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A wanderer arrives by chance on Inishbream, a rocky dot in the sea just off the west coast of Ireland. A lover of boats and a strong worker, she soon marries the young owner of her stone cottage. For a time, she does her woman’s work, fishes with her husband, and walks along the shore, imagining Saint Brendan and the invisible world so real to the islanders. Through the winter, she repays Inishbream storytellers with tales of coastal British Columbia, not so very different, after all, from their own.
In the spring, the islanders learn that their isolation will end: the government has promised them modern houses on the mainland. The wanderer cannot wait for the migration; she must leave Inishbream and go home alone. In the islanders’ soft dialect and the wanderer’s own tongue, Inishbream conjures relationships between the newcomer and her husband, between the island people, the sea, and the land, and between the coastal landscapes of reality and imagination. In the uneasy peace of partial acceptance, the foreigner grows, changes, and starts to envision her own place in the world.
Inishbream is also available in a hand-printed and hand-bound limited edition from Barbarian Press. That Inishbream was chosen for this exclusive private edition attests to the clarity of Theresa Kishkan’s storytelling and the beauty of her writing.
“like Emily Dickinson, Hartog melds the ordinary with the visionary.” — Joseph Stroud, author of Below Cold Mountain and Country of Light
Ink Monkey is Diana Hartog’s first book of poetry in more than thirteen years, and her patience is the reader’s reward. In these spare and elegant poems — not a word out of place, not an unnecessary syllable — Hartog turns a perceptive eye toward the stories of seemingly ordinary things, of overlooked moments and long-closed rooms. Whether she is writing about jellyfish, the desert, awkward silences that end a relationship, struggles of creativity, or Japanese prints, her poems are astute and beautiful.
Something “up his sleeve,” as when a man in the West simply
leans against a wall with his hands in his pockets
and a woman walks by, her starched French cuff dangling an
abalone button blinded with thread. The Muse leaning also,
towards the East and the past: the poetic looseness of kimono sleeves,
damp with tears, in the Japanese canon of love. Sweet partings, trysts,
exposing always the wrist, its pale throat, the heartbeat’s
muted throb at the fork of the two blue rivers …
from “Sleeves”
“Give Diana Hartog a subject — monkeys, frogs, jellyfish, or a Japanese printmaker on the Tokaido road — and she will play riffs that dazzle …. With an adhesive poet’s tongue, Hartog picks through her seemingly endless erudition for the humorous bits — Leda in a hotel room leaving her feathers in the ashtray — and yet she can crack the heart, as in the image ‘the grass … whipped every-which-way as if wild with grief. …’” — Rosemary Sullivan
Brad Cran’s highly anticipated second book of poetry, Ink on Paper, is a compelling collection of political poems that seek to elucidate our relationships with our surroundings as well as those who surround us. Cran, former Poet Laureate for the City of Vancouver, masterfully constructs images held in contradictory tension, as in his civic poem, “Thirteen Ways of Looking at a Grey Whale and Ending with a Line from Rilke”: And there you were below the mountains in the heart of the city gazing at the grey whale. You must change your life.Cran’s poems are a fresh, provocative examination of urban culture, the natural world and issues of social justice, told with keen awareness and a gritty poetic precision.
From inspiration to conception and all the trials in-between.
Inked is a collection of cartoons from one of the New Yorker’s most beloved cartoonists.
Filled with more than 150 of Dator’s single-panel cartoons, this lively, quick-witted book betrays a deadpan sense of humour.
But Inked is more than a book of cartoons. Dator also dives into the creative process, offering bonus commentary on how ideas have come to fruition, how one idea has led to another, and the various attempts to get an idea right. Along the way, he shows how a spark of imagination has turned into a laugh-out-loud moment with only a single image and caption, and how other attempts have found themselves on the cutting-room floor.
WARNING each wun uv thees pomes may contain inkorrect thots these pomes have not bin kleerd by th ministree uv korrect thots
Ths book contains reel storees that have reelee happend th mysteree uv pain has not bin adequatelee xplaind 2 us why memorees can cum crashing down on us robbing us uv our present or why we lifting grasp hold of a suddn laffing idea baloons us up n what we lern from memorees
I cum skraping across a glacier bringing yu ths burnd flowr see its petals bleed as it opns all ovr our plans our mesurd safetees see its tabula filling with such wondrous snow
these pomes have not bin bleerd by th ministree uv korrect thots we have no control ovr what is not being xpressd heer eithr
byond ths sign yr on yr own
In June of 1959, 12-year old Lynne Harper was found raped and strangled in a farm woodlot near Clinton, Ontario. A few months later her classmate, 14-year old Steven Truscott, was convicted of the murder. He was sentenced to death by hanging.
Truscott always maintained his innocence. As the youngest person ever sentenced to death in Canada, his case was a major impetus for the abolishment of capital punishment in this country, and his sentence was commuted to life imprisonment in 1960. In 2007, after a review of more than 250 pieces of new evidence, the Ontario Court of Appeal ruled that TruscottÕs conviction had been a miscarriage of justice, and he was acquitted.
In this incisive and emotionally-taut dramatization of the case, Beverley Cooper recreates the world of Steven Truscott and his friends. Sarah, a young farm girl, is our guide to life bounded by small town hangouts, organized sports, the local air force base, school. And then suddenly that world twists into a nightmare of grief, fear, police questioning, rumour and innuendo. With finely-calibrated tension, Cooper leads the audience through the case afresh and sheds light on the human cost of what is now considered to be CanadaÕs most notorious wrongful conviction.
In the year 1907, all of Brampton is present at the sod-turning ceremony for the Carnegie Library. At the end of the event, the crowd rises as one to walk to the Presbyterian Church for a consecration service… Everyone except Jessie Stephens and her family. Her father will not allow them to enter the Presbyterian Church.
No one will tell young Jessie the reason, but she learns that it has something to do with her grandfather Jesse Brady, who built it. As she seeks to solve that mystery over many years, Jessie slowly begins to learn the history of the town in which she lives. Her tales of everyday life in small town Ontario combine to craft a vivid portrait of a life and a family that are, upon closer inspection, anything but ordinary.
These four plays – White Mice, Who Shot Jacques Lacan?, Radio Rooster Says That’s Bad and Over – written by Darren O’Donnell for his theatre company, Mammalian Diving Reflex, will challenge your politics, your ontology and everything you hold to be safe, stable and sacrosanct.
Inoculations documents O’Donnell’s progress through the past decade, from the first presentation of Over in 1993 at Buddies in Bad Times Theatre’s Rhubarb! festival to 2000’s highly acclaimed, Dora-winning presentation of White Mice at Toronto’s Theatre Passe Muraille. Covering subjects as diverse as racism and the light spectrum, these plays are provocative, innovative and riotously funny – as entertaining to experience on paper as on stage.
Shortlisted for Best Trade Fiction at the 2020 Alberta Book Publishing Awards!When an accident jeopardizing the family farm draws Amiah Williams back to Kingsley, Alberta, population 1431, she doesn’t expect her homecoming to make front-page news. But there she is in The Inquirer, the mysterious tabloid that is airing her hometown’s dirty laundry. Alongside stories of high school rivalries and truck-bed love affairs, disturbing revelations about Amiah’s past and present are selling papers and fuelling small-town gossip. As the stakes get higher, Amiah must either expose the twisted truth behind The Inquirer or watch her life fall apart again.Jaclyn Dawn’s debut novel provides an incisive look at the lingering consequences of past relationships and the price of both staying silent and speaking up.
Wave goodbye to the American dream.
Just a heartbeat into the future, America is being dragged to its knees by social unrest and economic inequality. The furious pace of technological advancement has made medicine capable of near-miracles but has also enabled the widespread displacement of workers by automated systems. As unemployment and poverty levels rise to dangerous heights, those with fortunes to lose are pitted against those with nothing left. The threat of rebellion looms greater every day.
When a chance meeting in a Washington, D.C., slum leads journalist Richard LaPointe to a heinous discovery, he and his wife, internationally respected physician and medical technologist Allie MacKay, start down a path that exposes just how far those in power will go to protect themselves from the impending crisis. When their daughter, Skyie, an online video activist sensation, gets involved after pulling off a spectacular protest stunt, they are all plunged into a world in which no one is safe.
What they find behind the curtain is not an America made great again. It is an empire in ruin.
This anthology of prairie poetry is retrospective and gathering, meant to bring together those who have long been committed to poetry and to the prairies. The poems range from anecdote to experiment, minute recording to extravagant invention, and the poets– all distinguished writers who have been anthologized, studied, interviewed– are as likely to explore structures of knowing as details of landscape. Inscriptions is a necessary and important entry into the strangely known and wildly unknown terrain that is prairie poetry.
Inside Passages is a gripping and timely novel about the collision of profit, punishment, and the human cost of incarceration. When a single mother takes a job teaching at a newly privatized “super jail” in a small French-Canadian community outside Toronto, she enters a world shaped less by justice than by political agendas and corporate bottom lines. Under the rule of an ultra-conservative provincial government, the prison is run by an American corporation determined to cut costs and maximize profit. Staff is stretched thin, safeguards are replaced with surveillance tech, and rehabilitation takes a back seat to control. Told through six interwoven narratives anchored by the teacher’s experience, Inside Passages pulls back the curtain on the hidden workings of a prison system in crisis. It is a powerful exploration of those who live and work inside its walls-guards, inmates, and outsiders alike-and how they are all diminished by a system built not to heal, but to dehumanize.
Between 1986 and 1991, nearly ten million people a week watched Pee-wee’s Playhouse, the critically acclaimed and widely successful children’s program broadcast on CBS. Now, on the 25th anniversary of the show, the complete behind-the-scenes story is being told for the first time by those who experienced it.
Complete with an episode guide, biographical information about the cast and key members of the show’s creative team, never-before-told anecdotes, and previously unpublished photos, Inside Pee-wee’s Playhouse takes the first in-depth look behind the program TV Guide recently cited as one of the top ten cult classics of all time.
Paul Reubens (as Pee-wee Herman) has been making a comeback since August 2010, appearing on Saturday Night Live, The View, The Jimmy Kimmel Show, Conan, and The Tonight Show with Jay Leno. He starred in a successful stage revival of his live show in January and February of 2010, and it hit Broadway later that year. It’s been turned into a special on HBO. His public Twitter and Facebook accounts boast over one million fans and followers.
Inside Pee-wee’s Playhouse is the first comprehensive look at this amazingly successful (and still revered) children’s program. Pee-wee Herman fans have been energized recently by the character’s re-emerging presence. From casual fans to devout followers, everyone will be interested in taking a look Inside Pee-wee’s Playhouse.
Excluded from society, the characters in these short short stories are outcasts, cut off from each other, from their future, from their own lives or from sanity and meaning.
In Rosalind Goldsmith’s remarkable debut collection, cutting-edge prose, rich in compassion, captures lives lived in the margins.
Homelessness, climate change, depression, anxiety, disease, or the trauma of abuse has pushed her characters beyond their limits. They survive outside the norm, living within the structures they have built within their own minds. We meet a drug-addicted woman living on the street, a boy on the run from his father; a young woman obsessed with a text message, an old woman trying to reassemble a language and a world that have both fallen apart, a woman pursued by her own life and another dancing to save hers.
In concise, unflinching prose, each story is linked by visceral imagery of the contemporary world, an intense, heartbreaking world, where lives are lost to exclusion. These stories offer the raw vibrancy of clarity based on understanding and empathy.