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Tokio Hotel — twin brothers Bill (vocalist) and Tom (guitarist) Kaulitz, drummer Gustav Schäfer, and bassist Georg Listing — were already multi-platinum-selling superstars in their native Germany when they decided to take the rest of the world by storm. Tokio Hotel translated their two albums from German and found English-speaking audiences just as receptive to their alt-rock music, moving lyrics, and distinct visual style as European fans are, with Scream going platinum. In addition to a nomination for Best Pop Video for “Ready Set Go!” the band won the MTV Video Music Award for Best New Artist in 2008 (beating Miley Cyrus, Katy Perry, and Taylor Swift) and hit the road, touring America and winning over the hearts of audiences. In October 2009, their third album, Humanoid (Universal), was released simultaneously in German and English.Already a bestselling book in Europe and available for the first time in English, Béatrice Nouveau’s Tokio Hotel Fever is a full-colour tribute to Bill, Tom, Gustav, and Georg, featuring stunning photos of the band — in performance, off stage, and as children — and all the details on their early days, their musical and style influences, their love for their devoted legions of fans, as well as updates on their new album and tour.
Here is Leo Tolstoy’s first book of “Daily Thoughts,” never before translated into English, compiled by Tolstoy in 1906 to share inspiring quotes from more than forty philosophers for each day of the year. Aphorisms and ideas collected by Tolstoy in his other volumes have affected the lives of millions. Among those who were profoundly influenced by Tolstoy and his radical efforts to encourage higher morals were a young Hindu lawyer named Mahatma Gandhi and a young preacher in the Southern U.S. named Martin Luther King. Gandhi described himself as being “overwhelmed” by Leo Tolstoy’s “independent thinking, profound morality and truthfulness.” Tolstoy was one of the first intellectuals to seek the cross-cultural wisdom of as many great thinkers as he could, from all centuries. When Leo Tolstoy went viral one hundred years before the internet, authorities in Russia sought to limit his influence. Now, re-discovered and revived by two Canadians, here are the once-suppressed ideas from the likes of Confucius and Aristotle and Lao-Tse to modern thinkers of Tolstoy’s era that he first began collecting in 1903. Tolstoy felt his novels War and Peace and Anna Karenina were far less important than his distillations of wisdom. Tolstoy’s Words To Live By shows why.
Lambda Literary Award, Drama: Michel Marc Bouchard, Tom at the Farm, translated by Linda Gaboriau (Winner)
Following the accidental death of his lover, and in the throes of his grief, urban ad executive Tom travels to the country to attend the funeral and to meet his mother-in-law, Agatha, and her son, Francis – neither of whom know Tom even exists. Arriving at the remote rural farm, and immediately drawn into the dysfunction of the family’s relationships, Tom is blindsided by his lost partner’s legacy of untruth. With the mother expecting a chainsmoking girlfriend, and the older brother hellbent on preserving a facade of normalcy, Tom is coerced into joining the duplicity until, at last, he confronts the torment that drove his lover to live in the shadows of deceit.
The lover – the friend, the son, the brother, the nameless dead man – has left behind a fable woven of false-truths which, according to his own teenage diaries, were essential to his survival. In this same rural setting, one young man had once destroyed another young man who loved yet another. Like an ancient tragedy, years later, this drama will shape the destiny of Tom.
In a play that unfolds with progressively blurred boundaries between lust and brutality, between truth and elaborate fiction, Bouchard dramatizes how gay men often must learn to lie before they learn how to love. Throughout 2011 and 2012, Tom at the Farm was produced in Quebec and France, as Tom à la ferme, and in Mexico, as Tom en la granja. Award-winning Quebec director Xavier Dolan adapted the play for the screen in 2013, with Caleb Landry Jones in the leading role.
Cast of 2 women and 2 men.
“Tom Green is the son I would have chopped off my penis to avoid having.” — Mike Bullard, host of Open Mike.
Udder Insanity tells the story of Tom Green’s life from his early beginnings as the host of the late-night Ottawa radio show Midnight Caller, through his transformation into a Juno-nominated rap artist, to The Tom Green Show‘s great success on the Canadian Comedy Network, and to his antics in the early 2000s as MTV’s renegade prankster, who sets out to taunt and tease a generation of South Park-loving television viewers.
Described as the “Master of Mayhem,” Tom Green has built an entire career on the vile and the vulgar: munching on a handful of gooey Vaseline-coated human hair, turning his parents’ car into the infamous “Slut Mobile” (featuring an airbrushed portrait of an explicit lesbian love scene on the hood), dragging a rotten raccoon corpse on to Open Mike, and getting up-close-and-personal with his bovine friends . . . Tom milks it all wholeheartedly! As Udder Insanity reveals, it seems nothing or no one is above being sucked into the underbelly of Tom’s demented and hilarious world.
Tom Thomson is the undisputed master of the oil sketch. A towering figure in the history of Canadian art after just five years of professional practise, he stunned audiences with his fresh and avant-garde experimentation, evoking his experience of the Ontario landscape in dozens of dazzling miniature masterworks.
Thomson’s death in 1917 triggered the formation of the Group of Seven and the ascendancy of landscape painting as a national preoccupation. Tom Thomson: North Star is the first book to focus on Thomson’s small-scale sketches and brings together a variety of voices to interpret his legacy with fresh eyes. Among them are the McMichael’s Executive Director Ian A.C. Dejardin, historian Douglas Hunter, and Algonquin knowledge-keeper and cultural activist Christine McRae Luckasavitch, as well as a number of contemporary Canadian artists from all parts of Canada. The essays in combination with more than 150 reproductions of Thomson’s painted sketches cast new light on the enduring influence of one of Canada’s most iconic artists.
After beating back the might of Surtur, Ted Callan is getting used to his immortal powers. The man who once would stop at nothing to rid himself of his tattoos and their power might even be said to be enjoying his new-found abilities.
However, not everyone is happy the glory of Valhalla has risen from the ashes of RagnarÖk. With every crash of MjÖlnir, Thor, former god of thunder, rages in Niflheim, the land of the dead.
Now that Ted’s woken the dead, there’s going to be hell to pay.
Just in time for its fortieth birthday, Tonight at the Tarragon is the first ever anthology of plays that originated in or received their English-language premiere at Toronto’s leading playhouse, the Tarragon Theatre. Handpicked and edited by former Eye Weekly and Globe and Mail theatre critic Kamal Al-Solaylee, this anthology captures the theatre during a transitional phase in its history: 1998–2005, the final years of late Artistic Director Urjo Kareda and the first seasons of his successor Richard Rose. Overlapping Al-Solaylee’s experience as a critic in Toronto and underlining Tarragon’s survival instincts during this period, the book serves as a record of some of the most exciting theatre created in Canada as one century gave way to another.
Includes:
Half Life by John Mighton
Rune Arlidge by Michael Healey
The Optimists by Morwyn Brebner
I, Claudia by Kristen Thomson
Motel Hélène by Serge Boucher, adapted by Judith Thompson from a translation by Morwyn Brebner
It’s All True by Jason Sherman
Heartbreaking and wicked: a memoir of stunning beauty and remarkable grace. Improbable friendships and brushes with death. A schoolgirl affecting the course of aboriginal politics. Elvis and cocktails and Catholicism and the secrets buried deep beneath a place that may be another, undiscovered Love Canal — Lewiston, New York. Too Close to the Falls is an exquisite, haunting return, through time and memory, to the heart of Catherine Gildiner’s childhood.
And what a childhood it was …
Brexit. Trump. Ford Nation. In this timely book, David Moscrop asks why we make irrational political decisions and whether our stone-age brains can process democracy in the information age.
In an era overshadowed by income inequality, environmental catastrophes, terrorism at home and abroad, and the decline of democracy, Moscrop argues that the political decision-making process has never been more important. In fact, our survival may depend on it.
Drawing on both political science and psychology, Moscrop examines how our brains, our environment, the media, and institutions influence decision-making. Making good decisions is not impossible, Moscrop argues, but the psychological and political odds are sometimes stacked against us. In this readable and provocative investigation of our often-flawed decisions, Moscrop explains what’s going wrong in today’s political landscape and how individuals, societies, and institutions can work together to set things right.
War herald of the Nine Worlds, Ted Callan, must build a cage from Surtur’s bones, unearth the Bright Sword, and vanquish the fire giant once and for all.
But there’s a snag in his master plan to slay the monster and save the world.
Ted has no idea how to do it.
So he hits the road and reunites the band. Hitchhiking back to Edmonton for his best friend’s wedding, Ted fends off fanatical Surtur worshippers, makes a tentative peace with trickster Loki and prophetess Tilda, and learns he has three days left to live.
It’s the end of the world as he knows it–time for Ted to face his doom.
From the acclaimed author of Huff & Stitch comes a new dark comedy about the lies we tell each other in order to make the best of a desperate situation.
Maria and her kids—Lisa, a pregnant teenager, and Jude, an excitable preteen—are on the run following the murder of Lisa’s rapist. As the police close in, Maria is determined to give her kids a last supper that prepares them for everything they’re going to need to survive in the world without her.
As featured on SiriusXM Busted Open Radio
Wrestling industry expert Keith Elliot Greenberg chronicles the growth of indie wrestling from school gyms to a viable alternative to WWE and speaks to those involved in the alternative wrestling league with remarkable candor, gaining behind-the-scenes knowledge of this growing enterprise.
As COVID-19 utterly changed the world as we know it, only one sport was able to pivot and offer consistent, new, live programming on a weekly basis: professional wrestling.
In 2017, after being told that no independent wrestling group could draw a crowd of more than 10,000, a group of wrestlers took up the challenge. For several years, these gladiators had been performing in front of rabid crowds and understood the hunger for wrestling that was different from the TV-slick product. In September 2018, they had the numbers to prove it: 11,263 fans filled the Sears Center Arena for the All In pay-per-view event, ushering in a new era. A year later, WWE had its first major head-to-head competitor in nearly two decades when All Elite Wrestling debuted on TNT.
Acclaimed wrestling historian Keith Elliot Greenberg’s Too Sweet takes readers back to the beginning, when a half century ago outlaw promotions challenged the established leagues, and guides us into the current era. He paints a vivid picture of promotions as diverse as New Japan, Ring of Honor, Revolution Pro, Progress, and Chikara, and the colorful figures who starred in each. This is both a dynamic snapshot and the ultimate history of a transformational time in professional wrestling.
Tooth Fairy, The