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Moving beyond the themes of race, identity, and personhood navigated in Mythical Man, David Ly?s second book of poetry, Dream of Me as Water, explores ways of being that are not beholden to the expectations of others. Using water as his central metaphor, Ly meditates on how identity is never a stagnant concept, but instead something that is intangible, fluid, and ever-evolving. Dream of Me as Water revels in the nuances of the self, flouting outside perceptions for deeper, more personal realities. .
Lifted from an ancient Chinese astronomical text, the title Dream Pool Essays hints at Gil McElroy’s interest in cosmology: always a construct made visible between the elements of chaos.
These poems constitute an active multiple streaming of sources usually considered quite disparate: the physical sciences, particularly astronomy, theoretical cosmology, and quantum physics; the literary arts insofar as they are concerned with re-imagining the world—the imago mundi of Charles Olson, the transformations of Jack Spicer, the incantations of Robert Duncan, the deconstructions of the L=A=N=G=U=A=G=E poets like Ron Silliman, Clark Coolidge and Bob Perelman; and, as a crossover into McElroy’s participation in the visual arts, the great cosmic draftsman, William Blake.
The overriding imperative of these poems is the priority they afford the constructive act of reading. They are there as occasions for reading, and are incomplete, signifying nothing, and are without meaning outside the presence and active engagement of their reader(s). Just as in quantum mechanics, in which all things exist merely as potentialities which achieve their presence, their “being in the world” only through their interaction with an observer or observers, these poems are catalytic fragments in the presence of which the reader constantly re-imagines the world and its processes.
Each of these poems is an astonishment of form which perpetually lies in wait to be awakened by the reader: “I am in a light I can never be out of.”
Part essay, part poem, part fever dream journal entry, Dream Rooms is a book about personal revolution, about unravelling a worldview to make space for different selves and realities. Set in the years that led up to author River Halen coming out as trans, this collection concerns itself with what sits on the surface of daily life, hidden in plain view, hungry for address—what it means to take a stranger’s pet rabbit to the vet in a year of accelerating extinctions, to lose your clothes to a moth infestation then buy a duvet made of fossil fuels, to learn your bookshelf is full of work written by rapists and rape apologists, to consider a birth control device as a narrative about bodies and their possibilities, then pull the string. Deeply queer and trans not only in its content but in its thinking, Dream Rooms invites readers to that place in consciousness where fear and desire, hidden information and common knowledge brush up against each other and are mutually transformed.
NOMINATED FOR THE 2019 SCOTIABANK GILLER PRIZE
A CBC DAY 6 MUST-READ BOOK FOR SUMMER
A 49TH SHELF EDITOR’S PICK
Henry Banks, star of the UK’s most popular television series, has higher aspirations, ones befitting of his talent: a serious film career, beginning with a role in a brilliant Spanish director’s next movie. To make the jump to the big screen, he’ll have to remake himself in more than one way. But as he runs his morning miles and scrutinizes his changing physique in the mirror, he doesn’t know that he’s not alone in his obsession—Kristin, an unstable American fan, has her own ambitions. From the author of Man-Booker shortlisted The Quickening Maze, Dream Sequence is a moving depiction of desire and delusion and the unsettling consequences of fame.
Shortlisted for the 2024 Rakuten Kobo Emerging Writer Prize • A Globe and Mail Best Spring Book • One of Lambda Literary Review‘s Most Anticipated LGBTQ+ Books of June 2023 • A Southern Review Book to Celebrate in June 2023 • A 49th Shelf Best Book of 2023
A queer coming-of-age—and coming-to-terms—follows the aftereffects of betrayal and poignantly explores the ways we search for home.
When a sister’s casual act of betrayal awakens their father’s demons—ones spawned by his time in Vietnamese POW camps—the effects of the ensuing violence against her brother ripple out over the course of forty years, from Lubbock, to San Francisco, to Fort Lauderdale. Swept up in this arc, the members of this family and their loved ones tell their tales. A queer coming-of-age, and coming-to-terms, and a poignant exploration of all the ways we search for home, Dreaming Home is the unforgettable story of the fragmenting of an American family.
“Dreaming Reality” is an exceptional demonstration of the stunning varieties of human feelings and emotions that are expressed in a vivid way. The poems illustrate the infinite choices of how emotions can be shared in words, perceptions, and symbols. The poet’s unique writing style uses metaphors and rhymes to express complex thoughts that nestle within one another. Drawing upon everyday occurrences, common situations, and mystical imagery, the author expertly creates dark and extraordinary fantasies. “Dreaming Reality” reminds us how poetry can powerfully touch our hearts and minds. The French-language edition of this book, “Rêver au reel”, won the 2014 Trillium award for poetry.
The Dreamland Theatre exists in a photograph of a white building on sledges being pulled through the mud from one location to another by a team of horses in Prince George (then Fort George) circa 1912. These poems are about imagining place and, continuing the work of Finding Ft. George, Rob Budde’s process of trying, and failing, to find out where he is. Poetry is part of a place, and this book deals in the powerful homemaking that is language itself.
The short stories, artwork, and photography included in At Bay Press’s latest anthology illuminate the vastness of the human mind. Rich in archetypal themes yet modern in approach, this Fiction Annual is comprised of writing that explores the need to discern reality from delusion. The short tales and pictorial narratives are illusory, fleeting and spectral as they delve into the subconscious mind; these are tales that lure and unravel as only dreams and nightmares can.
-Deep time is time / that can not be erased“With empathy and playfulness, with startle and delight, Jaspreet Singh explores the fragility, beauty, and sorrow of the dreaming and waking worlds. a work of remarkable intellect,” wrote the poet Donna Kane about How to Hold a Pebble. In Dreams of the Epoch & the Rock, Singh deepens his exploration of climate, language, migration, decolonization, and the Anthropocene with an energy both acrobatic and intimate. Interweaving the personal, local, global, and geologic with hidden histories, these poems invite possibilities and defy neat closures, leaving readers with an indelible view of deep time. An ancestor’s words in a diary, a child’s chalk drawing, solar panels that smile like an ancient god, the Great Oxygenation Event: the gaze of these poems is vast, eclectic, and awestruck, while also remaining clear-eyed about the futures that await our planet. Her unironed face / smiling on behalf of the earth. You don’t have such words in your language / You don’t have such words in your language
The Dreams of Zoo Animals is a novel carved out of the wilds of Australia in the 1960s, a novel of friendship, love, discovery and disillusion. Sarah Ashton is a powerful and engaging heroine, reminding us of the strength possessed by women who have grown up in houses “built by convicts” on the continent down under.
Lorna Jackson’s characters earn every scrap of comfort they get, sexual and otherwise. In the title story of Dressing for Hope, a bar singer finds her “future is getting crowded” when two ex-lovers turn up at the Hope Hotel to catch her gig, a third is on his way, and #2 gives her a phone message from #4. From the tiny stage, she notices the Harley women. “I admire how every step and glance is a sexual act. Their nail polish is libido. They wear tri-coloured rosebud tattoos in places I barely wash. They are as alert as I am to the mood of the room and pass through.” “Round River” uses Paul Bunyan yarns to ease communication among a newcomer to a BC logging town, her lumberman lover Duff, and his very attractive 20-year-old son. Her deeply rooted inner conflicts almost sour the three-way relationship. But Duff finds the centre of peace and understanding for them all in a metaphor of work. “My father used to say, ‘Hand-falling trees was so quiet,’ but I’ve done it, too, and I know there’s no difference. … The bounce of timber hitting dirt is loud no matter how it was cut or who cut it.”
The forces of Eromar ravage the Everland, and the skies are filled with the smoke and ashes of the burning woods. Those Folk who do not escape into the far mountains and hidden valleys are driven into the broken westlands of Humanity, where Dreydmaster Vald reveals the full vision of his mad crusade, one that will annihilate even the memory of the Kyn and their kind.One group of heroes walks the Darkening Road to rescue the exiles, and another travels to the capital city of Men to make a last, desperate appeal, but both know that these days will determine the fate of the Folk in this Melded world. Will their roots hold fast, or will they be cast adrift into the storm? Can they find a safe middle path on this way of thorn and thunder?
Paardeberg, South Africa is far from the Canadian prairies. In 1899, best friends from the small town of Portage la Prairie, Will and Mason, sign up with the Winnipeg Rifles’ “A” Company to fight in the Second Boer War. Here they meet Robert, the silent anthropologist from Alberta with a mystery he isn’t revealing; Claire, an Australian nurse, chafing under her parents’ glass ceiling, who captures Will’s heart at first sight; and Campbell Scott, a rebellious veteran with an African wife and a hot air balloon requisitioned by the army for spying.All are fleeing their former lives but to be free they must face the shattered bodies of war. In the dust and desert of South Africa, they drift towards each other in ways that can spell either disaster or salvation. Different reasons fuel each person’s motion: Mason wants to fight in the name of justice, pride, and manliness. Will, hesitant from the start, ultimately learns that war is hell. Claire struggles for independence, and Campbell Scott drowns his disillusions in his wife’s potent homebrew.Drift is about challenging and crossing borders and boundaries between and within countries, races, and individuals. History and fate have some hold over the characters but ultimately they have to make decisions in order to stop drifting. With breathtaking grace, Leo Brent Robillard delivers an unstoppable story.
Emma Phillips is 35 years old, divorced, depressed… adrift. But when extraordinary circumstances force her to take care of three traumatized, newly orphaned children, this lifelong free spirit finds motherhood may in fact be her true calling. Part adventure, part kitchen-sink drama, Drift Child is firmly rooted in Vancouver Island geography and culture.