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Showing 7601–7616 of 9481 results

  • The House by the Poppy Field

    The House by the Poppy Field

    $9.95

    World-renowned cartoonist Seth returns with three new ghost stories for 2023.

    Maitland returns to his ancestral estate after having lived a largely solitary life. He soon finds himself increasingly obsessed with the magnificent field of poppies surrounding his home, as well as the man harvesting them.

  • The House Filler

    The House Filler

    $22.95

    A family saga set in China during the most tumultuous time of the twentieth century including the Japanese invasion, the civil war, and the Communist takeover.

    The House Filler is told through the experiences of Golden Phoenix, a woman who faces war, poverty, and political oppression as she fights for survival, freedom and happiness. After the untimely death of her husband, Golden Phoenix is determined to keep her family together. However, poverty forces her to make the heart-wrenching decision to give her teenage twins to the Red Army. During the upheaval of the Japanese invasion of her hometown, she is separated from her two young girls, and her remaining son leaves to fight with the Nationalist army. Golden Phoenix, along with her adopted son, remains to endure the horror and hardship of war. When the civil war ends with the Communists in power in 1949, one of her twins, who had joined the Communist Party, is wrongly accused of being a traitor and is sentenced to death. Golden Phoenix and her family must find a way to save her son’s life.

    The House Filler is a moving and powerful portrayal of one family’s struggle to survive in the face of an historical upheaval and political oppression.

  • The house is still standing

    The house is still standing

    $19.95

    The house is still standing is peopled with charlatans, gingerbread men, children, and savants — the thousands and the particular. Adrienne Bartlett builds this nimble first collection with a supple craft. The poems deke and swerve, from the wry to the theatrical to the intimate.

    Whether riffing on the secret identities of public intellectuals and pop icons or penning elegiac verse, Barrett’s voice is strong, anchored, inviting. Although she takes her readers through both “substance / and its downfall,” in the end, the structure is sound, she is holding up.

  • The House of Izieu

    The House of Izieu

    $22.95

    The House of Izieu is a novel inspired by the life and experiences of Sabine Zlatin who, as a Jew using a fake identity, managed to find families to care for Jewish children who were in French refugee camps. She created a safe home for a number of other children called “The House of Izieu” which is now a museum. Unfortunately, she was not able to save the 44 children in her care. After one wonderful year of freedom in that house they were discovered, and Klaus Barbie ordered their deportation to Auschwitz where they were killed. Sabine’s husband was also caught with two teenage boys he was helping escape and was also eventually killed. Sabine, suffering from loss and the guilt of not having saved the children, manages to continue contributing to the underground efforts as well as efforts to reunite people after the war’s end.

  • The House of Seven Murders

    The House of Seven Murders

    $21.95

    Two murders bookend the pitiable life of cobbler, Oreste Solimeno. The latter he merely witnesses from his cell, but brazenly, flagrantly ideological, the first renders him wrongly accused, convicted, and imprisoned. Two Giuseppes, hatchet-bearing farmworkers, perpetrate it, the instigator “Calabrese,” motivated entirely by class hatred. “‘Look at them stuffing themselves,’ Calabrese would say, gesturing to the De Nicola family gathered for lunch. ‘We toil from dawn to dusk for a pittance, and Rosario gets rich on our labour.’” They proceed to hatchet to death both women and children in the house of seven murders, then search for a non-existent 30,000 lira, the illusory blood money of communist ideology.

    The second murder is committed by black-shirted fascist prison guards, carried out against a young socialist agitator. Oreste Solimeno sees the beating administered by a lead pipe; the guards see him and report it, but the authorities decide to treat him as a long-term lunatic. Two sets of brutal murders in the 1920s that symbolize the ideological horror of that inter-war period, communism, fascism, with Italy itself, like Oreste Solimeno, caught inexorably in the middle, distrusted, smeared by accusations of mafia affiliations, a true WOP – person “without papers” – consigned, as many Italian Canadian immigrants would know and understand, to a perpetual internment camp.

  • The House on 14th Avenue

    The House on 14th Avenue

    $14.95

    The House on 14th Avenue is about paired and shared lives, featuring two people whose connection sometimes seemed forced and uneven. That of master and slave. That of trembling and acceptance. Some of the poems detail each individually, a scraping together of momentary identities; others bring them together as they embark on journeys both physical and psychic. Journeys into the past through an underworld of ancestral ghosts and paths so well-trodden there is no possibility of creating new ones. Journeys in the present through detailed lists of the physical objects around them (with the mythic bleeding through on occasion leaving only stains behind). And journeys into a future where the realization of endings looms and where the two are left once more to cope each in his or her own way with that knowledge. In the midst of it all lurks the manipulator of words, phrases, images – the meta-text that tries so desperately to make sense of it all, that tries to bring order into what seems like simply a chaotic movement forward, and that wishes for…prays for…sacrifices for a dream state where a culmination of sorts exists, if only in the mind of the creator. In the end, it is left to the reader to decide whether the “two peasants” will be allowed to escape the gravitational pull that has weighed them down…to float away from the harsh realities that have defined them into the realm of words and infinite possibility.

  • The House on Selkirk Avenue

    The House on Selkirk Avenue

    $20.00

    It is autumn, 1997 and Kate Thuringer is back in her hometown to help her college-age daughter settle into her new life. A professional photographer, Kate has lived in Western Canada for nearly three decades. Before her marriage, however, she survived a turbulent year in which Québécois terrorists kidnapped a British diplomat and murdered an innocent politician. The middle-aged Kate is obsessed with the past, particularly with the memory of a poor francophone student with whom she had been involved during the historic October Crisis. Back in Montreal, she is plunged into a mid-life crisis, struggling to reconcile her romantic past and her melancholy present. The House on Selkirk Avenue is a complex novel about obsessive love, family bonds, aging, and the impact of political events on innocent people’s lives.

  • The House that Hijack Built

    The House that Hijack Built

    $19.95

    The House That Hijack Built explores the possibilities of meaning production when language is pushed to its limits of “logical” or normative semantic patterns. If “to hijack” is “to steal in transit,” this text focuses on how language, with its idioms and ideologies, is appropriated—hijacked and transported—to unknown destinations in the act of its transmission. In her fifth collection of poems / collages, Karasick explores the intersection between das Wahre (the true) and die Wahrheit (the truth), as a language at war with itself re-presents a “real world” reworded between narrations of “the real”—inscribed in ruptures, betrayals and unfulfilled promises—and speaks to a ‘real world’ that wreaks havoc with the very truth it seeks to inhabit.

    Included in this collection is a homolinguistic “trans’elation” of the first chapter of the Sefer Yetzirah. Known as The Book of Creation or The Book of the Letters, it is the oldest and most mysterious of all Kabalistic texts, dating back to 100 BCE. Its focus is on the 22 letters of the Hebrew alphabet—how they were formed, how they inter-relate, how they make meaning—the text itself inscribed through slippage, elision, rupture and undecideability, foregrounding language as a continuum of letters, names, mathematical equations and gates of meaning. By a technique of slight displacement, slipping one word under another, Karasick mimics Nietzsche’s Geschichte Eines Irrtums History of an Error, announcing the narration of a fabrication: how the “true world” finally becomes a fable.

  • The House That Hugh Laurie Built

    The House That Hugh Laurie Built

    $19.95

    At the centre of the critically acclaimed Fox drama House, British actor Hugh Laurie has become the focus of fans across North America, Britain, and Australia. Winner of the Golden Globe for Best Actor in a Dramatic Series, honoured by the Queen with an Order of the British Empire, and one of People’s Sexiest Men Alive, Laurie has become an icon.

    But who is the man behind the cane and acerbic wit?

    A musician? A motorcyclist? A comedian?

    Laurie is all these things and more. This biography aims to shed light on his childhood struggles to live up to his mother’s high demands and emulate his father’s accomplishments as a doctor and an Olympic gold medalist; his education at the prestigious academies of Eton and Cambridge; his comedic career with Emma Thompson, Stephen Fry, and Rowan Atkinson; his own personal struggle with depression; and how he came to be the best-loved curmudgeon on television.

    Interviews with creator and executive producer David Shore will reveal the Canadian connection to this truly global show and how a Canuck from London, Ontario, made the move to Hollywood stardom.

    The House That Hugh Laurie Built will also serve as a magnifying glass, providing episode analysis, cast biographies, selections of Dr. House’s caustic wit, and production bloopers and medical mistakes that only a sleuth like Dr. House could expose.

  • The House That Stands

    The House That Stands

    $19.95

    An impressionistic long poem in twenty-two parts by Stefan Rose about residence life through a reimagining of the 60-history of the Trueman House residence at Mount Allison University. Typeset in Lanston Garamond and printed offset on Rolland Zephyr Antique Laid paper.

  • The House Weighs Heavy

    The House Weighs Heavy

    $7.50

    Winner of the 1994 Milton Acorn Memorial People’s Poetry Award. &quotThis is a book showing tremendous awareness of language and an acute interest in character and situation.&quot Canadian Book Review Annual.

  • The House with the Broken Two

    The House with the Broken Two

    $18.00

    Unmarried and pregnant in 1968 Winnipeg, teenager Myrl Coulter found herself at a loss. Unable (and perhaps unwilling) to support her child, Myrl’s parents forced her to give the baby up for adoption. After being sent to a home for unwed mothers, Myrl gave birth in a desolate hospital room and then found herself at the mercy of the closed adoption process that seemed determined to punish her. Myrl was left numb and filled with questions that no one was able to answer. In ‘The House with the Broken Two: A Birthmother Remembers ‘, Dr. Myrl Coulter reflects on the family politics and social mores that surrounded closed adoption in the 1960s, and examines the changing attitudes that resulted in the current open adoption system and her eventual reunion with her firstborn son. The book is an intimate, honest look at the way personal histories combine with political truths, and Coulter mixes revealing personal details with sharp political observations. ‘The House with the Broken Two’ could be called a personal essay or a feminist apologia, but perhaps most importantly, it is a book about motherhood in its many variations.

    “A memoir, an adoption narrative and a grief mosaic, this winner of Simon Fraser University’s 2010 First Book Competition is a beautifully written volume in the genre of creative non-fiction.” -The Winnipeg Free Press

    ” ‘The House with the Broken Two’ portrays a vivid and unsettling picture of Canadian sexual politics and social policy as it related tothe consequences of extramarital sex. Before World War II the public and private agencies made small attempts to keep single mothers and their babies together, but when the 1950s paradigm of the perfect nuclear family took hold in North America attitudes changed. ‘Girls like me were not young women who needed a helping hand,’ Coulter writes. ‘Instead we were seen as somehow delinquent and definitely unfit as mothers.’” – The Rover

  • The House with the Parapet Wall

    The House with the Parapet Wall

    $24.95

    Grieving the diminishment and death of his elderly mother, John Terpstra finds solace in a seemingly unusual place: the stories (both historical and fanciful) of the nineteenth-century houses in his Hamilton neighbourhood and of the families which have inhabited them. With a well-honed knack for the circuitous route, Terpstra tackles weighty questions like ‘Why must we die?’ by following his imaginative curiosity into the bricks-and-mortar matters of our daily lives, understanding that the dwellings we construct do more than just shed the weather, but are also physical manifestations of our notions of ‘family’ and ‘home’.

  • The Hundefraulein Papers

    The Hundefraulein Papers

    $14.95

    Hunde/fräulein: Dog/nanny. For five and a half years (1995-2001) Kathy Mac lived in Sambro Head, NS, looking after anywhere from four to twelve English Setters. The post entailed maintaining the ocean-side doghouse and looking after the many, varied houseguests of the hundemutter – ocean activist Elisabeth Mann Borgese, youngest daughter of Thomas Mann. These poems take their tone from the days and dogs that inspired them – by turns extravagant, intense, celebratory, wistful.

  • The Hungry Grass

    The Hungry Grass

    $18.95

    This book tells a story that nobody knows because at the time the story happened, nobody cared. The individual lives of the labouring Irish were unrecorded, irrelevant. The Hungry Grass weaves the threads of daily routine, annual cycles, religious faith, fairy belief, communal practice, and political reality to show as clear a picture as possible of the very complex life among Irish tenant families in the nineteenth-century, culminating with An Gorta Mór–The Great Hunger. This volume is one continuous poem that unfolds over the course of fifteen years. It never falters in evoking its theme, or in being focused and concise, with impeccable word choices, and unfailing, echoing rhythm. When employed, the rhyming is subtle and musical. The shape of thought, which is a consistent seven-syllable line, is masterful in its execution of sound and sense. This is poetry that will show anyone who doubts it the continuing and necessary love of this craft, this art.

  • The Hunt on the Lagoon

    The Hunt on the Lagoon

    $17.95

    Sheldon Zitner summed up his career in a seven-word poem: “Here lies, as usual, a Jew d’esprit.” The genial wit of “Trial Epithet” informs the whole of this deeply moving collection by a poet and scholar whom A.F. Moritz describes as “a man of the world in the best sense.”

    Whether he is celebrating life’s infinite creativity, recognizing the joy imprisoned in a wheelchair-bound man, or affirming art’s mission to outlast atrocity, Zitner unswervingly follows Rilke’s injunction to join “work of the eyes” with “heart-work.” In the collection’s title poem, Zitner states that “we invent the world we love, /and like the painter’s eyes, our own /persuade the hard discrete details /. . . to surrender to a luminous belonging.”

    Throughout this wonderful collection, many such revelatory moments are caught and many details rendered with equal luminosity. Writing completely without sentimentality, Zitner nonetheless composed his poems with an underlying tenderness and a sadness always held in check by his characteristic urbanity and his epigrammatic wit.

    The Hunt on the Lagoon is Zitner’s final work. These last poems, and all his poems, are things into which he breathed his spirit, and where he can still be met. A poet to the last, The Hunt on the Lagoon is a fitting monument, an inspired book about absence and loss, about the transience of bliss.