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All Books

All Books in this Collection

  • Just a Walk

    Just a Walk

    $12.95

    A young boy named Chuck goes for a simple walk that turns into a day of crazy adventures. Chuck encounters animals, fish and birds that lead him on a wild journey throughout their habitats.

    Jordan Wheeler’s whimsical rhyming will capture the young readers attention and Chuck’s hilarious predicaments will keep all ages laughing for more.

  • Just Beneath My Skin

    Just Beneath My Skin

    $21.00

  • Just Causes

    Just Causes

    $16.95

    Drawn from more than 500 of the author’s newspaper columns (mostly from the Toronto Star), this collection represents the best articles of one New Democratic Party (NDP) member’s journey through the Mulroney-Reagan-Bush years. Divided into thematic groupings, the essays deal with such issues as Canadian-American relations, Canadian foreign and cultural policy, and the rise to power of provincial NDP governments.

  • Just Jen

    Just Jen

    $21.00

    Winner of the 2017 Margaret and John Savage First Book Award – Non-Fiction!

    Jen Powley was diagnosed with multiple sclerosis at fifteen. By thirty-five, she had lost the use of her arms and legs.

    Just Jen is a powerful memoir that tells the story of Powley’s life at the time of her diagnosis, and the infinite, irrevocable ways it has changed since. Powley’s writing pulls no punches. She is lively, bold and unapologetic, answering questions people are often afraid to ask about living with a progressive disease. And yet, these snapshots from Powley’s life are not tinged with anger or despair. Just Jen is a powerful, uplifting and unforgettable work by an author who has laid her life — and her body — bare in order to survive.

  • JUST LIKE I LIKE IT

    JUST LIKE I LIKE IT

    $16.95

    In JUST LIKE I LIKE IT, Danielle LaFrance combines poetry and autotheory as a means of targeting ideological infatuation, spilling into an obsession with ideological abolishment. JUST LIKE I LIKE IT searches for ways to kill and abolish “it,” seeking means to get it done right, even when attempted slowly and stupidly, even if the only way out is death. LaFrance draws on stupidity, sadomasochism, pretend power, parasitism, and violent revolutionary desubjectification to shape a felt experience, not so much asking as inhabiting a series of questions, including: “What are the implications of abolishing the self as it is racialized, gendered, and classed?” and “Can a theoretical framework hold every contradiction in tandem when every contradiction is substantial and felt?” Each page of JUST LIKE I LIKE IT pokes “it” awake all over again, culminating in a number of accomplished failures, including “It Makes Me Iliad,” a reworking of Homer’s Iliad. Poetry, it seems, is the best weapon for wiping it out with fewer casualties – which is why it is never enough.

  • Just One %$#@ Speed Bump After Another…

    Just One %$#@ Speed Bump After Another…

    $18.95

    Just One %$#@ Speed Bump After Another: More Cartoons by Dave Coverly is the latest collection of comic panels by the proudly scatterbrained cartoonist and his constant companion, Cuppa Joe. Regular readers of “Speed Bump” will recognize the subtle ironies and the overlooked details we all take for granted, as well as the occasional wordplay and the gentle pokes at the absurd ways we live and love. Irregular readers might try bran.

    The humor is rarely tied to pop culture, current trends or fads; instead, it comes from the human traits we have in common. You may see your family in some of the panels, or your friends, neighbors and co-workers. You may even see yourself … heck you may even see yourself in animal form. In one “Speed Bump” cartoon entitled “Frog Puberty”, an adult frog talking to another about his youngster, says, “Last year I’d say ‘Jump’ and he’d say ‘How High?’ … This year I say ‘Jump’ and he says ‘How Come?’”

    Much like the last book, this “Speed Bump” tome covers a wide range of topics. You’ll find plenty of cartoons about kids and parenting, love and relationships, work and business … and as Dave is a regular contributor to Pet’s Animal Times magazine, there are more than a few animal cartoons thrown in for good measure.

    Now with more than a decade under its stylishly drawn belt, “Speed Bump” has accumulated hundreds of newspapers and millions of readers on several land masses around the world. It’s found its way onto refrigerator doors, church bulletin boards, calendars and greeting cards, and into textbooks, TV programs, and even a U.S. Congressional Hearing. But being the nice folks that we are, we’ve saved you the trouble of tracking all these down yourself by binding them into a big, beautiful book. It even has a pull-out color section so you can pin your favorite.

  • Just Pervs

    Just Pervs

    $20.00

    Finalist for the 2020 Lambda Literary Awards, Bisexual Fiction Category.

    Two sex addicts meet and fall in love. A woman catches her husband cheating on her with their dog and escapes to her sister’s horse farm. Four friends—fellow pervs—grow up and drift apart, pining for each other in silence until one of them is murdered.

    In Jess Taylor’s sophomore story collection, contemporary views of female sexuality are subverted, and women are given agency over their desires and bodies. Through these characters, sex is revealed to be many things at once: gross, shameful, exhilarating, hidden or open—and always complicated. Reminiscent of the works of Maggie Nelson, Mary Gaitskill and Chris Kraus, the stories in Just Pervs explore the strange oppression and illumination created by desire, the bewilderment of adolescence, and the barriers to intimacy both discovered within and imposed upon ourselves.

  • Justice Belied

    Justice Belied

    $29.95

    Written by practicing criminal defense lawyers, jurists, investigators, and specialized journalists, this book criticizes the whole initiative of international criminal justice and considers the idea that it must be abandoned in the name of justice. Has foreign policy trumped justice? How are equity, equality before the law, absence of selectivity, protection of witnesses, and enforcement affected? How are lives of citizens throughout the world changed by International Justice? Asking the burning questions about criminal justice as it is practiced at the International Criminal Court, the ad-hoc tribunals for Rwanda, and the former Yugoslavia, Sierra Leone, this account will appeal to those interested in politics, law, and human rights.

  • Justice in Our Time

    Justice in Our Time

    $29.95

    From 1942 to 1949, a group of innocent Canadians were uprooted from their homes and businesses on the west coast, dispossessed, and forced to disperse across Canada, merely on the basis of their Japanese ancestry. Some 4,000 were even exiled to wartorn Japan.

    These injustices remained unresolved for nearly forty years. Then in the 1970s, a handful of Japanese Canadians began a movement to seek redress for these wrongs, through a negotiated settlement with the Government of Canada. What began as the dream of a few became a national movement that captured the attention of the entire Canadian public by the mid-1980s.

    The Redress Settlement signed on September 22, 1988 by the National Association of Japanese Canadians (NAJC) and the Prime Minister of Canada was hailed as a major victory for human rights.

    The substantial Redress Settlement negotiated by the National Association of Japanese Canadians offered:

    Individual compensation to Japanese Canadians directly affected by the injustices
    A community fund to assist in rebuilding the community that was destroyed
    pPrdons for those wrongfully convicted under the War Measures Act
    The offer of citizenship to those exiled and to their descendants
    The establishment of a Canadian Race Relations Foundation to combat racism

    Justice in Our Time celebrates Japanese Canadian redress. From the historic injustices, through the redress movement, to the final events leading up to the settlement day on September 22, 1988—the dramatic story of redress is told through a rich interweaving of commentary, photographs, quotations, and historic documents.

  • Kabloona in the Yellow Kayak

    Kabloona in the Yellow Kayak

    $21.95

    During the summers of 1991 through 1994 Victoria Jason and two companions–Fred Reffler and Don Starkell–set out to kayak from Churchill, Manitoba to Tuktoyaktuk on the Beaufort Sea. When she set out in 1991, Victoria, already a grandmother of two, had been kayaking for only a year and was still recovering from the second of two strokes.

  • Kafka’s Hat

    Kafka’s Hat

    $12.95

    In Patrice Martin’s ticklish tip of the hat to the writing of Franz Kafka, we follow the misadventures of a bureaucrat – aptly named “P.” (pun intended) – as he embarks on the illustrious task of collecting the titular headgear. “P.” expects that the accomplishment of this seemingly simple task will grant him both a professional and a personal promotion. But Martin’s eager protagonist has overlooked the systematic difficulty in modern bureaucracies – as well as in some of twentieth-century’s best fiction – of getting things done. And so Kafka’s hat is increasingly unreachable: express elevators get stuck between floors, rooms full of suitcases must be searched, unsympathetic bureaucrats must be confronted, and then there’s the rather unanticipated discovery of a fresh cadaver in the library … Naturally, “P.” knows that every hero has his coming-of-age trial to go through; trouble is, he’s no modern Ulysses.

    Never departing in tone and timbre from a somewhat amicable and farcical, obstinately absurd storytelling style, Kafka’s Hat assembles a pleasant labyrinth of intertextual references, which make room for the diverse imaginary worlds of Jorge Luis Borges, Italo Calvino, and Paul Auster. Living in a different city, wearing new clothes, but still immersed in the part-tragic and part-comical ambience of Franz Kafka’s best existentialist literature, Patrice Martin’s “P.” is the compelling alter ego of a not-so-distant “Joseph K.” – still contemporary, still relevant.

    Invoking some of modern literature’s most meaningful authors, Martin’s prose playfully reminds us that we do not create new work without reintroducing past fictions inside our present desires.

  • Kahn and Engelmann

    Kahn and Engelmann

    $21.95

    Kahn and Engelmann

  • Kai’s Tea Eggs

    Kai’s Tea Eggs

    $21.95

    An endearing and beautifully illustrated children’s book about learning to embrace our heritage and celebrating what makes us unique.

    Multicultural Day is coming up at school, and Kai is nervous about sharing her family’s Chinese food with her classmates. Kai’s mother is excited about making some special dishes, but Kai doesn’t like feeling different from everyone else.

    Upset, she runs off on her own and meets Ming the dragon, who takes her on a magical journey to explore different parts of Chinese culture – especially all the delicious food! With Ming’s help, Kai learns about her family roots and how to celebrate all that makes her unique.

    Kai’s Tea Eggs is a charming story for anyone who, like Kai, has felt the frustration of trying to fit in before finally learning to appreciate who they are.

    Ages 3 to 7.

  • Kaidenberg’s Best Sons

    Kaidenberg’s Best Sons

    $20.00

    Kaidenberg’s Best Sons is an enthralling portrait of a community starting over in a new land. In a series of linked stories, author Jason Heit explores the lives and fortunes of people bound together by tradition, heritage and history, yet riven by envy, greed and lust. When a community of Eastern European settlers in North Dakota learn that there is promising farmland available in the newly established province of Saskatchewan they load their wagons and head north. Along with their furnishings, they also pack up their resentments, desires and ambitions and bring them to a new, unsettled land. Heit deftly captures both the promise of a new start in a new land and the long shadow of the past that is cast over the characters as they rebuild their lives.

  • Kainchee Lagaa & Jhooti

    Kainchee Lagaa & Jhooti

    $22.95

    In these disruptive and dangerous plays, Bilal Baig dismantles the white saviour complex and bulldozes the fourth wall, offering up two subversive tales told by unreliable narrators.

    In Kainchee Lagaa, two estranged siblings intertwine across space and time. Billo, a tandoori-chicken-loving sex worker, dreams of a different life while her paranoid brother Arsalan obsessively reconstructs their family’s traumatic past. But as memory and myth clash during a long-awaited reunion, nothing is certain, and no one is innocent. In Jhooti, a trans woman carrying a plastic bag of her belongings pleads for protection from an unseen threat. As she beguiles the audience with poetry and Bollywood numbers, the masks fall away and her story spirals into a thrilling web of deception.

    Together these explosive dramas revel in brown trans women who are duplicitous, cunning, and complex. Toying with the audience at every turn, Jhooti & Kainchee Lagaa is an urgent theatrical intervention that promises to leave no one unscathed.

  • Kalamkari & Cordillera

    Kalamkari & Cordillera

    $18.95

    This collection “spattered diversely by the trades that we live by” as Pablo Neruda puts it, reflects the variety of influences that have shaped the poet’s craft. Kalamkari (from the Persian for “pen craft”) refers to the hand-painted and block-printed textiles of South India where the poet grew up, and this section of the collection contains poems combining memories of her childhood with contemporary realities especially those affecting the lives of Indian girls and women. Harsh realities of women’s daily lives force the poet to look at the darker side of a country she loves and yet, like the old woman in the Aesop’s fable, she discovers “there is wonder even in the dregs.” Cordillera (from the Spanish for “mountain chain”) contains poems inspired by the poetry of Pablo Neruda and the country of Chile where he grew up in the shadow of the Andes. Because they were written at the fraught juncture between expectation and exile, appearance and reality, youth and age, memory and truth, these are at once poems of place and deeply personal. India and Chile share much in common including a turbulent colonial past, the challenges of poverty and climate, and a passionate commitment to craft. Imagery and attention to form, shared by Neruda, forge strong links between the two halves of the collection. Both the journeys we do not get to take and the journeys we do not get to keep teach us what it means to be human in relation to others and our chosen craft. By recounting the truth of her experience in both solitude and solidarity, the poet explores the cost of yearning and illuminates some of the perils and pleasures faced by women the world over.