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Writers read more than just other writers. They read the social, cultural, and economic structures that determine the world into which they were born. And they also read other writers. A World Under Sentence reads these various “texts” that the early Canadian novelist John Richardson (author of Wacousta, 1776-1852) himself read. Through this, it compels its own readers to rethink the writings of this once-marginalized figure. Richardson wrote Gothic romances with outlandish plots and improbable characters; it is easy to dismiss his work as Upper Canada’s clumsy, homegrown version of the potboiler fiction popular in Britain and the United States. But something more is at work. He was born into a garrisoned, fur-trading world that was one large balancing act. The new United States, the newly-sundered British North American Empire, the still-powerful indigenous societies, the mixed societies that ran the fur trade, the imperial ones that owned it, the U.S. settler society that would extinguish tribe and trader alike: all these forces contended.
Part intellectual mystery and part spiritual adventure, A Year At River Mountain tells the story of an aging actor from Vancouver who has immersed himself in monastic life in China and is now examining his past as an actor, husband, and father. As his Western consciousness grapples with Taoist philosophies and acupressure techniques, he assesses his life and records the struggles of transformation that accompany such thinking. The monastery’s Old Master has given the narrator permission to write the commentary he shares with us while raising the question of who ‘reader and narrator’ really are. At times uncertainty leads him to confuse the monastery with another kind of institution. Fellow monks, particularly the American bellringer, Frank, are often as humorously baffling as they are ritualistically inviting. But the force driving his obsessive commentary and his year at River Mountain is the anticipation of the arrival of Imogen, an American actor and monastery patron. Kenyon balances the narrator’s interior life with hints of external disturbance and with purposeful missions outside the monastery. Village unrest threatens the monks’ balance and harmony; the nightmarish rape of a village woman uncovers a trapdoor to chaos; travel over the mountain conjures a snow leopard in a blizzard-choked pass; an arduous journey to wild islands off the coast offers ancient discoveries; and a trip to the city to find a prophet changes time forever. Crises build as war threatens; floods occur and a devastating event leads our narrator to a beautiful and surprising formulation of how things are.
Courageous poet, tireless critic, and leading anthologist of his time, Arthur James Marshall Smith is recognized as one of the most influential and vital forces in Canadian literature. Instrumental in both defining a Canadian tradition in poetry and in promoting the modernist movement in Canadian literature, Smith was a very public figure. This prominent writer, however, produced an impersonal, yet intensely private, intellectual poetry. In A.J.M. Smith: Canadian Metaphysical, Compton exposes “the mind of A.J.M. Smith — its range and development — as revealed in [his] poetry.” Charting and evaluating the overall development of his work, Compton provides fresh insights into Smith’s “least discussed” poems.
A study of the Canadian poet A.J.M. Smith and his works.
Following the general model of The Annotated Bibliography of Canada’s Major Authors series, this A.M. Klein bibliography lists primary and secondary material, with annotations of all books, articles, and reviews on Klein. Of special interest is the annotated and indexed bibliography of Klein’s journalism — some 3500 items. The material will enable students of Klein to follow his writings on a weekly basis.
A/Z Does It is a collection of conceptual wordplays and concrete puns, by an innovative writer who literally draws the line between impractical fictions and improbable art.
ABC Monstrosity is a freaky-fun book designed to thrill adults and kids alike with pages that teach and terrify all at once. As each new letter is introduced with a drawing of a familiar object or animal, the previous ones are continuously combined to create bizarre monstrosities.The detailed drawings are beautifully hand coloured by Shea.
ABC Monstrosity includes a zany glossary featuring fascinating scientific facts augmented with humour. The detailed monstrosities have goofball nonsense definitions, but the science behind how we might define more ordinary seeming animals and objects in our lives is surprisingly complex. ABC Monstrosity is both hideous and hilarious, with creepy creations sure to delight children and adults alike.
ABC Monstrosity is a freaky-fun book designed to thrill adults and kids alike with pages that teach and terrify all at once. As each new letter is introduced with a drawing of a familiar object or animal, the previous ones are continuously combined to create bizarre monstrosities.The detailed drawings are beautifully hand coloured by Shea.
ABC Monstrosity includes a zany glossary featuring fascinating scientific facts augmented with humour. The detailed monstrosities have goofball nonsense definitions, but the science behind how we might define more ordinary seeming animals and objects in our lives is surprisingly complex. ABC Monstrosity is both hideous and hilarious, with creepy creations sure to delight children and adults alike.
ABC of Reading TRG examines the writings of Steve McCaffery and bpNichol, with a special focus on their collaborative work as the Toronto Research Group (TRG). The book expands what little criticism there is on the Group’s collaborations by exploring their engagements with literary theory, by differentiating between each writer’s personal concerns, and by reading their reports in conjunction with their individually authored writings.
On the one hand, it reads TRG’s reports “against the grain”: it attempts to uncover the unconscious links among repressed affective and political elements that circulate throughout their writing. This approach predominantly entails situating TRG in the shadow of perspectives developed by Lacan, Fredric Jameson and Slavoj Zizek. On the other hand, it also reads the TRG reports sympathetically, by underlining their construction of a positive, productive desire which does not centre on lack, but which actively celebrates multiplicity and affirmation, an approach that chiefly reads the group in the light of theories proposed by Barthes, Gilles Deleuze and Felix Guattari, and Julia Kristeva. Readers can operate this book either by reading it conventionally from beginning to end, or by following chains of thought, indicated by superscript letters which link non-sequential chapters together-a device borrowed from Book 5 of bpNichol’s The Martyrology. The rhetorical artifice of the alphabetical framework affords a means to preserve one of the TRG’s most significant contributions to research writing on contemporary poetics, i.e., their simultaneous stress on both form and critical investigation.
In the end, ABC of Reading TRG discusses not so much what the Toronto Research Group’s reports are about, but what they invite us to think about.
When Kate Barlow was a little girl, she moved with her mother and her older sisters to a ramshackle English mansion. They were not alone on the once-grand estate, surrounded as they were by twenty eccentric, elderly women, one of whom was her grandmother…or was she?
This remarkable memoir is the true story of life inside “The A,” the infamous Agapemone, named for the Greek word meaning Abode of Love. It was a religious cult founded in mid-19th century England by a defrocked clergyman who claimed to be guided personally by the Holy Ghost. Agapemonites, many of whom were wealthy, unmarried women, lived together on the estate. They believed the Second Coming was imminent and that their founder would live forever. When Henry James Prince died unexpectedly, his successor declared himself the reincarnation of Jesus Christ, an announcement which caused rioting in the streets.
The book reveals the author’s gradual awakening to the religious and sexual scandal that enveloped her family, as first the founder and then his heir — Kate’s grandfather — continued the practice of taking so-called “spiritual” brides. In fact, these relationships were physical as well as spiritual, and some produced illegitimate children, Kate’s mother being one of them.
This first inside account of the infamous cult is also a story about family, and its lingering legacy on several generations, including Kate Barlow’s own mother. It is a gripping, sometimes humourous, deeply human tale.
Critical Perspectives on Canadian Theatre in English sets out to make the best critical and scholarly work in the field readily available. The series publishes the work of scholars and critics who have traced the coming-into-prominence of a vibrant theatrical community in English Canada.
John Loxley has worked in community economic development as a practitioner, advisor, teacher and scholar for over 30 years. The wealth of that experience is reflected in this book, which grapples with the conceptual and political complexities of addressing northern and Aboriginal poverty.
Loxley examines a number of possible approaches to economic development, placing each within a broader theoretical and policy perspective, and considering its growth potential and class impact.
Accessible and theoretically sophisticated, the book blends international development theory with northern Canadian and Aboriginal realities. It includes an important chapter on traditional Aboriginal values and culture and their relationship to the land.
Following the success of First Invaders, Alan Twigg turns his attention to First Nations writers, unearthing more than 300 books by more than 170 mostly unheralded aboriginal authors.
Taking the reader from residential schools to art galleries, this lively and unprecedented panorama of British Columbia includes trailblazer Pauline Johnson, political organizer George Manuel, Haida carver Bill Reid, indigenous rights activist Jeannette Armstrong, pioneering novelist Mourning Dove, actor Chief Dan George, painters George Clutesi and Norval Morrisseau (living in Nanaimo), politician Len Marchand, playwright Marie Clements and Haisla novelist Eden Robinson.
Equally important, Aboriginality sheds new light on fascinating, lesser-known figures such as Chief William Sepass, Howard Adams, Domanic Charlie, Earl Maquinna George, George Hunt, Chief Charlie Nowell, Henry Pennier, Harry Robinson, Gordon Robinson (Eden Robinson’s uncle), James Sewid and Michael Nicoll Yagulanaas-to name only a few. Nearly half the author profiles are women, including Marilyn Dumont, Lizette Hall, Heather Harris, Beverly Hungry Wolf, Mary John, Vera Manuel, Lee Maracle, Gloria Nahanee, Daphne Odjig, Bernadette Rosetti, Shirley Sterling, Gloria Cranmer Webster, Ellen White, Annabel Cropped Eared Wolf and Annie Zetco York.
Each author is presented in historical and chronological context, along with background material on aboriginal history, as well as rare photos, illustrations and a comprehensive bibliography.
About Face: Essays on Addictions, Recovery, Therapies, and Controversies seeks to broaden the conversation around addiction in Canada. Featuring essays by a diverse group of writers, About Face delves into the major categories of addiction: drugs, alcohol, sex, pornography, video games, gambling, body dysmorphia, and eating disorders. With stories by those suffering from addictions, experts in the field, and service providers, this anthology is a far-reaching intervention into one of our country’s most rapidly expanding social problems.