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“Roger Farr appropriates the sonnet to investigate, directly address, and to map the rolling geographies of global capitalism, and its even meaner, sharper–toothed offspring, neolliberalism. A global poetics of place materializes in Surplus as Farr lays out and points to with disgust, amazement, and critique the very processes by which capital makes its demands for greater surplus at this historical moment. The question Farr pointedly asks through this poetics is both intensely social and aesthetic: How can the technique for art ‘to make the known / Unfamiliar,’ work in a time when the very processes that buffet everyday life and rasp social reproduction are made immaterial? How can the immateriality and abstraction of surplus capital be defamiliarized? How can the very material and active dispossession of common goods and public spaces, of centre cities, of water, of pensions, of DNA, and of the future be “laid bare” before they are even adequately named? Surplus is embedded into a vital moment of poetry and poetics in North America where the very conditions that culture (and history are produced under ––– the astonishing meanness and destructiveness of neloliberalism ––– calls daily for a poetics to roughen up the surface of the present and to ask the fundamental questions concerning where social change has and will come from. Surplus is an important book in the growing cultural front.”
––– Jeff Derksen
“.. . a poet of great heart and aesthetic / politcal commitment, constitutive of a fierce sincerity. He descends like Orpheus into the dorkish aleatorical yet never remains walling in an opportunistic rhetorical stage. ‘Tis a Farr, Farr better thing he do.”
––– Dorothy Trujillo Lusk
The essays in Surplus at the Border examine the ways in which Mennonite writers have claimed their “territory” of literature within the contemporary writing culture.
The poems in Surrender and Resistance consider our response to the movement of fate upon our lives, the ebb and flow between our willingness to embrace and our determination to reject what seemingly simply happens regardless. Connecting personal cycles of surrender and resistance to the universal, Fewster-Yan employs imagery from both the natural world of plants and animals and from the narratives of Classical myth and fairy tales. While her fate-frustrated Penelope speaks of “that awful and inevitable hope—/ to be endured with due grave caution,” Fewster-Yan’s poems hold open the possibility for a kind of endurance that is neither cheat nor resignation, but simply human.
Surveying the 120th Meridian and the Great Divide is the second book of a two-part series describing the initial Alberta/BC boundary survey undertaken between 1913-1924. Surveying the 120th Meridian focuses on the years 1918-1924, when the Alberta crew continued the survey of the 120th meridian while the BC crew split off to continue mapping the Great (Continental) Divide. The Alberta/BC boundary survey was a unique Canadian project that combined talented surveyors, high-tech surveying equipment, rugged crew members and Canadian wilderness. This is a story of adventure and danger: the crew climbed mountains and surveyed from the peaks of the Canadian Rockies; slogged through the muskeg north of the Peace River; occasionally crossed rivers at high water; and often worked in the rain, snow or cold. The boundary survey produced the first detailed maps of the terrain along the divide and the first pictures of the northern Canadian Rockies taken from an airplane. But the most important legacy of this project is the collection of approximately 5,000 photographs developed from high-quality glass plate negatives. These photographs provide full panoramas of the Rocky Mountain landscape as it looked over a century ago. Surveying the 120th Meridian and the Great Divide combines the best of these photographs, diary entries and government documents to recount the astonishing journey of the surveyors and their crew members as they explored Canada’s most dramatic landscape.
First in new photobook series geared to surveying buffs from prolific author and historian, Jay Sherwood. In 1917 Canada commemorated its 50th anniversary against the backdrop of World War I. Although the war effort was the main focus of the federal and provincial governments, some important projects continued. The Alberta-BC boundary survey, which had started in 1913 during an economic boom in western Canada, continued to receive funding throughout the war. It was quintessentially a Canadian project – talented Canadian surveyors using the most modern equipment available, transported by horses and humans through rugged wilderness country to mountain passes and the summits of peaks along the Great (Continental) Divide. Throughout their journey, the surveyors documented their work, leaving behind not only a comprehensive collection of letters and journals, but also one of the most extensive collections of surveying photography in North America. The survey crew climbed many mountains, taking pictures from the peaks that were later used to create the first detailed maps of the Great Divide. Today scientists are taking repeat photographs at the same locations, documenting the dramatic changes the have occurred in the Rocky Mountain landscape during the past century. One hundred years later, as Canada celebrates the 150th anniversary of Confederation, Jay Sherwood’s Surveying the Great Divide offers a testimony to the fortitude of the survey crews who risked their lives working in remote, mountainous terrain documenting the boundary between Alberta and BC.
With humour and humanity, Surviving City Hall reveals the workings of the municipal world based on author Donna Macdonald’s nineteen years as a city councillor. Wrestling with ground squirrels, dealing with dogs and grappling with the Three Bears of Governance, Macdonald offers an insider’s view into how things work at city hall in a call to citizens in communities of all shapes and sizes.From the table where council members make decisions–to lock out city workers, detoxify a workplace issue, permit high density development and ban dogs downtown–to the richness of community life, including meetings, memorials, meat banquets and rallies for the protection of endangered animals, this book is a big-hearted take on small-town politics.It’s also a reflection on leadership and on democracy, and how we could do both better. Macdonald ponders women’s participation in local governance, why it’s critical and what the barriers are that can dissuade women from engaging more fully in the governance of their communities.
“Samsara is defined as the ’round of rebirth’ or ‘perpetual wandering’ … a continuous process of ever again and again being born, growing old, suffering and dying.”
—Buddhist Dictionary by Nyanatiloka Mahathera
In Kagan Goh’s debut memoir, he recounts his struggles with manic depression, breaking the silence around mental illness. From an honest and personal perspective, Surviving Samsara traces Goh’s experiences as he wanders through the highs of mania, the terrors of psychosis, and the lows of depression. From the welfare office to the hospital ward and many places in between, Goh struggles to discern the difference between mental health breakdowns and spiritual breakthroughs. Facing his experiences with courage and authenticity, Goh shares memories of family altercations, pushed to the brink of living on the street, and psychiatrist visits. He explores his diagnosis of bipolar mood disorder not only as a medical condition but as a spiritual emergence–a vehicle for personal growth, healing and transcendence.
With raw language and deep insight, he combats the societal stigma, prejudice and discrimination people with mental health challenges face on a daily basis, and exposes the further damage it can do. Writing and sharing his story of living with a mental illness began a form of self-therapy, and now illustrates Goh’s transformation from victim to survivor to activist. Surviving Samsara tells a deeply personal story of recovery, acceptance and unconditional self-love and humanizes the challenges of those living with mental illness.
As the first Russian bombs drop on Oulu, Finland in early 1940 during the Winter War, Aarne Kovala is a young boy with a great love of the sea. While the war rages, Aarne takes fate into his own hands and joins the Finnish merchant marines. He spends his days delivering war materials between Finland, Poland, and Germany. But when Finland’s ties with Germany are severed after the signing of the Moscow Armistice in 1944, Aarne and his fellow sailors are arrested by the Nazis and sent by cattle car to the infamous Stutthof concentration camp deep in the Polish forest. Surviving Stutthof is a tale of survival, hope, and ultimately the triumph of the human spirit.
The essays collected here have been written against the background of Davey’s long and close intellectual engagement with the major critical issues of his day…(and) provide a clear sense of his very substantial contribution to contemporary criticism in Canada… To critical theory he has added his voice on behalf of post-modernist writing, and perhaps as clearly as any other writer has articulated the theory of post-moderism. He has given our criticism its contemporary voice, its sound and its rhythms, and to the mood of our most recent critical writing added his generous and welcoming spirit. A writer on the side of life, he has spoken for life and vitality as an active engaged spirit of our time.
Writers from BC and Beyond on the Subject of Food will bring to the table some of Canada’s best contemporary writers, celebrating all that is unique about Vancouver’s literary and culinary scene. Punctuated by beautiful local food photographs, interviews with and recipes from some of our top local chefs, each of these short pieces will shock, comfort, praise, entice, or invite reconciliation, all while illuminating our living history through the lens of food. Sustenance is also a community response to the needs of new arrivals or low-income families in our city. Writers will be donating their honoraria to the Farmers Market Nutrition Coupon Program. A portion of sales from every book will to towards providing a refugee or low-income family with fresh, locally grown produce, and at the same time will support BC farmers, fishers, beekeepers, and gardeners.
Award-winning chefs, poets and writers in Sustenance include:
Frank Pabst (Chef, Blue Water Café), Renée Sarojini Saklikar, Mark Winston, Susan Musgrave, Lorna Crozier, Thomas Haas (artisan chocolatier), Meeru Dhalwalla (Chef, Vij’s and Rangoli), Ayelet Tsabari, and Adèle Barclay.
SHORTLISTED FOR CBC CANADA READS 2019
WINNER OF THE BEST TRANSLATED BOOK AWARD
Eighty-five years of art and history through the eyes of a woman who fled her family – as re-imagined by her granddaughter.
Anaïs Barbeau-Lavalette never knew her mother’s mother. Curious to understand why her grandmother, Suzanne, a sometime painter and poet associated with Les Automatistes, a movement of dissident artists that included Paul-Émile Borduas, abandoned her husband and young family, Barbeau-Lavalette hired a private detective to piece together Suzanne’s life.
Suzanne, winner of the Prix des libraires du Québec and a bestseller in French, is a fictionalized account of Suzanne’s life over eighty-five years, from Montreal to New York to Brussels, from lover to lover, through an abortion, alcoholism, Buddhism, and an asylum. It takes readers through the Great Depression, Québec’s Quiet Revolution, women’s liberation, and the American civil rights movement, offering a portrait of a volatile, fascinating woman on the margins of history. And it’s a granddaughter’s search for a past for herself, for understanding and forgiveness.
‘It’s about a nameless despair, an unbearable sadness. But it’s also a reflection on what it means to be a mother, and an artist. Most of all, it’s a magnificent novel.’– Les Méconnus
“Toil and Peaceful Life” is the axiom that lies at the heart of Doukobor spiritual, personal, and community values. These values have always been, and continue to be, integral to the people who belong to this historically rich and vibrant community. During particular periods of their history, certain groups of Doukobors seemed to have carved a path that allowed them to embody and live these ideals in their daily lives and interactions. However, as the history of the Doukobor people demonstrates, putting this into practice was more difficult than envisioned and, paradoxically, has generated a great deal of conflict within the various spheres of the community itself – most certainly it has created conflicts with those from outside their self-contained community. It is at this juncture of conflict in the decades of the 1950s, 1960s and 1970s that the name Doukobor was to etch itself into the Canadian consciousness. It is during this time that Stenson sets his novel’s action against the backdrop of the Kootenay Region in and around Nelson, BC. To say Svoboda is a “Doukobor” novel is misleading, for it is much more than that. While Doukobor culture plays a central role in creating conflict, from the first few pages right to the end, it is also a novel of coming of age, a novel of accepting fate, and a great entertaining story.
You wake up, and your sister is dead.
With an absent father and their mother constantly ill, sisters Darcy and Carly Nolan were forced to rely on each other growing up. While unpredictable Carly bounced around, her life’s direction uncertain, Darcy fell in love, went to University, and moved to another province. When nineteen-year-old Carly unexpectedly kills herself, Darcy is left to carry the burden of their childhood memories forward alone. The pain of these memories overwhelms Darcy as she struggles to unravel her own feelings of guilt, and to make sense of her sister’s death–as an act of destruction, of misery, but also of love.
In 1966, Réjean Ducharme, then a 24-year-old unknown, published L’Avalée des avalés, this debut novel that would go on to serve as a zeitgeist for several generations of French-Canadian readers. Over the last fifty years, it has become a cornerstone for a culture, taught in high schools and universities as the foundation of the modern Québécois literature. Astoundingly, an English-language edition of the book hasn’t been in print since 1968, and has never before been available in Canada.
At nine years old, Berenice feels trapped by home, family, and dogmas both real and invented. Precocious and over-intelligent, she despises her dysfunctional parents too viciously, loves her brother Christian too passionately, and follows the logical pirouettes of her imagination to conclusions too dangerous. She lives on a secluded island, where she hatches plans to run away with Christian and escape her mother’s needy overtures for affection. When on the cusp of puberty Berenice becomes too wild for even her parents to control, she’s sent to live in New York with her father’s ultra-religious relatives where, pushed to confine her impulses, she instead forces herself forward to new extremes.
Gripping and hallucinatory, Swallowed is every bit as shocking and relevant today as it was upon first publication in 1966.
Swan Song is a massive anthology of comics about music and life and changing the world. This award nominated book features art from over 20 cartoonists from British Columbia and beyond, with each story being inspired by a song close to the artists heart. Get ready to smile, cry, and get up and dance, because this is our swan song.