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A lyrical collection focussing on a specific street and on a particular tree growing there, Earle Street, by Governor General’s Award winner Arleen Paré, takes the concept of street and urban living, the houses on the street, the neighbours, the boulevard trees and wildlife, and the street’s history as a poetic focal point. The book is divided into four sections, each of which differently considers the poet’s home street – as a river, as an arboretum, as a window, and finally as a whole world – resulting in an extended meditation on place, community, and lesbian domesticity that is at once poetic and philosophical. “Start from the inside,” Paré writes, “as though organic, as though building from inside a seed.” Here is the macrocosm reflected, examined, and refracted through the microcosm of a single, quiet neighbourhood street.
Early Days, Early Dancers documents the first decade of the National Ballet, focusing on the dancers of the 1950s, especially principal dancers Lois Smith, David Adams, Angela Leigh, Donald Mahler, and Celia Franca, herself a dancer and later the Company’s Artistic Director. With an enthusiastic foreword by Karen Kain, and a moving afterword by Veronica Tennant, the book includes pieces by twenty-two dancers, plus memorial tributes to dancers who have passed away. Contributions explore the dancer’s journey through St. Lawrence Hall, summer school, rehearsal, and life on tour, as well as life after a career in dance. Portraits includes comments by the dancers on such figures as Celia Franca, Betty Oliphant, and Kay Ambrose among others, and memorial tributes to those dance figures who have died are written by well-known writers contemporaries such as Michael Crabbe, John Fraser, Vanessa Harwood, and Veronica Tennant. These memories of the Company’s early dancers provide a unique impression of the origins of the National Ballet, and the history of dance in Canada, and highlight the way the present dances on the shoulders of those who have gone before.
In 1600, Peter Paul Rubens left his home in Antwerp to travel to Italy and study the Italian masters. Eight years later, in 1609, he returned to Belgium and quickly established himself as one of the foremost painters in Western Europe. Early Rubens explores the artist’s work from 1609 until 1621, and how he rose to fame by creating multiple versions of paintings with subjects that had proven to be successful, and by seeking out collaborators to create more ambitious works than he could have done alone.
Early Voices
Much like a pilot need not know the pure physics behind his flight, a skilled poker player need not know the pure mathematics behind winning poker play. Too often have poker books taken a purely theoretical approach to poker instruction.
This book is the only poker book available that caters specifically to online sit-n-go (SNG) single-table low-limit Texas Hold’em tournaments. More importantly, it is the only poker book that guides the reader on a progressive path upward through the various limits, with only the information necessary to win with any bankroll or skill level to beat that specific low limit. Presented in a series of steps, the book provides guidelines that help tell the reader when to move up to a higher limit.
SNG’s have very predictable durations (40 – 60 minutes) so the reader could effectively set aside blocks of time to play. Unlike other games, the book contends that SNG’s have very predictable win/loss rates, can be defeated systematically, and offer an innate system of progression. That is, the various buy-in amounts can be viewed as a climbable ladder that helps gauge success.
As with any gambling, winning is not a sure thing. But this book gives you the tools you need to win.
Doyle has a very funny problem: he hears too much. He can hear the most intimate details of the lives of everyone living in his apartment building. He can tell the temperature of a young neighbour’s bath water by the resonance of her pipes; he knows where the old lady’s lost teeth are by the way they rattle in their glass when her appliances turn on; he can hear letters of rejection slip from slackened fingers and settle to the ground like the crashing leaves of autumn.
Doyle blames his hyper-sensitive condition on a physical abnormality, on a birth defect in his ears. But we are not so sure. Paralysing Doyle with a cacophony of detail and minutiae, Earshot offers us the gift of a comic Hamlet—a perfectly dark comedy for the information age.
Earth Alive is a collection of thought-provoking essays, short pieces, and reviews that explore and uncover the intimate connections between humans and the Earth. Stan Rowe prompts us to think in revolutionary terms about developing a new world-view. Edited and with a preface by Don Kerr, and an afterword by Ted Mosquin.
When Erika Drake, of the Westmount Drakes, met and fell in love with Marc Reiser, a Jew from northern Ontario, their respective worlds were turned upside down. Set against the backdrop of the first three years of the Second World War, Earth and High Heaven captured the hearts and minds of its generation and helped to shape the more diverse and inclusive culture we have today.
Published in 1944, this classic novel was very timely; it spoke of the prejudices of its time, when Gentiles and Jews did not mix in society. Earth and High Heaven was the most successful novel of its time, winning many awards and prizes, including the Anisfield-Wolf Book Award in 1945 (an award founded to reward books that exposed racism or explored the richness of human diversity). It was translated into eighteen languages and the film rights were purchased by Samuel Goldwyn for a remarkable $100,000. Earth and High Heaven was the first Canadian novel to top the New York Times bestseller list for the better part of a year.
When Erika Drake, of the Westmount Drakes, met and fell in love with Marc Reiser, a Jew from northern Ontario, their respective worlds were turned upside down. Set against the backdrop of the first three years of the Second World War, Earth and High Heaven captured the hearts and minds of its generation and helped to shape the more diverse and inclusive culture we have today.Earth-cool, and Dirty iis a timely debut collection by Jacob Lee Bachinger, full of wisdom, and beautiful reflections on the state of humanity. It is a call to pay careful attention to the earth, to nurture it in the same way we attend to the people we love. In “My Son Asleep, Age 4,” he observes: “What no one told me,/what I’ve had to learn for myself:/to love this much is painful.”
Young, sea-loving Lily (né Harriette) is aptly nicknamed after a floating flower. A Bajan high school drop-out, she subsists passively in her grandmother’s house at the sufferance of a stern, fundamentalist task-mistress, one who malignly sees in Lily her lost, promiscuous, ‘wutless’ mother. Adrift, born into an ‘island paradise’ which offers few choices to her kind, she must nevertheless identify, then gain the grit and spiritual wherewithal to make them, if she’s to escape an out-of-control life of serial beatings at the hands of her first ‘man,’ the charismatic, brutal, and finally murderous Goldie (Colvin) Edwards. Through the counsel of her appalled friend Sophie and the wisdoms of a pair of beach Rastas encountered beside her beloved Caribbean, she slowly learns not only that she is, indeed, a lovely flower, but The Rock she must leave via the freedom of primal yet navigable waters, has been the stumbling block set before an unloved female self. With a brilliant ear for both dialogue and dialect, and a great gift for ensemble scenes, Canadian-Bajan novelist Nicole Blades plants us firmly on the soil, not of the tourists’, but of the natives’ contemporary Caribbean.
Phil wakes up in the middle of a cemetery, only to discover he’s been dead for a few months. He is now what you would normally call a “zombie”, although the term does feel slightly derogatory to him. And now that he’s back among the living, everyone seems to have gotten on with their own lives – including his now ex-girlfriend, who has recently started dating someone else. Phil’s best friend ____ lets him sleep, unaware that Phil had an affair with his girlfriend while he was still alive. Earthbound starts out as a comedy, as its zombie protagonist tries to make sense of his strange predicament. But it gradually turns to darker territories, exploring themes such as friendship, trust and infidelity through the prism of its original premise. Nominated for the ACBD Québec Award and the Marc-Olivier Lavertu Award. Winner of the Réal-Fillion Award.
The characters in the short stories of Earthen are all in need of guidance: mothers, widows and wives, grandmas and grandpas, teachers, lovers, and the young. They find messages in the earth and rock beneath their feet, the mountains and atmosphere above, or the creatures surrounding them: birds and animals, plants and trees. The natural world insists on a relationship with both characters and readers of Earthen, in stories ranging from realism to fable to speculative fiction.
The author of Alder Music, Gary Saunders returns with an evocative, lyrical, and immersive collection of personal essays on our relationship with nature and with each other.
In nine sections, Earthkeeping ruminates on the necessity of love and earthkeeping, on forage fish and robinsongs, and on the stewardship of our ecological landscape. Offering an antidote to the world’s anxiety about climate change, plastic pollution, and biodiversity loss, Saunders writes with a deep connection to the natural world and his signature humane zest for life. Lovingly illustrated with Saunders’s own drawings, the result is a joyful, personal, and deeply attentive stroll through an enchanted land of blue and green.
Earworm, the second book from acclaimed poet Nick Thran, expertly combines wicked cleverness, adept craftsmanship and a uniquely insightful perspective in an entertaining yet substantial tour de force. Building on the success of his debut, Thran has enhanced his compelling pop culture rhythms and distinctive voice with bolder formal experimentation and greater poetic maturity. This eclectic collection takes in topics ranging from cartoons to Caravaggio to cicadas, expressed in a comparable variety of poetic forms. Despite this diversity, the book is unified by its perfectly balanced blend of thoughtful observation laced with Thran’s characteristically whimsical sense of humour. Earworm is also interspersed with several poems inspired by works of art in a variety of media. Whether he’s reinterpreting Picasso’s Blue Period, encapsulating a moment from The True Adventures of the Rolling Stones, or lending a narrative to one of Dennis Oppenheim’s conceptual sculptures, Thran is able to distill the essence of the original while adding a fresh twist.
Have you ever had a voice lodged in your memory that won’t go away? Clawing at your skin, bones, and nerves until it’s all you can think about? For Homa, an Iranian refugee living in Canada with her son Pendar, this is her daily torment. Haunted by the trauma of torture under the oppressive Islamic regime, Homa channels her pain into activism as an outspoken podcaster, fiercely condemning the human-rights violations in Iran. But her freedom is tested when she discovers that the father of Pendar’s new girlfriend is a devout Islamist and requests she wear a hijab in his presence. As the voices in her mind grow louder, Homa fears the nightmares from her past have followed her right to her doorstep.
In Earworm, provocateur Mohammad Yaghoubi delivers a brilliant thriller that interrogates the fragile promises of political asylum and resonates not just with Iranian immigrants, but with all who have fled persecution in their homeland only to encounter their oppressors once again in their new country. Created in solidarity with the 2022 international Woman, Life, Freedom demonstrations that originated in Iran, this confrontational, clever, and suspenseful drama burrows deep under your skin and lingers long after its shocking conclusion.