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Hélène Dorion’s lauded collection My Forests celebrates and examines our complex relationship with the natural world. The poems gathered here serve not only as hymns of praise to the trees, but also as vital warnings of fragility—both theirs and our own.
Dorion lives surrounded by lakes and forests, rivers and shores, in the fog of memory and in vast estuaries where thoughts flow into the sea. Taking inspiration from this vivid landscape, she delves into the heart of the forest, while also exploring how our relationship with nature has deteriorated over time. Lush and sensual images evoke the forest’s enduring beauty, locating nature within the noise of the world and the passage of time.
By imploring us to listen to the chorus of the trees, My Forests offers the hope that we will protect our shared home and envision a collective future in which all people can live in dignity. Seeking a way out of the darkness, Dorion’s poems lead us toward “a vast and luminous path/that gives meaning/to what we call humanity.”
Two timelines intersect, weaving an alternate reality of queer ancestors, half-truths, domesticity, and desire in spite of past and present persecution.
What if the queer ancestor you always wondered about had really existed – and could speak to you across all time? When there’s only one document to be found in the archive, can our misheard or half-remembered family stories be enough? My Great-Grandfather Danced Ballet is a daring, erotic, and humorous exploration of queer longing and Jewish possibility at the turn of two centuries. In a captivating series of narrative poems, Misha Solomon entwines an alternate memoir of his great-grandfather in pre-Holocaust Romania with a contemporary gay life in Montreal. With profound vision, voice, and craft, Solomon sets a new and powerful precedent for speculative poetic histories, allowing intimacy to find a way through memories real, imagined, and desired.
The essential “by her, for her” health diary
The average woman visits a healthcare professional six to ten times a year, but her responsibility extends far beyond that with regular regimens for nutrition, exercise, hygiene, and stress management. With space to record healthcare providers, appointments, medications, tests, expenses, and procedures, this journal is as useful before a routine appointment as it is in an emergency. Plus, the journal highlights helpful tips about meditation, smart recipes, fitness, and travel — and even includes brainteasers for the waiting room.
The result of extensive consultation with women in the medical, communications, and marketing fields, My Handy Little Health Journal inspires women to change their healthcare habits with a broad approach to wellness.
My Heart is a Rose Manhattan is a darkly humorous book about grief and isolation. The poems are cutting yet tender; sorrowful yet filled with righteous anger, absurdist at times but still recognizable, reassuring us that “it’s ok to grieve forever.” There is death and loss, architecture, alcohol, horse statues, and catalogues of life away from the urban centres of Canada. This book wants to “subvert the literary industrial complex,” but also crash in like the Kool-Aid meme with all-caps non sequiturs and “overdrawn affluenza.” These poems are addicted to social media and simultaneously well versed in feminist theory. Some of the poems rail against the abuses of rape culture, asking: What is excusable? Who is implicated? Who is believed?
my heart is a stray bullet is the first collection of poems by Kateri Akiwenzie-Damm. The poems in this collection examine issues of identity, positionality, desire, and unity from the perspective of a First Nations woman of mixed ancestry.
***2022 ATLANTIC BOOK AWARDS: APMA BEST ATLANTIC-PUBLISHED BOOK AWARD – SHORTLIST***
***2022 BMO WINTERSET AWARD – LONGLIST***
***2022-2023 HACKMATACK AWARD: ENGLISH FICTION – SHORTLIST***
***2022 IPPY AWARDS: MULTICULTURAL FICTION: JUV/YA – SILVER***
In 1822, William Epps Cormack sought the expertise of a guide who could lead him across Newfoundland in search of the last remaining Beothuk camps on the island. In his journals, Cormack refers to his guide only as “My Indian.”
Now, almost two hundred years later, Mi’sel Joe and Sheila O’Neill reclaim the story of Sylvester Joe, the Mi’kmaw guide engaged by Cormack. In a remarkable feat of historical fiction, My Indian follows Sylvester Joe from his birth (in what is now known as Miawpukek First Nation) and early life in his community to his journey across the island with Cormack. But will Sylvester Joe lead Cormack to the Beothuk, or will he protect the Beothuk and lead his colonial explorer away?
In rewriting the narrative of Cormack’s journey from the perspective of his Mi’kmaw guide, My Indian reclaims Sylvester Joe’s identity.
In this hauntingly beautiful novel with its palette of blues and greys, Danial Neil explores the world of Reuben Dale after the sudden death from a stroke of his beloved wife, June. Neil takes us inside suffering to show us the thoughts and feelings of the one left behind. Lost without the woman he has loved and leaned on, Reuben wanders aimlessly for a time in the little town of Seaside on the Sunshine Coast where he had retired with his wife with expectations of leisure time to sail. But now their sailboat, my June, named after his wife, remains tied to the dock. Ironically, just when he is beginning to develop a new place for himself in the daily life of Seaside, Reuben finds his past rising up to confront him, to demand radically new measures. Filled with superb renderings of the subtle beauties of the Sunshine Coast, this is a novel that shows that the past can be revisioned so as to create a new life from what remains. In the end, which turns out to be not an end, Reuben begins to find he can become the person he has never believed possible.
Her weakest moment spawned a crusade for change. Julie Devaney takes on a journey through the health care system as she is diagnosed and treated for ulcerative colitis. In and out of emergency rooms in Vancouver and Toronto, she’s poked, prodded, and abandoned to a closet at one point, bearing the helplessness and indignities of a system that seems hell-bent on victimizing the sick.
Raw, harrowing, and darkly funny, My Leaky Body argues convincingly for fixes to the system and better training for all medical personnel. As she recovers, she sets out to do just that: setting up a gurney on stage at workshops and conferences across the country to teach Bedside Manners 101 and to advocate for repairs to the system.
Part memoir, part love story, part revolutionary manifesto, My Leaky Body is politicially astute, gooey like cake batter, and raw like ulcerated bowels. Devaney writes the book that will heal her aching heart and relax her strictured rectum as she weaves stories from professional and public interactions with tales from her gurney.
FINALIST, Red Cedar Nonfiction Award
Based on extensive interviews, My Left Skate: The Extraordinary Story of Eliezer Sherbatov is a first-person biography of a Jewish teenager who had it all on the hockey rink: guts, drive, and exceptional talent. When a freak accident leaves him with a permanent disability and no feeling below his left knee, everyone believes Eliezer’s career is over – everyone except his mother, a professional power skating coach. She teaches Eliezer to skate using the muscles in his upper leg, and after two and a half years of operations and rehabilitation, he returns to the rink to become one of Quebec’s elite junior players.
Still undrafted at age nineteen, Eliezer embarks on a professional career in Europe in the hopes of one day returning to the NHL. His travels lead him to France, Kazakhstan, Slovakia, and to Poland, where he lives and plays hockey just a few kilometres from the Auschwitz death camp, haunted by memories of the past.
In its stunning conclusion, My Left Skate describes Eliezer’s life in Ukraine and his struggle to escape from war after Russia invades the very region in which he plays.
“Eliezer Sherbatov scores a hat trick with  My Left Skate . This story is wonderfully told: gritty, inspiring, joyful at times and sad at other moments. He deserves to be a hockey hero for all that he has survived.” - Marty Klinkenberg,  The Globe and Mail
Diane “Honey” Jacobson’s latest book is an important comment about First Nations efforts to save the salmon and her personal youthful journey to find meaning and a sense of place in life. Like the style in her first book My Life in a Kwagu’l Big House, Diane’s style in My Life with the Salmon is full of action, amazing adventures and fascinating connections between land, water and people. In My Life with the Salmon, we follow “Honey” through sometimes hilarious and sometimes difficult periods, but we always learn a life lesson.
Frankie is young monster who’s life often feels like it’s about to unravel– she can’t even count on getting through a softball game with all her limbs still attached! When she meets Momo, a girl who– despite being made of squishy, pink slime– is as sharp as she is cute, Frankie wants nothing more than to get closer to her. In order to do that however, Frankie now finds herself having to thread the needle around a new job, a scheming skeleton and the world’s hairiest ex-girlfriend drama. Join Frankie in a world full of monsters, magic and (hopefully!) love, as she tries her best to set the seams on an exciting new life!
All there is, is light and darkness and wonder.
And in that moment, there is no difference, either,
between love and the memory of love. – “Up Above the World”
In this latest collection Richard Harrison has created a companion to his Governor General Award–winning collection On Not Losing My Father’s Ashes in the Flood. In My Mother Joins the Resistance, Harrison considers his mother’s life – from her time as a child during WWII’s Operation Pied Piper, up until its end, in 2017, when terminally ill with cancer, she chose MAiD – with elegant, deeply felt poetry. These are beautiful poems, ones that piece together a person, a life and a family over generations. These are poems that examine the wounds passed down through a family, alongside the love, and see the echoes of both – the wounds and the love – in the world around us.
In 2008, Jaspreet Singh made a pact with his mother. He would gladly give her the go-ahead to publish her significantly altered translation of a story from his collection, Seventeen Tomatoes, if she promised to write her memoirs. After she died in 2012, he decided to take up the memoir she had started. My Mother, My Translator is a deeply personal exploration of a complex relationship. It is a family history, a work of mourning, a meditation on storytelling and silences, and a reckoning with trauma–the inherited trauma of the 1947 Partition of India and the direct trauma of the November 1984 anti-Sikh violence Singh experienced as a teenager.
Tracing the men and especially the women of his family from the 1918 pandemic through the calamitous events of Partition, My Mother, My Translator takes us through Singh’s childhood in Kashmir and with his grandparents in Indian Punjab to his arrival in Canada in 1990 to study the sciences, up to the closing moments of 2020, as he tries to locate new forms of stories for living in a present marked by COVID-19 and climate crisis.