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Eigenheim [Ei·gen·heim] noun.One’s own home.
What is home? Is it found, is it built, or does it simply exist wherever we invoke its name? These are the central concerns of Joanne Epp’s debut collection of poems. In Eigenheim, Epp wrestles with notions of home and the inherent tension between the need to go and find it and the desire to “settle down.” In the process, the world blossoms before her, offering glimpses of the transcendent.
Poet and intermedia artist Oana Avasilichioaei’s Eight Track is a transliterary exploration of traces. Sound recordings, surveillance cameras, desert geoglyphs, drone operators, refugee interviews, animal imprints, and audio signals manifest moments of inspired wonder, systems of power, slippages, debris. In “the great era of seeing” when the boundary between tracking agent and monitored subject is worn thin by politics and commerce, Eight Track assembles a set of discordant melodies, polyphonic voices, transcriptions, theatres, and images in a struggle to hold on to agency and awe. Stirring from languages of oppression to languages of resistance, Eight Track echolocates the nameless, the noisy, the scattered, and the voiceless. This is ultimately a book of relations—of each of us to each other, to other life forms, to environments, to cultures, to the obsolete and the absolute, to the animal vitality we share.
D. D. Miller is fascinated by roller derby. As the Derby Nerd he has been covering roller derby since 2009, travelling to games across Canada and the United States, including two world championships, reporting back to an ever-growing audience the details of the sport. In this entertaining and thorough book he explains roller derby to newcomers and charts the sport’s rise from small groups of women looking for people to skate with over the Internet to the world presence it is today.
Along the way he considers roller derby’s roots in Riot Grrrl and DIY culture, and the importance of the LGBTQ community both inside and outside of the sport. This is a warm, thoughtful look at a sport that Miller understands intimately, which takes us beyond the costumes and showmanship, into the heart of what he feels may be the first truly feminist sport.
Einstein arrived in the United States in 1933, the year the Nazis rose to power in Germany. From that moment until he died in 1955, J. Edgar Hoover’s FBI?with other agencies?feverishly collected “derogatory information” to undermine the renowned scientist’s influence and destroy his reputation. With material accessed under the Freedom of Information Act, Fred Jerome reveals the depth of, and the reasons for, this massive anti-Einstein campaign. He also uncovers Einstein’s strong political commitments that have been conveniently buried under the image of the absent-minded icon genius. Whereas Einstein said on several occasions, “My life is divided between equations and politics,” Jerome delves into his little-known political half-life. Einstein, Hoover? Trump Jerome’s preface to this new enriched edition of The Einstein File, traces the path of surveillance from J. Edgar Hoover, through McCarthyism, to the Trump era. The preface also presents new information gathered about the things that the FBI hated so much about Einstein: his very close friendship with Paul Robeson and their collaboration in fighting racism; and his studied position on Israel and Zionism that Israeli polticians do everything to hide.
Whether considering the Skeena River or the foibles of an onscreen diva, Zoë Landale creates vivid and unforgettable poetry. Shot through with bright colour and sharp natural imagery, this is not a calm, contemplative collection. Indeed, Landale punctuates her own poetic musings with a director’s cut, a counterpoint of sly, often acerbic observations on her own lines. A fascinating and intricate work, Einstein’s Cat is a collection that is sure to reward repeat readings.
A revolutionary chemist, Dr. Fritz Haber discovered too late that when his knowledge was put in the hands of the wrong people, millions would die; his efforts to serve humanity futile against political will, nationalism, and war. This updated edition of Vern Thiessen’s Governor General’s Literary Award–winning play about the collision of power and pride still resonates with verve and vigour.
Kissing and telling … You’ve heard about Sky Gilbert: he’s loved by fans of his novels, plays, poetry, and columns; hated by the Toronto Sun and by some members of the gay community. His alter ego Jane, a drag queen, was charged with not wearing a seat belt in a cab, took the case to trial, and won: “The judge said I was a reasonable person.” Gilbert’s theatre, Buddies in Bad Times, was almost closed by The City of Toronto for sponsoring S/M workshops in 1990, and yet he was awarded the Pauline McGibbon Award for directing in 1985, has directed two plays at the Shaw Festival, and had his work performed across North America. The Religious Right has campaigned against him, yet some men argue that his work has changed their lives. So, whatvs Gilbert all about, what makes him tick? Is he a drag queen? An award-winning artist? A complete slut? Or, maybe, all three? Many are going to be angered by this book, many more will be entertained. One guarantee: everyone is going to be reading Ejaculations from the Charm Factory to see if their names are in it. And yes, they are.… But there’s also a whole lot more.
Photography, sculpture, woven work, folk art, painting, found art, and more.
When Terry Graff and Alan Syliboy decided to investigate contemporary First Nations art in New Brunswick, they set out on a road trip. They visited the Mi’kmaq Nation communities and Wolastoqey Nation communities. The result was an exhibition and a book, a journal that captured the essence of the road trip through Graff’s words and Syliboy’s magnificent photographs.
The book captures their high-octane meeting with heavy metal musician Eric Miller; Robert Pictou’s model boats and surprising works of art; their poignant visit with John Seca Labillois, who conjured a drum from the trunk of a 600-year-old tree; Peter Augustine’s collection of antlers; the sacred site of the Sundance ceremony at Big Cove; and the story of the Brooks family’s efforts to repatriate the 200-year-old Grandfather Akwiten canoe. Ekpahak brings together a synthesis of cultural traditions and artistic practise that today serves as expressions of self-determination.
Photographie, sculpture, travail tissé, art populaire, peinture, art trouvé, et d’autant plus.
Lorsque Terry Graff et Alan Syliboy ont décidé d’enquêter sur l’art contemporain des Premières nations au Nouveau-Brunswick, ils ont entrepris un voyage sur la route. Ils ont visité les communautés de la nation Mi’kmaq et les communautés de la nation Wolastoqey. Le résultat a été une exposition et un livre, un journal qui a capturé l’essence du voyage sur la route à travers les mots de Graff et les magnifiques photographies de Syliboy.
Le livre capture leur rencontre à haut indice d’octane avec le musicien de heavy metal Eric Miller ; les maquettes de bateaux et les œuvres d’art surprenantes de Robert Pictou ; leur visite poignante avec John Seca Labillois, qui a évoqué un tambour du tronc d’un arbre vieux de 600 ans ; la collection de bois de Peter Augustine ; le site sacré de la cérémonie de Sundance à Big Cove ; et l’histoire des efforts de la famille Brooks pour rapatrier le canoë Akwiten, vieux de 200 ans. Ekpahak offre une synthèse des traditions culturelles et des pratiques artistiques qui servent aujourd’hui d’expressions d’autodétermination.
Seeking uncanny, fun, experimental, creepy, sarcastic, playful, vulgar, inventive, sexual, weird, sweet, and evocative works, editors Samia Marshy and Eli Tareq El Bechelany-Lynch set out to collect Arab and Arabophone queer writing. The result is an anthology brimming with gems by emerging and established writers and an homage to the lineages and complexities of queer Arab life. Multi-genre, multi-generational, and global, El Ghourabaa is an enigma, a delight, and a contribution to an ongoing conversation and creative outpouring.
In addition to Marshy and El Bechelany-Lynch, contributors include: Leila Marshy, Trish Salah, Olivia Tapiero, Maisie-Nour Symon Henry, Yehia Anas Sabaa, Nofel, Hoda Adra, Ralph Haddad, Seif Siddiq, Karim Kattan, Andrea Abi-Karam, Bazeed, George Abraham, Sarah O’Neal, Micaela Kaibni Raen, Nour Kamel, Barrak Alzaid, and Rabih Alameddine.
In Electric Affinities, Michael Pacey’s second collection, everyday household items become points of departure into wonder — a handsaw becomes a “bird hooded, strung with jesses, strops with its beak.” A cup becomes “a tool for gripping liquids.” Mirrors are “windows turned inside out, always concentrating, trying to memorize each detail,” and scissors are “perpetually plural, twin sisters fastened together.” While it is Pacey’s particular magic to discover the amazing alchemical properties of everyday objects, in Electrical Affinities he also illuminates the poetic “current” that connects them to larger questions of human nature, language and the environment.
A surprise return home triggers a chain of events, their strands weaving together a sinister web of dreams and reality, lies and truth, secrets and spells.
Jean-Michel Fortier?s chilling second novel features a cast of memorable characters, including Renée, who never dreams (or does she?), and the oft-widowed Bella, who signs her personal ads ?Come, and be prepared to stay forever.?
Following in the tradition of Fortier?s absurdist first novel, The Unknown Huntsman, this is a dark and offbeat tale about lost love, lost dreams, and one lost limb.
Electricity Slides describes a disjointed, somewhat dystopian, slightly connected series of events, written in the Dadaist “cut-up” style of the 1950s. The book first started out as a series of performance art monologues written and performed live for a multidisciplinary exhibition put on by the Indigenous Peoples Artists Collective every year in Prince Albert, Saskatchewan. The stories alternate between a third-person narrative and the first-person narrative of the protagonist, who goes without a name throughout the book, but whom we discover is a military officer who has suffered an emotional breakdown during a battle and as a result speaks in a lyrical, poem-prose manner. Throughout the book, the reader is taken through a psychotropic funhouse-like journey, like a dream, where vignettes are connected only slightly, but keep the reader moving.
A testament to the healing power of unconditional love.
Widely acclaimed for her emotionally powerful stories that capture the real lives of women, Heather A. Clark, bestselling author of Chai Tea Sunday, tackles the subject of childhood mental illness and the impact it has on a close family.
The story begins from nine-year-old Nate’s point of view, etching the details of an unbalanced mind struggling to make sense of rampant thought patterns and heightened paranoia. Enter Ashley, Nate’s mother, and a hardworking advertising executive concerned that she’s not giving her family enough of her time — especially now that she senses something might be wrong with her son. As the story moves deftly back and forth between the two perspectives, the narrative converges to reveal one family’s journey of discovery as they strive to find balance in their lives.
Based on a true story, Elephant in the Sky articulates a complicated, real-life subject with grace, wisdom and sensitivity, and beautifully explores the distance a mother will go to protect her child.
Elephant Street offers a series of poetic responses to the vulnerability of the human urbanite in the 21st century.