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In Meeting the Tormentors in Safeway, Alexandra Oliver zooms in on the inertias, anxieties, comedies, cruelties, and epiphanies of domestic life:

They all had names like Jennifer or Lynne
or Katherine; they all had bone-blonde hair,
that wet, fl at cut with bangs. They pulled your chair
from underneath you, shoved their small fists in
your face. Too soon, you knew it would begin,
those minkish teeth were dancing everywhere,
the Bacchic taunts, the Herculean dare,
their soccer cleats against your porcine shin,
that laugh, which sounded like a hundred birds
escaping from the gunshot through the reeds –
and now you have to face it all again:
the joyful freckled faces lost for words
in supermarkets, as those red hands squeeze
your own. It’s been so long! They say. Amen.

Oliver’s poems, which she describes as “text-based home movies,” unveil a cinematic vision of suburbia at once comical and poignant: framed to renew our curiosity in the mundane and pressing rhyme and metre to their utmost, Meeting the Tormentors in Safeway is a five-star performance from Canada’s new formalist sensation.

“Alexandra Oliver has many arrows in her quiver – all of them sharpened to a fine point. In satirical work like “The Classics Lesson,” she is mordantly funny. Yet she can also treat her subjects quietly and with touching understatement, as in “Chinese Food with Gavra, Aged Three.” Ms. Oliver is, moreover, technically resourceful in the best sense. For example, in “Doug Hill” the verbal repetitions of the pantoum form perfectly suit the obsessive voice of the romantically disappointed protagonist. This is an excellent and entertaining collection.” – Timothy Steele

“It is sometimes argued that our disjunctive times need to be mirrored by disjunctive forms: only aesthetic disorder can respond to our experience. Such a simplicity is disproven by Alexandra Oliver’s Meeting the Tormentors in Safeway, in which disjunctions of many kinds (such as the one in her title) are brought to order by the poet’s refining passion and corrosive wit. Here are brilliantly contemporary poems in traditional forms, the work of a stunning new voice.” – Charles Martin

“Alexandra Oliver is in full command of a saber wit and impeccable ear. With these she tackles nothing less than the unsettling hazards, absurd encounters, and oddball ironies of our modern predicament to make poems that bite and entertain. That they are also by turns tender, sad, and rueful speaks not only to her range but to the underlying intensity of feeling. For Oliver’s considerable formal skills are always employed to prod and direct poetry’s energies to keep pace with the contemporary world. Lucky the reader along for the ride.” – Jeanne Marie Beaumont, author of The Burning of Three Fires and Curious Conduct

In this debut collection, Jason Heroux describes the atmosphere of a world that is both realistic and bizarre. His simple, clear poems capture the strange and mysterious absurdity of everyday life. The world becomes a place where shadows are kept in jars, where a frightened spoon begs for its life, and a man falls in love with the contents of his briefcase. Paradoxically, it is also a place where everything feels oddly at home, with ‘clear-headed raindrops rushing full speed into this one and only world.’ A poet of keen observation and unusual imagery, Jason Heroux writes spare, haunting poems that exist in the intersection of reality and dreams.