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The book is about how to become rich through an attitude adjustment, by owning your own business and how to master your finances. It includes general tips for investments, tax savings, insurance, estate planning and etc. Plus, it actually gives the names of companies recommended for investments.
Set in the 90s, alternating between the storied quads of Oxford University and the dank recesses of London pubs given over to public displays of queer BDSM, Learned chronicles poet and Rhodes Scholar Carellin Brooks’ extreme explorations of mind and body. In these poems, the speaker trembles on the verge of discovery, pushing her physical limits through practices of pain, permission, and pleasure. But her inability to negotiate the unspoken elite codes of Oxford begs the question: how to unlearn a legacy of family dissolution and abuse? Bold, nuanced, and ultimately triumphant Learned chronicles an intimate education in flesh, desire, and bodily memory.
Does the past mean only what we want it to? Can anything at all be learned from a photgraph of a scrap of forgotten language? In Learning Russian, Diana Fitzgerald Bryden asks these and other questions with clear-eyed, compelling honesty, as she examines the seductive lure of the past. Rejecting easy nostalgia, she uncovers the roots of home in the hidden life of cities, in the family ties to the living and the dead, and in language itself through the work of the writers who inspire her. The poems of Learning Russian are haunted and haunting, infused with longing and the certainty of loss, they show what can be recovered, or made new, through poetry.
Learning to Miss opens with imagery of events, moments, that dream into, and imagine beyond “getting on with it.” Imagining, in the next group, holds the love and empathy of an aging, experienced, self-aware observer, while the final group works some family history into the movie I make of my past, as I direct and act, having learned to miss, not kill … to let live, “slant,” by art.
“Poets don’t do themselves or poetry any favours when they write about trivial matters,” writes Boyd in “Comfort and Canadian Poetry” (2002). Boyd’s latest collection takes this caution to heart: sober, self-sacrificing, and handsome, The Least Important Man is a book for those who want poetry to reassert its dignity and authority in everyday life.
The booming bedroom community outside a large Canadian city is blown apart when fifteen-year-old Blake challenges long-held views of spirituality and sexuality. A student at the local Catholic high school, Blake confides in her best friend, Tracy, that she feels sexually attracted to her. At first encouraged and then rebuffed, Blake is eventually betrayed. Then, increasingly at risk among her peers, Blake finds the watchful and strict eyes of her Catholic school are no protection.
Vulnerable to collectivized hatred, she remains unprotected by the adults who guard her freedom – her mother, the school principal, the local priest – all respond in different ways, some liberally supporting her emerging sexuality; others quite conservatively vilifying her as a deviant, outside the church and outside the community. Ultimately, they do not act to protect her, and in their inaction, they are absent, truly unable to help. The audience is left with the question: Like these characters, what have we left undone? What ethics surround the absence of acting in response to another’s need?
At the centre of this searing drama of bigotry and transcendence is the brutal dehumanization of the other – of both the bully and the victim. The outcome challenges the Roman Catholic church’s response to the same-sex marriage rulings in Canada. Leave of Absence won the ACTivist theatre Amnesty International Playwright contest in 2011.
Cast of 3 women and 2 men.
From acclaimed filmmaker, artist and activist Marjorie Beaucage comes a poetic memoir that reflects on seven decades of living and seeking justice as a Two Spirit Michif woman. Poems, poetic observations and thoughtful meanderings comprise this inspirational journal-memoir-poetry collection from a woman who has dedicated her life and her talent to creating social change. Unfolding the wisdom gained from experience, leave some for the birds: movements for justice offers guidance for younger activists following the author’s trailblazing footsteps.
Leave-Taking moves through stages of grief– the reckoning, the remembering, the rituals– after the sudden death of a spouse. The poems trace reflections on a long marriage, and what it is like to be left behind. The poems travel from Haida Gwaii on the west coast of Canada, across the mountains and into the prairie city of Winnipeg, to the beaches of Cape Cod; however, they stop often to rest in the quiet spaces found inside Mount Pleasant Cemetery in Toronto. Through these interspersed cemetery poems and epitaphs– mini-stories in stone– grief unfolds from many perspectives: praise and lament, love and disenchantment, hope and pain, faith and doubt. Above all, Leave-Taking is a tender love elegy; one that connects with anyone who has experienced deep loss.
Leaving Holds Me Here includes 137 poems by Canada’s first poet laureate. Edited and selected by John Newlove, this timely selection of the best of Glen Sorestad’s poetry illustrates the stages of his writing, his concerns, and his development as a well-known Canadian poet.
A deeply moving meditation on love and loss, the elusiveness of truth, and the frail and befuddled mind of a deeply haunted man, this gripping, tragic and densely atmospheric novel follows the exploits of one Chris Needham as he attempts to traverse the minefield of his life along the pockmarked moonscape of the British Columbia coast.
Examining the joy of love, the price of infidelity and the capacity for sorrow lurking beneath the surface of everyday experience, Leaving Lovestiff Annie is a virtuoso piece of writing that will leave the reader shaken and changed.
Leaving Mile End is Jon Paul Fiorentino’s seventh collection of poetry and tenth book-a collection of poems that documents the daily din and clatter of cafés, galleries, and dive bars that make up Mile End in Montreal, perhaps the most artistically vibrant neighbourhood in the world. But this is no ordinary tour-we take a sharp turn and go online as Fiorentino mines the peculiar linguistic resources of a new world of doxxing, swatting, snarking, trolling, catfishing, and shaming. While addressing the disconnect between the way we treat each other online and the way we treat each other IRL, Leaving Mile End provides a new framework for understanding what it means to be home in 2017.
Praise for Fiorentino’s poetry:
“[Fiorentino’s poetry] is the embodiment of an imagination so wild, a wit so sharp and a sense of humour so dark.” (Montreal Gazette)
“There is no mistaking Fiorentino’s sharp wit and precise vocabulary, which are entirely individual-something far too few writers can claim.” (Quill & Quire)
Set in the volatile 1970s and ’80s, when social norms and expectations were changing rapidly, Leaving Now is the emotionally candid story of a mother’s anguish as she leaves her husband to love a woman. In this second book, Pare masterfully blends aspects of her personal journey with her own version of a well-loved fairy tale. Gudrun, the five-hundred-year-old mother of Hansel and Gretel, appears hazily in the narrator’s kitchen presumed dead, all but written out of her own tale, but very much alive. Gudrun spins a yarn of love, loss and leaving, offering comfort and wisdom to the conflicted young mother. Raising children is not for the faint of heart; all parents know the anguish of parting from a child, even if for the briefest moment. Leaving Now is for mothers, fathers, sons and daughters. It is for anyone who has ever lived in a family.
St Kilda is a barren, rocky archipelago 100 miles off the west coast of Scotland. In 1930, harsh conditions led the islands’ remaining 36 inhabitants to relocate to the mainland. Left behind were seabirds and a population of feral sheep. In Leaving the Island, her first poetry collection, Talya Rubin enters the isolated lives of those last Kildareans, and probes the “desert places”–to use Frost’s phrase–in herself. Written during a series of extended trips abroad, including stays in Australia and Greece, Rubin’s poems return, again and again, to a psychological landscape where “mud and rock / and sea and salt and oily smell / of fish and fowl is all, all.” Rife with exacting wordplay and frank self-reckonings, Leaving the Island is a book about endings and what remains when we start over.
Sharon Butala’s new novel begins with the wrong kind of bang when retiring social worker Judith falls on the ice on the way to her retirement party. The debilitating concussion that follows seems to shake loose a confusing whirl of memories.
Judith is a mother of four, and her relationships with her daughters are complicated. They all seem to have men trouble, except for the wild daughter who seems to have settled down, inexplicably to Judith, in Jerusalem. With her ears still ringing and her strength compromised by a shaky recovery, Judith leaves Calgary and, to everyone’s bewilderment, moves back to the town near the family farm. In Wisdom, Saskatchewan, she confronts many unanswered questions: Why was her father, a World War Two vet, so troubled? What are her brother and sister hiding from her? As she pursues answers to unsolved mysteries in her own life, more complicated and wider ranging questions arise.
Living in a small town is a shock after the anonymity of a big city. Judith finds herself exposed to watchful neighbours, and she is watchful in turn, seeing things that are mystifying at first — and then alarming. Small town bigotry and what looks like a serious crime unfolding in the house next door make her return even more difficult — what is she doing here? Does she have enough wisdom to unravel her past? Does she have a future in a place where she is not exactly welcome?
This thought-provoking and very readable tale shows not only the suffering that comes from family secrets, but also unfolds one woman?s late life awakening to the complex shadows cast by World War Two and the Holocaust.