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Who Killed Ty Conn is the brilliant investigative work of Linden MacIntyre and Theresa Burke, the current host and producer respectively of the CBC’s the fifth estate. It tells the tragic story of Ty Conn’s life of crime and misfortune. Originally published by Viking Canada in 2000, the book has been updated and reissued with a new afterword from the author and a new foreword by author and criminologist Elliott Leyton.
A classic in the literature of true crime, Who Killed Ty Conn portrays a man coming to terms with a life of rejection – and the social system that failed to save him.
In this eclectic collection, Who Shot Estevan Light?: Tales from the Salish Sea and Beyond, author Douglas Hamilton shares stories of maritime history and local folklore: The Flying Dutchman, a notorious BC pirate reputed to have been part of Butch Cassidy’s gang and who eluded the police only to resurface on Lasqueti Island; a BC lighthouse that was shelled by a Japanese submarine in 1942; an undeservedly little-known French explorer who rivalled Captain Cook in the extent of his travels in the Pacific, and more.
Hamilton introduces us to a band of rumrunners who narrowly escaped police while using speed boats outfitted with WWI aircraft engines, and to the tragic history of the steamship Grappler. He takes us inside a horrendous maritime disaster event exacerbated by racism and greed, and he shares the tale of a Spanish map of “California Island” that looked suspiciously like Vancouver Island at a time when maps were state secrets or deliberate deceptions. As in his previous publication Accidental Eden, Hamilton treats the reader to tales of local west coast folklore, including the perils of moonshine, a mysterious disappearance, and a titillating intergenerational tale. Who Shot Estevan Light? offers an enthralling escape into the world of adventure, intrigue and timeless west coast maritime stories.
In this second poetry collection by Michael Lithgow, intimations of something numinous and larger than life jostle with the material demands of the everyday, sparking an uncertainty about what lurks at the edges of things, if anything at all. The poems drift in the tension between a pleasing suburban life simply lived and unsettling moments that pull against it, intrusions of the surreal.
Civic uncertainty in the wilderness gives way to more intimate modes of circumspection, a working-through of different kinds of grieving – for a parent who withers from cancer, for family members murdered in war, for the platforms of death on which common conveniences like grocery stores depend.
The poems weigh harsh realities against promises of life and renewal, struggling to put into words something that would rather not be named. They are a thought-provoking meditation on being haunted by darker and more beautiful shadows than are apparent on a life’s face level.
An enthusiastic guided tour through 50 years of Doctor Who
Doctor Who has been a television phenomenon since it began over five decades ago on November 23, 1963. But of all the hundreds of televised stories, which are the ones you must watch? Featuring 50 stories from all eleven Doctors, Who’s 50 is full of behind-the-scenes details, exhilarating moments, connections to Who lore, goofs, interesting trivia, and much, much more. Enthusiastically curated for newcomers and fans alike by Doctor Who experts Graeme Burk and Robert Smith? and released on the fiftieth anniversary of the series premiere, Who’s 50 tells the story of this global sensation: its successes, its tribulations, and its triumphant return.
What happens in space that causes the body to change? Learn about life in space from astronauts
Is the human body built for Mars? NASA’s studies on the International Space Station show we need to fix a few things before sending people to the Red Planet. Astronauts go into space with good vision and come back needing eyeglasses. Cognition and DNA expression could be affected for years. And then there’s the discomfort of living in a tight space with crewmates, depression, and separation from the people you love.
Space doctors are on the case. You’ll meet the first twin to spend a year in space, the woman who racked up three physically challenging spacewalks in between 320 days of confinement, and the cosmonaut who was temporarily stranded on space station Mir while the Soviet Union broke up underneath him. What are we learning about the human body?
As astronauts target moon missions and eventual landings on Mars, one of the major questions is how the human body will behave in “partial gravity.” How does the human body change on another world, as opposed to floating freely in microgravity? What can studies on Earth and in space tell us about planetary exploration? These questions will be important to the future of space exploration and to related studies of seniors and people with reduced mobility on Earth.
Making coal patties. Selling liquid soap. Shopping at a glittering shoe mecca. She’s done them all living half her life in deprived-post-war-communist-Vietnam-turned-free-market. It’s life in a vacuum when strange types of brainwashing happened. Part memoir and part social criticism, Why Do You Look at Me and See a Girl? is a provocative read about a full-fledged bilingual who fights to get free from the dead past and her ancestors’ sins.
The story starts with her grandmother’s prison visit and moves to a journey through the jungle carried out for family reunion. Drawing strength from her, Hoàng completes her transformation in America from an international student to a free naturalized being. As she sheds her adoration for the impeccable American logic, oscillates between languages, and crosses oceans, she confronts the power play and biases, cultural inhibitors and prejudices that condition human behaviors, be it in Vietnam, America or Thailand. All along, she claims justice for her under-appreciated grandma, straightens male and white patronization, tears down tradition and brainwashing, uncovers the Asian submission to western iconography, and resists the attraction of a white guy. In lucid prose and with a hint of quiet humor, Why Do You Look at Me and See a Girl? is an unflinching pursuit of questions about family, finding one’s voice, home, and freedom.
Fifteen-year-old Gale is desperate to get out of Whitehorse, a fact that is immediately clear to counsellor Helen Cotillard when Gale walks into her office with her reluctant stepmother. It’s 1995, and one counselling agency for kids and families serves all of the Yukon. Gale has been having anxiety attacks, the last one so severe it landed her in the hospital.
Helen soon begins to realize that Gale’s distress at being separated from her little sister Buddie too closely parallels a calamity from her own past. This tragic similarity leaves Helen uneasy about her profession and her ability to help her clients. When Gale does escape back to her home in Cobalt, Ontario, to protect Buddie from their brutal mother, she risks her own future.
Through arresting, compelling images, Jill Frayne shows both the fierce beauty of the Yukon, and the damaged, enduring landscapes of two human hearts.
This renowned story-teller writes of a mystical pilgrimage in search of her daughter, and of the ensuing barrier of grief which becomes a confrontation with the myriad forms of human bondage: love, hate, power-lust, and slavery. In breaking down this wall of grief, Haas finds rare and precious insight waiting at the core of inconsolable loss.
Why Not?
In this volume, African Canadian novelists and poets discuss the complexities of the writing experience. Most of the writers interviewed here are humanists; i.e., they see their work as serious depictions of the human condition, admit that their works are informed by an African Canadian ontology, and adhere to the notion that their books must delight and instruct. These interviews, therefore, are valuable additions to the creative process of the individual writers. Apart from identifying how the writers’ geographical and social origins have influenced their work, the questions deliberately avoid autobiography. Instead, these writers respond to the exigencies of craft, the manipulations of publishers, the criticism of readers, and the absence of a clearly identifiable market for their works.
Interviewed in this volume: Ayanna Black, Austin Clarke, George Elliott Clarke, Wayde Compton, Afua Cooper, Bernadette Dyer, Cecil Foster, Claire Harris, Lawrence Hill, Nalo Hopkinson, Suzette Mayr, Pamela Mordecai, M NourbeSe Philip, Althea Prince, Robert Sandiford
Whylah Falls is a mythic community in the heart of Black Nova Scotia, populated with larger-than-life characters: lovers, murderers and muses. George Elliott Clarke’s sensuous narrative sings with the rhythm of blues and gospel, spinning a complex, absorbing tale of unrequited love, earthy wisdom, devouring corruption and racial injustice. This is a rare and beautiful collection of poetry, as much in demand twenty years after its publication as it was when first released. It has inspired an acclaimed CBC-Radio drama, a popular stage play, and a feature film, One Heart Broken Into Song.
Book, or laboratory? Reader, or specimen?
Wide slumber for lepidopterists is a poetic fantasia, a disorienting yet compelling dreamscape of butterflies and caterpillars and killing jars, where the waking mind’s prose transforms into the sleeper’s poetry. Each poem unfolds with precision, tracking the stages of sleep and pairing them with the life cycle of Lepidopterae. Insomnia is mirrored in the birth of the egg, narcolepsy in larval hatching. And when the caterpillar starts its final moult, dreams begin, weaving around us as tightly as a cocoon until we are somnambulant, a chrysalis ready to emerge as a moth.
Reading the act of sleep through pupae and moths seems incongruous, but from this unlikely premise comes a darkly erotic text that takes cues from the scientific fascination of Christopher Dewdney, the linguistic experimentation of Gertrude Stein and the aural environments of Björk toexplore science, sexuality and language in equal parts.
Wide slumber for lepidopterists contains luminous illustrations by artist and bookmaker Matt Ceolin, who has managed to capture the spirit of the poems with his beautiful and disturbing treated photographs of butterflies, moths and dessication.