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Winner of the 2017 Margaret and John Savage First Book Award – Non-Fiction!
Jen Powley was diagnosed with multiple sclerosis at fifteen. By thirty-five, she had lost the use of her arms and legs.
Just Jen is a powerful memoir that tells the story of Powley’s life at the time of her diagnosis, and the infinite, irrevocable ways it has changed since. Powley’s writing pulls no punches. She is lively, bold and unapologetic, answering questions people are often afraid to ask about living with a progressive disease. And yet, these snapshots from Powley’s life are not tinged with anger or despair. Just Jen is a powerful, uplifting and unforgettable work by an author who has laid her life — and her body — bare in order to survive.
Just One %$#@ Speed Bump After Another: More Cartoons by Dave Coverly is the latest collection of comic panels by the proudly scatterbrained cartoonist and his constant companion, Cuppa Joe. Regular readers of “Speed Bump” will recognize the subtle ironies and the overlooked details we all take for granted, as well as the occasional wordplay and the gentle pokes at the absurd ways we live and love. Irregular readers might try bran.
The humor is rarely tied to pop culture, current trends or fads; instead, it comes from the human traits we have in common. You may see your family in some of the panels, or your friends, neighbors and co-workers. You may even see yourself … heck you may even see yourself in animal form. In one “Speed Bump” cartoon entitled “Frog Puberty”, an adult frog talking to another about his youngster, says, “Last year I’d say ‘Jump’ and he’d say ‘How High?’ … This year I say ‘Jump’ and he says ‘How Come?’”
Much like the last book, this “Speed Bump” tome covers a wide range of topics. You’ll find plenty of cartoons about kids and parenting, love and relationships, work and business … and as Dave is a regular contributor to Pet’s Animal Times magazine, there are more than a few animal cartoons thrown in for good measure.
Now with more than a decade under its stylishly drawn belt, “Speed Bump” has accumulated hundreds of newspapers and millions of readers on several land masses around the world. It’s found its way onto refrigerator doors, church bulletin boards, calendars and greeting cards, and into textbooks, TV programs, and even a U.S. Congressional Hearing. But being the nice folks that we are, we’ve saved you the trouble of tracking all these down yourself by binding them into a big, beautiful book. It even has a pull-out color section so you can pin your favorite.
Written by practicing criminal defense lawyers, jurists, investigators, and specialized journalists, this book criticizes the whole initiative of international criminal justice and considers the idea that it must be abandoned in the name of justice. Has foreign policy trumped justice? How are equity, equality before the law, absence of selectivity, protection of witnesses, and enforcement affected? How are lives of citizens throughout the world changed by International Justice? Asking the burning questions about criminal justice as it is practiced at the International Criminal Court, the ad-hoc tribunals for Rwanda, and the former Yugoslavia, Sierra Leone, this account will appeal to those interested in politics, law, and human rights.
From 1942 to 1949, a group of innocent Canadians were uprooted from their homes and businesses on the west coast, dispossessed, and forced to disperse across Canada, merely on the basis of their Japanese ancestry. Some 4,000 were even exiled to wartorn Japan.
These injustices remained unresolved for nearly forty years. Then in the 1970s, a handful of Japanese Canadians began a movement to seek redress for these wrongs, through a negotiated settlement with the Government of Canada. What began as the dream of a few became a national movement that captured the attention of the entire Canadian public by the mid-1980s.
The Redress Settlement signed on September 22, 1988 by the National Association of Japanese Canadians (NAJC) and the Prime Minister of Canada was hailed as a major victory for human rights.
The substantial Redress Settlement negotiated by the National Association of Japanese Canadians offered:
Individual compensation to Japanese Canadians directly affected by the injustices
A community fund to assist in rebuilding the community that was destroyed
pPrdons for those wrongfully convicted under the War Measures Act
The offer of citizenship to those exiled and to their descendants
The establishment of a Canadian Race Relations Foundation to combat racism
Justice in Our Time celebrates Japanese Canadian redress. From the historic injustices, through the redress movement, to the final events leading up to the settlement day on September 22, 1988—the dramatic story of redress is told through a rich interweaving of commentary, photographs, quotations, and historic documents.
During the summers of 1991 through 1994 Victoria Jason and two companions–Fred Reffler and Don Starkell–set out to kayak from Churchill, Manitoba to Tuktoyaktuk on the Beaufort Sea. When she set out in 1991, Victoria, already a grandmother of two, had been kayaking for only a year and was still recovering from the second of two strokes.
In Patrice Martin’s ticklish tip of the hat to the writing of Franz Kafka, we follow the misadventures of a bureaucrat – aptly named “P.” (pun intended) – as he embarks on the illustrious task of collecting the titular headgear. “P.” expects that the accomplishment of this seemingly simple task will grant him both a professional and a personal promotion. But Martin’s eager protagonist has overlooked the systematic difficulty in modern bureaucracies – as well as in some of twentieth-century’s best fiction – of getting things done. And so Kafka’s hat is increasingly unreachable: express elevators get stuck between floors, rooms full of suitcases must be searched, unsympathetic bureaucrats must be confronted, and then there’s the rather unanticipated discovery of a fresh cadaver in the library … Naturally, “P.” knows that every hero has his coming-of-age trial to go through; trouble is, he’s no modern Ulysses.
Never departing in tone and timbre from a somewhat amicable and farcical, obstinately absurd storytelling style, Kafka’s Hat assembles a pleasant labyrinth of intertextual references, which make room for the diverse imaginary worlds of Jorge Luis Borges, Italo Calvino, and Paul Auster. Living in a different city, wearing new clothes, but still immersed in the part-tragic and part-comical ambience of Franz Kafka’s best existentialist literature, Patrice Martin’s “P.” is the compelling alter ego of a not-so-distant “Joseph K.” – still contemporary, still relevant.
Invoking some of modern literature’s most meaningful authors, Martin’s prose playfully reminds us that we do not create new work without reintroducing past fictions inside our present desires.
Kahn and Engelmann
An endearing and beautifully illustrated children’s book about learning to embrace our heritage and celebrating what makes us unique.
Multicultural Day is coming up at school, and Kai is nervous about sharing her family’s Chinese food with her classmates. Kai’s mother is excited about making some special dishes, but Kai doesn’t like feeling different from everyone else.
Upset, she runs off on her own and meets Ming the dragon, who takes her on a magical journey to explore different parts of Chinese culture – especially all the delicious food! With Ming’s help, Kai learns about her family roots and how to celebrate all that makes her unique.
Kai’s Tea Eggs is a charming story for anyone who, like Kai, has felt the frustration of trying to fit in before finally learning to appreciate who they are.
Ages 3 to 7.
In these disruptive and dangerous plays, Bilal Baig dismantles the white saviour complex and bulldozes the fourth wall, offering up two subversive tales told by unreliable narrators.
In Kainchee Lagaa, two estranged siblings intertwine across space and time. Billo, a tandoori-chicken-loving sex worker, dreams of a different life while her paranoid brother Arsalan obsessively reconstructs their family’s traumatic past. But as memory and myth clash during a long-awaited reunion, nothing is certain, and no one is innocent. In Jhooti, a trans woman carrying a plastic bag of her belongings pleads for protection from an unseen threat. As she beguiles the audience with poetry and Bollywood numbers, the masks fall away and her story spirals into a thrilling web of deception.
Together these explosive dramas revel in brown trans women who are duplicitous, cunning, and complex. Toying with the audience at every turn, Jhooti & Kainchee Lagaa is an urgent theatrical intervention that promises to leave no one unscathed.
Shortlisted, George Bugnet Award for Fiction
Kalila chronicles the lives of Maggie and Brodie, whose joy collides with devastation when their daughter’s birth also heralds the news of her congenital heart condition. In this startlingly inventive novel, Rosemary Nixon braids light and darkness into a narrative chain pulled exquisitely taut.
Through Maggie and Brodie’s shifting viewpoints, the isolating impenetrability of hospital life, the mediation of physics, music, and family, Nixon propels the reader into unmapped emotional terrain where a shell-shocked family grapples with the horror, joy, and mystery of impermanence. The result is a spellbinding tale, provocative for the emotions and the intellect.
Karenin Sings the Blues is a meditation sparked by the actors in Tolstoy’s 19th-century masterpiece, Anna Karenina. Entering this famous saga of derailed love, McCartney explores the repercussions and unintended consequences of Anna and Vronsky’s passion. Here, Anna Karenina’s cuckolded husband “sings the blues,” but Count Vronsky, too, bemoans his disappointed expectations.
McCartney imagines the anxieties of Anna’s children, the self-absorption of busybodies and in-laws, the ambivalence of servants and friends sucked into Anna’s romantic vortex. Set at the height of the industrial age, the roar of the train and the pounding rhythm and flying soot of the steam locomotive epitomize the vigour of McCartney’s poems. The same vigour and clear vision characterize the “California” poems, which deal with McCartney’s youth in urban southern California. Domestic chaos amid cultural inanity creates turmoil and fear. How is it possible to love a distant mother, a father off somewhere with a third or fourth wife, a wounded and angry brother, a terminally ill sister consuming everything? How is it possible not to? How can an adolescent know the difference between self-preservation and self-destruction? These concerns continue into adulthood and motherhood in “Persuasion,” the third section of Karenin Sings the Blues.
Accessible and always forthright, McCartney combines plain-speaking revelations about family and domestic life with literary criticism and witty cultural play.