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Philip Skyler learned early in his life that his face would get him into trouble and there was nothing he could do about it. Born with an extreme facial deformity, he became the object of attention. Though medical scientists named his condition Van der Woude syndrome, his classmates, especially the bullies, just called him “Monkeyface”. Monkeyface Chronicles is his sweet story of revenge.
Philip’s aphorism-toting grandfather used to say, “Shallow men believe in luck. Strong men believe in cause and effect,” and Philip Skyler is about to embark on a life journey of payback that has everything to do with cause and effect. Philip’s journey ultimately takes him through the most unusual family circumstances, where no one was really who they seemed to be, whether it was his reclusive scientist father, or his Citizen Kane-like grandfather.
While riding his father’s motorcycle to Toronto to escape the dregs of Faireville, Philip has a life-changing experience that transforms him from the dupe he was as a kid into a conquering hero in his twenties. His unforgettable ride brings him to triumph over adversity and redeems him from the world of losers into which he was cast.
The bestselling popular science author “has made it his mission to tackle myths about science and the so-called experts who spread them” (CBC Radio)
“A compendium of short articles on a variety of subjects, written in a humorous, accessible style, and larded with intriguing trivia . . . Dr. Joe skewers food myths, opposition to GMOs, Dr. Oz, and Vani Hari, aka the Food Babe.” — Science-Based Medicine
The internet is a powerful beast when it comes to science; the answer to any query you may have is just a few keystrokes away. But when there are multiple answers from various sources, how do we know what information is reliable? In Monkeys, Myths, and Molecules, award-winning author Dr. Joe Schwarcz takes a critical look at how facts are misconstrued in the media. He debunks the myths surrounding canned food, artificial dyes, SPF, homeopathy, cancer, chemicals, and much more.
Unafraid to expose the sheer nonsense people are led to believe about health, food, drugs, and our environment, Dr. Joe confronts pseudoscience and convincingly and entertainingly advocates for a scientific approach to everyday life.
In his debut poetry collection, A.J. Levin presents a world in which the past overlays our modern existence, where classical allusions and philosophical observation are married to slapstick humour and carnival: Plato is a blues singer, Tantalus is a prospector in BC, and Descartes wanders around a Montreal amusement park. Monks’ Fruit is above all a work of faith. Redemption lies in humour, imagination, curiosity and knowledge, though not in organized religion: Lazarus is reborn through his love, even extinct species have a second life when we remember them, but a parking lot is death itself.Levin guides us not just through time but through place-a cramped Istanbul apartment, brown Mexican fields, noisy Toronto restaurants, and through England, Brazil, the American South. And everywhere is a “place filled with the poem / of human architecture,” a land made real by the ability to love and remember.
In Monoculture, Sue Goyette imagines that Nova Scotia’s last surviving stand of intact forest has been preserved for the enjoyment of the public—a premise that seems more like an inevitability than a speculation. Framing the text as visitors’ comments posted on the forest’s official website, Goyette speaks through a chorus of voices to explore the long consumptive, anthropocentric attitude that permeates our relationship with the natural world—from destructive harvesting practices to our expectations about outdoor recreation and leisure. This unique work takes its cue both from the incessant chatter of social media and from the long slog of a map-less hike, showing how a little scrap of wilderness can still unsettle and disorient us, humble and astonish us, and open its truths to us.
Dazzling collection of masques from Manitoba Book of the Year- and Walrus Poetry Prize-winning author.
Monologue Dogs is a series of contemporary dramatic monologues. Every “voice” has its own imagined rhythm and nuances of poetic speech that are as vibrant, wayward, mournful, errant, or unruly as the characters who speak. Setting the lyric against street argot, archaic language against deflating or ironic feints, metaphors against declarative sentences, the elegiac against the ribald, classical or literary allusions against anachronistic references, these monologues reflect our own disordered subjectivities. In the words of Molly Peacock: “Read her for a fresh, contemporary and knowing sensibility–not to mention an unforgettable sense of humour.”
Suddenly the car drops down on all fours
and will go no further. Arrival is neither here
nor there, mother says, searching for her key.
But her key is in the last lost pocket of the world’s
overcoat and tonight — tonight the forest is ajar.
–from “The Hunger Artists”
Praise for Monologue Dogs:
“Again Méira Cook proves herself to be one of Canada’s most compelling poets.” –Molly Peacock.
“These are poems to read and reread with growing pleasure and admiration.”–Steven Heighton
Set against the backdrop of the 2014 Scottish referendum, Monsoon on the Fingers of God continues an ongoing exploration of forms and improvisation on styles, rhythm/taal, and raagic moods in an examination of identity, history and human migrations.
From the bestselling author of Drunk Mom and Possessed comes MONSTER, a mesmerizing, brave new work of autofiction. MONSTER is a shattering, feminist manifesto exploring sexual awakening, motherhood, immigrant trauma and the power of female rage.
Yoveeta is angry. But her rage is quiet, internal, festering inside and forming a mysterious creation that she refers to as “Monster”, something that began as longing when she lost her first home, country and language, and that kept on growing as she experienced sexual and romantic trauma. Her quest for home led her into a toxic relationship with Voytek, an older, former professor and accomplished Polish writer who fathered her daughter, Ruby, and who gave her a house that finally made her feel as if she landed somewhere safe. But their marriage was anything but safe, with Voytek’s penchant for infidelity and unrelenting gaslighting.
On the eve of launching her memoir about overcoming her eating disorder, Yoveeta meets a fascinating man her age, activating the dormant Monster who is viciously hungry for food, sex, and revenge, but most of all, Yoveeta’s own awakening.
As her relationship with her husband crumbles into separation, Yoveeta develops a new, motivating force to fight for her home and future. The invigorating new love gives her the courage to leave her toxic situation and come up with an ultimate and drastic solution, carried out with the help of her new accomplice.
With intellectual energy, Sarah Klassen takes the reader on an unforgettable journey by Klassen’s unsettling, stimulating and wonderful experiences in Israel/ Palestine and Lithuania, as well as life at home. Combined with reflections on nature, the poems explore the ongoing challenge of how to live in this world with compassion, hope and faith. Nature and personal experience, beyond what media and books can convey, bring together both the spiritual and physical dimensions of living in this conflicted world. Remaining firmly grounded in reality, Klassen seeks enlightenment and higher understanding of humanity through moments of clarity.
“Where is everybody?” That’s the question physicist Enrico Fermi posed to his Manhattan Project colleagues now 70 years ago. They knew what he meant. Decades of reaching out to intelligent beings elsewhere in the universe, and no response. Zero. Nothing. A fact which remains true today. Mont Babel sling-shots off the Fermi paradox using the opposing forces of father and son. Jim Benedict’s a humanist, a man of the word, his son an engineer who’s bored by Shakespeare and likes the NFL. “In the beginning was the word. In the beginning was the Big Bang: two party bumper stickers of our current malaise,” writes Jim Benedict. Father and son rarely communicate. If they do, it is by email. What brings them together is the lovely Iris Doubt, Tom Benedict’s south African geologist girlfriend, one of the Ariel School children who claimed to have been visited by aliens. Now working in Canada, she spends her free time as invitee to UFO conferences and as investigator of impact craters, one of which is l’oeil du Québec, Mont Babel. Macrocosm meets microcosm in Mont Babel, quantum mechanics and astrophysics, neutrinos and black holes, raising questions about perception and consciousness, heaven and family peace.
Mont Babelfeatures an Introduction by Don C. Donderi, author of UFOs, ETs, and Alien Abductions: A Scientist Looks at the Evidence
Montage for an Interstellar Cry is an experimental collection, encompassing the MX Missle, Wood Mountain, and Pinochet’s Chile.
With war raging in Europe, the Allies worried about advances being made by Germans scientists. The British wanted to get a jump ahead of Hitler and the physicists working for the Third Reich. England was too close to the enemy, so they decided to secretly establish a nuclear research laboratory in Montreal. The best scientists moved to Montreal with two goals in mind: develop an ultra-powerful bomb and find a new source of energy. What started as cooperation with the Americans instead became a race to harness the energy of the atom when Washington launched the Manhattan project.
Montreal and the Bomb breathes new life into the exhilarating saga of European scientists secretly developing a strategic nuclear laboratory in the halls of the Université de Montréal. It?s a story peopled by leading figures of modern physics, bold chemists, and scientists accused of spying. The one idea driving them is to master the atom, whatever the result may be.
Montreal Before Spring
Montreal Confidential, first published in 1950, is a gossipy and sometimes gritty chronicle of Montreal after-dark during the 1950s. Al Palmer, who covered the entertainment and police beat for the Montreal Herald and later the Montreal Gazette, colourfully describes the glamorous cabarets, restaurants, late night bars, singers and dancers, and various underworld characters, when Montreal was an open city. In this new edition, published in its original pocketbook format, the addition of archival photographs of the people and places mentioned in the book compliment Al Palmer’s spirited prose.
First Edition (1950) back cover
Our Old Man used to always say that you can take the boy out Montreal but you can’t take Montreal out of the boy.
Some cities are merely bolts on the landscape with the approved collection of steel and stone buildings and the ever-present supermarkets. Most have absolutely nothing to distinguish them from a thousand similar cities.
Some, notably New York, New Orleans and San Francisco, have certain characteristics which set them apart from other cities.
And then there’s Montreal.
There is little doubt but that our home town has developed into the most colourful community on the continent. Nothing which New York, New Orleans or San Francisco–or any other city for that matter–can offer that Montreal hasn’t more of.
It is a helluva town to visit, a helluva town to live in and a helluva town to come back to. We love every grimy square of it.
Montreal, an island in the St. Lawrence River, is an emotional city. To walk its streets is to sense a mood — sometimes warm, sometimes anxious, depending upon the political climate — but always invigorating and vital. The Québécois culture offers a striking contrast to that of the rest of North America. Montreal is far more European, epicurean, and stylish than most — or perhaps any — other North American cities. This book will offer you a glimpse into the lives and attitudes of Montrealers, the beauty and rough charm of the city, and the rich historical legacy that informs its everyday life — a daily life of stimulating sights, sounds, tastes, events, and people. It is a city that, once visited, is impossible to forget.
WINNER 2001 CANADIAN JEWISH BOOK AWARDS Izzy and Betty Kirshenbaum FoundationPrize for Yiddish translation Montreal of Yesterday was originally published in Yiddish in 1947. It had earlier appeared in installments in the pages of the Keneder Adler – the Canadian Eagle – Montreal’s legendary Yiddish-language newspaper. For the first time, this captivating classic on Jewish immigrant life in Montreal (1900-1920) is available in English. In the 54 short chapters of Montreal of Yesterday Medres writes with charm and gentle humour about immigrant life, class divisions, the first socialists, the first Jewish bookstore, Canadian life, the press, art and business, Yiddish vaudeville, politics and citizenship, Jewish soldiers, writers, the poor, and religious observance.