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Showing 2401–2416 of 9492 results
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Even That Wildest Hope
$19.95Finalist for the Manitoba Book Awards’ Margaret Laurence Award for Fiction and the Eileen McTavish Sykes Award for Best First Book
Longlisted for the Sunburst Award for Adult FictionThe highly anticipated debut short story collection by Journey Prize finalist Seyward Goodhand.
Even That Wildest Hope bursts with vibrant, otherworldly characters—wax girls and gods-among-men, artists on opposite sides of a war, aimless plutocrats and anarchist urchins—who are sometimes wondrous, often grotesque, and always driven by passions and yearnings common to us all. Each story is an untamed territory unto itself: where characters are both victims and predators, the settings are antique and futuristic, and where our intimacies—with friends, lovers, enemies, and even our food—reveal a deeply human desire for beauty and abjection. Stylistic and primordial, Even That Wildest Hope is a chaotic and always satisfying fabulist journey in the baroque tradition of Angela Carter, Carmen Maria Machado, and Ted Chiang.
“Read any sentence in this collection and you will know that Seyward Goodhand is a rare and original talent.”—David Bezmozgis
“It’s a relief to find this kind of daring in Canadian fiction.”—CNQ
“Seyward Goodhand can whip up a hell of a story… Yes read it.”—Lolly K Dandeneau
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Even Weirder Than Before
$22.95***CANADA BOOK AWARD WINNER******IPPY AWARDS BRONZE MEDAL, LGBT+ FICTION CATEGORY******SHORTLISTED FOR THE MIRAMICHI READER’S ‘THE VERY BEST!’ FIRST BOOK AWARD******AMERICAN BOOK FEST, LGBTQ FICTION AWARD WINNER***Daisy’s job is to be as unobtrusive as possible. But when her father suddenly leaves and her mother breaks down, Daisy’s old life disappears, and she is set free in the rift created between her parents. Susie Taylor’s sharp, quick-witted prose carries Daisy through a family cataclysm, relationships with boys, and her increasingly confusing feelings towards girls, especially Wanda. A refreshingly perceptive and honest debut, Even Weirder Than Before explores the nature of family, friendships, and sexual awakenings—and introduces one of Newfoundland’s most exciting new writers. -
Everthing We’ve Loved Comes Back To Find Us
$19.95Allan Cooper writes with a simplicity and grace that belie the intensity of his attentiveness. Animated by the tensions residing between the grief of loss and the joy of presence, his poems open the minute movements of the domestic and natural worlds to view, coaxing the extraordinary out from the ordinary.
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Every City Is Every Other City
$19.95WINNER of the Private Eye Writers of America’s Shamus Awards
Behind the scenes, nothing is what it seems.
Gord Stewart, 40 years old, single, moved back into his suburban childhood home to care for his widowed father. But his father no longer needs care and Gord is stuck in limbo. He’s been working in the movie business as a location scout for years, and when there isn’t much filming, as a private eye for a security company run by ex-cops, OBC. When a fellow crew member asks him to find her missing uncle, Gord reluctantly takes the job. The police say the uncle walked into some dense woods in Northern Ontario and shot himself, but the man’s wife thinks he’s still alive.
With the help of his movie business and OBC connections, Gord finds a little evidence that the uncle may be alive. Now Gord has two problems: what to do when he finds a man who doesn’t want to be found, and admitting that he’s getting invested in this job. For the first time in his life, Gord Stewart is going to have to leave the sidelines and get into the game. Even if it might get him killed.
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Every Little Thing
$21.95If you could take just one thing back… Every Little Thing explores how lives are shaped by the butterfly effect of decisions that go desperately wrong. After a shocking family tragedy, Cohen Davies feels isolated, guilty, and numb to everything except the allure of his new neighbor, Allie Crosbie. She’s a free spirit, and he sees in her the perfect place to bury his troubles. But when Allie’s father asks an unfathomable favour, Cohen’s decision to help him sets off a chain reaction of irrevocable events that leave one man dead, one man assaulted, and Cohen incarcerated. In the aftermath, Allie will reveal a shocking secret of her own. With his award-winning debut, Away From Everywhere, Chad Pelley showed us his verve as a novelist; Every Little Thing shows us the flipside of love, and Pelley cuts no corners in exposing how a secret kept to protect love can just as easily destroy a life.
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Every Night I Dream I’m a Monk, Every Night I Dream I’m a Monster
$22.95A risk-taking, labyrinthine, and absolutely original collection of short stories.
Every Night I Dream I’m a Monk, Every Night I Dream I’m a Monster offers an unfolding puzzle of the human psyche that is at once explosive, funny, dark, sweet, pained, and utterly strange. From the tangled threads of a messed-up family to the timeless themes of consciousness, love, art, and death, Damian Tarnopolsky’s narrative journey takes readers through past, present, and future, with stories spanning from 1980s England to Renaissance France to present-day Canada to a world yet to come.
Each tale stands alone in its stylistic direction, only to connect and reflect back on each other in unexpected, touching, and sometimes jarring ways. As characters from different times and places converge, the result is a mosaic of emotions and insights that mirror the complexities of a self in time.
With echoes of Chekhov, Olga Tokarczuk, and Jennifer Egan, this is a collection that transcends the boundaries of traditional storytelling, offering a glimpse into the workings of human relationships, inheritance, and experience.
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Every Night of Our Lives
$20.00The twin themes of domestic adventure and dreams work together in Every Night of Our Lives to create a tactile and brightly-coloured odyssey of the mundane. At times harrowing and sombre and at other times humorous and bizarre, Every Night provides a meaningful account of middle-aged life in the new millennium. It begins with an atmosphere of lingering restlessness, but gradually turns towards reflections of a first time father settling down in a era of pop culture and high speed internet, as he comes to terms with his own mortality, personal flaws and limitations.
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Every Shameless Ray
$18.95“…powerful and evocative…will test the elasticity of readers’ minds and imaginations.”–Ormsby Review
The capacity of the world to signal and illuminate, restore and repair, fuels the poems in Every Shameless Ray. Emotionally acute, intellectually intriguing, and playful in form, these poems rely upon the unreliable, as when a tipped-over kayaker rides a river’s current upside-down and discovers a channel to another world. Misunderstanding a child’s word leads to a glimpse of longed-for innocence, or when assuming love will not be found signals, in the movement of a man’s hands, a love that will last for years when he eases out the under-row of the black seeds of a papaya. Like the shock of seeing a Matisse painting, underestimated by the artist as merely decorative, these encounters “tear the fabric of the world.”
In poems of tenderness and ruthless truth, Every Shameless Ray disrupts personal terror, familial myth, art historical bias, and political madness, offering some unlikely means for living in our unlikely times.
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Every Time We Say Goodbye
$22.95A soliloquy of self-examination, upheaval, loss, hope, disillusionment, ambition and failure—Ivana Sajko paints a portrait of an intellectual at a crossroads.
A man on a train, propelled from a small town on the south-eastern coast of Europe to Berlin. As the wheels turn, his mind feverishly clacks along, tracing his own past—and that of Europe—to a moment of violence he must flee, moving him further and farther away from the one person he loves.
Shipwrecks and border pushbacks; epidemics and industrial ruins; a family separated by economic necessity; a brother lost to crime; love and fear and memories of happier times in Berlin—yet through it all runs a silver thread of hope spun by a far-off friend. Every Time We Say Goodbye is an extended soliloquy of self-examination, upheaval, loss, hope, disillusionment, ambition, and failure, and is a profoundly stark and furious novel.
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Every Wolf’s Howl
$21.95This is the story of Barry and Lupus. Barry, an exhausted newspaper owner physically and economically on the ropes, meets Lupus, a wolf-German Shepherd cross, at an animal shelter. Despite a nagging belief that he cannot take responsibility for anything or anyone else, Barry rescues Lupus and takes him home.
Every Wolf’s Howl recounts their incredible three-year journey together, back and forth across the country, enduring poverty, heartache, and illness. Beginning at the tail end of Barry and Lupus’s story and looping back in time, this memoir presents a moving portrait of economic struggle and an intimate glimpse into an extraordinary friendship. Lupus’s inner wolf never completely submits to domestication: he heels only when he chooses to. Barry witnesses something determinedly natural, untamed, and fierce within Lupus. Something admirable. Something he can learn from.
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Every. Now. Then.
$24.95Every. Now. Then: Rethinking Nationhood embraces the fundamental belief that Canada is a dynamic work-in-progress that has, is, and will continue to be defined by movements and migrations across shifting terrain and within a variable, often unstable, environment. As cultural space, political state, ecosystem, and geography, the space of Canada (even over its short history) has been a place of shifting borders and boundaries; a place constantly being reimagined and redefined.
Every. Now. Then. starts from the position that the land known as Canada is Indigenous territory. It emphasizes Indigenous perspectives along with Black viewpoints and a diversity of voices offering distinct approaches to history, time, and narrative. It includes reproductions of extraordinary works by more than two dozen talented artists as well as writings by Quill Christie-Peters, Rachelle Dickenson, Anique Jordan, Srimoyee Mitra, Charmaine A. Nelson, and Rosie Spooner that consider a past we cannot lose, of a present we must comprehend, and of a future to which we must be accountable.
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Everybody Knows a Ghost
$22.95In these rhythmic lyric pieces, ghosts appear as indications, veils and shades, shadows and chance—in illness, art, nature and relationship; in the nebulousness of memory. Hosts of soul, self, and other. In Everybody Knows a Ghost, knowing denotes a closeness where there’s space for struggle and fumbling, interplay and change. For when has it ever been unhuman to morph, perish, linger, or reappear.
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Everybody Knows This Is Nowhere
$24.95The joke? Toronto thinks it’s the centre of some multicultural universe, always bragging about how people come from every part of the world to live there.
The punch line?
Some of them are coming to commit crimes.
So yeah, Sharon MacDonald’s got a problem.
And no, it’s not being trapped in her apartment, tethered to a court-ordered tracking device. It’s not the guy who just fell 25 stories and through the roof of a car. Not the cops preventing her from getting to the grow rooms. It’s not even the mystery man who shows up with a life-saving plan that just might work.
Sharon’s problem is Ray: he’s too good-looking.
Detective Gord Bergeron has problems too. Maybe it’s his new partner, Ojibwa native Detective Armstrong. Or maybe it’s the missing ten-year-old girl, or the unidentified torso dumped in an alley behind a motel, or what looks like corruption deep within the police force.
Bergeron and Armstrong are two of the cops poking around Sharon MacDonald’s place. They want to know whether the Arab-looking dead guy jumped, or if he was pushed. When it turns out he’s got no ID, no one knows him, and a couple of the 9/11 terrorists once lived in the building, they dig deeper, trying to make connections all over the new Toronto, in the Asian massage parlours, the street-dealer-led housing projects, and the mafia-run private clubs.
Or maybe they’ll just stay close to Sharon. She knows what everybody knows. The whole world might be coming here, but this is nowhere.
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Everybody Knows This Is Nowhere
$14.95The joke? Toronto thinks it’s the centre of some multicultural universe, always bragging about how people come from every part of the world to live there. The punch line? Some of them are coming to commit crimes.
So yeah, Sharon MacDonald’s got a problem — Ray; he’s too good-looking. But she knows what everybody knows. The whole world might be coming here, but this is nowhere.
Detective Gord Bergeron has problems too. Maybe it’s his new partner, Ojibwa native Detective Armstrong. Or maybe it’s the missing ten-year-old girl, or the unidentified torso dumped in an alley behind a motel, or what looks like corruption deep within the police force.
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Everybody Loves Nothing
$21.95Artist and writer Steve Reinke is best known for his video work, an acerbic oeuvre that spans over a decade and includes his most famous piece, The Hundred Videos, literally a hundred short videos in which he explores the myriad permutations of identity, sexuality and art. The titles of his videos – In the Realm of Perpetual Embarrassment, Sad Disco Fantasia, How Photographs Are Stored in the Brain are some examples – encapsulate the tenor of Reinke’s work: deadpan, self-deprecating, personal and always funny. Composed of original and found footage (from home movies, training films, porn flicks), the videos are typically diaristic, often philosophical, even elegaic. The writing itself is extremely well-crafted, possessing a wit and intelligence that translates well to the page; what seems improvisatory on screen is in fact very polished and precise prose.
Everybody Loves Nothing contains Reinke’s scripts from 1996 to the present, accompanied by numerous illustrative stills. An extensive interview with filmmaker Mike Holboom provides a broad overview of Reinke’s career, themes and ambitions. Introduction by Lisa Steele, artistic director of Vtape.
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Everybody’s Martyrology
$28.95Everybody’s Martyrology provides commentary and analysis for almost every page of bpNichol’s meandering nine-volume lifelong poem, The Martyrology — a poetic pondering of the inevitable extinction of the human species. Taken together, it became one of the five longest canonical poems in English. Like Caroll Terrell’s A Companion to The Cantos of Ezra Pound or George Butterick’s A Guide to The Maximus Poems of Charles Olson, Everybody’s Martyrology will attract students seeking information about particular passages, scholars interested in coherent readings of the overall work, and poetry readers fascinated by the idiosyncrasies of individual volumes.
Davey brings to the book not only his own experience as a much-published poet and expert in Canadian avant-garde writers of the 1960–2000 period, but also his close friendship and collaborations with Nichol. Davey was often the first to hear a new passage of The Martyrology when Nichol dropped by his house to read and discuss it. He remembers.