A note to US-based customers: All Lit Up is pausing print orders to the USA until further notice. Read more
Showing 8129–8144 of 9266 results
The Western Light, the prequel to the international bestselling The Wives of Bath, is Susan Swan’s long-awaited return to the life of the beloved narrator Mary “Mouse” Bradford. Mouse’s world is constrained by a number of factors: her mother is dead, her father — the admired country doctor — is emotionally distant, her housekeeper Sal is prejudiced and narrow, and her grandmother and aunt, Big Louie and Little Louie, the only life-affirming presences in her life, live in another city.
Enter Gentleman John Pilkie, the former NHL star who’s transferred to the mental hospital in Midland, where he is to serve out his life-sentence for the murder of his wife and daughter. John becomes a point of fascination for young Mary, who looks to him for the attention she does not receive from her father. He, in turn, is kind to her — but the kindness is misunderstood. When Mary figures out that the attention she receives from the Hockey Killer is different in kind and intent from the attention her Aunt Little Louie receives, her world collapses. Set against the beautiful and dramatic shores of Georgian Bay, the climax will have readers turning pages with concern for characters they can’t help but love.
The White Ribbon Man is a murder mystery set in Toronto. A woman’s body is found in the basement toilet of a downtown Toronto church. It is an Anglican church that welcomes homeless people for coffee and soup and has a congregation composed largely of social activists. The discovery challenges a community that sees itself as a compassionate one and causes people who once were comfortable with each other to become suspicious instead. During the investigation we get to know something about the minister whose sleepwalking makes him suspect, a librarian who answered the classified ad in the Globe and Mail placed by another suspect; one of the wardens who is an activist against violence against women, a member of the congregation who was the neighbour and friend of the murdered woman, and the detective in charge of the investigation. The gentle handling of all of these characters and their issues allows the reader to see humanity and vulnerability of each one and the way in which as a community they support one another.
A refreshingly original debut collection of short stories that grapple with the self-alienation and self-discovery that make us human.
For fans of Souvankham Thammavongsa, Lynn Coady, and Lisa Moore comes a striking debut collection of short stories that explore bodies both human and animal: our fascination with their strange effluences, growths, and protrusions, and the dangerous ways we play with their power to inflict harm on ourselves and on others.
Throughout The Whole Animal, flawed characters wrestle with the complexities of relationships with partners, parents, children, and friends as they struggle to find identity, belonging, and autonomy. Bodies are divided, often elusive, even grotesque. In “Porcelain Legs,” a pre-teen fixes on the long, thick hair growing from her mother’s eyelid. In “Wolf-Boy Saturday,” a linguist grasps for connection with a young boy whose negligent upbringing has left him unable to speak. In “Butter Buns,” a college student sees his mother in a new light when she takes up bodybuilding.
With strange juxtapositions, beguiling dark humour, and lurid imagery, The Whole Animal illuminates the everyday experiences of loneliness and loss, of self-alienation and self-discovery, that make us human.
Marlene Cookshaw is a Cheshire cat of a poet whose naturally realized details illuminate a shifting wholeness on the “singing edge” between dream and waking. Hers is a quilted language at once covering and revealing our fascinating ordinariness. The long poem “In The Swim” subtly captures the desperate and humourous beauty of a seemingly plain life closely observed. Other poems leap with deftness and daring across the open plain of our lives, leaving images so strong, so strange, they verge on myth.
Part long poem, part investigation, this true story begins with a whale encounter and then dives into the affair of the École en bateau, a French countercultural school aboard a boat. The École was based on the ideals of ’68, but also twisted ideas about child psychology, Foucault’s philosophy and an abolition of the separation between adults and children. As more troubling details are revealed, the text touches on memory, trauma and environmental grief, ultimately leading to buried echoes from the author’s own life and family history.At the dark heart of The Whole Singing Ocean is the question: How is it possible to hold two things—rapture and pain—at once?
The touching and nuanced portrait of the rise and fall of Nazi Germany through the eyes of a resourceful German boy.
Ludwig is an odd and introverted child, growing up in Hitler’s Germany. While Ludwig’s father, Wilhelm, is a senior Nazi and a true believer, Ludwig escapes the unfolding catastrophe by withdrawing into nature and books. Eventually, when the Allied bombing campaign intensifies, Ludwig is sent to a Hitler Youth camp, where his oddness makes him a target for bullying.
As the war turns against Germany, the Hitler Youth camp becomes ever more severe and militaristic, and the atmosphere spirals towards chaos. After the Nazis abandon the camp, Ludwig returns home, and his father is presumed dead. With Ludwig’s mother descending into depression, the 11-year-old bears increasing responsibility for the survival of the family as starvation sets in under Russian occupation. Soon, it will be impossible to leave the Russian zone, so Ludwig decides that he must rally his despondent mother and lead her and his three younger siblings in an escape attempt to the west.
Based on a true story, The Willow Wren is a unique, touching exploration of extremism, resilience, and the triumph of the small.
Full of gory conflict, these three whodunits offer nonstop action, savage violence, and an unforgettable cast of characters
The Wilson Mystery Omnibus brings together Mike Knowles’s first three critically acclaimed novels just as the fourth gritty Wilson mystery, Never Play Another Man’s Game (May 2012), hits shelves.
In Darwin’s Nightmare, we meet the reluctant mob enforcer Wilson who has spent his life under the radar. A simple job — steal a bag from the airport and hand it off — sets into motion a violent chain of events from which no one will escape untouched.
In Grinder, a dangerous mobster’s nephews are missing and the only suspects are his lieutenants. Wilson is pulled back in to quietly find out who is responsible and settle the score with screams.
The third installment, In Plain Sight, finds Wilson in the crosshairs again — but this time the gun is in the hands of a cop. Justice isn’t blind in the city; it’s as bent as the tip of a bullet. The only way for him to stay out of cuffs is to help put someone worse in them.
In her highly anticipated second novel, Rachael Preston tells a vibrant, compelling story of 20th century piracy. Exploring the complex struggle for freedom against a backdrop of passion and repression, The Wind Seller is the story of two vulnerable, shellshocked people and the “wind seller” who captivates them both.
Life in 1924 Kenomee, Nova Scotia, seems simple enough. Until, that is, a mysterious schooner blows into town under the cover of darkness, in desperate need of repair. Waking up to the giant black ship moored near their wharf, the villagers gather to take a gander at the Esmeralda and her crew. To everyone’s surprise, there’s a woman on board, and she shares the schooner’s name. Claiming to be the captain’s daughter, she wears men’s clothing — young and beautiful, she is as fit and as strong as the men. She is also an enigma and starts a chain of events that will change everyone’s life, except perhaps her own.
The Wind Seller is a moving story about choices and consequences, but it is also about imprisonment by, and release from, the personal demons unleashed by terrible experience.
In the town of Lake Wachannabee, Ontario, lies the Winter Garden, home to matron Giggy Andrewes and her brood: her strung-out nephew Jem Waferly, his friend Cora, Chappy the whippet, two peacocks, and Jem’s lover Rob, who lies convalescing after having had most of his flesh stripped away.
A mystery? Well, yes, it would be if only the characters weren’t so easily distracted by the noir-ishly handsome chief inspector, the seductive female veterinarian and the dashing anthropology professor studying the Winter Garden’s gorge.
The Winter Gardeners spend a summer of sultry afternoons nursing Rob, languidly drinking cocktails and trying to picture Nude Descending Staircase in their supposedly Cubist garden. Soon, however, they find themselves in a court room, where their family’s values are on trial in a case reminiscent of that of Oscar Wilde.
‘Throught the novel, Denisoff uses imagerylike a daredevil trapeze artist … The Winter Gardeners is a surreal soap opera, a sexual satire, an Impressionist painting. And it should not be missed.’
– Quill and Quire, starred review
The Winter-Blooming Tree draws us into the lives of Ursula Koehl-Niederhauser, a school teacher suffering from lapses of memory who is convinced that she has dementia; Andreas, her charming, well-intentioned but somewhat self-absorbed husband; and their grown daughter, Mia, who is about to move home after bouncing all over the country, trying to find herself as a journalist. Distracted by thoughts and memories of the winter-blooming apple tree in her laundry room, Ursula misses the neurologist?s diagnosis and becomes convinced she is falling ill. Andreas, certain that she is fine, refuses to worry her with his own work and health problems. Mia, caught up with her own situation, has no idea that her parents are struggling and can?t understand why her mother, especially, is behaving so badly. The Winter-Blooming Tree delves into the dissonance between family members and how sometimes pride is the only thing standing between those we love and the stories we tell ourselves.
The Wintermen is a near-future western, with snow machines riding into town and a showdown in the snow. Johnny Slaught and his Algonquin buddy Chumboy Commando didn’t set out to lead one of the most notorious bands of rebels in recent history. But after the world descended into climate change chaos, the government did some serious triage, forcing wide-scale evacuations and abandoning rural areas to the non-stop snow. Soon enough, Slaught is forced by circumstance to stand up the the muscle of TALOS Security Corporation, setting in motion a rebellion of average folks fighting to rebuild their lives in the abandoned snowscape of the northland. Can a mixture of scrap snow-machines, gasoline and the military wisdom of subcommander Marcos be enough to let them rebuild their lives?
The nightmare of an endless winter is the least of the problems for Johnny Slaught and his rag tag group of climate chaos refugees. They’ve been surviving in a frontier town abandoned by a government that has lost control — but their world is about to be rocked by the greatest menace of all — human greed. Into the Deep Dark is the second in Brit Griffin’s eco-catastrophic adventure series the Wintermen. The north is full of ancient legends of violence, fear and madness that descended on isolated communities in the darkness of winter. For Johnny Slaught and the Wintermen, the legend is knocking at their door, and he has slicked back hair, a sheep-skin coat and a pump action.
Winner, New Brunswick Book Award for Poetry
A Quill & Quire Best Book of the Year
Like the novella in fiction, the long poem is an oft-neglected form. Too long for publication in most literary journals and anthologies, too short to merit book-length publication, the long poem occupies a lonely space in literature. M. Travis Lane is a master of the form, in which her considerable poetic skills reach their apex. There are few that match her brilliance. This volume collects all of her long works — most of them now out of print — from a five-decade commitment to the art.
M. Travis Lane has long flown under the radar of Can Lit, crafting luminous poems and sharp literary criticism — much of it published in the Fiddlehead, one of Canada’s premier literary journals — but in recent years her work has been drawing the attention it deserves. Evidence of this recognition is her 2015 Governor General’s Award nomination for Crossover, a collection the still-vital poet published at the age of 81. Her poetry is modernist, dense, and highly allusive, drawing adeptly on classical and biblical sources, imbued with a feminist and ecocritical perspective. Her musical lines, vivid metaphors, and phenomenological acumen launch her into the company of such poetic luminaries as Don McKay, Jan Zwicky, and Tim Lilburn. In the long poetic form, these qualities reach their highest expression. This volume, an exquisite collection that brings together her long poems for the first time, constitutes an important addition to the canon of Canadian literature and to the canon of feminist literature in North America.
The Witness Ghost is Tim Bowling’s most unified collection of poems since his widely praised debut, Low Water Slack (Nightwood, 1995). Here, in an extended sequence of powerful elegies, he traces his feelings of loss, bewilderment and anger at the death of his father, a man who spent his working life as a salmon fisherman on British Columbia’s majestic Fraser River. Borne back into a past of old wharves, boats, nets and ripening blackberries, the poet enters into the lush west coast riverscape in an attempt to recapture Heck Bowling’s lingering spirit in all the complex human tangles of sorrow, joy, weariness and reverence. In his characteristic style of direct emotional statement mixed with startling imagery and metaphor, Bowling has written one of the most intense and loving statements to fatherhood in Canadian poetry, while at the same time extending his rapt immersion in the west coast’s mythic history and beauty.