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Showing 8881–8896 of 9311 results
From the drunk tank to the graduate seminar, we are no longer the smart kids in class asks what it means to think and be, play and learn, ride bikes and make love in a world of depleting resources, technological proliferation, and corroding ecosystems. A fantasia of academic disillusionment and deflating youth, this collection contemplates moustaches, mountains, and oceans from Halifax to Victoria, always wondering how poetry matters to the heaving, melting, masturbating world it dramatizes.
A Quill & Quire Book of the Year
Ten years after her stunning debut, Shauna Singh Baldwin returns to Goose Lane with an outstanding new collection of ten stories. Migrating from Central America to the American South, from Metro Toronto to the Ukraine, this book features an unforgettable cast of characters. In the title story, 16-year-old Megan hates her Pakistani grandmother — until Grandma disappears. In the enchanting magical realism of “Naina,” an Indo-Canadian woman is pregnant with a baby girl who refuses to be born. “The View from the Mountain” introduces Wilson Gonzales, who makes friends with his new American boss, the aptly named Ted Grand. But following 9/11, Ted’s suspicions cloud his judgment and threaten his friendship with Wilson.
Each containing an entire world, these stories are marked by indelible images and unforgettable turns of phrase — hallmarks of Baldwin’s fictional world.
An anthology of Canadian poets marking the 2020 Pandemic.
Part mystery, part dystopian prophesy, We Are Still Here probes the implosion of the vagrant goals and economic aimlessness in one man and his resulting quest for purpose. Through a blending of mythical forces and mythological archetypes that idealize the Innu tales of cultural heroes, and shape-shifters, We Are Still Here acts as traditional account of the life events of a self-proclaimed Innu oracle, and how his gathered tribe emerge as the future of civilization by returning to a world in which humans and animals are not yet differentiated.
Highly entertaining and deceptively simple, Beuhler’s tale works for a wide reading audience.
“An exciting new voice on the scene, Chris Beuhler’s enormous imaginative scope, his vigorous prose, and the high tension he creates will have everyone reading this book.” – Sharon Butala
We Follow the River tells the story of one family’s escape from military violence in Myanmar, their exiled existence in Thailand, and their immigration to Canada with only a pile of beat up suitcases on a luggage cart. It is about growing up as a foreigner in a foreign land, sifting through family history and grief, and alighting across cultures and continents to find a home.
Onjana Yawnghwe’s third poetry book reveals an expertise in language—at times joyful, disobedient, wild, and other times condensed and restrained. A work of over twenty years, these poems are written and rewritten through the retroactive prism of experience, polished and honed, eroded and erased. Sweeping in scope, intimate and honest, these poems tell of the quiet moments, the unruly moments of rage and sorrow, the rough distillation of self, both hated and loved. These poems reside behind the secret, dark door of the self.
We Gladly Feast marks a significant formal shift for award-winning poet Roxanna Bennet, away from the recombinant sonnets that she employed so deftly over three volumes. She reformulates disability poetics in this new collection by infusing concepts of collage, enacting the improvised experience of disabled persons who use whatever comes to hand in order to negotiate the inaccessibly-constructed world. Though her formal strategies have changed, Bennet’s voice remains as unique and as powerful as ever.
Longlisted for the 2023 Scotiabank Giller Prize September 2023 selection for Great Group Reads by the Women’s National Book Association“Unsparing and compassionate … A novel of harrowing eloquence, We Meant Well explores compelling cultural contrasts and the ambiguity of charitable outreach.” — Foreword ReviewsA propulsive debut that grapples with timely questions about what it means to be charitable, who deserves what, and who gets the power to decideIt’s the middle of the night in Los Angeles when Maya, a married mother of one, receives the phone call. Her colleague Marc has been accused of assaulting a local girl in Likanni, where they operate a charitable orphanage. Can she get on the next flight?When Maya arrives, protesters surround the compound. The accuser is Lele, her former protégé and the chief’s daughter. There are no witnesses, no proof of any crime.What happened that night? And what will happen to the orphanage if this becomes a scandal? Caught between Marc and Lele, the charity and the villagers, her marriage and new temptations, and between worlds, Maya lives the secret contradictions of the aid worker: there to serve the most deprived, but ultimately there to govern.As Maya feels the pleasures, freedoms, and humanity of life in Likanni, she recognizes that her American life is inextricably woven into this violent reality — and that dishonesty in one place affects the realities in another.
A lively collection of essays that re-examines the extraordinary legacies of the four Canadian women who dominated ’90s music and changed the industry foreverFully revised and updated, with a foreword by Vivek Shraya In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became legit global superstars and revolutionized ’90s music. In an era when male-fronted musical acts were given magazine covers, Grammys and Junos, and serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes even as their recordings were demolishing sales records. The world is now reconsidering the treatment and reputations of key women in ’90s entertainment, and We Oughta Know is a crucial part of that conversation.With empathy, humor, and reflections on her own teenaged perceptions of Céline, Shania, Alanis, and Sarah, Warner offers us a new perspective on the music and legacies of the four Canadian women who dominated the ’90s airwaves and influenced an entire generation of current-day popstars with their voices, fashion, and advocacy.
Winner of the 2021 Ottawa Book Award for English Fiction
In her debut collection of poetry, Conyer Clayton hovers in the ether, grasping wildly for a fleeting sense of certitude. Through experiences with addiction and co-dependence, sex and art, nature and death, she grapples for transcendence while exploring what it means to disengage. What is revealed when you allow yourself to truly feel? What do you ask for to carry you into life, and where do you land when this fails? And when you are finally, beautifully, emptied out, who are you? The poems in We Shed Our Skin Like Dynamite wonder aloud amidst tangled revelations, and yearn to be lifted away.
Traversing the world from the Garden of Eden to a grandmother asking what’s a tweet, We Were Like Everyone Else explores the daily humanity of family, the folly of our politics, and a natural world that seems to offer the promise of consolation but never quite does. In poems both lyrical and narrative, the possibility of violence is never far off, but the same can be said of love, our capacity to endure, our hunger for healing and redemption. And yet these poems offer no prescription, no bulwark to keep menace from our children or despair from encroaching on our few vestiges of hope. Ken Victor’s first collection of poems takes us back to children ducking under desks in the nuclear fear of the 50’s, to the collapse of innocence in the face of the Vietnam War, to the fall of the Berlin Wall and the depravity of the siege of Sarejevo. Always the question of whether or not we can survive our own missteps lingers in the background of our 21st century lives as we go about raising our children, dining in restaurants, walking in woods, working from a home office. As one poem puts it, you’ve got to live your life like you’re in control of it, pray like you aren’t.
Nominated for a 2025 National Magazine Award in Poetry
In her first collection of new poetry in a decade, Robyn Sarah chronicles the pandemic years with quiet wisdom and her flair for meshing the familiar with the numinous.
In We’re Somewhere Else Now, Robyn Sarah moves with ease from the particular to the abstract. These are poems of grief and unexpected change, of quiet awe at the human experience. Each poem is a window for the reader to look into, “lit room to lit room,” tracking empty, desultory days of isolation and uncertainty, while also highlighting reasons to pay attention: playing with a grandchild, the rarity of a leap year, the call of the birds.
The generation to which Joe and Josephine Crowshoe belonged spanned more than the length of their lifetimes. That generation fought heroically in world wars and at the same time raised children under a paternalistic federal regime that denied both a culture and a heritage. The Crowshoes regained their heritage and shared it with the larger community, gaining respect from all the people with whom they were in contact and becoming articulate representatives and the holders of stories, legends, and customs. The interviews in Weasel Tail track not just their personal stories but the stories of a people who insisted on being recognized and a culture born out of the land of southern Alberta. Paralleling the interviews, Mike Ross has included historical photographs and documentation of a world and people who are a rich part of Alberta’s history.
Set in a tragic, transformative year in an extraordinary place with larger-than-life characters, The Weather Diviner is a story of self-discovery—not just for one young woman, but for Newfoundland itself.
It’s 1942. With polished boots and bulging wallets, the Americans have come to defend a highly strategic location—Newfoundland: the Allies’ new transatlantic transportation hub. Like thousands of others chasing new opportunities, Violet Morgen abandons her remote outport home and heads to St. John’s. An amateur forecaster with a powerful sixth sense for the island’s tempestuous winds and weather, Violet is determined to help the Americans fight the enemy. But determination, it turns out, is not enough.
Carefully-researched and -crafted, entertaining, and informative, The Weather Diviner is a heart-felt tale in which friends make a difference, weather makes for interesting conversation, and opportunity comes to those who dare to dream.
The stories in this collection centre around new immigrants ? spirited people who are prepared to leave their home and hearth to travel to distant lands to pursue their dreams of a better life. But often times there?s a reality check , and they are left to grapple with unexpected challenges of cultural shock, paucity of jobs, lack of Canadian work experience, absence of affordable daycare, and non-recognition of their educational credentials. Though the accounts are fictional they show the determination of new immigrants to survive on alien soil.