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Former pro wrestler “Hammerhead” Jed Ounstead, now a fully-fledged private investigator, is riding high after his first successful case. In this second episode, Jed leaves the wrestling realm to enter a new arena: women’s flat-track roller derby. When old acquaintance Stormy Daze seeks his help finding her team’s missing coach, Jed discovers that the turnbuckle-and-metal-chair mayhem of the wrestling ring pales in comparison to roller derby’s four-wheeled ferocity.
As his search intensifies, Jed is drawn into the criminal orbit of a shady entrepreneur who doubles as a late-night TV personality, a high-class bookmaker with a yen for racing dachshunds, and a kinky painter with a special technique for producing art. When the thunder rolls, Jed finds he needs more than a few of his beloved banana milkshakes to solve this case.
Rolling Thunder continues A.J. Devlin’s hard-hitting, award-winning mystery series with its unbeatable one-two punch of over-the-top-rope humour and elbow-to-the-face adventure.
At precisely the cultural moment you were hoping for, a dream team of smart, sexy, brunette, West Coast poets of Italian descent has passionately co-authored an intelligent collection of poetry that both celebrates and capsizes the romantic comedy.
From the origin of the genre (It Happened One Night) to its contemporary expressions (Love Actually), the poems in Rom Com trace the attempt to deconstruct as well as engage in dialogue with romantic comedy films and the pop culture, celebrities, and tropes that have come to be associated with them. These irreverent, playful, weird, and comedic poems come in a variety of forms, fully engaging in pop culture, without a judgmental tone. They see your frumpy expectations and raise you issues of sexuality, consent, sexism, homophobia, race, and class. They explore the highs and lows of romantic relationships and the expectations and realities of love, tackling real emotional worlds through the lens of film.
Two cool people wrote it. Dina Del Bucchia, the fashionable and voluptuous, is a woman on the go, brazenly hosting literary events and tweeting about otters and award shows. Daniel Zomparelli, the handsome and dashing, is a young, gay man-about-Vancouver who somehow also quietly edits (in chief) a semi-annual poetry journal. (Ship them all you want, fools.)
How to tell if you are compatible with this book: Are you equally versed in literature and pop culture? Are you a film-savvy fan of contemporary poetry? Are you an academic with interest in literature and cultural studies? Are you in general a cool, sad person? This book might just be the sassy best friend you’ve wanted.
ROMANS/SNOWMARE
Federico Fellini (1920-1993), cinéaste de Rome par excellence, contribue activement et d’une manière décisive à faire de sa ville adoptive la capitale cinématographique du XXe siècle. Sa Rome cinématographique émerge d’une filmographie impressionnante où se déploient trois constellations : celle des attractions (Luci del varietà, Le notti di Cabiria, La dolce vita), celle des survivances (Block-notes di un regista, Satyricon, Roma) et celle des simulacres (Ginger e Fred, Intervista). En confrontant ses souvenirs aux différents passés de la ville et du cinéma, Fellini reconstruit une Rome où se mélangent le réel, le rêve et l’invention. Guide idéal, le personnage du flâneur relie les composantes fondatrices de sa poétique cinématographique – flânerie, spectacle et mémoire – de même que les espaces autres de Rome : la ville antique, la ville religieuse et Cinecittà. D’une beauté fascinante, la Rome de Fellini s’est imprimée pour toujours dans l’imaginaire collectif ainsi que dans le cinéma et la littérature.
Rooms is lyrical and meditative, painterly, erotic and philosophical. The book is thematically and structurally a unity, but a unity of many parts, one and multiple. Rooms, many-chambered, purposeful and highly stylized yet light, light and airy as a beehive. Rooms plays like a late 20th century blues-inflected jazz. There are multiple melodies, linked through motifs and memory: recurrent variations on several themes–childhood, life and death, love, memory and duration. Throughout, you find yourself lending the poems your soul as well as your ear.
Chilean-born Renato Trujillo has published several collections of poetry in both Spanish and English. In Rooms he exhumes the floating images of his past — his mother hanging clothes on the line, the cockroaches and streets of a new and unknown city, the coast of the South Pacific.
Claudia, single mother of two young children, pines for her past independent life. Her ex, after all, has moved on to a new wardrobe, a new penchant for lattes—new adult friends. But in Claudia’s house she’s still finding bananas in the sock drawer, cigarettes taped to wrestling figures, and doodles on her MasterCard bills. Then Claudia receives the unexpected news that her mother has died.
As Claudia attempts to gain control of her life, she realizes that her fellow family members also struggle with uncertainty. Her brother’s family appears picture perfect—the children always clean, the puzzles never missing pieces—but he and his wife hunger for a break from parenthood. Her father has joined a curling team and seems to be active in the community. Yet he orders product after as-seen-on-tv product for his own empty nest.
Shared through the hilarious, honest, and often poignant perspective of a single mother, Roost is the story of a woman learning about motherhood while grieving the loss of her own mother. And as she begins to mend, she’s also learning that she might be able to accept her home—as it is.
?Bankruptcy and a bad back have driven 50-year-old Willie LeMat from a successful career as a building contractor into a grow-op. He is convinced that in just two years he can realize his dream of buying an apple orchard and become a gentleman farmer. But his high hopes are soon dashed when his first marijuana crop is stolen. How did the thieves know where and when to strike?
The only ones who know he is running a grow-op are his girlfriend, daughter, and ex-mother-in-law who all rely on him financially, as well as the landlord who is charging him a usurious rent. His girlfriend Carmen is a painter who paints one thing only: self-portraits. His daughter Angela recently returned from Asia pregnant by a Burmese monk. His ex-mother-in-law Juliet is a former bombshell who has never worked a day in her life. His landlord Rollo is a thief and a conman.
Willie is terrified of being abandoned if he can’t keep buying their love and loyalty. Locked into this self-imposed slavery, he grows another crop even as he fears the poachers are waiting to pounce again. Rootbound follows one man’s search for self-esteem in a world that means to keep him in self-doubt.
Drawing on his decades-long career in financial services and his own immigrant experience, wealth management expert Gary Teelucksingh assembles proven research, successful and challenging case studies, and strategies into a comprehensive, step-by-step guide to the intricate process of intergenerational wealth transfer, exploring topics such as tax-efficient gifting strategies, behavioural economics principles, and differing cultural attitudes toward wealth. With checklists, conversation prompts, and planning templates, Roots of Prosperity empowers families, and their wealth advisors and estate planners, to build enduring legacies that preserve both wealth and cultural values.
It’s been a decade since The Monday Night War waged between the WWF and WCW generated unprecedented and astronomical ratings, and the landscape of “the sport of kings” has changed radically. But one thing remains constant: the fans chanting “Fire Russo!” can still be heard at TV tapings and pay-per-view events across North America. And Vince Russo, the man who has at times been called “the most hated man in professional wrestling” wouldn’t have it any other way.
In his first book, Forgiven, Vince Russo delivered a modern-day parable about the price of success. In heartbreaking detail, he showed how a “godforsaken business” and the desire for acclaim in his career as a writer for Vince McMahon’s WWF led him into a spiritual wasteland.
Today, a changed Russo has returned to prominence in wrestling — a world he both loves and that has, he acknowledges, broken his heart — as one of the writers and masterminds behind TNA, the world’s fastest-growing and most cutting-edge wrestling promotion. For two hours every Thursday, Russo’s ideas and words revolutionize wrestling on Spike TV; but what he achieves on Impact! on a weekly basis has been many years in the making. He’s been known as both the saviour of the WWF and the man who destroyed WCW, and Rope Opera: How WCW Killed Vince Russo is the true, behind-the-scenes story of, quite simply, the rise and fall and rebirth of professional wrestling.
Many have tried to explain the inner workings of wrestling’s most turbulent era — but this is the first time someone in the centre of the maelstrom has ever laid everything bare. In returning to the page to take readers from the death of WCW to the rise of TNA, Vince Russo has crafted his most remarkable storyline: that a grown man can come to terms with, and find peace within, the insanity of the squared circle.
Rosa Ost grows up in Notre-Dame-du-Cachalot, a tiny village at the end of the world, where two industries are king: paper and Boredom. The only daughter of Terese Ost (a fair-to-middling trade unionist and a first-rate Scrabble player), the fate that befalls Rosa is the focus of this tale of long journeys and longer lives, of impossible deaths, unwavering prophecies, and unsettling dreams as she leaves her village for Montreal on a quest to summon the westerly wind that has proved so vital to the local economy.
From village gossips, tealeaf-reading exotic dancers, and Acadian red herrings to soothsaying winkles and centuries-old curses, Rosa’s Very Own Personal Revolution is a delightful, boundary-pushing story about stories and the storytellers who make them – and a reminder that revolutions in Quebec aren’t always quiet.
Rose is the eagerly awaited third installment in Tomson Highway’s “rez” cycle—a large-cast musical set on the Wasaychigan Hill Reserve in 1992, reintroducing many of the characters from the first two plays, The Rez Sisters and Dry Lips Oughta Move to Kapuskasing.
The play features, as the title suggests, Roses. One Rose has recently become chief of the reserve, a woman who must fight constantly to keep her position and maintain the integrity of her native culture. Another Rose died seven years earlier in the saddle of her Harley while on her glorious, but grievous journey to women’s liberation. The third Rose never even had a chance to be born.
Emily Dictionary and some of her female biker pals take centre stage when Big Joey enlists the Sudbury Mafia to help with his plans to open a multi-million dollar dream casino in the women’s cherished Community Hall on the Rez. Bob Rae, Premier of Ontario at the time, makes an appearance in a land claims negotiation to sign the first Indian treaty in a hundred years with Chief Big Rose.
Violence against women is once again a powerful issue in the play as the battle for the future of the community builds to its shattering climax.
Cast of 10 women and 7 men.
“Todd takes Shakespeare’s most enigmatic, magic-infused work and fashions it into a morality tale with an uncannily of-the-moment resonance” — The Gazette
Set in mythical Belle Coeur County in a time not too far from our own, Rose & Poe gloriously re-imagines Shakespeare’s The Tempest from the point of view of Caliban and his mother.
Rose and her giant, simple son, Poe, live quietly on the fringes of their town — tending their goats and working at odd jobs. Prosper Thorne, banished from his big-city law practice and worrying about his fading memory, obsessively watches over his beloved daughter Miranda.
When Poe erupts from the forest one day carrying Miranda’s bruised and bloody body, he is arrested, despite his protestations of get help get help get help. Overnight, Rose and Poe find themselves pariahs in the county where they have lived all their lives. In the face of bitter hatred and threats from her neighbors, the implacable Rose devotes all her strength to proving Poe’s innocence and saving him from prison or worse. Rose & Poe is “a well-crafted tale about discrimination, prejudice, and the danger of being different. Most of all, it is a homage to motherly love” (Montreal Review of Books).
Rose Addams is hitting her sixties, but these days it feels like they’re starting to hit back…
Her daughter, Morgan, has ditched her thesis program and moved back home to Vancouver, while her son Jason’s partner has never seen eye to eye with his mother. Her husband Charles has decided to take early retirement from the university to work on his long-gestating book, and his rakish best friend Garnet has a new mistress who is way too young for their social circle. When Rose encounters a young man panhandling outside of her library office though, a chain of events is set in motion whereby Rose will have to confront all the facets of her rapidly-complicating life…
Recalling the work of Caroline Adderson, Krista Foss, and Marie-Renée Lavoie, Margie Taylor’s Rose Addams is an insight into the life of a woman who is in the process of beginning her third act, an empathetic and incisive look at the problems of those just exiting middle age while attempting to keep up with a rapidly-changing world.