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Sorcerer’s Last Words, The
Etrog’s work dots the urban landscape in Toronto and many other urban centres in Canada and shows an overriding concern for the human body’s transformation in an increasingly mechanized world.
Sorel Etrog (1933-2015) is a renowned Canadian sculptor and painter. He left his native Romania for Israel in 1950, where he studied at the Tel Aviv Art Institute. From Tel Aviv, he moved to New York and in 1963 to Toronto.
Etrog represented Canada at the Venice Biennale in 1966. He created major public commissions for Expo 67, the Sun Life Centre, the Los Angeles County Museum, and the Olympic Park in Seoul, Korea, and he designed the Canadian Film Awards’ statuette (originally known as the “Etrog”). His drawings and watercolours explore mechanics and biology: mechanistic bodies, wrench-shaped hands, pure machines, blends, labyrinths, and monsters.
Sorel Etrog: Five Decades was published in 2013 to accompany the last major retrospective exhibition of his work. It includes his archetypal sculptures as well as drawings, paintings, book illustrations, and prints, as well as images from his rarely seen film, Spiral. The book also includes texts by Ihor Holubizky and critics Gary Michael Dault and Florian Rodari, as well as Marshall McLuhan, Sir Philip Hendy, Theodore Allen Heinrich, and William J. Withrow that explore the depth and range of his work.
Etrog’s work is included in major collections worldwide, including those of the Museum of Modern Art, New York; the Guggenheim Museum, New York; the Musée d’Art Moderne, Paris; the Museo Novecento, Florence; and the Tate Gallery, London.
In a world of 24-hour news coverage and global forces like the U.N., genocides still happen, often unchecked. But nearly a century ago, one group, the Armenians, was nearly wiped out in a systematic coup that became the blueprint for Hitler, who said to his generals, “Go, kill without mercy men, women and children of the Polish race or language. Only in this way will we get the living space we need. Who, after all, remembers the annihilation of the Armenians?” Zeyneb Sosi Arta is only seven years old when she is stoned by a group of village children, who taunt her with cries of “infidel.” This incident spurs her parents to move her to the safey of the city to stay with the Reijskinds, sympathetic friends. After all, though Sosi?s father is Turkish, her mother is Armenian, and although many years have passed, they haven?t forgotten the systematic extermination of Armenians at the hands of the Turks that began in 1915. Before it was over in 1923, 1.5 million Armenians would be dead. Their homes and wealth appropriated, they were rounded up, deported, tortured and murdered in concentration camps or shipped to the desert of Der Zor to die of starvation. The genocide was planned and directed by the Young Turks under the cover of war and it was months before any news filtered back to the cities about the fate of those who had disappeared. In the safety of the Reijskinds? home, Sosi waits in vain for her parents to come back for her; only to discover they have been murdered by their own neighbours. Sosi is raised by the Reijskinds, and later moves with them to Jerusalem, where she meets a Ara, a radical young Armenian photographer. Sosi becomes pregnant with Ara?s child, and they subsquently wed. But Ara is desperate to go to Turkey, to force the Turks to admit to their extermination of his people, to document the disappearance of the Armenians. Ara disappears himself. Sosi moves to Montreal with their daughter Sammi, where eventually Ara rejoins her after being found in a Turkish prison by another relative who pays for his release. The realities of war, genocide and global immigration and their impact on susequent generations are revealed through the story of Sosi: a survivor, a traveller, a mother, an Armenian.
Discover the unlikely path Meagan Duhamel and Eric Radford followed en route to the top of the world in figure skating. The Northern Ontario pairs skaters, who won a complete set of Olympic medals, reflect on how they developed a working relationship and honed their resilience in a sport that often left them bloodied and bruised. Ultimately, the two-time world champions earned the perfect, storybook ending to the sport they have adored since they laced up their first pair of skates.
Editor Rishma Dunlop is the author of three acclaimed books of poetry: Metropolis (2005), Reading like a Girl (2004), and The Body of My Garden (2002). She is co-editor of Red Silk: An Anthology of South Asian Canadian Women Poets (2004). Her radio drama, ‘The Raj Kumari’s Lullaby,’ was commissioned and produced by CBC Radio. Her awards include the Emily Dickinson Prize for Poetry in 2003 and she was a finalist for the CBC Canada Council Literary Awards in 1998. Her essays, poetry, reviews, and keynote lectures have been published internationally in literary and scholarly journals. Rishma Dunlop is the Coordinator of the Creative Writing Program in English at York University, Toronto.
A new, revised edition of award-winning author Edward Willett’s debut novelShe was never meant to be sent into the strange parallel world known as Earth . . . but now, trapped inside the mind of a teenager like herself, she must find a way to save it from destruction.For years, Liothel has waited in vain for her powers to manifest themselves, so that she can become a full-blown Warder, defender of the realm of Mykia from the mind-controlling spirit creatures known as soulworms. But when a soulworm escapes from the Warden’s citadel through a magical portal into the parallel world of Earth, it is her spirit that, entirely by accident, is sent in pursuit.She finds herself, a helpless, unsuspected observer, in the mind of Maribeth, a teenage girl in the small Canadian prairie city of Weyburn, Saskatchewan, in 1984-and discovers the soulworm has possessed Maribeth’s best friend, Christine.Somehow, she must find a way to save Earth from the plague of death and destruction the soulworm and its offspring will release if allowed to spread across the unprotected planet. Only she knows the danger-and only she can stop it.
” ‘The Sound of Whales’ is a lyric-comedy about language, our obsessive reliance upon it, and how linear thought can inhibit understanding. David MacLean’s play has its roots in his personal experience in dealing with governmental, educational, and medical bureaucracies. The frustration the playwright expresses toward these institutions is balanced by the love and devotion a father feels for his son. ‘The Sound of Whales’ is at once tender and angry, intimate and universal.”- Robert Garfat, from”A Director’s Analysis.”
Stephen Bett?s 12th book, Sound Off: a book of jazz, is loosely, a ?serial? poem, a book of 76 linked poems, each responding (himself as a jazz fan) to the work of 76 very current jazz musicians. These ?jazzers?, as he calls them, are not the old tried & true names we all know?they fall, very roughly, into three general camps: the ?sons of Miles? (Jarrett, Hancock, Corea, McLaughlin, Scofield, Shorter, etc.); the ECM artists (largely Norwegian, the very contemporary sound coming from jazz?s second centre these days) & very young (20-something), hip, interesting, & mostly NYC-based musicians. Whether readers have heard of names like Bill Frisell or Ketil Bjrnstad will not matter. This is a book of poems celebrating music (almost all the poems are laudatory; a small few are askancely critical) But essentially they are poems for readers?no jazz expertise required. Like Bett?s most recent work, the poems tend toward the ?minimalist?? which also works with the musical subject. Structurally, the poems work in a sequence, with language, images, ideas, echoing throughout the book. The arrangement is simple, the names of the musicians alphabetized to set eliminate ranking or preference. Bett has said that all his writing life been trying to reach toward Zukofsky?s ideal language for poetry as ?upper register music: song?? his last 3 or 4 books were getting closer and Sound Off just might be the closest yet.
Is a song enough
to hold all the truths we cannot bear
without it?
From award-winning writer Michael V. Smith comes a poetic memoir about growing up gay in the shadow of AIDS. Embodying an elusive part of queer history, these song and album-inspired pieces capture the last three decades of the millenium and reveal how music has an uncanny ability to remind us not just where we were at a given moment in time but who we were.
With his signature humour and tenderness, and guided by the music of the era, Smith catalogues social prejudices, court rulings, and medical breakthroughs, alongside personal devastations, triumphs, and the search for community. From a first crush toting a Michael Jackson Thriller cassette, to falling in love to the music of Jane Siberry, to dancing at a gay bar to “Groove is in the Heart,” Soundtrack is a moving personal record of a man who survived the lost generation and a vital document of queer joy.
Sourcebooks for Our Drawings is a book steeped in place: the rural idyll of a Southeastern New Brunswick farmhouse, the author’s childhood suburbia, and the commercial sprawl of contemporary Atlantic Canada. Each piece provides a snapshot of New Brunswick in the late 20th and early 21st centuries, a place at once unique and startlingly not-so in our globalized word. Part fragmentary memoir, part genre hybrid, and entirely a compilation of familial lore, Jacobs’ new book—his first in prose—is a singular and idiosyncratic portrait of New Brunswick, an alternate history and an antidote to dry regionalism. A formally innovative and very personal work, Sourcebooks for Our Drawings nevertheless addresses universal concerns about our fraught relationships with nostalgia and memory.
Dans cette suite du roman prime L’ile perdue d’Atlantide, Alfred part a bord de son sous-marin pour remonter le fleuve Saint-Laurent, sombre et obstine.
Avec Hollie et Algue, son chien et sa mouette de compagnie, Alfred suit la route de Jacques Cartier, pres de cinq cents ans avant eux, en descendant le detroit de Belle-Isle jusqu’a la plus grande embouchure du monde. Mais le Saint-Laurent est un fleuve traitre qui cache de nombreux dangers sous sa surface, dont le moindre n’est pas l’Empress of Ireland, un paquebot maudit et fantomatique qui a coule et qui a coute la vie a plus d’un millier de personnes, et qui s’approche pour enchevetrer le sous-marin sur son passage. Alfred doit se rendre a Montreal pour affronter l’homme qui l’a abandonne a la naissance – son pere. Ce n’est qu’ainsi qu’il pourra echapper a l’histoire inachevee qui le hante. Mais cette quete vaut-elle la peine d’etre menee au peril de sa vie? Et pourquoi Alfred est-il en proie a la malchance? Quelqu’un, ou quelque chose, essaie-t-il de le faire revenir en arriere?
Shortlisted for the Sixth Annual Rakuten Kobo Emerging Writer Prize – Nonfiction Category!
Shortlisted for Best Trade Non-Fiction at the 2020 Book Publishing Awards!
South Away follows Meaghan Marie Hackinen and her sister in the adventure of a lifetime: bicycling from Terrace, BC down the West Coast to (almost) the tip of the Baja Peninsula. Along the way Hackinen battles with the elements in Vancouver Island’s dense northern forests and frigid Mexican deserts; encounters strange men, suicidal highways and monster trucks; and makes some emergency repairs as ties and spokes succumb to the ravages of the journey. Luckily, the pair meet some good people along the way and glean some insight about the kindness of strangers.
A rare road-trip story with two female leads, this travel memoir also chronicles an inner journey, as the author begins to better understand her relationship with her adventurous (and not-so-adventurous) family. South Away tells an engaging and personable tale, with imaginative and memorable depictions of land and sea along the ever-winding coast.
South China Sea is a poet’s autobiography. Forgoing the props of conventional narrative, the book travels through space and time, revealing the moments in a life that anchor reality and constitute memory. In poems that compel us to remember and to re-evaluate our own personal stories, Norris travels back to a New York City childhood and to his years as a young man in the art and literary scene of Montreal, while moving forward in the present on a soul-changing journey through China.