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“Beneath these sensually charged images lies a complex interrogation of the paradox of nature.” (Quill and Quire)
In this stunning new collection, Elizabeth Philips takes us down into the swirling core of planetary energies, the central mystery of life itself. Sexual love, the wilderness, the births and deaths that connect them, the breathing and the not-breathing that connect birth and death, the interior wilderness of desire and the sensual love of wild things, of trees, earth, water these are Philips’s themes and subjects, rendered in a language of tremendous immediateness and authority. These are poems that will take your own breath away, that will give it back to you bigger, deeper than you imagined possible.
Who’s to say this life isn’t the eternal life?
The no-time, the hover between in-
and exhale both wellspring
and spur is the essence of the extra strength
you use to loosen the screw that holds down
everything,
or this morning, the heft I need
to shuttle from boulder to boulder
over the slump of rock meant to keep the riverbank
from moving.
From “Breath”
“[Philips] has a knack for collapsing time and space, tearing the veil, letting the reader slip through the gap to a place of vivid simultaneity.” (The Malahat Reviewon A Blue with Blood in It).
Elizabeth Philips is the author of three collections of poetry, most recently A Blue with Blood in it and Beyond my Keeping. Both collections received the Saskatchewan Poetry Award for their respective years. She has edited numerous poetry collections and has taught creative writing in the Banff Wired Studio, the Banff Writing with Style program, and the Sage Hill Writing Experience. She edited the literary magazine Grain from 1998 to 2003. She lives in Saskatoon.
Featuring exclusive interviews with people who worked alongside Tori Amos in the studio — sound engineers, one of her producers, and backing band members — as well as in-depth research into the singer herself
Tori Amos: In the Studio explores this groundbreaking artist’s career album by album. From her childhood as a piano prodigy to her first band, her seminal album as a solo artist to her prolific years of recording and touring, Tori Amos has refused to play by the rules of the recording industry and instead fearlessly forged her own path and musical identity.
Amos achieved note early in her career by being one of the few alternative rock performers to use piano as a primary instrument. Known for her emotionally intense songs that cover a wide range of subjects including sexuality, religion, and personal tragedy, Amos has sold over 12 million albums worldwide, and seven of her studio albums have debuted in the top ten on Billboard’s Top 200 chart. In this book, Jake Brown goes behind the music to reveal Tori Amos’ artistic process while creating 11 studio albums — from Little Earthquakes to Midwinter Graces — that are beloved by her devoted fan base and praised by music critics.
This is the third title in ECW’s In the Studio series by music journalist Jake Brown. Other subjects include Heart and producer Rick Rubin.
From pink flamingos to plaid furniture, the ins and outs of life on wheels are illuminated by Dotty Parsons, Supermom. In her battle to fight mobile home-ophobia, no souvenir cushion is left unturned: rituals, diet, furnishings, collections, family, and the most mysterious: The Trailer Court Man. In Tornado Magnet, a mac-and-cheese tribute to the mighty mothers of mobile home country, playwright and performer Darrin Hagen debunks the myths of trailer court life.
?If anyone knows Toronto, it’s NOW Magazine. Having covered the weekly cultural scene for the last 25 years, it is the authority on Canada’s biggest city. This comprehensive insider guide features surveys, listings, and overviews of:
In a handy, easy-to-carry format, this is one guide that both tourists and residents can capitalize on.
100 years of love, celebration, heartbreak, and even parades
On December 19, 2017, the Toronto Maple Leafs officially turn 100. In the spirit of the centenary celebrations, Toronto and the Maple Leafs explores the city’s relationship with its most beloved sports team. No matter how many times the Jays and Raptors make the playoffs, it’s a Leafs game that still brings the city together on a cold Saturday night and fuels the talk shows all summer. But why are fans so absorbed by a team that has not won a Cup in 50 years?
Veteran Leafs and NHL columnist Lance Hornby gives readers an insider’s perspective on how the pulse of the city and team became one through two world wars, the Depression, the zany Harold Ballard years, and, until recently, dysfunctional hockey operations. Toronto and the Maple Leafs includes insights and stories from Mayor John Tory to Joe Fan; from influential voices of the Leafs, such as Foster Hewitt and Joe Bowen, to the ushers, cleaners, and ticket scalpers. Not to mention a funeral director who performs Leafs-themed services.
An unforgettable book about the good teams, bad games, and bizarre times of this franchise’s history, this is the perfect companion for every Leafs fan.
Toronto as Community is a poetic portrayal of the city, with photographs sequenced to evoke an intimate visual symphony. The pictures document the daily life of ordinary citizens, including work and leisure, many accompanied by original stories. The book also documents many of the natural areas and some of the city’s architecture, all through the lens of social justice. The images will resonate and provoke the readers’ sense of nostalgia, inviting reflection on the city that once was, how it became the city it is, and how it continues to develop into a social experiment that is the envy of many other cities and nations.
As the largest city in Canada and the fourth largest in North America, Toronto has become one of the most ethnically diversified cities in the world, with over 52% of its residents born outside of the country and speaking 180 languages.
Vincenzo Pietropaolo has been a dedicated chronicler of Toronto for more than fifty years. His attachment to the city and its people is demonstrated on every page of Toronto as Community. His father was a construction worker who helped to build many of Toronto’s landmark buildings. Vincenzo collaborated with Jane Jacobs, by providing photographs for an exhibition based on her seminal book, The Death and Life of Great American Cities. He is the author of numerous monographs and exhibition catalogues, as well as commissioned books.
When top Crown attorney Thomas Matthews, a victim of racial profiling himself, is assigned to prosecute the accused against a Left-leaning white attorney, tensions mount and personal politics bubble to the surface. Cutting deep into the lawyers’ private lives, their families and foibles are richly portrayed as an integral part of Toronto’s shifting mosaic. From an ostensibly routine traffic stop, each character must come to terms with the city’s racial politics and how they have shaped their own beliefs and prejudices. Written in response to the rise of gun crime in the streets of Canada’s largest city, Toronto the Good probes the problems that perpetuate the changing metropolis and explores how they have been allowed to flourish.
Translated from French by Elaine Kennedy.
Raymond Dossougbé flees the misery of his hometown in Benin and arrives in Toronto, which as soon as he arrives charms him. He sees the city as a place of freedom and light, a sanctuary where he, like so many others, can begin anew. He is thrilled by its fast, organized pace, and by its vastness and diversity of peoples. Without prejudices or preconceptions, he allows himself to be fraternized by both the white and the black segments of society. He sees deep poverty, extreme wealth, and racism, and also the different aspects of the global black experience. Eventually he finds his bearings in this new world and comes to a better understanding of himself and the colourful characters around him.
Toronto, je t’aime won the Prix Trillium when it first came out in 2000.
Jhana, is a beautiful eighteen-year-old who lives with her mother Maddie and their boarder Bill, a sometime poet. Jhana’s father, King, shows up partway through the first act and it is his presence for the first time in a long time in this unusual family that really galvanizes all four of the characters into action.
King is an Elvis impersonator, getting sick and tired of doing the same old song and dance. Jhana is mentally handicapped and working at her first “job” in a workshop for disabled people where she puts four screws in a bag and then another four screws in another bag and so on. In her mind she is on stage at Maple Leaf Gardens singing and strutting her stuff, just like her father does. Maddie is trying to keep it together while working full time as a teacher and as a mother, too busy to admit to her own loneliness. Bill is harbouring all sorts of feelings for Maddie that he is afraid to act on.
While this is a play about the power of family and love, it is finally a play about self-destruction and creation. At its heart is Jhana, whose character begs the question whether the other characters, in their own ways, are any less handicapped. She’s good company—funny, driven, passionate and yearning for the same things those around her yearn for—if they can get over their preconceptions about the mentally handicapped and give her the space to achieve her dreams.
The play came out of the author’s decade-long involvement working with mentally handicapped adults and children as a life skills instructor. Re-released in a revised and updated edition, it is Joan MacLeod’s first full-length play, receiving more than twenty international productions over the past two decades.
Exploring the experimental energy of an era, Toronto: Tributes + Tributaries, 1971-1989 brings together more than 100 works by 65 artists and collectives to highlight an innovative period in Toronto art history. Amidst the social and political upheavals of their time, the artists that emerged in Toronto during the 1970s and 1980s pushed the boundaries of conventional painting, sculpture, and photography, exploring new ways of art making.
Organized thematically and punctuated by references to Toronto and its cityscape, this unique publication highlights the era’s preoccupation with ideas of performance, the body, the image, self-portraiture, storytelling, and representation. Featured artists include Michael Snow, Joanne Tod, the Clichettes, Duke Redbird, Barbara Astman, Robin Collyer, Robert Houle, Carol Condé, and Carl Beveridge, as well as photographer June Clarke, illustrator Ato Seitu, dub poet Lillian Allen, and many others.
White Noise alchemy: poetry for the next millennium. In a world where the poet is a filter, a cultural recombinator, Torontology sifts through the blur of data and stimulus to find the gold in the dross. From OuLiPo to Vispo to post-LANGpo, Stephen Cain explores the poetics of constraint and the practice of unconstrained writing. In Torontology, Grendel meets Beowulf on the College streetcar, Eliot interrogates Atom Egoyan’s Prison Tattoos while enjoying Vacillation in a Blanket, and Guided by Voices is both a brilliant band and an oblique love poem. For Cain, Sir Thomas Browne is on equal footing with James Brown. That pop song buzzing through your head? The TV show that’s become a guilty pleasure? That flock of pre-teens behind you on the subway? They’re all as “real” and poetic as classical tropes, archetypes, and forms. Torontology: a philosophy of Being in the “centre of the universe”? Or merely the urban landscape at the turn of the 21st century? Either way, in Cain’s terms, context is always as important as content, and the quotidian is more expansive than you’ve ever imagined.
The landlord, the husband, the wife, and the lover. Giulio di Orio, an assistant lecturer in Philosophy, brings one of his students, known as Torp to the Vancouver flat he shares with his wife Nicole. Soon their landlord is convinced that Torp is the devil incarnate, and the police have arrested him for the street bombings that have been plaguing the city. A sexually-charged tale bubbling with lust, suspected murder, and the twilight of the flower children–all set against the backdrop of martial law in 1970 Vancouver.
Four disparate people confront each other, their memory, and their responsibility at the emergency room of a hospital when brought together by the crisis of a teenager suffering a psychiatric episode. ‘Tortoise Boy’ is a “chamber play,” four monologues, or mono-dialogues, if you will. The actors play many characters to tell the story, and they are also four voices, four instruments-a quartet-allowing them at times to step beside characters and show the story from other points of view. Can we have a future without a past? Is there any meaning to a past that has no future? When do our memories open doors, and when do they close them? What’s best forgotten? What’s indelible? The ancient Greeks believed that memory is the mother of the muses, and the words memory, muse, and music all share a common root.
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Since the beginning of time, men have engaged in hand-to-hand combat. In Ancient Greece, they called it Pankration, a no-holds-barred battle. Over time, one complete combat system was replaced by a variety of limited ones like karate, boxing, and wrestling. In the modern age this created an eternal question: who was tougher? Could a boxer beat a wrestler? Could a kung fu artist dispose of a jiu jitsu man?
The Ultimate Fighting Championship answered those questions emphatically in 1993 — and Mixed Martial Arts was born. Early stars like Ken Shamrock and Royce Gracie propelled this new sport into the North American public’s consciousness while pro wrestlers Nobuhiko Takada and Masakatsu Funaki led a parallel evolution in Japan, where cultural forces led to fighters becoming mainstream celebrities.
With no television contract and little publicity budget to speak of, the UFC was forced to adopt an aggressive marketing scheme to get public attention. The potential for carnage and blood was played up and a predictable media outcry soon followed. Politicians, led by Arizona Senator and Presidential candidate John McCain, were able to ban the sport in most states and even managed to suspend pay-per-view broadcasts.
While the popularity of MMA was at an all-time-high in Japan, MMA failed to thrive in America until Spike TV finally took a chance on the controversial sport and The Ultimate Fighter thrust mixed martial arts back into the mainstream, creating new mega-stars like Forrest Griffin and Rashad Evans, and breathing new life into old favourites.
For the first time, Total MMA: Inside Ultimate Fighting arms you with all the history and information you need to know to understand the contemporary world of Mixed Martial Arts, where the backroom deal-making is as fierce as the fighting.
Anna Gareau arrives in Victoria, BC, with two things to hide—an illegal pistol, and the ability to read people’s pasts by touching certain objects.
After a woman is drowned in the pool at her hotel,Anna must lie to protect her secrets and is dragged into a terrifying murder investigation. Colette Kostyna, the victim’s best friend, joins forces with Anna to expose the murderer. While the events surrounding the drowning are mysterious, the events occurring at The Rail—the local news magazine where the victim worked—are horrifying. There is a powerful creature with a grudge stalking those at The Rail, and Anna and Colette have become its new prey.
Shortlisted, New Brunswick Book Award (Non-Fiction)
From acclaimed author Mark Anthony Jarman comes Touch Anywhere to Begin, his first book of travel writing since the publication of the critically acclaimed Ireland’s Eye in 2002.
In 18 unusual, head-spinning essays, Jarman can drift through Venice amid the revelry of carnival and the arrival of the impending pandemic or visit a private club along Shanghai’s Huangpu River to be serenaded by a band of retired People’s Liberation Army singers. In “Panthers and Gods Prowl a Palace of Sin,” an invitation to the Kala Ghoda Festival in Mumbai forges a connection with a jetlagged pair of Arctic throat singers and a doctor fascinated by Canada. In “Jesus on the Mainline,” an extended hospitalization beside the intubated victim of a drunk-driving accident reveals a difficult family drama.
And this, of course, is only the beginning. Masterfully written, Touch Anywhere to Begin penetrates the impressionistic moments and intimacies of travel to reveal character and place like none other.