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In 2001, a woman’s skeleton was found in the woods overlooking Montreal’s Royal Victoria Hospital. Despite an audit of the hospital’s patient records, a forensic reconstruction of the woman’s face, missing-person appeals, and DNA tests that revealed not only where she had lived, but how she ate, the woman was never identified. Assigned the name Madame Victoria, her remains were placed in a box in an evidence room and, eventually, forgotten.
But not by Catherine Leroux, who constructs in her form-bending Madame Victoria twelve different histories for the unknown woman. Like musical variations repeating a theme, each Victoria meets her end only after Leroux resurrects her, replacing the anonymous circumstances of her death with a vivid re-imagining of her possible lives. And in doing so, Madame Victoria becomes much more than the story of one unknown and unnamed woman: it becomes a celebration of the lives and legacies of unknown women everywhere.
By turns elegiac, playful, poignant, and tragic, Madame Victoria is an unforgettable book about the complexities of individual lives and the familiar ways in which they overlap.
This spirited collection highlights the freshness, charm and originality that are the hallmarks of Manitoba writing. These are stories to savour–by turns funny, tender, offbeat, unsettling, provocative and, always, entertaining. Includes stories by Carol Shields, David Arnason, Sheldon Oberman, Jake MacDonald, Lois Braun, Robert Kroetsch, Sandra Birdsell, W.D. Valgardson, Margaret Laurence, and Armin Wiebe.
Madeline’s Good Dirt and Junk Collection is a graphic novel written and illustrated by Madeline Berger a non-binary creator living and creating in Vancouver, BC. This is a project that is a celebration of things that we take for granted and often let us pass us by. Madeline is a strong proponent for community, often finding inspiration in local queer culture, art culture, and their friends and fellow artists. This project taps into how they would like people to perceive different parts of their community and different parts of their neighborhood that people don’t always tap into and often take for granted.
Maestro, The
The ropes on which the sandbags hung fell away, every sandbag plunged to the icy cobblestones, and the airship, like a tethered hawk suddenly set free, shot into the sky.
Eight centuries ago, the world changed. A devastating war swept the lands, and the MageLords, who had long ruled by virtue of their spell powers, were driven to a distant place, separated from those they had ruled by a magical Barrier. With magic banished from the rest of the world, the MageLords became mere legend and people turned to science to improve their lives. But if one man has his way, all that is about to change . . .
Winner of the first Dora Mavor Moore Award for Outstanding New Play, Maggie and Pierre chronicles the public and private relationship between Pierre Trudeau and Margaret Trudeau from 1974-1980. In this mock epic tale three characters, Pierre, Margaret, and Henry, a newspaper reporter navigate the landscape of a changing nation and opposing ideals.
The Duchess tells the story of Wallis Simpson, the infamous woman for whom Edward VIII abdicated his throne in 1936. Wallis was brazen and sexual, and unintentionally steered the course of British history as she captivated the king. An inspired epic, The Duchess traverses between a straightforward narrative and magic realism.
In Susan Haley’s sixth novel, Maggie Ribbinski returns with her daughters (and without their father) to the small Nova Scotia resort town where she was raised. Soon after moving into her late mother’s house, Maggie has a chance encounter with a crush from her teenage years. Tom and his band of theatre friends quickly infiltrate Maggie’s brittle relationship with her daughters, turning it on its head. In a summer of complicated and unconventional relationships, Maggie is forced to redefine her notions of family. Haley shows an excellent capacity for handling her characters’ quirks, pushing the borders of familial, heterosexual and homosexual relationships to locate a tenuous middle ground that ultimately comes closer to reality than any of the conventions. With a remarkable ear for both dialogue and thought, Haley has written a novel that is truly engaging. A complex and humorous novel about love and family in a Nova Scotia resort town.
A musical play for children that has been performed throughout Canada, on CTV and in New York. A group of carefree children about to begin their summer holidays find themselves assigned to choir duty because of the town crank, Mrs. Mean, who cannot abide noisy, happy youngsters.
In the enchanting legends of Arthur and Guinevere, lovers are united as they “tie the knot” with the magick and mysticism of Celtic handfasting traditions. Handfasting, an Ancient Celtic ceremony inspired by the Greeks, Etruscans, Romans, and Norsemen, is regaining popularity within and beyond the Wiccan community as modern couples seek alternative ways to honour their love-bond. Joy Ferguson’s Magickal Weddings is a handbook that helps to bring romantic handfasting traditions from antiquity into modern-day ceremonies. It is also a practical wedding planner from start to finish, filled with charts and worksheets, to help any couple organize their handfasting. This complete guide offers: suggestions for vows; ritual elements; tips on how to choose the right day to handfast; different ways to include and accommodate friends and family members in the ceremony; and the symbolism behind elements like cords, flowers, decorative elements, and gemstones.
Magnetic Dogs is a collection of short stories that examines how displaced individuals – those who have been snatched out of their time and place – struggle to adapt and reinvent themselves in an entirely new context or re-establish themselves in their former situations. In stories that are factual fiction, Meyer examines the composition of Gabriel Fauré’s haunting “Cantique de Jean Racine,” the 1960s ‘scoop’ of Indigenous children from Manitoulin Island, the missing diaries of Lewis Carroll that save that author from the charges of child molestation that ruined his career as an academic, the true story of a shade of red and Seventh Century Chinese exploration of the North Atlantic, and the origins and ramifications of a haunting Aztec form of music, borrowed by J.S. Bach, the ‘chaconne.’ In these stories Meyer constantly questions the ways our perceptions of the past might have been different had small events transpired to make them so.
What happens when an upper middle-class but politically unsophisticated young mother leaves the mental health care home where she has lived for four years and travels from West Vancouver to the small, fictional Central American country of Ixcheltlán to rescue her eleven-year-old daughter from a vague danger identified by the child who is in the care of her father? Because Sara Bowley’s spouse has taken control of all her finances and doesn’t want her to leave the care home, she has to take the Greyhound to San Diego, ride chicken buses, and hitchhike through Mexico and Guatemala in search of her child.
Magnificat: Song of Justice, is a story of two women on separate paths, one a North American woman’s journey to social consciousness, and on the other, a tale of a campesina named Maria Luz who seeks to lead her people to an alternative to the war that is devastating her country. When these two paths converge, Sara comes to believe in the wisdom of the campesina, and embraces a radical change in her life, but the shadow of death soon descends on them both, threatening to destroy all that they have set out to accomplish.
Magnificat: Song of Justice is based on the author’s interest in the concept of a female Christ figure in the context of liberation theology, and her post-war volunteerism in El Salvador in the 1980s.
Magodiz (Anishinabe language): a person who refuses allegiance to, resists, or rises in arms against the government or ruler of their country.
Everything that was green and good is gone, scorched away by a war that no one living remembers. The small surviving human population scavenges to get by; they cannot read or write and lack the tools or knowledge to rebuild. The only ones with any power are the mindless Enforcers, controlled by the Madjideye, a faceless, formless spiritual entity that has infiltrated the world to subjugate the human population.
A’tugwewinu is the last survivor of the Andwanikadjigan. On the run from the Madjideye with her lover, Bel, a descendant of the Warrior Nation, they seek to share what the world has forgotten: stories. In Pasakamate, both Shkitagen, the firekeeper of his generation, and his life’s heart, Nitawesi, whose hands mend bones and cure sickness, attempt to find a home where they can raise children in peace without fear of slavers or rising waters. In Zhong yang, Riordan wheels around just fine, leading xir gang of misfits in hopes of surviving until until the next meal. However, Elite Enforcer H-09761 (Yun Seo, who was abducted as a child, then tortured and brainwashed into servitude) is determined to arrest Riordan for theft of resources and will stop at nothing to bring xir to the Madjideye. In a ruined world, six people collide, discovering family and foes, navigating friendship and love, and reclaiming the sacredness of the gifts they carry.
With themes of resistance, of ceremony as the conduit between realms, of transcending gender, Magodiz is a powerful and visionary reclamation that Two-Spirit people always have and always will be vital to the cultural and spiritual legacy of their communities.
Clever and persistent, Magpie Days, the debut poetry collection from Brenda Sciberras, picks through the baubles and trinkets of the everyday. And like the black and white plumage of the magpie, Sciberrasâ⒬┢s poems balance the exquisite tension between joy and misery. Evoking life-defining events from the remembrance of a first bicycle to the loss of a close friend, these poems acknowledge pleasure and pain as necessary to life.