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Twenty-fifth Street Theatre Players was established in 1972 as an artists’ collective under the direction of the enigmatic Andreas Tahn. The company would proceed to incorporate in 1974 and become the first professional theatre company in Saskatoon and the legacy it would leave would be nationally acclaimed. But as Brenna details in this succinct genesis of the Theatre, how it managed its personality conflicts, confronted its obstacles of inadequate funding, and grappled with the shifting of its artistic vision makes this account of 25th Street Theatre a unique and original history
Our Land: The Maritimes examines the historical and legal background to Indigenous land claims in New Brunswick, Prince Edward Island, and Nova Scotia, tracing the patterns of land dealings that resulted in the setting up of reserves, the creation of Status and Non-Status Indians, and a government policy of assimilation.
A groundbreaking work published in 1980 by the Aboriginal Rights and Land Claims Commission of the Métis and Non-Status Indians, Our Land: The Maritimes was critical in challenging the political consensus that Indigenous land claims in the Maritimes had been “superseded by law.” This foundational book, now reissued with a new preface by co-editor G.P. Gould, draws upon historical documents including proclamations, treaties, and laws. Chronicling the large-scale land loss and assimilation as a result of the creation of the Indian Act, Our Land: The Maritimes delves into records from the 17th and 18th centuries to find evidence of early acknowledgment of Aboriginal Title and provides a legal analysis of why it still exists today.
our place by Kanika Ambrose is a new work set in a fictional Caribbean restaurant, Jerk Pork Castle in Scarborough, where newcomers Andrea and Niesha work in exchange for cash under the table. As the two women scrape out a life in Canada, leaving their children in their Caribbean homelands, they must also navigate their status as undocumented workers. This funny, keenly observant script unveils the lives of these undocumented Caribbean workers who go to desperate lengths to get Canadian citizenship for the betterment of their children–a moving, timely story of those rendered invisible in a “welcoming” Canada.
If Pan’s Labyrinth was set in 2000s Quebec.Zoey’s parents have recently separated, and it’s their first Christmas apart. Zoey is spending the first part of the holidays with his father in Lac-Saint-Jean. Amidst sparkling snowflakes and bitter cold, stretching from Christmas to New Year’s, with one family then the other, Zoey explores the hallucinatory paths of childhood with his favorite cousin, Émie-Anne, the bravest person he knows. The winding paths snake through the deep forest, populated by monsters and strange characters. A creature with a face covered by a frightening mask watches over them. Dangers are not uncommon on these paths that plunge even deeper into their minds. With the exception of his uncle’s new girlfriend, Josiane, the adults are of no help on their adventure.Sometimes unsettling, sometimes full of magic, these snowy paths lead Zoey and Émie-Anne closer to a terrible and wonderful discovery.
A hilarious and moving account of one family’s frantic countdown to Christmas Eve. Follow in the author’s footsteps as he wrestles with giant Christmas trees, scrambles to get to his children’s concerts, is swallowed up by the mobs in the mall, sings his choirs first tentative attempt at Handel’s Messiah and enters into a desperate nationwide search for goats for his church’s Christmas pageant. Christmas is a time of joy and memories, memories that are both sweet and tinged with sadness. In this book we share both the happiness and the grief that can accompany this season. Our Twelve Days of Christmas is a book that will resonate with every family, as it shares a story that is both unique and universal, a story of family and the genuine meaning of this holiday.
A variety of genres are represented here–from life-writing to poetry to short autofiction. Readers will enjoy this compelling collection, which represents the voices of women who who have not been visible in more ways than one.
Out of Grief, Singing is an achingly beautiful account of how a woman comes to terms with the loss of her newborn. After a bewildering series of rapid diagnoses and emergency interventions, Charlene?s daughter Chloe is born. But her too-brief life is spent in the neonatal intensive care unit, and her mother, leveled by an epidural anaesthetic procedure gone wrong, can barely make it to her daughter’s side. In the months following Chloe?s death, more medical crises make it nearly impossible to even begin the grieving process, let alone return to any semblance of a normal life. But return she does, along a path that is both arduous and rich. With a poet’s ear for language, Charlene Diehl shares her discovery of joy amidst a devastating loss.
A thorough collection and examination of stories and perspectives from the Holocaust-related books of British Columbia authors, including nearly 100 black and white photographs.
Holocaust witnesses will soon cease to exist. As Tolstoy famously put it, what is to be done? One answer is Out of Hiding, a cross-section of stories collected from one region of the globe, British Columbia, Canada, examining 85 authors and 160 books.
Out of Hiding is both inspiring and chilling. The outstanding characters include the heroic whistleblower, Rudolf Vrba, credited by historian Sir Martin Gilbert with saving at least 100,000 lives, as well as Robbie Waisman, likely the only person ever to sneak his way into a concentration camp twice. This wide-ranging collection also features an afterword by Yosef Wosk and is dedicated to Dutch-born survivor Robert Krell, the MLK of Holocaust education in Canada.
Illustrated and profoundly educational, this patchwork quilt of memory and history belongs in every British Columbia household if the Holocaust is not to be forgotten, under-estimated or disregarded.
Poet and scholar Tanis MacDonald has taught creative writing for twenty years all across Canada: in small community workshops, large university classes and everything in between. The question she’s heard the most is “How can I be a writer?” and she realized early on that this question had nothing to do with putting words on a page. Out of Line is her answer to this question. This book is about creativity and community, about what it is like to try and pick up a pen, or a paintbrush, and create art for the first time when you don’t come from a background with access to the arts. In this wide-ranging work, MacDonald looks at our societal preconceptions about the artist lifestyle and examines how real artists fit into the everyday world. Along the way she walks the reader through the steps that must be taken for an idea to make it from a concept to a finished piece and what happens once the work is out in the world. But Out of Line also tackles how issues such as class and the rural-urban divide can structure our interactions with the arts. MacDonald examines the experiences artists have, whether beginners or established, in finding a community to support them and celebrate their work outside of the major urban centres where the industry has traditionally been clustered. In the end, Out of Line works to open up the arts to everyone who might dream of creating.
Winner, McNally Robinson Book of the Year Award
One of 49th Shelf‘s Books of the Year
In Out of Mind, David Bergen delves into the psyche of Lucille Black, mother, grandmother, lover, psychiatrist, and analyst of self, who first appeared in Bergen’s bestselling novel The Matter with Morris. Although adept at probing the lives of others, Lucille has become untethered, caught between duty and desire, between the demands of family and her own longing.
Her ex-husband Morris betrays her by publishing a memoir about the aftermath of their son Martin’s death in Afghanistan. She travels to Thailand to attempt to extricate her youngest daughter from the clutches of an apparent cult leader. And she is invited to the south of France to attend the marriage of a man whom she rejected a year earlier. Negotiating with herself about her altered role in the lives of her family and friends, Lucille circles the globe — and herself.
In this brilliant and subtle evocation of vulnerability and loss, Bergen traces one woman’s quest to reform her identity, reminding us that the unexpected is always lying in wait.
Daphne Baird impulsively leaves behind her boyfriend, her family, her whole life, for a new start in Montreal. Losing herself in the rhythmic roar of a copy shop by day, and haunting the sweltering, vibrant streets of the city by night, she collects fragments of histories and reconstructs other peoples’ lives.
Her long-postponed search for her biological parents leads her to the diaries of her grandfather, opening a window on 1960 British Guiana. As Daphne descends into the paranoid yet lucid world of Gerald Eyre — which reveals more than Daphne could ever expect — she cannot avoid the tensions swirling around the city or her own desire for family and connection.
Out of My Skin explores the things that bind us to places and people. It is a powerful tale of voyeurism, crisis, race, and family secrets that in its layering of contemporary events and personal histories subtly explores the effects and aftershocks of colonialism in the New World.
What happens when the place you’ve loved working at for twenty years asks for a divorce and breaks your heart?
“Tapping into her journalistic rigour, [Wong] gives a complete profile of the disease and its history.” — Now Magazine
“Jan Wong is a wonderful writer and as she tells her own story, she speaks for me and for many. Some say depression is a gift. Well, it’s not. But this book is.” — Shelagh Rogers
Self-published in 2012 because publishers were afraid of the backlash from the author’s criticism of the biggest newspaper in Canada, Jan Wong’s formidable memoir made the Globe and Mail‘s own bestseller list and exposed a much needed look at depression in the workplace. Now it’s back by popular demand.
For twenty years Jan Wong had been one of the Globe and Mail‘s best-known reporters. Edward Greenspon, her then editor-in-chief, described Wong’s writing as “intrusive, edgy, insightful, significant — and funny. Everything Jan touches becomes memorable.”
Then one day her world came crashing down. A story she wrote sparked a national firestorm, including death threats, a unanimous denunciation by Parliament, and a rebuke by her own newspaper. For the first time in her professional life, Wong fell into a clinical depression. She resisted the diagnosis, refusing to believe she had a mental illness, as did her employer and her insurer. Out of the Blue is the harrowing and sometimes surreal story of her struggle and her eventual emergence — out of the blue.
The exacting art of wood engraving is defined by presence and absence, shadow and light, black and white. An arduous yet rewarding art form, it requires an artistic eye and a dedication to technique in order to imbue each image with its own visual narrative.
Wood engraver Wesley W. Bates, the artist behind the acclaimed book The Point of the Graver, demonstrates the power and precision of the form in his new collection Out of the Dark. Bates brings to bear decades of experience, deftly wielding his graver to coax vibrant and lifelike images from solid blocks of endgrain wood. In so doing, he frees each likeness not only from the blocks that hold them captive but also from the reaches of his prodigious imagination.
With a wide variety of engravings in Bates’s unmistakable style, and accompanying texts to bring the reader into the artist’s studio, Out of the Dark is a treat for all who appreciate the traditional form.
A collection of poetry by a survivor of the Warsaw Ghetto.
This collection offers a cycle of poems about the poet who, as a child survivor of the Warsaw Ghetto, has had to live with the memories of the Holocaust all her life. The first section describes the evils of suffering and prejudice, of war and destruction, and the loss of loved ones, even the loss of self. “This is a ghetto / where humans live in neglected cages / within a fire that burns sleep out of their eyes.” The second section brings glimmers of light in finding ways to move towards a better, fuller life, as the poet realizes “We must always seek / new ways / of reaching one another / though each of us / is a world unto itself.” The third section offers a tribute to the artists and poets who have come before and who have left behind their gifts for us. It recognizes the connections and love within the family and the ability to live and love. “I run toward you / carrying the glow of marigolds / lighting your path to my love.”
“The Residential School experience had serious negative consequences for many of our people who have suffered in silence for too long. It is time to take the first step and let others know they are not alone in their suffering. No matter how painful, the stories of our people must be told and heard. Through sharing our past, we can begin to heal ourselves, our communities, our people as we look to a better tomorrow.” —Phil Fontaine, Grand Chief, Assembly of Manitoba Chiefs, former Residential School student