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Losing Me, While Losing You is a long-needed resource to those providing care for people living with dementia — and for those providing care to the caregivers. In this book, caregivers speak from their own experiences of caring for loved ones with dementia; they cover when they first noticed behavioural changes, what they did and how their roles changed when they received the diagnosis, how the experiences changed their perceptions of themselves, especially in cases where important ones no longer recognized them or their, often long-standing, relationships. The caregivers also talked about what resources, if any, were available to support them through the caregiving journey and what recommendations they would make to government policymakers and to others in similar situations. This book is unique in that it documents the personal lived experience of loss which family, friends and caregivers go through as their roles, expectations and images of self are changed throughout the caregiving process.
Canadian literary star Gordon Bridge is delighted with his celebrity, his famiy, and his bond with fellow writer Taylor Shepherd, whom he has been friends with since they were teenagers. Bridge publishes a highly critical review of Shepherd’s much-lauded new novel, showing off how his commitment to writing trumps social conventions. After his friend confronts him, however, he realizes that his pan is a catastrophe of self-deception: he has attacked a masterpiece. The review destroys the friendship, and Bridge’s world starts to crumble.
Afflicted by guilt, Bridge stops writing. He struggles to overcome his paralysis and recover his creativity, but suffers an intensifying series of punitive side effects. He develops a chronic and crippling stiff neck, his marriage collapses, his parents suffer a horrible accident, and an act of terror threatens his safety. Desperate, Bridge begins a memoir, an urgent attempt to come to terms with his past, including his friendship with Shepherd, but also his relationship with his ambitious mother and his troubled love for his two sons. The reader learns that the novel is this memoir.
Late September, 1995. Cathy and her family are waiting for her youngest brother to call them on his birthday. For years it has been a family tradition that no matter where in the world David might be-from Australia to China to England-he will call on his birthday. The day passes and by evening there has been no call. Could he have forgotten?
A month before, David and his girlfriend Sarah set sail from Ireland in their boat Mugwump, headed for the tropical island of Madeira. What should have been a two-week journey becomes a mystery as days and months pass with no sign of the missing boat. Unable to wait helplessly at home, Cathy travels to Madeira determined to uncover information, or better yet, find her missing brother. Instead of finding answers, the beautiful and sensual island of Madeira stirs Cathy’s longings and she begins to examine the choices she has made in her own life. How can she care for her three young children and a husband recovering from cancer, when she no longer sleeps, and is up every night wondering what happened to Mugwump?
Lost: A Memoir is an inspiring true story that demonstrates what it means to live a life filled with love, loss, compassion and boundless dreams.
Runner-up in the Prose Fiction Category at the 2016 Alcuin Society Awards for Excellence in Book Design in Canada!Winner of Best Book Cover at the 2017 Alberta Book Publishing Awards!In his debut story collection, Kevin A. Couture creates a world where the veneer of humanness stretches thin and often cracks as a menagerie of burdened characters reveal their beast-like traits. In his desperate survival plan, a pre-teen “rescues” dogs in order to sell them back to their well-off owners; a marathon pacesetter reflects on the pace she sets both on and off the race route, as she navigates her imperfect marriage; a man confronts his drive for alcohol and the deadly and isolating consequences that leave him to risk his last scrap of control; and two kids, for different reasons, execute their plan to capture a bear cub.,Lost Animal Club combines murky sensibilities with finely rendered, precise prose. The writing is gripping and honest, with metaphors and similes as startling as the harsh choices the characters make.
?“Lost Ate my Life!” is not the authors’ self-referential statement. Instead, it is the collective cry of the hardened fan base for ABC’s pop-culture phenomenon. The book has two central ideas: first, that the creators of Lost created a shift in the thinking of online communities, effectively removing the barrier between the artists and the patrons by hosting one of the largest officially sponsored independent discussion forums in history. Lost bloggers became important celebrities amongst the fan bases, some fans found themselves drawn into the inner circle, and the network began making decisions based on ebb and flow of fan sentiment.
Interwoven with the story of the fandom is the examination of Lost’s story itself: its archetypal themes, and its evolution from bordering on the high-concept “cash in” it was intended to be, to the high art mixture of philosophy, drama, redemption, science, and faith. What is it in the formula of Lost that speaks to our collective unconscious so well that millions of fans are easily able to endure such mammoth leaps of suspension-of-disbelief?
The book’s story is told by two members of the fan community who witnessed the spread and impact of the fandom from the inside, eventually becoming insiders — to different degrees — themselves; one, Amy, deep within the inner sanctum of Lost labs, the other, Jon, ascending from the world of blogging to the world of professional media.
Taking cues from the 20th century life writing of Robin Blaser, Frank O’Hara, William Everson, Sylvia Plath and Alden Nowlan, The Lost Cafeteria is a stylistically shapeshifting bildungsroman in verse set between the author’s evangelical upbringing and peripatetic adulthood. Exploring the shape of the “I-within-history,” Ferguson mixes confessional lyric poetry with experimental détournements of advertising and human resources ideolects to visit (and revisit) themes of labour, family (biological and chosen), class, travel, religion, and the meanings of the word ‘home.’
The Lost Cafeteria traces the poet’s development through “the first-world hinterlands” of Canada not in temporal but spatial terms, circling both the quotidian and singular events of a life. From the fruit orchards of interior British Columbia to social housing high-rises in downtown Winnipeg, from the expanses of the world’s megacities to the parochialisms of a small-town, post-industrial childhood to the history-laden fieldscapes of Merry Olde England, Joel Robert Ferguson’s debut collection of poems asks, “is it possible to separate nostalgia from regression?”
Longlisted for the 2024 Stephen Leacock Memorial Medal for Humour
In this darkly funny debut from Lucie Pagé, characters collide in unexpected ways as they search to create meaning in their lives.
A university English sessional teacher searches for his missing blind pit bull, not entirely aware that his relationship is coming unravelled. Katherine, his girlfriend, pays far more attention to her walk-on role in an alternative theatre production. Fourteen-year-old Becca struggles to get her mother’s attention, while her mother provides calorie-wise snacking and fashion advice and dates Becca’s psychologist. Karl fails to control his embarrassing and shameful bad habit at his dead-end telemarketing job.
Pagé weaves together narratives that speak of people adrift in the conflicting tides of the first decades of the twenty-first century in a novel that echoes the works of Lynda Barry.
An NPR Science Friday Book Club Pick
Taste Canada Silver Award Winner
Finalist for the Science Writers and Communicators of Canada Award
Nominated for the Council on Botanical and Horticultural Libraries Literature Award
“Edifying and entertaining.” — Foreword Reviews, starred review
A rollicking exploration of the history and future of our favorite foods
When we humans love foods, we love them a lot. In fact, we have often eaten them into extinction, whether it is the megafauna of the Paleolithic world or the passenger pigeon of the last century. In Lost Feast, food expert Lenore Newman sets out to look at the history of the foods we have loved to death and what that means for the culinary paths we choose for the future. Whether it’s chasing down the luscious butter of local Icelandic cattle or looking at the impacts of modern industrialized agriculture on the range of food varieties we can put in our shopping carts, Newman’s bright, intelligent gaze finds insight and humor at every turn.
Bracketing the chapters that look at the history of our relationship to specific foods, Lenore enlists her ecologist friend and fellow cook, Dan, in a series of “extinction dinners” designed to recreate meals of the past or to illustrate how we might be eating in the future. Part culinary romp, part environmental wake-up call, Lost Feast makes a critical contribution to our understanding of food security today. You will never look at what’s on your plate in quite the same way again.
“Edifying and entertaining.” — Foreword Reviews, starred review
Taste Canada Silver Award Winner and Finalist for the Science Writers and Communicators of Canada Award
A rollicking exploration of the history and future of our favorite foods
When we humans love foods, we love them a lot. In fact, we have often eaten them into extinction, whether it is the megafauna of the Paleolithic world or the passenger pigeon of the last century. In Lost Feast, food expert Lenore Newman sets out to look at the history of the foods we have loved to death and what that means for the culinary paths we choose for the future. Whether it’s chasing down the luscious butter of local Icelandic cattle or looking at the impacts of modern industrialized agriculture on the range of food varieties we can put in our shopping carts, Newman’s bright, intelligent gaze finds insight and humor at every turn.
Bracketing the chapters that look at the history of our relationship to specific foods, Lenore enlists her ecologist friend and fellow cook, Dan, in a series of “extinction dinners” designed to recreate meals of the past or to illustrate how we might be eating in the future. Part culinary romp, part environmental wake-up call, Lost Feast makes a critical contribution to our understanding of food security today. You will never look at what’s on your plate in quite the same way again.
When most parents consider sending their child to summer camp, they imagine a sunny lake a few hours out of the city. In 1977, the parents of 11-year-old Kirsten Koza sent their pigtailed, sass-talking offspring on a summer trip to the Soviet Union–with only fifty dollars in her pocket. Lost in Moscow tells the story of Kirsten’s summer camp hijinks: evading the Soviet Red Army in a foot race through and around Red Square, receiving extended radiation treatments for a minor case of tonsillitis, and making a gut-churning, unauthorized parachute jump–without being totally certain whether her parachute would open or even stay on.
Lost in Newfoundland is an artistic compendium of Newfoundland’s visual wonders—its seascapes, landscapes, cityscapes, and natural inhabitants. This is a fine-art homage to an island where, as Michael Winsor himself suggests, “Every cove, inlet, tickle, island, bay, peninsula, point, or arm is more beautiful than the next.”
In the middle of the nineteenth century, most of New Brunswick was pristine wilderness. But by the end of the century the map of eastern Canada would be changed forever by the sport of salmon angling, and by the adventurers, gentlemen, rakes, and royalty, who were drawn together in their lust for the finest of fish.
In Lost Land of Moses, Peter Thomas recounts the dramatic changes that occurred between 1840 and 1880, as strenuous wilderness idylls became the Victorian equivalent of adventure tourism. To illustrate his story, he has chosen more than fifty engravings, cartoons, maps, and photographs from archival collections and 19th century books and magazines.
Moses Perley was a New Brunswick lawyer with a gift for contagious enthusiasm. Between 1839 and 1841, he published a series of articles in the British magazine Sporting Review describing his canoe trips with Mi’kmaq or Maliseet companions. The articles inspired a generation of young adventurers to visit New Brunswick. Soon, these young British gentlemen were joined by the rich and famous, as steamships brought fishermen right to the rivers, and needs were supplied by professional outfitters.
In 1879, the Marquess of Lorne, then Governor General of Canada, and his daring wife, Princess Louise, spent two glorious weeks on the Restigouche, complete with a vice-regal retinue, a houseboat called Great Caesar’s Ghost, and carpeted tents. The New Brunswick salmon waters were open for business. Many of the consequences of this influx were dire. Leases were let on the rivers, allowing only wealthy people to fish them. They founded clubs, built expansive camps, and hired wardens to patrol the pools. Most troubling of all, by the 1880s, the Mi’kmaq and Maliseet, at first respected as knowledgeable guides into their own territory, had been reduced to being perceived as mere servants. Moses Perley never foresaw the changes that large numbers of visitors would bring to New Brunswick’s teeming salmon rivers. Lost Land of Moses reveals the consequences of his crusade to lure fly fishermen to New Brunswick. For good and ill, the legacy of those forty years is with us today.
In today’s individualistic Western society, wisdom from our elders’ lives and homelands is being lost. A retired lawyer and psychologist, whose Polish roots were virtually unknown to her while she grew up in Canada, author Margaret Ostrowski had been always touched by the historical backgrounds of the immigrant groups she encountered. In Lost Legacies, she embarked on a quest to explore her own heritage – her grandmother (and father’s) home in the Russian Partition of Poland and their journey and settlement here. Years of research from a wide range of sources helped her realize that she was a Western Slav from a country with a remarkable Golden Era, with outstanding heroes, scientists, and artisans combined with an unfortunate vulnerable location between aggressive powers that removed Poland from the map for 123 years. Her paternal grandmother’s story includes the death of infants, a gold mine, and a Canadian poet. In Lost Legacies, ancestral stories inspire differing views of how to live, help formulate opinions and policies on immigration today, and assist in properly caring for our invitees or alternately aiding them to remain in the homelands they hold in their hearts.
Journeys and interrupted journeys are a well established theme in literature. Gustave Von Aschenback’s fateful journey back to Venice and his death began with lost luggage. So also with Salvatore Ala’s new collection of poems — his third. Lost luggage and the efforts to find the things of this world retrieved and redeemed are central to Ala’s poems. In his new book he presents a unique group of poems about the world of soccer: “The Goalkeeper,” “Pelé,” The Soccer Ball,” and others, show Ala’s openness and refusal to accept the sterility of modern trends. Lost Luggage has many examples of his unique sense of style, his particular blend of candidness and depth. A rare commodity today.