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Best Books of 2024 lists: NYPL, The Globe and Mail • Most Anticipated Feminist Books of 2024, Ms. magazine • Kids Indie Next Pick
A powerful coming-of-age graphic novel about how mothers and daughters pass down—and rebel against—standards of size, gender, race, beauty, and worth.
Guangdong, 1954 Sixteen-year-old Mei Laan longs for a future of freedom, and her beauty may be the key to getting it. Can an arranged marriage in Hong Kong be the answer to all her problems?
Hong Kong, 1972 Sixteen-year-old Lydia wants nothing more than to dance and to gain approval from her mother, who is largely absent and sharply critical, especially about the way she looks. Maybe her way to happiness is starting over in Toronto?
Toronto, 2000 Sixteen-year-old Roz is grappling with who she wants to be in the world. The only thing she is certain of is that if she were thinner, things would be better. How can she start living her life, instead of just photographing it?
When Roz’s estranged por por abruptly arrives for a seemingly indefinite visit, three generations are now under one roof. Delicate relationships are suddenly upended, and long-suppressed family secrets begin to surface.
Award-winning creator of Living With Viola Rosena Fung pulls from her own family history in her YA debut to give us an emotional and poignant story about how every generation is affected by those that came before, and affect those that come after.
“Moving and emotional.” —Victoria Ying, Harvey Award–winning author of Hungry Ghost
“Crucial.” —Deb JJ Lee, creator of In Limbo
“Beautiful.” —Fiona Smyth, illustrator of Sex Is a Funny Word
Content Warning: body image, disordered eating.
It’s a time of passion and confusion. Virtue is barely holding down its petticoats. People are bursting their corsets with unbridled desire. It’s 1885, and the typewriter and the suffrage movement are sending things topsy-turvy. In the midst of it all, five ambitious New Women and one Newish Man struggle to find their way. Miss Mary Barfoot runs a school for secretaries with her young lover, Miss Rhoda Nunn. But when the Misses Madden – spinsters Virginia and Alice and beautiful young Monica – arrive, along with the attractive Dr. Everard Barfoot, things can never be the same.
Age of Arousal is a lavish, sexy, frenetic ensemble piece about the forbidden and gloriously liberated self – genre-busting, rule-bending, and ambitiously original.
The book includes notes and a rousing, thoughtful essay on Victorian women’s suffrage by the playwright.
‘Endlessly witty, vigorous, funny… brilliantly inventive.’ – Calgary Herald
‘Griffiths is one of Canada’s ‘originals’ known not only for the quality of her work, but for the sheer range of her career.’ – Maclean’s
In The Aging Cheerleader’s Alphabet, Lynes has crafted a moving portrait of a woman whose humour and chutzpah challenge a world that sees her as a relic of another age. Part nostalgia, part cultural critique with respect to women’s experience of aging, Lynes’ Cheerleader does handsprings, walkovers, and roundoffs over the very language that seeks to define her.
In Brandt’s second book of poetry, the raw vioce of repression gives way to a “healed heart.””These poems achieve that delicate balance between resistance and affirmation, where opposites are not rejected but burn passionately and sustain each other, as they do in our lives.”–Erin Mouré
Through ear-splitting, thunderous explosions and fearful eerie flashes in the distance, the nurses of the Canadian Army Nursing Service in World War I waited for the inevitable arrival of wounded soldiers. At the Casualty Clearing Houses, they worked at a feverish pace to give emergency care for bleeding gashes, broken and missing limbs, and the devastating injuries of war.
Exploring the many ways in which trained and volunteer nurses gave their time, talents, and even their lives to the First World War effort, Shawna M. Quinn considers the experiences of New Brunswick’s nursing sisters — the gruelling conditions of work and the brutal realities they faced from possible attacks and bombings. Using letters, diaries, and published accounts, Quinn paints a complete picture of the adventurous young women who witnessed first-hand the horrors of the Great War.
Agnes Warner and the Nursing Sisters of the Great War is volume 15 in the New Brunswick Military heritage Series.
Agnes, Murderess is a graphic novel inspired by the bloody legend of Agnes McVee, a roadhouse owner, madam and serial killer in the Cariboo region of British Columbia in the late nineteenth century. Fascinated by this legend–which originated in a 1970s guide to buried treasure in BC, and has never been verified–Sarah Leavitt has imagined an entirely new story for the mysterious Agnes: her immigration to Canada from an isolated Scottish Island; her complex entanglement with shiny things; and her terrifying grandmother, Gormul, who haunts Agnes’s dreams and waking life.
Leavitt puts a decidedly queer twist on the story, moving from women’s passionate friendships in the gardens of St John’s Wood to female relationships in the Canadian wild. At the same time, the book grapples with the dangerous pre-conceived notions held by settlers that the country was a “new world,” free of ghosts and history. Agnes, Murderess presents a tortured, complicated woman struggling to escape her past. It is a spine-chilling tale of ghosts and murder, friendship and betrayal, love and greed, fate and choice.
AGO’s collection of close to 95,000 works ranges from cutting-edge contemporary art such as Untilled (Liegender Frauenakt) by Pierre Huyghe to European masterpieces such as Peter Paul Ruben’s The Massacre of the Innocents; from the vast collection by the Group of Seven to works by established and emerging Indigenous Canadian artists.
Art has the ability to bridge cultures and create new ways of communicating. At its highest achievement, it gives pleasure through the act of looking and empowers us to perceive the world through a wider lens.
AGO: Highlights from the Collection of the Art Gallery of Ontario recognizes the remarkable collection of the AGO. Featuring more than 300 works, this book showcases the depth and diversity of the Gallery’s holdings — from Rubens’s masterpiece, The Massacre of the Innocents, to Arnaud Maggs’s After Nadar photographs. Each entry includes a stunning reproduction, an insightful description, and detailed archival information.
Over the last decade, the AGO’s world-renowned collection has grown immeasurably. Now readers have the chance to explore in print form many of these acquisitions, including photographs, First Nations objects, African art, and pieces from the Thomson Collection.
AGO Modern and Contemporary presents over one hundred remarkable works from the AGO’s permanent collection. Featuring recent landmark acquisitions such as Yayoi Kusama’s INFINITY MIRRORED ROOM – LET’S SURVIVE FOREVER and commissions such as Zak Ové’s eighteen-foot-tall Moko Jumbie, this remarkable volume provides a fresh look at the AGO’s collection and its commitment to highlighting ground-breaking artwork by women, Indigenous, and racialized artists. Included are recent commissions as well as acquisitions by painters, sculptors, and installation artists such as Shuvinai Ashoona, Rebecca Belmore, Emily Carr, and Theaster Gates.
This handsome, large-format volume demonstrates the diversity of artistic cultural representation in the AGO’s Modern and Contemporary collections, including works from both Indigenous + Canadian Art as well as the Arts of Global Africa & The Diaspora collecting areas. With a foreword by Michael and Sonja Koerner Director, and CEO Stephen Jost and with works presented in a loose chronological order, AGO Modern and Contemporary demonstrates the transformation of the AGO’s collection and encourages consideration of future artistic representation both in Toronto and Canada at large.
Few today have ever heard of Dora Russell (1912-1986), let alone read any of her work. At best, some might recognize the name of the wife of Ted Russell, the creator of Uncle Mose and the fictitious outport of Pigeon Inlet. But Dora was also a writer, as prolific (maybe even more so) as her husband. She was certainly much more than just the woman behind the man. Ahead Of Her Time: Selected Writings of Dora Russell offers a cross-section of her work, beginning with her years as Woman’s Editor with the Evening Telegram (1945-48). Before long, she found herself in the midst of discussions emanating from the National Convention and the two referenda that led to Confederation. Two of her regular columns focused on political and social events from a uniquely female perspective, sprinkled with touches of humor and satire. She also wrote profiles of 240 prominent Newfoundland women, a superb contribution to the social history of Newfoundland in the 1940s. For her time Dora was quite remarkable. With four small children at home, she successfully carved out a niche for herself in Newfoundland journalism, setting a fine example for those who would follow.In the early 1950s, she branched out into other types of writing, notably personal essays, short stories and radio scripts. She did create one more column – “All About Stars” – which drew high praise from the Royal Astronomical Society of Canada.
In his sixth collection of poetry, Peter Sanger brings his archaeologist’s eye, along with classical and local iconography, to his encounters with domestic implements, local ecology, cultural relics and landmarks. The poems in this collection achieve a delicate balance between the grounded and the ethereal, such that the poet’s studies set down in words without losing any of the transient nature of seeing and of understanding.
Alighting on plants, tools, vessels, instruments and jewellery, Sanger’s engagement with each is infused with imagination and a sharp association with an interior catalogue of imagery that spans classical mythology, Shakespeare, and a personalized spectrum of more contemporary influences, including poets Elizabeth Bishop and Richard Outram, and photographer Thaddeus Holownia.
The poems in this collection share a stunning precision, and demonstrate a simultaneous thrift and exuberance of language and rhythm. Music comes from surprising places, adding a quality of purity and resolve in some places, achieving the liturgical lilt of nursery rhyme in others.
Aiken Drum features a long poem on the nebulous existence of William Newmanalias: Moona con artist who got by on what others assumed about him as he roamed New England and the Maritimes in the early nineteenth century. Here Sanger tugs at the edges of a more recent myth, revealing some of the essence of mythology itself. As the voices of poet, speaker and subject coalesce, readers are compelled to question just what we make of individuality and what we deem truth. Circling around the verity of the person and the presentation of that verity in literature, Sanger extends into poetry the bibliographic sleuthing that has defined his recent prose work.
“The tutelary spirit in Aiken Drum is an archetypal, mercurial shape-shifter whose name gives the collection its title,” says Sanger. “Originally, the character Aiken Drum appears in an old Scottish nursery rhyme of uncertain origin. Here, he also appears in the shape of the infamous ‘mysterious stranger’ who called himself during a career of thievery and fantastical escapades Smith or More or Newman orHenry Moon. His story is told in the poem sequence ‘Abatos,’ but his presence, in various forms (including at one point, the philosopher Wittgenstein), infiltrates many poems throughout the collection. Like many books of poetry, Aiken Drum’s geography is both purgatorial and paradisal. Which is which, and when, are matters for the man in the moon and Aiken Drum.”
In this collection of poetry by Glen Sorestad, a once-comfortable world takes on a startling and dreamlike quality when removed from the usual surroundings of home. These are poems about places encountered, from the oil donkeys rocking by the runway in Calgary to the fields of France seen through a train window. They are also about people observed and the nature of travelling. They move from his silent reflections on the nighttime street sweepers of Frankfurt to raucous encounters in the beer halls of Amsterdam, from airport departure lounges to secrets offered en route by anonymous strangers.In these poems, the foreign world encountered is filtered through the perspective of home. Distances are measured in prairie miles; an Austrian hayfield is felt through the itch of Saskatchewan foxtail. The traveller arrives at unexpected destinations, and home is seen in a new and unfamiliar light upon return.
Air Carnation features an absorbing narrative that bridges non-fiction and fiction, poetry and song, as Guadalupe Muro explores themes of independence in love and the writerly life. With sojourns in Argentina, Buenos Aires, New York, Washington, and a cross-Canada train passage from Edmonton to Toronto, Air Carnation is an affecting work that will have readers laughing, crying, and all the while, enjoying this fascinating meta-fiction that sings of hippiedom in Patagonia.
Ella Zetsermann’s latest collection of poetry pushes and pulls, stretches taught and snaps back upon the weight of history and the struggle to place oneself in the here and now. From her mother’s kitchen to medieval Granada, The Air Is Elastic follows a life exiled from the familiar into the unexplored. Season’s melt into ritual, raucous waxwings crash on glass and hearts are hidden in jars of jam along with the private details of our lives. Wistful and aching, loving and tender, Zeltsermann’s poems are charged with the potential of a coming storm.
A magical, airborne story of father and son.
Jonathan Rotondo was 28 when his father, Antonio, died. Numb with grief, Rotondo decided to track down the object that had once given his father so much joy: a tiny single-seat biplane called Charlie Foxtrot Foxtrot Alpha Mike.
Thus began Rotondo’s journey to retrace his father’s life from Italy to Canada via the plains of East Africa. In his search for Foxtrot Alpha Mike, Rotondo meets a host of colourful characters: an Australian expat living in Kenya who inspired Antonio’s love of flight; a soft-spoken Swiss-Canadian who managed to get Foxtrot Alpha Mike into the air; a free-spirited dreamer who bought the plane to dogfight with his mates.
In this uplifting story of a father and son, Rotondo catches fleeting glimpses of his father and rediscovers his own passion for flight. All the while he captures “the rush of speed, the exhilaration of the wind’s breath rushing through the cockpit and along the fabric flanks, the surreal sensation of gravity’s pull and lift’s might.”