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Poetry that is at once harrowing, angry, and achingly beautiful
Patrick Woodcock has spent the past seven years engaging with and being shaped by the people, politics, and landscapes of the Kurdish north of Iraq, Fort Good Hope in the Northwest Territories, and Azerbaijan. His powerful new collection offers a poetry that simultaneously explores hope and horror while documenting the transformative processes of coping. You can’t bury them all follows the narratives we construct to survive the tragic failures of our humanity to their very end: everything that’s buried by snow, dirt, and ash, just like everything that’s buried by politics, homophobia, sexism, racism, religion; and history is resurrected, demanding to be heard and addressed.
In Woodcock’s poetry, how we deal with what resurfaces is the key. What do those who suffer really mean to those who have abandoned them to small, conscience-soothing charitable donations or the occasional tweet? How can the poet, or anyone else, sleep at night knowing homosexuals are being thrown off building tops, after one steps into a hole and finds an abandoned corpse in an Azeri cemetery, or after the elders of an Aboriginal community are left helpless against those who only want to exploit them? Still, You can’t bury them all demonstrates that the world is not just the horrific place the media often portrays. In each of the worlds he touches, Woodcock discovers a spirit and strength to celebrate.
Winner, Quiddity Award for Best Book Trailer
Shortlisted, Paragraphe Hugh MacLennan Prize for Fiction and QWF First Book Prize
“You’re the kind of guy who falls in love after one date.”
Marginalized and alienated, perennial fuck-up Lee Goodstone is a resounding zero: a low-rent hash-dealer with delusions of inadequacy. He’s content to while away the hours of his life drinking, smoking, hanging out, playing the occasional game of hockey, and generally ignoring the world outside his tiny neighbourhood.
But Lee’s near-idyllic existence is about to grind into second gear. His friend Henry has been accused of kidnapping and Lee’s been cornered by the local media. Another friend has decided to shoehorn his way into Lee’s drug business. And he’s just made it with his best friend’s girlfriend. Clearly, Lee needs a Plan B — not easy for a guy who long ago decided that the correct plan of action is to have no plan at all.
A hip, comedic novel, Doug Harris’s YOU comma Idiot is a dark, demented, deeply delightful excursion into youthful alienation and ennui.
A fond and funny memoir, this account of a Jewish immigrant household in Montreal traces the family’s journey from wretched oppression to middle class comfort. Arriving Canada in the early 1920s, they struggle to learn two new languages and adapt to a new political, economic, and not always welcoming social culture. It recounts how, undeterred, Ma establishes her dynasty at home and Pa builds his business, and by the time their son embarks on his architectural career, they are firm believers in freedom and aspiration—and in keeping alive in memory those Jews who were denied such joys.
You Don’t Get to Be a Saint is a sharp-edged collage full of the echoes of human movement and voice”Patrick Friesen is one of the poets we can’t do without.”–Dennis Lee
You Don’t Know Me, But You Love Me is a biography of beloved American movie actor Dick Miller. Miller’s fantastically storied life, the legendary people with whom he has worked and played, the times in which he’s lived and the fascinating environments of both Broadway and Hollywood over the past seventy years are all thoroughly and engagingly explored in this first and only biography of the cult legend. The result of both extensive interviews and exhaustive research, You Don’t Know Me, But You Love Me is at once story of how an unassuming guy stumbled into acting and became cult royalty, an epic love story of a man and his wife, a parallel story of an actor and his director (Corman), and a secret history of Hollywood. Referred to by Roger Corman as the “best actor in Hollywood” a favourite character actor of Quentin Tarantino, and in the words of Jonathan Demme, “a first-rate actor who makes any scene he’s in better,” Miller’s particular magic continues to work itself on Hollywood elite and movie buffs alike.
You Don’t Know Me, But You Love Me is a biography of beloved American movie actor Dick Miller. Miller’s fantastically storied life, the legendary people with whom he has worked and played, the times in which he’s lived and the fascinating environments of both Broadway and Hollywood over the past seventy years are all thoroughly and engagingly explored in this first and only biography of the cult legend. The result of both extensive interviews and exhaustive research, You Don’t Know Me, But You Love Me is at once story of how an unassuming guy stumbled into acting and became cult royalty, an epic love story of a man and his wife, a parallel story of an actor and his director (Corman), and a secret history of Hollywood. Referred to by Roger Corman as the “best actor in Hollywood” a favourite character actor of Quentin Tarantino, and in the words of Jonathan Demme, “a first-rate actor who makes any scene he’s in better,” Miller’s particular magic continues to work itself on Hollywood elite and movie buffs alike.
?Tim Moore’s summer job in the moving business led to the creation of the largest, coast-to-coast moving company in Canada – AMJ Campbell Van Lines. With 48 offices, Tim’s company generated $125 million in sales.
Today, as one of Canada’s most successful businessmen, Tim is able to spot and mentor future entrepreneurs. Dozens of ordinary people were tutored by Tim to become successful business operators, and often, millionaires themselves. With his latest venture, Premiere Executive Suites, Tim has progressed from a single condo in Halifax to 400+ suites and townhouses in eight cities across Canada — in less than five years!
In this book, he provides practical advice on how to start and run a successful business. Some of the chapters include “Creating a Second Successful Business,” “Real Estate . . . Always a Good Investment,” “Partners — and How to Choose Them,” “Nice Guys Finish First,” and “Making Your Business Stand Out from the Competition.”
Each new volume by Stuart Ross is a more confounding grab bag than the last. In ‘You Exist. Details Follow.’, his seventh full-length collection of poetry, Stuart Ross veers in opposite directions: narrative confessional poems, and works that might be considered abstract expressionist, and a lot both in between and beyond those boundaries. Still, each poem breathes with the signature weirdness, the sharp wit and gentle awe that Ross is known for.
Here you’ll find new poems from Ross’songoing Razovsky series, one-line poems, centos, fractured sonnets, poems composed through surrealist strategies, and more.
“A voice all his own. Stuart Ross unleashes his refreshing snark in his latest collection of poems, ‘You Exist. Details Follow.’ Stuart Ross is no punk kid, but he writes with a refreshing snark. It’s a voice much in evidence in his latest book, a collection of poems called ‘You Exist. Details Follow.’ (Anvil Press). He runs the gamut from his own brand of absurdist expressionism to fond childhood memories and poetic confessions. Here are a misplaced tuba, badly sewn dog suits, and Highway 6 Revisited, about a butcher waking from a dream of meat, then dancing down a country road. Then you come across ‘French Fries’, a charming story of a child pretending to be asleep during a road trip: ‘You smell French fries. It is time/to pretend to wake up.’ In another poem, Ross wisely and parenthetically writes: (Tension is a good thing sometimes. For example, you shouldstick it in art.) Stuart Ross loves that tension, fortunately for his readers.” -Uptown (Winnipeg)
When Elsa and her family move from Iceland to Scotland, she is filled with uncontrollable joy over the new adventure she is about to begin. With her infectious energy and love for the dramatic, Elsa stands out both in her community and within her classroom, but this exuberance also targets her as an outcast. Only through the faith of a new friend and the strength of her imagination does Elsa find the courage to look inside herself and find pride in who she is and where she came from. Through her vivid characters Maja Ardal depicts Scotland in the 50s as a place of hope and harsh discrimination for immigrants.
You Got the Part! is a must-have resource for anyone auditioning for roles in film and television. It is a comprehensive guide showing how to land an audition, how to prepare for and perform at that audition, and how to follow up afterward. Written by an award-winning casting director with twenty-eight years in the industry, this book takes the reader behind the scenes at actual casting sessions. Practical information is mixed with insiders’ tips supported by anecdotes and stories from actors and casting directors. You Got the Part! is amusing and informative, and an essential tool for both the novice and the experienced actor.
You have been referred!: My life in Applied Anthropology, is a career memoir spanning the period 1969 – 2014, and detailing the process whereby the author combined his philosophical grounding in both Anthropology and Law to find fulfillment in several Canadian non- governmental organizations (NGOs). The organizational structure of the book follows the development of a career thesis, its exploration in antithesis employment in for- profit corporations, and its ultimate success in the synthesis provided by NGOs. The format of the book is a creative mixture of stories and case studies involving characters who were influential at each stage of the author’s career development. The career arc of the book also follows the author’s development as son, husband, and father in family situations based in Vancouver and Calgary. Many of the chapters also trace the process of economic development in hinterland regions of northern Canada and the Kola Peninsula of north- western Russia. Indigenous people play numerous roles in the narrative arc of the book’s development. In particular, the Mowachaht, Blackfoot, Metis, Cree, and Gwich’in Dene cultures in Canada and the Russian Sami are featured in the book. The corporate cultures of the Calgary and Toronto oil patch are also contributors. The book concludes with a fictional celebration including all the characters.
Ian Williams writes challenging poetry. His poems address the crisis of young, black masculinity in cities, paint starkly urban portraits of life and break open stereotypes. Sly humour laces through this collection, and Williams is adept at playing with language to change meanings in unexpected ways. For him it’s easy to turn the word go into gone.
Conceived as an archive of wisdom written by a disabled man for his children, You May Not Take the Sad and Angry Consolations gives voice to the experience of living in an ableist society: “Why does it hurt when emotion spills out of a body? How does emotion spell ‘body’? What does it mean to be good? Why is the surplus of beauty everywhere? What is the password?” Weaving together reflections on fatherhood, Walt Whitman’s place in American history, art, and the lingering effects of past trauma, these ringing and raw poems theorize on the concept of shame, its intended purpose, and its effects for and on disabled body-minds.
There are thousands upon thousands of love songs. There’s probably one for every happy and hurting heart, from Springsteen’s “If I should Fall Behind” to Prince’s “Nothing Compares 2 U.” On their first album, acclaimed Atlanta band, Drivin’ N Cryin’ wrote a song about love. It wasn’t perfect. It didn’t want to be. Love isn’t perfect. Now, 30 years later, You Mean Everything is as relevant and tender as when the needle first touched wax. Never published in print, featuring illustrations by M. C. Joudrey, this little book offers the song’s poetic lyrics for all to hold and share. The perfect alternative to a greeting card.
From behind the drumkit to the top of the charts: the backstage story of the Bee Gees
With worldwide sales of over 220 million records, the Bee Gees are the sixth-best-selling music artists in history. Dennis Bryon’s story of how he became the Bee Gees’ drummer during their peak period offers many never-before-told tales about such infectious hits as “Stayin’ Alive,” “How Deep Is Your Love,” and “Night Fever.” From Dennis’s beginnings in a Welsh band to his crucial role in the superstar group, You Should Be Dancing reveals unforgettable stories of his encounters with many famous musicians, including the Bee Gees themselves, Andy Gibb, Michael Jackson, Jimi Hendrix, and Olivia Newton-John. Illustrated with Bee Gees photographs and ephemera, Bryon’s memoir takes Bee Gees fans and music enthusiasts alike on one of the wildest rides in pop history.