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“The struggle to realize and to express my nature is my life’s meaning.” — Erica Rutherford
Erica Rutherford: Her Lives and Works accompanies a career-spanning retrospective exhibition of this multidisciplinary Canadian artist and transgender pioneer.
An artist, actor, filmmaker, farmer, teacher, and writer, Erica Rutherford’s remarkably multifaceted career took her across several countries and continents before settling on Prince Edward Island in the 1970s. There she established herself as a painter and printmaker, using art to engage in a reflection on gender construction and agency.
This remarkable retrospective includes reproductions of more than 60 paintings, prints, and drawings, as well as personal photographs. An interview with Rutherford’s widow, artist Ambika Gail Rutherford, accompanies critical essays by scholars and curators examining Rutherford’s stylistic evolution from dark semi-abstract collages to hard-edged Pop Art. Says editor and curator Pan Wendt, “In retrospect, Rutherford’s work represents a courageous and often solitary mission of working through questions that are only now part of the mainstream public discourse.”
Ma vie trouve son sens dans le combat que je mène pour comprendre et exprimer ma vraie nature.
— Erica Rutherford
Erica Rutherford : sa vie, son œuvres accompagne la rétrospective consacrée à la carrière de cette artiste canadienne multidisciplinaire, pionnière parmi les personnes trans.
Art pictural, arts de la scène, production cinématographique, agriculture, enseignement, littérature : autant de disciplines qui ont mené Erica Rutherford dans de nombreux pays et sur plusieurs continents avant son installation à l’Île-du-Prince-Édouard dans les années 1970. Rutherford privilégie finalement la peinture, qui lui permet de s’engager dans une réflexion complexe sur la construction du genre et la puissance d’agir.
Outre la reproduction des 75 peintures, estampes, dessins et photographies personnelles qui composent la rétrospective, cet ouvrage remarquable propose une entrevue avec l’artiste Ambika Gail Rutherford, partenaire d’Erica Rutherford, des essais critiques au fil desquels universitaires et conservateurs relatent l’évolution stylistique d’Erica Rutherford depuis de sombres collages semi-abstraits jusqu’à l’association hard edge et pop art. Pour Pan Wendt, commissaire de l’exposition, « il apparaît maintenant que l’œuvre d’Erica Rutherford est l’expression d’une mission poursuivie avec courage et souvent dans la solitude : celle de sonder des questions qui se font à peine jour sur la place publique ».
This volume explores the life and works of Ernest Buckler. These studies of Canadian authors fulfill a real need in the study of Canadian literature. Each monograph is a separately bound study that contains a biography of the author, a description of the tradition and milieu that influenced the author, a survey of the criticism on the author, a comprehensive essay on all the author’s key works, and a detailed bibliography of primary and secondary works.
This volume explores the life and works of Ernest Thompson Seton. These studies of Canadian authors fulfill a real need in the study of Canadian literature. Each monograph is a separately bound study that contains a biography of the author, a description of the tradition and milieu that influenced the author, a survey of the criticism on the author, a comprehensive essay on all the author’s key works, and a detailed bibliography of primary and secondary works.
Why do we read? What do we cherish in a book? What is the nature of a masterpiece? What do Alice Munro, Albert Camus, and the great Polish experimentalist Witold Gombrowicz have in common? In the tradition of Nabokov, Calvino, and Kundera, Douglas Glover’s new essay collection fuses his long experience as an author with his love of philosophy and his passion for form. Call it a new kind of criticism or an operator’s manual for readers and writers, The Erotics of Restraint extends Glover’s long and deeply personal conversation with great books and their authors. With the same dazzling mix of emotion and idea that characterizes his fiction, he dissects narrative and shows us how and why it works, why we love it, and how that makes us human. Erudite and obsessively detailed, inventive, confessional, and cheeky, these essays offer a brilliant clarity, a respite in an age of doubt. They raise the bar.
Sex, booze, war and wordplay collide loquaciously in Err, the latest collection from innovative and accomplished poet Shane Rhodes. Equally amusing and stunning with his joyful manipulation of language and his stark portrayals of disease and oppression, Rhodes tackles everything from AIDS to martinis with style, wit and clarity. The book is divided into four themed sections, each of which focuses on a different sphere of life and creativity. “Spirits” amends the current scarcity of drinking poems with humourous, effervescent musings, whereas “Bodies” looks at the ravages of sex, disease and death. “The Cloud Chamber” traces the breakdown of language and sound into poems that interrogate letters, phonemes and jargon, while “Dark Matter” investigates new ways of writing and thinking about poetry.A master of alliteration, allusion, rhyme and rhythm, Rhodes shakes up a verbal cocktail of vibrant musicality that appeals to the imagination and remains in the memory. This distinctive collection makes for delightful, unusual and engaging reading.
From the author of the novels Love on the Killing Floor and Dragging the River, Trevor Clark’s new collection of stories covers broad territory, from an addict’s confessions to the corruption of academia, in such diverse locales as Jamaica and the UK. The subtle nuances of knifings, the unforeseen rise of Islamic terrorists, the familial kidnapping and the marriage of convenience that takes a wrong turn – Escape and Other Stories is a rough and tumble collection of tales that not only crosses genres, but oceans as well, drawing the reader into worlds of majestic dilapidation not often seen, but which all of us endure.
da Vinci Eye Finalist, Eric Hoffer Awards.
Escape from Wreck City is a debut collection of poetry from Calgary author John Creary.
There are poems about nature, poems about love and relationships, poems about living in the city, and poems about traveling the world. And all at once they capture the thrill of being fully engaged with the world, keenly observing each moment and event that constitutes being human. Whether it’s following the “wounded insomniac” through the “desert lushness of sage and creosote” or hot lovers who “flicker bare back beneath the full moon, panting” or drifting, moribund couples on empty streets moving like “dead meat or heavy traffic” under leaves of an “electric yellow” Creary’s language is potent, lush, playful and witty, demanding of attention. Sharp with insights that cut, lancet-like, to the core of the matter, the poems in Escape from Wreck City like the people who inhabit them are ecstatically alive.
Advance Praise for Escape from Wreck City:
“John Creary’s poems growl, roar, whisper, chortle, purr and shout. He’s a writer stoned on words, constantly surprised by what they can and can’t do. Language’s energy-clean, dirty, pulsing, spiking, minimalist-vibrates through Escape from Wreck City.”
– Tom Wayman, author of The Order in Which We Do Things
My father drowned in the Aegean Sea, fifty nautical miles northeast of the port of Piraeus. When it happened, my mother and I were at home in Toronto. It was early evening in Greece, afternoon for us, and I was at school when she found out.
Niko Kiriakos, tentative heir to the ailing Calypso Shipping fleet, always suspected he was cursed. Following his sudden disappearance, his wife, Anna, and daughter, Zoe, are left adrift. Unmoored, they begin to test the boundaries of their lives, struggling with issues of loyalty, identity and what it means to be a family. Spanning years and tracing a route from Niagara Falls to Greece, Escape Plans is an unblinking look at the ties that bind us together and the things that pull us apart.
“Vlassopoulos has found a way to carry over the wide-eyed curiosity and innate goodness of childhood into the mysterious, often sad, often tragic world of adulthood.”—Montreal Review of Books
Andrea Hejlskov was certain of one thing: life could not continue as it was. She and her husband had become disillusioned with their jobs and the pressures of urban living, their four children were spending too much time in their bedrooms with their computers, and conversations had become as elusive as their connection to a meaningful existence. For Hejlskov and her family, life had become too complicated; no matter how fast they ran they never really got anywhere, no matter how much they worked they never had enough money. Facing a constant feeling of failure and always falling behind, the Hejlskovs chose to bolt in the other direction. On a quest to find out what really counts, they made a bold move: they sold their house and parted with most of their belongings.
In the year that followed, the family built a cabin deep in the wilds of Sweden and conducted an experiment: could they live a fulfilling life while measuring their impact on a world desperately in need of change? What was meant to be a one-year experiment became a six-year journey that fundamentally changed everything in their lives. Escape to the Wild: A Family’s Return to Simplicity is the remarkable true story of a family that drops everything to start life anew. Both a poignant memoir and passionate critique of modern life, Escape to the Wild is a reminder that we can choose to lead the life we live.
Winner, E.J. Pratt Poetry Award
Shortlisted, BMO Winterset Award
Carmelita McGrath’s Escape Velocity — the long awaited follow-up to her Atlantic Poetry Prize-winning collection To the New World — culls overlooked fragments from our domestic lives and ferries them on unpredictable journeys. A conversation with a telemarketer becomes a monologue on overcoming loss, stray animals provoke cautionary tales shared between generations of women, and junk mail fosters a meditation on necessity, debt, and the inevitability of one’s passing. From the elegiac, to the playful, to the meditative, McGrath effortlessly shifts from a natural refinement to a near breathless elegance. Well worth the wait, Escape Velocity marks the return of McGrath’s receptive intelligence, gathering strength and taking flight.
Esker Mike & His Wife, Agiluk is a social satire about Eskimo life in the Mackenzie River Delta and how it is affected by white settlers, priests and government officials. The play is also a tragic reflection on the role of women who are forced to bear children in a society that cannot afford to support them.
Sexy, provocative and challenging, Espresso is a rich, dark, bitter hit of comedy and sensuality. One of Lucia Frangione’s blasphemy plays,’ it inverts the Catholic stereotypes of feminine sexuality to boldly examine their corresponding masculine sexual emblems of Father, Son and Holy Ghost. In an erotic world where men are traditionally cast as either fathers to be looked up to or sons to be looked after, where, for women, is the possibility of a flesh-and-blood lover, challenging her to open her heart without trespassing her will—a lover as he appears in the Song of Solomon: passionate, earthy, creative, vulnerable and beautiful— the avatar of the holy spirit? There has been a horrible car crash, and Vito, the patriarch of an immigrant family, has had his body smashed and his heart lacerated, his life hanging by threads of tubes and wires in an intensive care ward. His family has rushed in from all over the country for an anxious vigil of hope, prayer and memory by his bedside. In this crucible of anxiety, a single actress alternately narrates and enacts her own and her family’s history along with an uninvited narrator/actor, Amante (“lover” in Italian). As Amante engages all the women of the clan Rosa plays in a swirl of sharply portrayed characters—Vito’s mother, Nonna, forced into marriage at 13 but only now, at 67, experiencing the first intimations of her body’s desire; the pit-bull martyrdom of Vito’s second wife, Vincenza; and Rosa herself in her own thin, urbane skin stretched tight to hold in the red, passionate blood that boils just below the surface—we are never sure whether Rosa has created Amante or he has created her.
Cast of 1 woman and 1 man.
This suite of pandemic essays exist within those first one hundred days of original lockdown, marking time through moments, anxieties and the elasticity of time itself. What are days, weeks, months? In this stunning collection of deeply personal essays, Ottawa writer rob mclennan wanders through literature, parenting, family, the constant barrage of cable news and the slow loss of his widower father across the swirling, simultaneous anxieties and uncertainties of an increasing sense of isolation.
From his plundering of elements from B-movies and melodrama in early plays like Zastrozzi and Beyond Mozambique to the uneasy satire and the class politics of the East End and the Power plays, and now most recently in the shape of “Suburban Motel,” a cycle of six new plays, George F. Walker has not only created a substantial and impressive body of work, but impressed it all with his unique “Walkeresque” stamp—brash, assertive, perceptive, genuinely perverse, often wonky, and very, very funny. Toronto’s most-produced and internationally recognized playwright, Walker’s plays have appeared on stages in London and New York, across North America and around the world.