan certainly, but Zora is also inspired by the legends of the ancient Finns as well as other epic literary fantasies.
The English reader will feel the text, deftly translated by Fred A. Reed and David Homel, carries overtones of Mervyn Peake. Despite this ornate style, the narrative has surprising pace, perhaps because the reader is busy trying to keep his or her jaw from hanging open.
The original French novel won the 2013 Robert-Cliche Prize, awarded to an author for a first novel (and not a first work).
Bringing together the best of Marius Kociejowski’s travel writing Zoroaster’s Children snags on the borderline between dream and meaning, offering unusual glimpses of some of the places, exotic or otherwise, the author has been. Attracted to society’s outcasts—as it is these, he argues, which point towards an underground of conformity that will not contain them—Kociejowski offers ain these essays glimpses of locales as diverse and seemingly divergent as Prague, Tunisia, Moscow, Aleppo and Toronto, among others. By turns empathetic and virtuosic, and always on the lookout for the deeper meaning seeded inside language, the essays in Zoroaster’s Children evince the deep absorption in people and places which is the hallmark of all great travel writers.
In the winter of 2007, Zulaikha is travelling from Amsterdam to Tehran when she is approached by Kia, a family acquaintance she hasn’s seen for many years, who is on the same flight. Kia’s father has passed away and she is flying home to attend his funeral. In a shocking twist, Zulaikha suspects that Kia may have had information about her missing brother, Hessam, and their mutual friend, Abbass, who was murdered before Hessam’s disappearance during the Iran and Iraq War.
When the flight is suddenly cancelled, and Zulaikha is later taken into custody and questioned about her relationship with Kia by both the European and Iranian authorities, who ultimately confiscate her passport, a tense thriller unfolds revealing the impacts of war and the consequences for one young woman unknowingly caught in the crossfire of greed, power, and international politics.
This sweeping novel explores many timely topics including issues related to gender, class, race, and interracial marriage. It also sheds light on the tumultuous history of Iran from a new perspective. The novel reveals a forty-year period of war and upheaval in the Middle East, and specifically, in Zulaikha’s home territory of Khuzestan, which boasts the bulk of Iran’s oil reserves, a place of intense tension between Iran and the U.S. still today.