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Some Birds Walk for the Hell of It is the third volume of poetry from musician and spoken word artist, C.R. Avery. In his take-no-prisoners style of verse and performance, Avery celebrates the virtues of the bohemian lifestyle, late-nite denizens of inconvenient madness, the dissolute and the temporary, lawless black leather pioneers of rap, and every tattooed member of this “helpless grey sky tribe.” Like a cross between Lenny Bruce and Tom Waits, Avery’s poetry is alternately profane,brilliant, vulgar, funny, brash, unsettling, and unquestionably original.
Inspired by a quote from the I Ching about how we respond to tragedy — “Some weep, some blow upon flutes” — Mary Vingoe’s play is the story of Costas, an elderly Greek shoe repair man whose wife Elena suffers from dementia and whose marriage has been eroded by a family secret. Costas is in denial of his wife’s illness but Lia, their teenage granddaughter who cares for her grandmother, is not. Costas’ life is altered when Sandra, a professional organizer who cannot begin to organize her own life, enters his shop. An unlikely, at times humorous friendship develops between the two — until we discover that Sandra’s estranged daughter Marijke is fourteen and pregnant. A chance meeting between Elena and Marijke leads to an unravelling of past lives and buried grievances which play out with unexpected results. Some Blow Flutes brings the issue of dementia into the open and explores the possibility of compassion and redemption in the face of overwhelming odds.
A contemporary retelling of the story of Cassandra, Rhonda Douglas’s Some Days I Think I Know Things explores what “truth” really means and asks what Homer’s iconic young prophetess might have to say to anyone wise enough to pay heed to her in the twenty-first century. We find Cassandra walking among us once more and, just prior to the sacking of a Troy not unlike any modern city, she sheds light on the idyllic domestic life that she shares with her father Priam, mother Hecuba, and the rest of her doomed, if royal, family. No sooner has she relished in the timeless sexual awakening dreamt about by most girls, than she must stoically submit to the indignities of the invading Greeks. As a captive, she pronounces a series of prescient “Lost Prophesies” intended for our time. However much her Cassandra remains faithful to the figure of the ancients, Douglas destabilizes her heroine’s primacy as “truth-teller” with a witty, varied chorus whose voices we can’t fail to recognize from the quotidian of our present-day lives.
In prose thats as sharp as broken glass and shot through with poetry, Teresa McWhirter unlocks the extraordinary subculture of urban adults in their twenties and early thirties. Most startling of all are the portraits of young womentough, independent party girls who are strong enough to say no to love and smart enough to know why.
McWhirter unearths a community of adult-kids seldom chronicled
Realistic dialogueheavily peppered with slang, swearing and esoteric pop-culture referencescontributes to the novels overall believability. The humour and wordplay alone mark McWhirter as a writer to watch. Quill and Quire
Some Girls Do is a sharp, poetic glimpse into the yearning but hopelessly unfocused lives of a group of marginal urbanites
surprisingly, McWhirter makes them touching rather than alienating. Elle Canada
From the award-winning author of Some Good and Some Good: Sweet Treats, Some Good: Healthy Comforts redefines the idea of “comfort foods” to bring recipes that are both good for the soul and nutritious and healthy for the body.
Some Good: Healthy Comforts is a gluten-free and dairy-free cookbook that is sure to bring you comfort and bliss. Written by Newfoundland-born, award-winning cookbook author and nutritional consultant Jessica O’Leary, this cookbook is the third in her Some Good series. With 80 recipes, the book offers a great variety of comforting dishes, from warming soups to satisfying mains and delightful desserts. Staying true to Jessica’s brand of “nutritious food with amazing flavour,” these recipes all deliver a delicious experience with a healthy twist.
Winner, Atwood Gibson Writers’ Trust Fiction Prize
Herring is a hapless lobster fisher lost in an unexceptional life, bored of thinking the same old thoughts. One December day, following a hunch, he cuts a hole in the living room floor and installs a hoist, altering the course of everything in his life. His wife Euna leaves with their children. He buries the family dog in a frozen grave on Christmas Eve. He and his friend Gerry crash his truck into a field, only to be rescued by a passing group of Tibetan monks.
During the spring lobster season, Herring and Gerry find themselves caught in a storm front. Herring falls overboard miles from the harbour, is lost at sea for days, and assumed to be drowned. And then, he is found, miraculously, alive. Having come so near to death, he is forced to confront the things he fears the most: love, friendship, belief, and himself.
Some Hellish is a story about anguish and salvation, the quiet grace and patience of transformation, the powers of addiction and fear, the plausibility of forgiveness, and the immense capacity of friendship and of love.
CBC BOOKS “CANADIAN POETRY COLLECTIONS TO WATCH FOR IN FALL 2024”
For bpNichol’s 80th birthday, a selection of 80 pieces from his 1980s notebooks, an astounding trove of never-before-seen work.
One of Canada’s most beloved poets, bpNichol (1944–1988), left a huge legacy of poetry, prose, scripts, comics, and playful interrogation of language after his untimely passing in 1988. In celebration of what would have been Nichol’s eightieth birthday, Some Lines of Poetry gathers excerpts from Nichol’s journals across the 1980s to give a unique perspective on craft, process, and a writer’s life. Featuring works in progress, insight into Nichol’s thinking, previously unpublished prose and lyric, visual, and sound poems, Some Lines of Poetry documents Nichol’s “apprenticeship to language” and his playful daily exploration of the limits of writing.
Lovingly edited by noted poet-scholars Derek Beaulieu and Gregory Betts, who provide an afterword contextualizing Nichol’s practice, Some Lines of Poetry is a map of hidden corners, a guidebook to poetic play, and a tribute to Nichol’s ongoing influence.
“No other writer of our time and place was so diverse, attempted so much, and never lost sight of his intent.” – Michael Ondaatje
In Some Mornings, Nelson Ball’s trademark minimalism takes on a new expansiveness. It is a book of both profound joy and mourning. In sharply observed poems about nature and the nature of people, Ball offers an instruction manual on how to be in the world: how to see beauty in the tiniest of things and how to recognize the bittersweet vitality of life through the smallest of gestures.
An evening at the opera spills out onto the street and into an odyssey through Montreal by night. The narrator, both innocent and cynical, rushes headlong down what appears to be the road to ruin—or perhaps merely to the loss of his virginity. We follow him from a café called El Cortijo (spanish for a country house with a farm building attached) to a nightclub called the Four Corners of the World. This is an urban metaphor for the classic story of the shrewd country boy bedazzled and led astray by the bright lights of the big city. We discover along with him a burlesque world of transgression and madness, where pleasures are far from simple and love is somewhat less than pure. On the street, as at the opera, passions are on the loose and truth and falsehood leave their marks in the service of the urgencies of desire. Will our hero find love and pleasure after all? This evocative account of his adventure is stamped with the ironic and the affectionate wit and humour that characterize all of Michel Tremblay’s novels and memoirs.
Drawing its fiction from many of the autobiographical sketches to be found in Bambi and Me, Twelve Opening Acts and Birth of a Bookworm, and from a collision of the Francophone east and the Anglophone west of Montreal, this novel marks a hiatus between Tremblay’s six-volume Chroniques and his more contemporary novel, The Heart Laid Bare.
Matt Robinson is in the best sense a poet of the domestic, his intense curiosity animating a renewed engagement with things familiarthe intellectual life of the family dog, a favourite pair of jeans, sports, local landmarks and relationships. In these poems, Robinson approaches each subject with vivid imagery and the intellectual terseness of a logical proposition, playfully reminding us of the “uneven arithmetic” that invigorates poetic language.
In this, his fourth collection of poetry, Norman has mastered the poetic form known as the terminal, where a poem takes the last word of each line from the corresponding lines of another poem. These are poems with past lives – animated by rhythm while haunted by memory; poems that conjure moments of the supernatural while they wrestle with the boundary between our world and the half-remembered one lurking just beneath its surface.
Poems that provoke science as a way to explain the world
In Some of Us May Live, scientific explanation is not reductive but an opportunity for empathy and delight, a shift of perspective that redefines the boundary between the personal and the general. These poems intervene into the ideas of the natural world through interrogations and interpretations of humanity as planetary force of change.
At times conflating the reader’s existence with animals, boulders, glaciers, oceans, black holes, Kotsilidis reveals a multitude of shifting perspectives. If the Anthropocene is a fable. If its plot is the raft of facts that underpin cosmic theory and climate change, evolution and zoology. If Wolf, Fox, and Bear bring us closer to understanding the stakes of our collective struggle against world devastation…well, then, some of us may live. The poems in Kotsilidis’s second collection dust off everyday experiences to reveal the gleam of cause and effect.
In this fragile moment, Some of Us May Live is both the call and the response.