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Winner, New Brunswick Book Award for Non-Fiction
Shortlisted, Crime Writers of Canada Awards of Excellence (Non-Fiction)
On July 6, 2011, Richard Oland, scion of the Moosehead brewing family, was murdered in his office. The brutal killing stunned the city of Saint John, and news of the crime reverberated across the country. In a shocking turn, and after a two-and-half-year police investigation, Oland’s only son, Dennis, was arrested for second-degree murder.
CBC reporter Bobbi-Jean MacKinnon covered the Oland case from the beginning. In Shadow of Doubt, she examines the controversial investigation: from the day Richard Oland’s battered body was discovered to the conclusion of Dennis Oland’s trial, including the hotly debated verdict and its aftermath. Meticulously examining the evidence, MacKinnon vividly reconstructs the cases for both the prosecution and the defence. She delves into the Oland history, exploring the strained relationships, infidelities, and financial problems that, according to the Crown, provided motives for murder.
Shadow of Doubt is a revealing look at a sensational crime, the tribulations of a prominent family, and the inner workings of the justice system that led to Dennis Oland’s contentious conviction.
A national bestseller, now updated, expanded, and revised to tell an even bigger story.
On July 6, 2011, Richard Oland, scion of the Moosehead brewing family, was bludgeoned to death in his Saint John office. In a shocking turn, the multimillionaire’s only son, Dennis, was arrested for second-degree murder. Found guilty by a jury in 2015, Dennis Oland successfully appealed his conviction and was retried three years later.
In this new revised and expanded edition, MacKinnon takes readers inside every stage of one of Canada’s most gripping murder trials. She addresses the issues with the original police investigation, Oland’s appeal and his subsequent appearance at the Supreme Court of Canada, new evidence and witnesses brought forward at the retrial, and the sensational final verdict.
A reporter for the CBC, Bobbi-Jean MacKinnon covered the Oland case from the very beginning to the judge ’s final verdict. In this definitive account of a series of trials for a horrific crime, she lays bare the tribulations of a prominent family and the inner workings of the justice system that led to Dennis Oland’s contentious conviction, retrial, and acquittal.
In this new collection, Richard Sommer shadows the Shakespearean sonnet, taking the most traditional form for expressing love and expanding its range and message to reflect our times. Sommer’s sonnets create a strange music, with rhymes that are often proximate rather than identical. They are shadows, too, of the spirit of the sonnet, of its ever present thread of argument, its dense and gnarled sense of intimate conversation or panicked declaration, its erotic unrest, its terrible desire for someone and something unpossessed and not to be possessed. Sommer extends the sonnet beyond its traditional territory of love between man and woman to embrace the natural world around him and the deteriorating ecology of the planet. The result is a rich weave of past and present, love and pain, language and world.
When the pandemic began in March 2020, Calgary emergency physician Heather Patterson was already feeling burnt out. Photography had always been a way of unwinding for her, and as the pandemic gathered speed, Patterson decided to begin chronicling it. Shadows and Light presents a selection of Patterson’s images, taking readers to the frontlines of the COVID-19 pandemic and giving them an illuminating, behind-the-scenes view of the real impact of the virus and the heroic front-line workers who have been fighting it for over two years.
Patterson’s expert lens gives incredible insight into the life of healthcare workers — physicians, nurses, and hospital support staff — during the pandemic, and what patients experience when hospitalized with COVID. Yet, amid the isolation of lockdowns and a seemingly never-ending cycle of new restrictions associated with new variants, Patterson finds hope and a renewed sense of purpose in the resilience of the human spirit and the inspiring fortitude of Canada’s often invisible pandemic heroes.
After the Russian invasion of the Japanese puppet state of Manchuria (Manchukuo) in 1945, fourteen-year-old Akihisa Takayama escapes with his family to their ancestral Taiwan. Here they find themselves under the brutal Chinese dictatorship of the Kuomintang. In the 1960s, now a physician calling himself Charles Yang, he escapes with his young family to the United States, from where they finally go on to Canada to become among the first Taiwanese Canadians in Vancouver. Charles Yang’s experiences illuminate the “White Terror” of Taiwan, and the geopolitical dispute between Communist China and Taiwan over the meaning of “One China.” This is a rare, humane, and personal account of the little known histories of Manchukuo and Taiwanese immigration to North America.
Shaf, a physics teacher and a philosopher, fought as a partisan in the Balkans during the Second World War. He has not been heard from for 40 years. How could such an ubiquitous and expansive person disappear? Did the murder of his mother and girlfriend by fascists during the War spark his sporadic displays of insanity? Rumours had him teaching in the United States and Europe during the Cold War.
Ben, Shaf?s former student and now a lawyer in Zurich, has never given up looking for him. He finally meets up with Shaf in his home town, where they first met. The encounter does not turn out as expected.
Peopling the story are four generations of a Balkan family. They include Ben?s grandfather, a vicious bureaucrat and admirer of Mussolini, his father, an enigmatic doctor and partisan leader, his mother, a professor of Electro-Magnetism in a Polytechnique, and his sister Nika, whose fate is characteristic of the times. An 1890 Remington double-barrel shotgun appears and disappears throughout the story.
Set in Sabzic, a fictitious town in an unnamed country in the Balkans, Shaf and the Remington chronicles the lives of a family, a people, a town and a nation, from dawn at the time of the first great War to dusk as the Cold War sputters to an end.
“First and foremost, I am a reggae artist,” insists Shaggy. Born Orville Richard Burrell, the multi-platinum pop icon is a worldwide ambassador for reggae, but few know just how connected Shaggy is with the sound of Jamaican rhythms. Shaggy: Dogamuffin Style details the rise of a superstar from Kingston, Jamaica, to his teen years in Flatbush, Brooklyn, to his time spent in the Marines during the Gulf War, while at the same time introducing the reader to the fascinating history and rich culture of reggae music. Delving into the musical trends in Jamaica during Shaggy’s formative years, the popularity of soundsystem “deejays” (the Jamaican equivalent of rap MCs), and the influence of both 1970s reggae and Bob Marley, Micah Locilento provides an insight into Shaggy’s unique sound. Although most, if not all, journalists label him a rapper, Shaggy: Dogamuffin Style reveals not only Shaggy’s reggae roots, but opens the door to exciting new music sure to please fans of Mr. Boombastic.
As Locilento explains, almost everything about Shaggy, is in fact rooted in the rich and lively culture of the Jamaican dancehall, a culture that’s been the driving force behind almost every development in reggae music over the past half-century, beginning in Jamaica and spreading throughout the world in the form of hip hop, techno, and electronica.
• Shaggy’s last album, Hot Shot, sold more than 10,000,000 copies worldwide
• Sales higher per capita in Canada than
anywhere else in the world
The Shah of Shea Heights is the tall tale of a criminal family as told by Billy Tucker, a colourful character with an equally colourful past. His “mother of all tales” had been relayed by his own father one night beside the fireplace, accompanied by increasing amounts of Lambs & Coke. The delightful results invoke the intimacy of the classic fireside tale and the enduring narratives of Mark Twain.
Shakespeare wrote at a unique historical turning point: the world was understood through poetry — rather than through the science of observing it. In Shakespeare Beyond Science: When Poetry Was the World, Sky Gilbert’s radical new research locates Shakespeare as a disciple of the Greek rhetorician Hermogenes, and a student of the Neo-Platonist Johannes Sturm. No, not just another ‘interpretation’ of the meaning of Shakespeare’s work. Instead, a radical approach to Shakespeare as magician and rhetorician, as a post-structuralist, more concerned with form than content, and confident of the dangerous magical power of words not only to persuade but to construct our consciousness.
Living in a wild world full of unpredictable creatures—beasts, beggars, witch hunters, and actors—William’s family must find a way to cope with their changing Elizabethan world. With four legs, a keen eye, and a sharp tongue, Hooker, Shakespeare’s dog, tells the story of how the Stratford rogue became the world’s most famous playwright. Based on the novel by Leon Rooke, Shakespeare’s Dog tells the tale of the Bard’s life from a unique perspective, showing that in the Elizabethan era, lust, love, and lives collide, and it is anyone’s guess who is top dog.
An exploration of one of the most silent characters in history: Anne Hathaway, the wife of William Shakespeare.
The play sheds light on unexplored aspects of Hathaway’s life by looking through the eyes and heart of the woman who spent a lifetime with—and without—the great poet. This work is the celebration of a life unbowed by tragedy and unapologetic in the face of public scorn.
In Shall: ghazals, Catherine Owen has created a collection of spare and haunting beauty. These poems, based on the Persian ghazal form, catalogue a series of losses. Those of a mother whose child is growing up and away, those of a wife losing a marriage, and overarching all of this, the loss nature suffers at the hands of humanity. Each poem is jewel-bright and sharply facetted. There are no excess words in Owen?s writing, her images and observations are all distilled to their essence. Shall: ghazals is a piercingly powerful collection.
“Three weeks it’s been raining, but no puddles…”
Author Sara Pierce is slowly drowning in Windsor, a city where rain will seemingly not stay put long enough to form puddles. While living with her germophobic best friend Angie and dealing with her online gaming-addicted boyfriend Dan, Sara finds herself compulsively writing and rewriting her own story in order to gain some sense of control over her own life.
Shallow Enough to Walk Through is a portrait of an artist as a young woman confined to a world she wouldn’t have written for herself. Marissa Reaume’s playful debut is a novel in the process of its own creation, taking us into the mind of Sara, a young writer struggling to construct her own happy ending.
In Marlene Cookshaw’s work time is slowed so that you can walk around in the moment, rub your knuckles on its nap, trace its lattice-work of airs and pressures, and touch the sensitive places left by accidents and old loves. Life seems to come forward to meet speech, even as speech is reaching to its edge. You breathe the salt tang of the particular.
See where the mind goes? Between the lovely knots, a silk always strong enough to bear its weight. That throwing’s what I love, what I would give my life to. Lacinato. Champion. Rougette. Red cabbages dense and beautiful as turbans, roses, words, like a row of toothy kisses, sweet, unmanageable, raw. from “Clear to me now”
“Marlene Cookshaw’s poems are unusually beautiful and disturbing because her approach to poetry is so meticulous and her approach to life so open to transience and chance. Her art is both elegant and virtuous, a fine music focused on raw emotion, raw matter. What do her close observations of things teach her? ‘To give yourself up/ to what wants you, over and over.’ She builds her strong poems not as quake-proof rooms from which to view the tumult, but as catwalks reaching through untested space towards Change itself, so she can ask what it demands of her.” – John Steffler