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Daniel Sarah Karasik explores the beauty and peril of intimate attachment in their new work, The Crossing Guard, and in his award-winning In Full Light.
Every day after school, seventeen-year-old Timothy waits at the neighbourhood crosswalk where years earlier his older sister disappeared. Every day he crosses the street with Jim, the elderly crossing guard. It’s a ritual Timothy thinks might go on forever, until one day he arrives and Jim is absent. Instead, standing at the crosswalk is a young woman—a young woman who looks a lot like his missing sister. The Crossing Guard is a tender meditation on the limits of fidelity.
Ben’s teenaged daughter Claire is hit by a car. To ease his conscience, Leon, the driver, approaches Ben with a cheque. Which Ben takes. But now why is Leon calling Ben at work and showing up on his front lawn? And what’s going on with Claire, now recovered, throwing rocks at the window of the boy who lives across the street? In Full Light is a riveting exploration of obligation, obsession and desire.
“Wonderland is everywhere and we refuse to be small.”
In this collection of essays, Lloyd Ratzlaff brings the prairie landscape to life through a capacious imagination charged with wonder and the gentle irony of an awareness tempered by time and love. Ratzlaff connects with the challenges posed by skepticism and belief, countering both the cynicism and doctrinairism of contemporary life with a renewed praise of the profound depths of the spirit and the natural world.
In the wake of war, only ash remains.
The Forgotten Ones are the humans who ruled the world before the beasts took over. They have returned to conquer the land once more. After enacting vengeance on the wolves of the Four Territories, they embark on a long journey south where they hope to unearth the secrets of uncontested dominance. Silversong can’t let this happen. With his companion Frostpaw, he leaves his pack behind to hunt down the leader of the Forgotten Ones. Their pursuit takes them beyond the Northlands and into a region ravaged by constant strife, and as Silversong trades blows with the Forgotten Ones and recruits unexpected allies to the cause, he becomes further and further entrenched on the bloody path to war.
Christian McPherson’s debut novel The Cube People pokes fun at government cubicle culture through the life and times of a struggling computer programmer/novelist wannabe. McPherson surrounds his protagonist, Colin MacDonald, with a cast of screwball characters while he toils away at his government job, struggles with fertility and dreams of becoming a published writer. Recycled air, bad lighting and bizarre environmental office policies by day; scheduled love-making sessions and rejection letters by night, push MacDonald to try to write his way out of his cyclical life story. Part tragedy, part comedy–with a bit of horror thrown in for fun–McPherson cooks up a boiling plot and a memorable anti-hero.
In her forties, Livvy Alvarsson hopes to be a bone marrow donor for her much-loved younger brother, Stephen. Instead, she discovers she has no idea who she is. This is the second great loss she has suffered, for eleven years earlier her four-year-old son, Daniel, disappeared. Armed with a few clues from wartime England, she embarks on a search for her birth family.
The narrative takes the reader from small-town British Columbia to London, the English countryside, and back. It is a story about loss and grief, and secrets and guilt, but it is also about restoration and balance. As Livvy confides her story to her dying brother, she reveals not only an identity enriched by experience, but also the transcendent importance of family and love.
The Cuckoo’s Child is a compelling and remarkable evocation of a woman’s search for her family history.
Now in its fifth year, the Cuffer Prize is sponsored by The Telegram and Creative Book Publishing. It showcases short fiction from Newfoundland and Labrador writers, both new and well-established. The best entries from the 2011 competition appear in this anthology, and they run the gamut of writing styles; they’re gritty, poignant, cheeky — sometimes downright disturbing — but all are compelling and meticulously crafted. Open the cover and turn the pages — you won’t want to stop reading till the end.
Now in its seventh year, the Cuffer Prize is sponsored by The Telegram and Creative Book Publishing in St. John’s. It showcases some of the best short fiction from Newfoundland and Labrador writers, both new and established. Entries in 2013 delved into a wide variety of themes — friendships, relationships, the tight bonds between people and animals, dark villainy in its many forms and the myriad mysteries of the human condition. The stories were reviewed by Cuffer Prize judges Jessica Grant, Joan Sullivan and Russell Wangersky, and selected by editor Pam Frampton. The Cuffer Anthology Volume VI includes exquisitely crafted stories from the top three prize winners in 2013: Eva Crocker for Skin and Mud, Chad Pelley for Where to Look and Kerri Cull for The Musher. They were chosen from the more than 160 entries for the Cuffer Prize. A portion of the proceeds from each anthology is donated to Literacy Newfoundland and Labrador.
Now in its eighth year, the Cuffer Prize is sponsored by The Telegram and Creative Book Publishing in St. John’s. It showcases some of the best short fiction from Newfoundland and Labrador writers, both new and established. Entries in 2014 explored many different themes — coming of age, the tensions that thrum through relationships, sex and seduction, the connection between people and the sea, illness and intrigue, and life’s daily rituals. The stories were reviewed by Cuffer Prize judges Jessica Grant, Joan Sullivan and Russell Wangersky, and selected by editor Pam Frampton. The Cuffer Anthology Volume VII includes three highly polished gems from the top prize winners in 2014: Beth Ryan for “Campfire Stories” and Tracey Waddleton for both “White Cat” and “Riding with Maurice.” They were chosen from the more than 160 entries for the Cuffer Prize. A portion of the proceeds from each anthology is donated to Literacy Newfoundland and Labrador.
A group of longtime friends gathers for an intimate 25th anniversary dinner celebration as a forest fire rages out of control in the nearby mountains of southeastern BC. When an unexpected gift transforms a discussion about the local wolf cull into a heated argument over economic inequality, conflicting values within the tight-knit group are revealed. The Cull contrasts the dynamics of human self-interest with the instinctive communal behaviour of wolves… turning this particular dinner party into a night of “eat or be eaten.”
Elsa is a typical fifteen-year-old growing up in the early 1960s. Her world revolves around independence, boys, and being popular at school, despite growing concerns surrounding the Cuban missile crisis. In fact, this is Elsa’s opportunity to let loose before the world blows up. Knee-deep in teenage angst, her mission is clear: get drunk for the first time and lose her virginity. Though Elsa is old enough to feel the tense political climate, she is young enough to believe there might be a cure for everything. A comedic and compassionate sequel to Ardal’s award-winning You Fancy Yourself, The Cure for Everything is a coming-of-age story about a teenager who discovers that the world is more complex than she could have imagined.
A CBC Books Summer Reading Pick!
“We know Lavoie for her novels for adults. Here she offers us a cute text that will capture and maintain the interest of readers. A refreshing read that features a tiny, endearing and courageous kitty.” – La Presse
The Curious Misadventures of Kitty the Cat is a hilarious story of a cat who never grows up. After wandering away from his mom and sibling, he’s found in the forest by a little girl and moves with her into the city, where he finds adventure and makes new friends: Premache, the big cat of the alley; the spiders of the special arachno-intervention unit; Billy, the nice neighbour; and the parents of the little girl.
The cat will eventually learn that his mother still lives in St. Hilarion, and that he had better learn to speak gull if he wants to find her.
Charles Demers is a thirtysomething comedian and the author of three books; George Bowering is eighty, Canada’s first poet laureate, and the author of more than eighty books. Charlie and George are also the best of friends. And the fathers of daughters.
In this unique book of correspondence, these two men from different generations write to each other about the burdens, anxieties, and singular joys of parenthood. The letters begin as Charlie and his wife discover they will become parents; he expresses his hopes and fears of impending fatherhood, compounded by his OCD and his own father’s illness, while George recalls his experiences raising a daughter in the 1970s and his anxieties about bringing a child into a troubled world.
Together, their thoughtful, funny, candid missives reveal what fathers know (or don’t know) about raising daughters, as well as themselves and each other. Their combined observations make for a passionate, funny, and moving portrait of fatherhood in all its imperfect, beautiful glory.
Unflinchingly honest, heartwarming, and inspirational, The Dad Diaries charts jet-setting TV producer Joesph Tito’s transformative journey toward parenthood.
One day, while visiting family in Toronto, a simple question from his young niece shook Joesph’s world: “Why don’t you have kids?” Travelling between network meetings in New York, TV shoots in Istanbul, red carpets in Cannes, Joseph lived for the joy of constant exploration and discovery. But, deep down, he always longed to become a father, raising children in the warm traditions of his own big Italian family while living true to his authentic self as an out and proud gay man.
In this globe-spanning tale about complexities of the surrogacy system, Joseph Tito opens up about the emotional, ethical, and material challenges he faced, from others and from within, as a gay man daring to redefine family on his own terms.
Skulls and crossbones: poetic piracy. Burning barns, drunken Christmases, scars, hospitals, serial killers, and, eventually, the possibilities of self-preservation and hope. The Dagger Between Her Teeth is Jennifer LoveGrove’s bloodthirsty debut. Powerfully topical, it’s a rare collection of poetry — one that confronts notions of violence, both physical and emotional, by focusing on a woman’s strength of will and capacity for ferocity. In The Dagger Between Her Teeth, LoveGrove resurrects and reinvents the dramatic young lives of two eighteenth-century corsairs, Anne Bonny and Mary Read. Alive with the golden age of piracy but infused with the pulse of now, these poems shed more blood than a Tarantino flick. LoveGrove’s work provokes with theatrical plundering, creative cross-dressing, and vicious vengeance: “Disdain reddens my blood — I / know well I killed / my own husband and took / his clothes to be out here.” Still other poems examine the conflicting mythologies of Lilith, Adam’s first wife, who was evicted from Eden for her sexual aggression. Disputed and co-opted, Lilith has been blamed for a vast array of “deviance,” as well as for miscarriages, wet dreams, nightmares in children, and lustful women — these poems explore the more ominous elements of her mythology. But there is also a part of The Dagger Between Her Teeth that is informed by more personal experience, from disrupted family dynamics to the failure of romance: “You’re not as fragile as you think you are; / I know you didn’t snap / any of those feathered necks / yourself. It’s all just tapeloops / and backward masking, take-out / wings and old Talking Heads albums.“